Emmanuel Dalmas & Kirby Howarth: “This Is Love That I’m Feeling” – a song with a country bent

Emmanuel Dalmas a company founder and high level executive in the scientific industry from the South West of France, also moonlights as a multi-genre music composer. Dalmas has been steadily building his music catalog since kicking things off in 2016 from his home studio. He produces instrumental and vocal tracks, engaging talented male and female voices to complete his projects, which in turn are made available for both commercial and non-commercial use. Emmanuel Dalmas recently dropped his latest single, “This Is Love That I’m Feeling”, done in collaboration with Kirby Howarth, who added the vocals and lyrics to Dalmas’ music and

Armonite: “And The Stars Above” – complex, vibrant sonic landscapes

May 2018 saw the release of the new album, “And The Stars Above”, by Italian progressive rock band, Armonite, featuring violinist Jacopo Bigi and keyboardist Paolo Fosso. The album also includes a guest appearance by Porcupine Tree’s bassist, Colin Edwin. Composer Fosso and violinist Bigi are classical musicians who through their teenage years, joined local bands, playing a variety of genres and artists, from the Beatles to Dream Theater. At the end of the ’90s, while still in college, they would play in a band called Armonite. They released an album in 1999, performed a few dates live, and then

MVJOR ARCVNA: “The Last Word in Love”- a master of layers and sequenced progression

Jaron Pearlman aka MVJOR ARCVNA, is an audio engineer, backing musician, and songwriter who grew up in Asheville NC, and is now based in Atlanta GA. Over the years he has toured and recorded with a wide range of artists, including The Indigo Girls, The Shadowboxers, Amor Kismet, Mercury Jackson and more. MVJOR ARCVNA is revered by many critics – and certainly by us – as one of the most quintessential independent producers currently around, standing almost alone in his ability to mix catchy crossover EDM-Pop sounds with complex rock-styled songwriting, and igniting the electronic underground in a truly unprecedented fashion.

DJ Mizzy: “Prost” – gorgeously phrased synth lines, and subtly floating aural overtones

Boasting a sound that goes from his favored deep house grooves to hip-hop, DJ Mizzy, born Claudel Larose, is an international DJ and producer raised just outside of New York. Inspired by artists such as Sander van Doorn, DJ Yonny, and Avicii, Mizzy has a strong passion for his work. Throughout his 18 years of DJing, Mizzy has traveled all over the world to perform, using the original Technic SL1200 turntable as his prime tool. His latest endeavor is “Prost”, a German influenced track with a melodic tone, incorporating a subtle Caribbean flair. DJ Mizzy’s melodies are emotionally evocative and

Boy Leadfoot: “Turn-Buckle” – wholeheartedly playing to their strengths and sounding great while doing it

Max Gordon with Boy Leadfoot is a three-piece blues-based, alternative soul and rock project, from Vancouver Island, Canada. Their latest release, the EP “Turn-Buckle” is a breath of fresh air compared to the pop dribble permeating the American music scene right now. This is the type of musical project that will carve out a steady cult following and attract a good deal of critical acclaim. All three members are very professional and innovative musicians, and musicians of any sort will gobble up all kinds of licks, tones and spices from this release. The EP resides in the nebulous nexus of

Juan Donovan: “Merlot & Marijuana” – a brilliant compendium of styles and luxurious production

As one half of the production duo Darkroom Productions, Juan Donovan has produced with his partner Jamal Roberts some of today’s hottest artists. That list includes R Kelly, Wale, Young Money, Maino, JellyRoll, 24Hrs (Royce Rizzy), Brick Squad, G-Unit, Bad Boy, and more. The duo also won multiple awards for its phenomenal work on HBO’s classic hit series “The Wire”, which garnered them featured in major publications such as FADER, The New York Times, VIBE, and dozens more. It’s not surprising then that Juan Donovan would want to drop a record that’s as much a personal statement as a collection

American Spirits: “Nowhere Near Perfect” – at their most musically and lyrically ambitious

Since being launched in 2017, Bowling Green, Ohio, Indie Rock band, American Spirits, have also founded The Summit Shack, a local DIY venue that has hosted over 25 bands since its inception in the same year. 2018 saw the four piece band release their album “Nowhere Near Perfect”. This recording will grip you by the neck and slam you into the ground. It’s simply one of the most listenable Emo albums you would have heard in a while. You could play the whole thing through without getting bored, probably every day if you wanted to. The music is catchy. The

Internationally Acclaimed Contemporary Jazz Band Drivetime Drops Elegant New Single “Mysterious Life”

 Song is the Lead Single and Title Track of their Latest Album Single Follows their Billboard Jazz #1 Most Added song “Whispers”  Single Marks Band’s relaunch Via Red Hot New The Sound of Los Angeles (TSOLA) Records  (Los Angeles – The Sound of Los Angeles (TSOLA) Records is proud to announce the release of a new single, “Mysterious Life,” by Jazz Fusion torchbearers Drivetime. This Michael B. Sutton production is enriched with sensual soprano saxophone, spacy synths, pulsating drums and percussion, deep pocket bass and enigmatic electric guitar, “Mysterious Life” – the title track of the band’s eight and latest

d’Z: “Connected” – dazzling musical arrangements and a super-tight rhythm section

