Digital Gringo: “Project Mayhem” cannot be described as anything less than brilliant!

Right of the cuff, two things caught my attention about Modesto, California creative, Digital Gringo. Firstly, his biography reads: “Digital Gringo is a rapper that raps”. And secondly, how many rappers do you know that rhyme perfectly to the funky beat foundation of Earth Wind & Fire’s “Let’s Groove”? But my enchantment with this atypical rapper didn’t stop there, while listening to his aptly named 12 track album – “Project Mayhem”. In fact, as a description, ‘mayhem’ may actually be an understatement once you’ve run through the entirety of this recording. The tones and moods on this album run from

Omar Bowing: “Women” – the expansive arrangement gives it a progressive bent

Omar Bowing is an independent musician and songwriter located in Austin, Tx. Omar who plays the guitar and guitarviol works with a revolving group of musicians to bring his songs to life. In particular he often collaborates with Tyson Yen, who has lent his voice to almost all of Bowing’s tracks. Omar Bowing’s latest musical creation is simply entitled “Women”. Though mirroring the endeavors of history-making females, the track intends to be a respectful tribute to women in general – from mothers to wives, and sisters to nieces, daughters, friends and co-workers, etc. And in fact the track releases on

Glocck Vee: “IDGF ABOUT YO HITTAS” delivers sharp, telescopic views

Glocck Vee, is an American rap artist from Albuquerque, NM. He has overcome adversity in his childhood and now makes music about his experiences.  His latest single “IDGF ABOUT YO HITTAS” features Mike Beezy Bad Azz, a recording artist, and engineer. Glocck Vee currently works with Juelz Santana, Big Trill, And Maino, and has also collaborated with Mr.Pookie from Dallas TX, Stoney Crook Records. This is a track driven by reactionary outbursts of authenticity and real hip-hop. It’s a robust and dynamic project. Glocck Vee is pure, and, arguably, blunt. His latest single loads several compelling rounds of rage. And

The Jon Johns: “Road Trip Mixtape” – an adventurous attitude!

The Jon Johns are a duo of musicians/producers who have been making music together since 2018. Their music binds the past and the present together into a harmonious sound with musical influences from the 60’s to now. One-hundred-percent independent, the Jon Johns do everything from writing, playing, recording, producing, mixing and releasing their own music. They currently have their 9 track “Road Trip Mixtape” out now. Within minutes of the mixtape kicking into life, this supremely confident recording suggests a band at the peak of their powers, occupying their own orbit. It starts with “Make My Day”, a vast, expansive

Marcela Iglesias: “Human Doll” (feat. Eric ‘Well Written’ McCoy) – fun, bouncy and all around enjoyable

Love it or hate it, you cannot deny that Plastics of Hollywood are gaining traction and making serious waves in the entertainment industry. Spearheaded by Los Angeles, California, Talent manager and producer Marcela Iglesias, the community of plastic surgery enthusiasts are spreading their reach into the film, TV and music spheres. From Ken dolls to Jessica Rabbit and Britney Spears lookalikes Plastics of Hollywood have spent millions of dollars on surgery and aesthetic procedures altering and adapting their looks. Their aim is to simply feel happy and fulfilled in bodies they adore. By the very nature of its scope Plastics

Interview with Californian band City Kings

City Kings is an alternative rock band from Chino, California. Though mainly known for playing heavier hard rock sounding tunes, the band has a very versatile array of musical knowledge. They perform acoustic and softer renditions of their songs on streets of the Inland Empire, or original versions of songs on stages in local venues. The three-piece collective is made up of Chris, Adrian and Ruben. How and when did the City Kings project start and who are the collaborators involved? Christian Blankenship (City Kings): City Kings was basically started on Craigslist! I met our singer and guitarist Adrian after

Midas Well: “3am”- moments of pure body-high pleasure

Midas Well is a singer, songwriter, and multi-instrumentalist currently residing in Austin, Texas. His album “Golden Rule” is coming soon to all streaming platforms via Jurnt Entertainment, along with his single “3am”. Midas raises the stakes in this stunning narrative. In lesser hands, all this creative weight could feel leaden. But Midas proves himself to be a craftsman, and gets the job done. Midas Well is a great musical artist and his new single shows that in a beautiful showcase of music.  “Golden Rule” is an album with a generous helping of highlights, not least because of Midas’ enviable vocal

DJ Raw B & Luke Sick: “Head Chucka” – a panoply of mic and beat making skills

DJ Raw B & Luke Sick are a hip-hop duo from the Bay Area. Their friendship grew into a partnership that led to collaborations on past tracks and projects. An album had been a goal for the duo, and that dream has finally been realized with “Born Illness”, an eight track LP that’s currently available on all music platforms. The album was produced via a digital collaboration between DJ Raw B and Luke that spanned the course of a year. This release shows a rapper and a beat maker who prove that they are not going anywhere soon. Both unwrap

