Voice in the Attic – “Warts & All” – his strongest record thus far

I discovered BC Bogey aka Voice in the Attic during 2015, listening to the single “Over”, and fell in love with this project instantly. BC Bogey is a critically acclaimed songwriter, multi-instrumentalist, award-winning music video director and classically trained singer, who works with Grammy-winning musicians and sound engineers from Europe and the USA. The way he can easily glide through the organic chill of some songs, into the homey, campfire-like tunes, then to the fully fleshed-out modern twist of others, will always surprise me. He puts so much effort into the music and the lyrics, it’s always worth supporting him.

ECHOGLASS – “Hard” – Blistering guitars, muscular bass and drums

The Lancashire, Blackburn-based collective, ECHOGLASS, is a musical vehicle for core members DA McKenna, Remmy and Bo, who release their creations through Darkhouse Recordings. Their work is musically and lyrically distinct, and from the beginning they have always transcended the generic constraints of UK indie pop, punk and rock. Reinventing their blended sound on each release. While most of their contemporaries are electronic based clones, ECHOGLASS’ latest single “Hard”, inspires and delights with its guitar driven engine room. Going against the current tide, the band’s music is intense, introspective and acutely observant – a wholly alternative world view. The lead vocals are

Kee Beez – “Keep It 100” – cocked, locked, and ready to rock!

Kee Beez grew up in the SF Bay area California with his ability to produce, perform and record. The Rap and Hiphop artist is fresh off his 10 track project “Keep It 100” from Da Kee Records. The recording has a refreshing flow to it that hip hop albums lately have been totally lacking. It exhibits a hip hop artist, holding out his pen-game and showing you a compass pointing to the true core of the hip hop culture that most albums fail to point to as of recent years. And it’s not just someone barely mumbling over lyrics with

Abeille – “Feels” – sensitivity and consummate craftsmanship

Abeille (meaning ‘honeybee’ in French) is an indie jazz-pop duo out of Nashville and Portland. This long distance project is made up of Emily Jewel and Samuel Terrazzino, who currently released their debut single “Feels”. “This song goes past the meaning of just two individuals finding each other,” explains the duo, continuing: “At the time this song was written we had just started playing music together again after a multi-year hiatus of minimal contact. This song was the turning point in our relationship from being just friends to something more.” They have since gone from being just friends, to a

DopeAMean – “Blue Faces” – There are plenty of highlights to be raved about!

DopeAMean born Josephis Wade, started rapping in 2004 with a rap group formerly known as Y.B.E. (Young Black Entrepreneurs). A decorated US Army Veteran, Wade was born in Columbus Georgia USA, to Lisa Denise Ceesay Pollard – a single mother. Raised in Metro-Atlanta, Ga and Auburn, Al, DopeAMean currently resides in Denver, and is the proud owner of the record label, Every-Thing Dope LLC. His latest project is 14 track album, “Blue Faces”. It’s enthralling on a sonic level, and the rapper keeps up lyrically, his flow more than malleable enough to fit with any groove put forward. It is

Frado180 – an instrumental artist and aspiring Hip hop producer from New York City, NY

Starting out as a passionate hip-hip DJ at the age of 15, Frado180 worked hard at the local gas station in order to own his first Turntable. And he never had to look back as a local group 2 in Room with hit single “Wiggle it” fame soon discovered his talent and helped him produce his first demo. At that moment his propulsive force of music truly began to take shape by its zig-zagging through genres, settling on moments of analogue clarity as well as digital refraction. Frado180 got his first real break when he landed a gig at a

Nachamuni – “Deep Down” a total floor filler with an infectious groove!

