Karen Salicath Jamali Set to Take the Carnegie Hall Stage Saturday for Her Debut Concert

Karen Salicath Jamali – Two Performances Set For December 15, 2018 New York City, New York – Karen Salicath Jamali is an award-winning pianist who earned a chance to play not once, but twice at Carnegie Hall on Saturday, December 15, 2018. Winning second place in the American Protégé Music Talent Competition and an honorable mention winner at the American Protégé International Competition of Romantic Music this fall has given Karen Salicath Jamali the chance to play twice in one day on the world famous Carnegie Hall stage. Locals can check out her performances of her original piano composition, Rainbow

True Media Independence (TMI): Building a Music career with Khady Thiam Gueye

The ability to market your music is an essential skill. Without properly promoting yourself or your music, no one would know you even make music. Regardless of status or stature, administration is a great equalizer of all businesses. If you want exposure, you have to put in the time for marketing - that or hire it out. Independent artists have more opportunities than ever before to launch their own career without the backing of the major labels. Hiring a professional PR executive to handle your campaign is generally the best way to get great coverage. You might prefer the DIY approach

Kill the Reflection: “Forever & Always” keeps itself tight and consistent throughout

Kill the Reflection is group from Oklahoma City, OK, consisting of Morgan Routt (Vocals/Guitar), Mark Martinez (Bass) and Starr Raven (Drums). Their new album, “Forever & Always” is currently available for pre-sale and will release on Dec 27th 2018 on digital and physical CD format with Vinyl to follow in 2019. On the album, Kill the Reflection presents an interesting musical mélange of alternative rock with excellent musicianship and vocals, as well as exceptionally strong lyrics. The instrumental work on the album is worth listening to repeatedly, and the songs are intelligent, though generally dark. “We have adopted the moniker

Son of Andy: “Looking Up” – creating lyrical atmospheres!

Detroit area native, Son of Andy got his start in 2011 and has been producing music and beats since then. His first album, “Wendigo”, was released in 2017, and his second album “Looking Up” is available for Pre-Order right now. Son of Andy takes it to another level with his latest album. He’s on top of his game and easily out does his past couple of releases. Newcomers can appreciate this just as well as previous fans. Likewise, you don’t even have to be a fan of hip hop to appreciate what’s bought to the table here. For those not familiar,

Fitzsimon & Brogan: “Big Blue World” – a full, punchy pop sound!

Fitzsimon & Brogan is a musical project based in London, whose creators therefore logically are songwriter Neil Fitzsimon, and vocalist Bee Brogan. The two setup their songwriting and production to produce, what they describe as “pure pop for now people.” Both were previously in a band called Pretty Blue Gun who featured guests musicians such as members of The Art of Noise, Dave Bronze (Eric Clapton’s bass player), Tobias Boshell (Moody Blues) and Pip Williams, who played guitar on the Walker Brothers’ track, ‘No Regrets’.  The two critically acclaimed albums were produced by Pat Collier, who produced Katrina and the

Lord Conrad: “Only You” – a journey through sound, emotion and introspection

Italian DJ, producer and model Lord Conrad, continues his prolific run with a series of acclaimed crossover hits like “Touch the Sky”, “Day After Day”, “1 Minute” and “Fight Till The End”. Lord Conrad has made it so far since his introduction to the music scene with his first release. With his innovative sound that only he can perfect, his reception is steadily growing, to beyond the strongest communication devices on the planet. Now with the release of his brand new track, “Only You”, the producer once again takes the music world by storm. His sound has drastically improved through the years, and it

Arush Dayal is a triple threat!

With a career spanning acting, singing, and writing, Arush Dayal is a triple threat. Originally hailing from India, Arush has seen a wide swath of the globe on his quest to hone his craft. He has studied at prestigious acting programs across the world including the Acting Program at the International Academy of Film and Television in Hong Kong and the One Year Conservatory at T Schreiber Studio in New York. Meisner Technique, Acting for the Camera and Commercial Acting are all facets of the industry Arush has studied in depth. He continues to perform both onstage and in front

The Frost: “Keep It Real” – There’s a classiness to this!

The Frost is a multi-genre group comprised of Leah Evans (Vocals) and Christian Gratz (Guitar, Piano). Located in Pennsylvania, their brand new single “Keep It Real” was released on December 7.  The duo emerge at a time when the ranks of sophisticated pop contenders seemed to have disappeared on a daily basis. Simultaneously chic and very creative, they thrive on the considerable charm of lead singer Evans, with her smooth chocolate voice, the instrumental talents of Gratz, as well as the pair’s impressive abilities as a songwriting unit. An absolute stand-out aspect of the new song is the way it’s

Forest Robots: “Timberline and Mountain Crest” – Inspired by natural landscapes

Let’s start of by saying that Fran Dominguez aka Forest Robots is a master at producing chilled out electronic music with heavy beats, and lots of orchestral instrumentation thrown in the mix. To call it electronic music almost seems unfair, as it implies this is music made by machines. Yes, I realize he is called Forest Robots, but this could not be further from the truth, as Dominguez’s music is pumping with life and human emotion. His latest album “Timberline and Mountain Crest” showcases 10 tracks of stunning depth, the kind of album you just throw the headphones on, turn

Edward St. Martin: “Lullaby” – blur the lines between savvy pop stylings and hard hitting kinetic soundscaping

Hailing from San Diego, Edward St. Martin has a background in film composition and classical music. His most recent single is “Lullaby”. Expectations met, superseded and immediately I hit replay. This track is going round again and I’m not the only one within ear shot of my stereo who is pleased about it. The easy laid back crossover Pop/EDM groove take is not unexpected, as I had already read that St. Martin was one for mellow tones combined with pop and soul vibes. But this track has another key element which makes a record of this nature standout. Intelligence. This

Nehedar: “High Life”

Nehedar is the project of singer-songwriter Emilia Cataldo performing in the NYC area since 2001.