Sevy Campos: “Thirsty” ft. Samuel Wallace – a Pop-EDM crossover flavor

Born in Arles, Southern France, Sevy Campos began to sing and play guitar at a very early age with the desire to follow in the footsteps of the famous Gipsy Kings, who are from his hometown. During his teen years Sevy across all of Europe, and lived in the UK for 5 years He then returned to France before going to Germany. His song “Thirsty” ft. Samuel Wallace, has been aired on MTV, and is currently play-listed on more than 160 radio and TV channels around the globe. Currently preparing his upcoming album, Sevy Campos is also planning to announce

OfficialVybe: “Anubis” – authentic, unaffected and uninfluenced

Two years after being a coma for 47 days due to open heart surgery, North Liberty, Iowa rapper Vybe aka OfficialVybe, is back with a brand new 18 track album, entitled “Anubis”. The rapper who initiated his craft under the guidance of Russell Barbary has since been produced by Grammy Award winner Matty Trump, on his single “Activist”, and has his songs available on over 600 stores in more than 120 countries. This album is chock full of more cast iron monster tunes than any mainstream rap album this year. In the world of casual rap fans, there are three

Sean Cooney: “The Last Thing I Heard before the Zombie Apocalypse”

Sean Cooney, a DC native now living in NYC, attended AMDA to study for Broadway shows and has also played in many professional Jazz bands. His trained voice seems even more at home belting out pop songs as he employs it’s crystal clear, cut through quality in wonderfully innovative ways. Sometimes notching it down a few octaves to fulfill the role of hype master Lil John, other times crooning like a pop hungry Jason Mraz.

“The Last Thing I Heard before the Zombie Apocalypse” is Cooney’s latest album release. The album is jam packed with modern retro crossover creations, that embrace the pop, rock, hiphop, dance and electronica genres. And I haven’t even begun to cover all the musical influences this album contains.

I haven’t been this excited about an indie artist or album since the 1980′s when I first heard “Blinded By Science” by a young synthesizer genius named Thomas Dolby.

Dolby mixed dance rhythms, tongue-in-cheek lyrics, eccentric videos and electronic wizardry to create songs that hit you straight between the eyes. Penetrated your brain, drained your soul and made your feet shuffle uncontrably to every note. Cooney has either captured every Dolby essence, or is absolutely blessed to be born with it.

 

To be fair Cooney is the original article. To get a slight idea stamped in your head of what Cooney sounds like, you’d have to take Dolby’s intelligent songwriting, Mika’s vocal operatics and the Black-Eyed Peas’s ability to churn out catchy chart-topping riffs and choruses on every song! If you add Sean Cooney’s eccentric visual presence, you know you’re dealing with a complete modern-day popstar. Packaged and ready to go.

The fact that Cooney is not signed to a major label gives food, for a whole lot of thought indeed. Or these guys are deaf or completely dead. The second case seems more probable if we take a look at the actual state of the music industry.

You could close your eyes, twiddle your fingers and pick any song off “The Last Thing I Heard Before the Zombie Apocalypse” and it would probably sit comfortably anywhere on the Billboard Top 100 charts.

The fact that this album was recorded and produced by Cooney himself, in his home studio, speaks volumes of his talent. The mix and sound quality is absolutely radio ready.

Over and above the superb musicianship and excellent vocal deliveries, Cooney excels where 90% of indie artists fail miserably. The musical and song arrangements.

It’s not enough to have a cool melody, beat or lyric. To achieve success with popular music, you need to amalgamate the pieces into a song that captures the interest of listeners for at least 3 minutes non-stop. Cooney goes over and above my wildest expectations.

Listen to “Deja Vu”. He uses clever synthesizer loops, multiple repeating vocal harmonies, a quick and easy two word chorus line and a thick foot stomping beat to round it all off. A touch of brilliance is added when he speeds up the final bars. Pure genius in Depeche Mode meets Howard Jones style!

I listened to this track more than 20 times in a row and still love it to death. Major labels, what the F*CK are you doing?

“Party Like A Kennedy” is a dance-floor rap anthem which testifies how easy Cooney moves from one genre to another without batting an eyelid.

On “Drag Show”, Cooney shows offs his perfectly sexy falsetto ‘alla Prince’, saucy lyrics and horny arrangements included for your personal pleasure.

The piano dominated “New Friend” is filled with time changes and layered vocal harmonies. You couldn’t possibly fit in another sound effect anywhere…unless of course you’re Cooney.

“What I Like” is Jason Mraz flawlessly emulating Cooney, or is it the other way around? I’m not sure, but damn do they both sound so good!

By the time I get to “Birthday Girl” and “Evil Lover”, I am totally in love with Cooney’s music. This is the most refreshing, interesting and convincing indie album I have had the pleasure of reviewing…ever. Of any genre.

It’s on “Evil Lover” that I finally draw my conclusion and make the ultimate comparison. That in my book, should qualify Sean Cooney as a superstar in the making.

Throughout the album, there was one voice that Cooney’s vocal timbre and delivery kept reminding me of.

One of my all-time favourite voices and probably rock’s greatest singer and showman ever.

Freddie Mercury.

Need I say more?

Buy this album.

Today!

VISIT COONEY’S HOMEPAGE

WATCH COONEY’S VIDEO “BROOKLYN”

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