JT Music: “Never Give Up”(ft. Fabvl & Divide) – totally unmatched in their genre!

JT Music is a nerdcore hip-hop group formed by artists Christian Ames and John Gelardi in December 2008. With 10 years of experience under their belt, Ames and Gelardi have taken their project to a new level. Every Saturday at 12 pm EST, JT Music posts a music video on YouTube based on video games, often in the form of rap battles between video game characters. With 2.2 million subscribers on YouTube, JT Music gets 25-30 million views on their videos per month. Some of their most popular videos include “Sans and Papyrus Song – An Undertale Rap” with 45

Katie Garibaldi Music Video “Safe and Warm” Premieres On The Christian Beat

Katie Garibaldi is an award-winning singer/songwriter and guitar player whose characteristic Christian-contemporary blend with Americana roots. This gives her a dreamy and soulful musical sound drenched in sparkling memorable melodies. The prolific songwriter hailing from San Francisco, CA, continues to stretch the boundaries of any genres walls with the release of her latest album, Home Sweet Christmas, a collection of original holiday and faith-inspired songs that embrace Garibaldis operatic vocal prowess and soulful folky affection, but also branch out into traditional country and gospel atmosphere. This week, Garibaldi releases the official music video for “Safe And Warm (Lullaby For Jesus)”

Multi-Talented P Tee Money Gets Back On The Track With ”I’m Not Afraid” album

P Tee Money is an English DJ/EDM, Electronic Artist; a royal descendant of Nigeria bloodline was born in London, England and studied Aeronautical Engineering in the military. He discovered his passion for music at a very young age, drawing influence from a variety of genres and especially from artists such as George Duke and Earth Wind & Fire. From his love of music, he eventually settled down in progressive house, the genre that he connected most. His productions cross a wide range of electronic music styles, from House, deep house, indie-dance, progressive, future, electro-pop and chill out. Despite being a

J-Hamz ft. Jesse Peters: “Keep On Lovin’ Official Remixes” – smooth groove and audio euphoria

Electronic music producer and classically trained pianist J-Hamz has accumulated a series of accolades which include Beatport Staff Picks and Top 10s, FM radio play across Canada and the USA, and nominee for Electronic Recording of the Year 2017 at the Edmonton Music Awards. He has had his songs remixed by producers in Canada, the United States, Germany, Japan, and Russia, including “Keep On Lovin’” – featuring lyrics and vocals by Jesse Peters – in a remix contest with Digital Empire Records. Now the hard working producer has just dropped his 8th release – “Keep On Lovin’ Official Remixes” featuring

C-Neil: “A Working Progress” ft. Timara Rogers – enthralling and emotional

C-Neil is a talented artist, songwriter, and producer based in Arkansas. He has worked in the music business since he was 15 years old. For years, he rapped and produced for artists local to St. Louis before moving to Atlanta to hone his craft. C-Neil has performed at several showcases in Arkansas, St. Louis, and Atlanta, including the Royal Peacock and the Urban Network Festival in Memphis. Despite being well-received, C-Neil, inspired by his mother, turned to his roots to gospel music. His latest release, “A Working Progress”, opens up about the obstacles he has faced. The track also features

Harmless Habit: “FRONTERROR” – a marvel of rock hard timelessness

Harmless Habit sound as confident as a band that have already paid their dues, and established a sound that is just as good or better than the bands that inspired them, and now give us a two way mirror into the rawness of their creative process with their 6-track album, “FRONTERROR” which feels heavy, hypnotic, emo(tional) and transformative. The best three words to describe this recording would simply be…TURN THIS UP!  The album kicks off full force and doesn’t really take the pedal off the metal until very late in the album, and only for a few seconds. So if driving,

Musicbyko: “Life In Element” – a melded perspective derived from a focused vision

Rap and hip-hop is no longer strictly about an artist’s lyrical ability, there is a series of beats and melodies that need to come together in perfect harmony to create the sonic excellence that fans demand to hear. To that end, Musicbyko is the embodiment of real modern rap in a production heavy hip-hop environment that has very little care for bars. This Bay Area rapper from Oakland, CA, has a message of ambition and a constitution of excellence that he is attempting to establish within his craft. It is clear that he has grown into more than just a

Maelstroms by Julian Kerins injects new life into Rock

Julian Kerins is a New York based singer-songwriter whose music is the end result of an eclectic amalgam of influences that have been centered around a Rock backing. His latest debut EP Maelstroms has reached the ears of this writer to wondrous effect. The EP blends Classical, Opera, Avant-garde, Folk, some Eastern influence and even a touch of Jazz to create a beautiful menagerie of melancholic delight. If you’re looking for an overwhelmingly passionate listening experience that just may leave you in tears (with the heart wrenching operatic ballad “In Billowing Skies” or the simply monolithic hard Rock foray that

Los Angeles songwriter/producer Betty Moon celebrates her latest single Parachute with a new music video

