Dragg – “Letter To My Love” is the second single from the EP “L.i.T”

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US-based Contemporary Christian band Pivotal Awakening Drop the Official Video for “Soulblind”

“Soulblind” is the debut song and first-ever music video by Pivotal Awakening, a US-based Contemporary Christian band. The band create encouraging and uplifting songs with engaging sounds and impactful themes. Here they lead the charge with another impressive arsenal of sweet soulful sounds and meaningful lyrics. It’s no surprise that their songs tend to captivate and excite listeners. Without reservation, “SoulBlind” kicks off on a surefooted organic note. The opening chords and drums launch the introduction of the song; the verse and chorus picks up with thoughtful but energetic drums, piano, and guitar. Mindi Odom on vocals leads the song,

Yeison Jimenez & Silvestre Dangond Present ‘Gracias a ti’

Yeison Jimenez & Silvestre Dangond The Greatest Exponents of Two Genres Defining Colombian Culture and Folklore Present ‘Gracias a ti’ Both music stars are joining forces to merge Vallenato with Colombian regional music, in a collaboration without comparison that promises to be an anthem for posterity. Yeison Jiménez, the greatest exponent of popular music in Colombia, and singer and instrumentalist Silvestre Dangond, who is considered one of the principal and greatest representatives of the new wave of the genre Vallenato, have joined forces to present “Gracias a ti”, a musical proposal that fuses Vallenato with regional Colombian music, as well

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In celebration of the upcoming release of Arcadian Resonance on 20th August by the alternative rock artist Playfio, they will be showcasing a brand new music video every Friday under the hashtag #ONEaWEEK – 16 videos in total, running  for 3 and half months.  Follow Playfio on Facebook to follow this epic stream of awe inspiring music video releases. Over the past two years since the debut release of ‘Arcadian Rhythm’ in 2018, Playfio has had the pleasure of working with some extremely talented creatives to create some jar dropping good videos. Four of these videos will precede the 20.08.20

MONOTRONIC RELEASES NEW SONG AND VIDEO FOR “KIDS OF SUMMER”

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Everything that makes Calvin Priice brilliant, is on full display here!

Set to drop his brand new “Bon Voyage” project, Calvin Priice has already proven with the release of last year’s “Pineapple Sunset” that they he as innovative as he is grounded in classic stylings – a well-oiled machine representative of the musical mastery at the heart of his rhythmic sound. One that remains a powerhouse of full-bodied grooves, dancefloor rhythms, technologically on-point composition, world-class vocal talent, and an expert pen game. Calvin’s versatility across all of his works proves the value of staying power and musical chops. “Bon Voyage” is touted to contain the singles “Amor Galactico”, “Sugar Honey Iced

Ali Doukali – “Smooth” has top tier flows and lyrics!

In the modern hip-hop and trap era, an artist like Ali Doukali is probably severely overlooked in hip-hop, when truthfully he has top tier flows and lyrics that put him above many of his peers. All through his song-list, Ali cements himself among the best, at creating hard-hitting, aggressive and catchy trap while telling vivid stories in the process. This legacy is continued on his latest single, “Smooth” as the listener is dragged down the deep well that is the rapper’s psyche, making for one of the grittiest tracks of the year. Recorded at ID Labs in Pittsburgh “Smooth” is

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After hanging behind the scenes for the last couple of years and remixing artists like “The Love Theme, Short Wave Craft & “Disco Circus”, Bad Bikini release their Disco infused debut single “Free” on the Smokersblend record label, run by producer Dominic Owen (The Love Theme). There are a combination of sounds on this track but the overall feel is electronic disco. There are also plenty of moments for Bad Bikini to show an almost chill wave undertone – the spectral chords and tuneful flutes flourishing beautifully above the driving rhythm. The female harmonies keep the smoothness bumping, while a

Lakinni has narratives that are glowing red in her heart

Over the years Lakinni’s sound has evolved, grown and blossomed and each new song release, hears her defining her sound further with a mature and brassy delivery. Her concise catalog is a bold collection that hears her combining a winning sound of brash and confident pop-soul along with  vulnerable and croon worthy ballads. Note for note, Lakinni is a engaging storyteller. Her fearless intent is evident right from the start. Her single “Walking The Line” not only imprints the her spellbinding musical charm and ambition but alerts the listener to the damning but empowered thematic stretches present throughout her catalog’s