The daughter of two New York musicians who fled urban life for the country, Cataldo was born in Southbridge, Massachusetts, where her family lived in a barn on the outskirts of town. Music always permeated their home – her mother a hippie piano teacher from a Jewish home & her father a Puerto Rican jazz saxophonist.

The Cataldo family which grew to six children, moved from Massachusetts, to Miami FL, & eventually to the religiously-infused town of Zion, Illinois, on the outskirts of Chicago where Cataldo briefly attended high school.

Cataldo quickly grew disenchanted with her small town surroundings. As soon as she was old enough, she left high school to travel the country, and later the world, on a journey that would eventually lead her to Israel, where she would study the Jewish faith in Seminary, and take on the Hebrew name Nehedar, which means ‘wonderful.’

While spanning indie-rock, folk, jazz and pop genres, the music of Nehedar has continued to deliver her blend of deeply personal yet quirky lyrics, beautiful vocal harmonies and a variety of instrumentation that sets her music apart.

Her new album, which was released this month is entitled “High Tide”. Nehedar delivers an album that seems designed for comfort and easy listening. Featuring slow, medium and up tempo songs which are frisky and very beguiling.

There’s something hypnotic about quirky female singer songwriters. Quite possibly it’s the wryness of outlook that comes from combining intelligence and emotion with maturity. Three qualities that are to be found in abundance in Nehedar’s latest offering.

There’s a certain surefootedness to the album. Every step taken – even when on tricky ground – takes the songs forward and much of what keeps these songs on the ground is the sumptuous and sophisticated production, which takes turns at presenting retro synth sounds as well as modern pop mixes.

On the first half of the album, the sounds are all extremely reminiscent of the Eighties. Strings, synthesizers, pianos, moogs and drum machines abound all across the songs, while Nehedar pitches her ethereal sounding voice amidst these lusciuos retro arrangements with absolute ease. Providing much of the enjoyment gained from this album.

On “The Interrogation”, for example, the vocoder interludes give the feeling of a distint urban tale countering Nehedar’s country prom styled vocal. While on “High Tide” a moogish bassline riff delivers a similarly startling effect. Providing a spunky background for Emilia Cataldo to sing her catchy chorus lines over.

On “Distracted” and “Tinkerbell” you clearly get the impression that words flow effortlessly from songwriter’s pen and her voice is weathered with sufficient apathy to ensure that each one of these words rings true.

“Take It Apart” has definite jazz and latino influences. Rhythmic beats and stabbing horns keep this track stomping throughout, while Ms Cataldo’s surefire, rollercoaster vocal-phrasing, makes it all sound so easy. Simple and effective, as is “The Song No One Hears” a tongue-in-cheek pop melody with a definite Morcheeba sounding arrangement creeping around the edges.

It appears that up until this point of the album, no deliberate attempts have been made to really impress the listener, but rather a more concerted and successful attempt to charm and enchant instead.

It is on “Intro”, that the production takes an impressive drastic left turn. The sound instantly becomes more austere, dark and determined.

“Dig Deep (Parts 1&2)” seriously confirms this impression. Accompanied by a simple tambourine beat, Nehedar offers a stunningly haunting vocal performance. Quite honestly, this is the Nehedar that I personally find more appealling.

Moving ahead things only get better. “Unlove Song” is my absolute favourite track on the entire album, and is definitely suited to, and ready for radio play. Beautifully sung with a bittersweet lyric to match and wrapped up into a tight modern arrangement.

“Baby I’m Falling” doesn’t fall much far behind the top mark either. If like me, you’re just a sucker for a good melody, a straight guitar riff rhythm and an honest-to-goodness Sheryl Crow type vocal, you’ll love this one too.

“Ocean” and “Opening” further demonstrate how much more impressively Nehedar sounds over a guitar driven background as opposed to a synth arrangement. Above a six-string strum, Emilia’s already endearing vocal timbre sounds significantly more determined and grittier.

Track 14 presents the final song of the album, and yet another sharp turn in production.

“Count Down The Days” is a big booming brass arrangement which could so easily have come off a broadway musical by Lionel Bart. If nothing else Nehedar flaunts her fiery versatality, with another showstopping performance.

The album “High Tide” seems deliberately split down the middle, between the Eighties sounding tracks and the Modern-pop sounding ones. Both are convincingly done and Emilia Cataldo’s voice lends itself to either genre equally well, and with absolute ease.

I however, particurlay like the “modern pop sounding genre” which sets in from track 8 onwards.
It presents a craftier, more reflective and impassioned sounding Nehedar.

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