The video takes viewers up above the cityscapes and back again. (LOS ANGELES, CA) – Betty Moon continues to build upon her assent on the international streaming music charts with the release of her new music video for Parachute. With the single being released last week, the video compliments a very personal song about self-empowerment and escaping to live the life you’ve always dreamed about. The 90s tinged pop video boasts large doses of nostalgia, rock n roll and mixes things up with Moons fashionably unique brand of indie rock, mainstream and electronic influenced music. The video premiered this morning

‘Sound of the City’ A New Four-Part Episode Docu-series is Launched by A Houston Record Company

‘Sound of the City’ gives viewers a behind-the-scenes look at what it takes to produce an album by following the creation of Wreckshop Nation’s collaborative new project titled ‘Unity Vol. 1.’ The docu-series premiered Sept. 17, 2018. Wreckshop Nation (WSN) is an independently owned entertainment company focused on promoting and producing digital content, products, and services for artists while simultaneously embracing the Southern Hip-Hop culture that developed in Houston during the late 1990’s “Wreckshop Records” era and still thrives today. Wreckshop aims to be more than just a label, but a brand; it is striving to be a centralized platform

Sean Cooney: “The Last Thing I Heard before the Zombie Apocalypse”

Sean Cooney, a DC native now living in NYC, attended AMDA to study for Broadway shows and has also played in many professional Jazz bands. His trained voice seems even more at home belting out pop songs as he employs it’s crystal clear, cut through quality in wonderfully innovative ways. Sometimes notching it down a few octaves to fulfill the role of hype master Lil John, other times crooning like a pop hungry Jason Mraz.

“The Last Thing I Heard before the Zombie Apocalypse” is Cooney’s latest album release. The album is jam packed with modern retro crossover creations, that embrace the pop, rock, hiphop, dance and electronica genres. And I haven’t even begun to cover all the musical influences this album contains.

I haven’t been this excited about an indie artist or album since the 1980′s when I first heard “Blinded By Science” by a young synthesizer genius named Thomas Dolby.

Dolby mixed dance rhythms, tongue-in-cheek lyrics, eccentric videos and electronic wizardry to create songs that hit you straight between the eyes. Penetrated your brain, drained your soul and made your feet shuffle uncontrably to every note. Cooney has either captured every Dolby essence, or is absolutely blessed to be born with it.

 

To be fair Cooney is the original article. To get a slight idea stamped in your head of what Cooney sounds like, you’d have to take Dolby’s intelligent songwriting, Mika’s vocal operatics and the Black-Eyed Peas’s ability to churn out catchy chart-topping riffs and choruses on every song! If you add Sean Cooney’s eccentric visual presence, you know you’re dealing with a complete modern-day popstar. Packaged and ready to go.

The fact that Cooney is not signed to a major label gives food, for a whole lot of thought indeed. Or these guys are deaf or completely dead. The second case seems more probable if we take a look at the actual state of the music industry.

You could close your eyes, twiddle your fingers and pick any song off “The Last Thing I Heard Before the Zombie Apocalypse” and it would probably sit comfortably anywhere on the Billboard Top 100 charts.

The fact that this album was recorded and produced by Cooney himself, in his home studio, speaks volumes of his talent. The mix and sound quality is absolutely radio ready.

Over and above the superb musicianship and excellent vocal deliveries, Cooney excels where 90% of indie artists fail miserably. The musical and song arrangements.

It’s not enough to have a cool melody, beat or lyric. To achieve success with popular music, you need to amalgamate the pieces into a song that captures the interest of listeners for at least 3 minutes non-stop. Cooney goes over and above my wildest expectations.

Listen to “Deja Vu”. He uses clever synthesizer loops, multiple repeating vocal harmonies, a quick and easy two word chorus line and a thick foot stomping beat to round it all off. A touch of brilliance is added when he speeds up the final bars. Pure genius in Depeche Mode meets Howard Jones style!

I listened to this track more than 20 times in a row and still love it to death. Major labels, what the F*CK are you doing?

“Party Like A Kennedy” is a dance-floor rap anthem which testifies how easy Cooney moves from one genre to another without batting an eyelid.

On “Drag Show”, Cooney shows offs his perfectly sexy falsetto ‘alla Prince’, saucy lyrics and horny arrangements included for your personal pleasure.

The piano dominated “New Friend” is filled with time changes and layered vocal harmonies. You couldn’t possibly fit in another sound effect anywhere…unless of course you’re Cooney.

“What I Like” is Jason Mraz flawlessly emulating Cooney, or is it the other way around? I’m not sure, but damn do they both sound so good!

By the time I get to “Birthday Girl” and “Evil Lover”, I am totally in love with Cooney’s music. This is the most refreshing, interesting and convincing indie album I have had the pleasure of reviewing…ever. Of any genre.

It’s on “Evil Lover” that I finally draw my conclusion and make the ultimate comparison. That in my book, should qualify Sean Cooney as a superstar in the making.

Throughout the album, there was one voice that Cooney’s vocal timbre and delivery kept reminding me of.

One of my all-time favourite voices and probably rock’s greatest singer and showman ever.

Freddie Mercury.

Need I say more?

Buy this album.

Today!

VISIT COONEY’S HOMEPAGE

WATCH COONEY’S VIDEO “BROOKLYN”

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