Guy Freedom English – “Forged by Fire” – the work of a consummate professional

A multi-instrumentalist and songwriter, Guy Freedom English handles all the playing and production for his music. Starting out with a 4 track he’s upgraded to an 8 track and uses no computer programs of any kind to capture the raw live feel of an actual band. Originally from Detroit, MI and relocated to Brookings, SD, Guy has played countless shows across the mid-west. Since 2017, he has released 4 albums and 7 singles, and has just dropped his fourth album “Forged by Fire”. Guy Freedom English solo project is really one of the best you’ll hear in authentic hard rock

Sean Cooney: “The Last Thing I Heard before the Zombie Apocalypse”

Sean Cooney, a DC native now living in NYC, attended AMDA to study for Broadway shows and has also played in many professional Jazz bands. His trained voice seems even more at home belting out pop songs as he employs it’s crystal clear, cut through quality in wonderfully innovative ways. Sometimes notching it down a few octaves to fulfill the role of hype master Lil John, other times crooning like a pop hungry Jason Mraz.

“The Last Thing I Heard before the Zombie Apocalypse” is Cooney’s latest album release. The album is jam packed with modern retro crossover creations, that embrace the pop, rock, hiphop, dance and electronica genres. And I haven’t even begun to cover all the musical influences this album contains.

I haven’t been this excited about an indie artist or album since the 1980′s when I first heard “Blinded By Science” by a young synthesizer genius named Thomas Dolby.

Dolby mixed dance rhythms, tongue-in-cheek lyrics, eccentric videos and electronic wizardry to create songs that hit you straight between the eyes. Penetrated your brain, drained your soul and made your feet shuffle uncontrably to every note. Cooney has either captured every Dolby essence, or is absolutely blessed to be born with it.

 

To be fair Cooney is the original article. To get a slight idea stamped in your head of what Cooney sounds like, you’d have to take Dolby’s intelligent songwriting, Mika’s vocal operatics and the Black-Eyed Peas’s ability to churn out catchy chart-topping riffs and choruses on every song! If you add Sean Cooney’s eccentric visual presence, you know you’re dealing with a complete modern-day popstar. Packaged and ready to go.

The fact that Cooney is not signed to a major label gives food, for a whole lot of thought indeed. Or these guys are deaf or completely dead. The second case seems more probable if we take a look at the actual state of the music industry.

You could close your eyes, twiddle your fingers and pick any song off “The Last Thing I Heard Before the Zombie Apocalypse” and it would probably sit comfortably anywhere on the Billboard Top 100 charts.

The fact that this album was recorded and produced by Cooney himself, in his home studio, speaks volumes of his talent. The mix and sound quality is absolutely radio ready.

Over and above the superb musicianship and excellent vocal deliveries, Cooney excels where 90% of indie artists fail miserably. The musical and song arrangements.

It’s not enough to have a cool melody, beat or lyric. To achieve success with popular music, you need to amalgamate the pieces into a song that captures the interest of listeners for at least 3 minutes non-stop. Cooney goes over and above my wildest expectations.

Listen to “Deja Vu”. He uses clever synthesizer loops, multiple repeating vocal harmonies, a quick and easy two word chorus line and a thick foot stomping beat to round it all off. A touch of brilliance is added when he speeds up the final bars. Pure genius in Depeche Mode meets Howard Jones style!

I listened to this track more than 20 times in a row and still love it to death. Major labels, what the F*CK are you doing?

“Party Like A Kennedy” is a dance-floor rap anthem which testifies how easy Cooney moves from one genre to another without batting an eyelid.

On “Drag Show”, Cooney shows offs his perfectly sexy falsetto ‘alla Prince’, saucy lyrics and horny arrangements included for your personal pleasure.

The piano dominated “New Friend” is filled with time changes and layered vocal harmonies. You couldn’t possibly fit in another sound effect anywhere…unless of course you’re Cooney.

“What I Like” is Jason Mraz flawlessly emulating Cooney, or is it the other way around? I’m not sure, but damn do they both sound so good!

By the time I get to “Birthday Girl” and “Evil Lover”, I am totally in love with Cooney’s music. This is the most refreshing, interesting and convincing indie album I have had the pleasure of reviewing…ever. Of any genre.

It’s on “Evil Lover” that I finally draw my conclusion and make the ultimate comparison. That in my book, should qualify Sean Cooney as a superstar in the making.

Throughout the album, there was one voice that Cooney’s vocal timbre and delivery kept reminding me of.

One of my all-time favourite voices and probably rock’s greatest singer and showman ever.

Freddie Mercury.

Need I say more?

Buy this album.

Today!

VISIT COONEY’S HOMEPAGE

WATCH COONEY’S VIDEO “BROOKLYN”

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