“Deep Down” is the new EDM single from electronic music producer Nachamuni, who is based in Vienna Austria. The track extends the reach of his signature sound. Most significantly, the Deep House track showcases a shift toward the high-minded, super-precise catchy pop production vibe of most modern electronic producers. The growling basslines have the potential to draw law enforcement officers to your doorstep, depending on the decibel level and kindness of your neighbors. Its structure dominates the landscape with both breathtaking impact and precision. The track refuses to recycle an old beat, gradually building from a melodic and soulful vocal

Alysha Releases Official Video for “David Attenborough”

A bit over a month ago, London born Alysha, a 17 year old teen with enormous talent as a singer and songwriter, would have probably not imagined for her career to catapult in such a sort of magical way. Every artist, before they begin their road to stardom and even throughout, always dream all they want to do to achieve their goals. We hear many stories of singers that were many times turned down by the industry, one that said industry sometimes gets a tough reality check, when they realize that the artist is now a superstar (on a different

Matthew Schultz x Gyptian Present ‘Turn Me Up’

Multi-Talented U.S. artist, Matthew Schultz unveils his latest crossover cut, ‘Turn Me Up’ – a fire collaboration with revered Reggae-Dancehall singer Gyptian. Matthew Schultz and Gyptian touch down with a standout reggae-influenced dance track featuring hypnotic synths & punchy percussion. Coupled with a languid, chilled out dance vibe and mesmeric rhythms – ‘Turn Me Up’ is the perfect song for radio, streaming & dance floors alike. Along with a remix from X-Change – the single is positioned for a whole host of love worldwide. Matthew Schultz is a multi-instrumentalist, producer, singer and performer who started out playing guitar in Chris

“1969” is the new Single and Video by THE FUZES

“1969” is a brand new single by the Swedish based band, The Fuzes. The track elaborates on historical events that took place in the USA that year. The song features Martin Dagger Granhage (Guitars, Bass, Lead Vocals) who is also the producer. Nathanaël Bartolo is on Drums. The Fuzes have 3 albums under their belts, which includes “Moving On”(2004), “In From The Shadows” (2005) and “Shake Your Body” (2006). Their latest work, is the group’s first recording in 12 years.  Visit The Fuzes website here: http://www.thefuzes.net/ Check out the past albums here: Apple: https://music.apple.com/us/album/shake-your-body/163988247 Deezer: https://www.deezer.com/sv/track/70066783 You Tube: https://youtu.be/IXaI6dyjtvI Check the band

Daley Phillips: Catch The New EP Now!

Daley/Phillips are a songwriting team from Boston, Massachusetts USA. Their musical roots run through the rock genre and expands it’s way outwards , embracing other forms and sounds. Be this alternative indie, pop or post-punk. The band also produce their own music

They kick off the EP with “SICK LOVE” which blends an electronic synthesizer based rock rhythm, sprinkled with spaghetti-western guitar riffs. The rap verses and melodic bridges are roughly reminiscent of works by Linkin Park, while the choruses tend to lean towards the energetic vocal phrasing of Green Day.

“Someday” moves in, sounding like pure retro rock. The bellowing vocal line could come straight off one of 70’s rock band, Grand Funk Railroad’s, earlier albums. I’m not sure if it’s purposely planned this way or just a casual trait, but on these first two track, “Daley/Phillips” display the ability and tendency to switch sound styles in mid song. So what sounds like a specific genre during the verses, flips to another during the bridges or choruses.

“It’s Alright” actually breaks the mold, grabbing one genre and nailing it down right until the very last note. This is probably the best track on the EP. High paced and energetic, the band stay tight and cohesive, and once they hit those high soaring choruses they never let go. This is your typical roller coaster rocker. From the first bar until the last, you have no choice but to hang-on for dear life and enjoy the ride. An absolute highlight.

“Glamour” confirms what became clearly evident on the previous track. Gravitating more towards their alternative rock tendencies, they keep the beats and rhythms, both highly charged and rousing, flowing constantly. Crashing drums, a rolling bass and incessant six-string riffs abound by the bucket load, while the acid vocal melody line and harmonies crown it all off.

Even though the acoustic introduction to “Explosive”, alludes to the pace slowing down ever so slightly, the title should have been considered a fair forewarning that “Daley/Phillips”, have no intention whatsoever of releasing hold on any listeners caught up in their brand of fast-paced alternative rock. So out come the banging drums, crashing cymbals, chunky electric guitar rhythms and sharp, cutting lyrics. Representing another album highlight.

“Daley/Phillips” are a promising alternative rock unit indeed. Most of their songs contain distinctly appealing ingredients which could so easily translate into eventual commercial success. Particularly if they stick to the high-energy musicality and acid-dry lyrics found on “It’s Alright”, “Glamour” and “Explosive”.

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