Hans-Peter de Zeeuw a.k.a. d’Z is a Dutch drummer and composer in the soul, jazz and funk genres. Born to a conservative family in Rotterdam, the life of d’Z changed at the age of nine when he took his first drum lesson. He knew he was destined to be a drummer. By 19, d’Z attended the largest conservatory for pop, jazz and world music in Europe, being taught by leading musicians of the Netherlands. It wasn’t long before d’Z was a sought-after drummer, but he attended the summer of 2016 before turning his attentions to recording. d’Z handpicked his favorite

SUMMY: “Sus” – ready to reach through the stratosphere for stardom

SUMMY is a US-based pop singer who captured the attention of audiences and the music industry with a viral video. SUMMY’s cover of “Issues” by Julia Michaels landed her a spot on MTV’s Cover of the Month and was watched by over half a million music enthusiasts all over the world. These viewers included award-winning producers, and Lady Gaga, who retweeted the video. After her runaway success, SUMMY focused on producing original work. Her current single “Sus” is available now. A music video and album are in the works, and SUMMY is looking ahead to announcing a tour in the

Sean Cooney: “The Last Thing I Heard before the Zombie Apocalypse”

Sean Cooney, a DC native now living in NYC, attended AMDA to study for Broadway shows and has also played in many professional Jazz bands. His trained voice seems even more at home belting out pop songs as he employs it’s crystal clear, cut through quality in wonderfully innovative ways. Sometimes notching it down a few octaves to fulfill the role of hype master Lil John, other times crooning like a pop hungry Jason Mraz.

“The Last Thing I Heard before the Zombie Apocalypse” is Cooney’s latest album release. The album is jam packed with modern retro crossover creations, that embrace the pop, rock, hiphop, dance and electronica genres. And I haven’t even begun to cover all the musical influences this album contains.

I haven’t been this excited about an indie artist or album since the 1980′s when I first heard “Blinded By Science” by a young synthesizer genius named Thomas Dolby.

Dolby mixed dance rhythms, tongue-in-cheek lyrics, eccentric videos and electronic wizardry to create songs that hit you straight between the eyes. Penetrated your brain, drained your soul and made your feet shuffle uncontrably to every note. Cooney has either captured every Dolby essence, or is absolutely blessed to be born with it.

 

To be fair Cooney is the original article. To get a slight idea stamped in your head of what Cooney sounds like, you’d have to take Dolby’s intelligent songwriting, Mika’s vocal operatics and the Black-Eyed Peas’s ability to churn out catchy chart-topping riffs and choruses on every song! If you add Sean Cooney’s eccentric visual presence, you know you’re dealing with a complete modern-day popstar. Packaged and ready to go.

The fact that Cooney is not signed to a major label gives food, for a whole lot of thought indeed. Or these guys are deaf or completely dead. The second case seems more probable if we take a look at the actual state of the music industry.

You could close your eyes, twiddle your fingers and pick any song off “The Last Thing I Heard Before the Zombie Apocalypse” and it would probably sit comfortably anywhere on the Billboard Top 100 charts.

The fact that this album was recorded and produced by Cooney himself, in his home studio, speaks volumes of his talent. The mix and sound quality is absolutely radio ready.

Over and above the superb musicianship and excellent vocal deliveries, Cooney excels where 90% of indie artists fail miserably. The musical and song arrangements.

It’s not enough to have a cool melody, beat or lyric. To achieve success with popular music, you need to amalgamate the pieces into a song that captures the interest of listeners for at least 3 minutes non-stop. Cooney goes over and above my wildest expectations.

Listen to “Deja Vu”. He uses clever synthesizer loops, multiple repeating vocal harmonies, a quick and easy two word chorus line and a thick foot stomping beat to round it all off. A touch of brilliance is added when he speeds up the final bars. Pure genius in Depeche Mode meets Howard Jones style!

I listened to this track more than 20 times in a row and still love it to death. Major labels, what the F*CK are you doing?

“Party Like A Kennedy” is a dance-floor rap anthem which testifies how easy Cooney moves from one genre to another without batting an eyelid.

On “Drag Show”, Cooney shows offs his perfectly sexy falsetto ‘alla Prince’, saucy lyrics and horny arrangements included for your personal pleasure.

The piano dominated “New Friend” is filled with time changes and layered vocal harmonies. You couldn’t possibly fit in another sound effect anywhere…unless of course you’re Cooney.

“What I Like” is Jason Mraz flawlessly emulating Cooney, or is it the other way around? I’m not sure, but damn do they both sound so good!

By the time I get to “Birthday Girl” and “Evil Lover”, I am totally in love with Cooney’s music. This is the most refreshing, interesting and convincing indie album I have had the pleasure of reviewing…ever. Of any genre.

It’s on “Evil Lover” that I finally draw my conclusion and make the ultimate comparison. That in my book, should qualify Sean Cooney as a superstar in the making.

Throughout the album, there was one voice that Cooney’s vocal timbre and delivery kept reminding me of.

One of my all-time favourite voices and probably rock’s greatest singer and showman ever.

Freddie Mercury.

Need I say more?

Buy this album.

Today!

VISIT COONEY’S HOMEPAGE

WATCH COONEY’S VIDEO “BROOKLYN”

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