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Mandalan is the music project of Los Angeles-based musician, songwriter and producer James Brennan. He produces a tropical house genre of dance/pop music with a dramatic sound including heavy drums and electronic elements. Together with So Foreign Productions, Mandalan is creating a music video experience for his new dance single ¿CÓMO SABRÉ? ft. Emarie, which you can be part of. On PATREON, they have launched a campaign inviting Patrons to be part of an upcoming official music video for the song. Supporters will receive a digital download of the song along with credits in the music video. They will also

Sofi Maeda – “ASHITA” bursts with sound and energy!

Sofi Maeda was born in Takamatsu, Japan. The alternative pop-punk starlet has been doing music seriously since 2016. She has released the album “You Know Me Well” in 2017 and has followed up with a series of successful singles. She has won singing as well as song contests, and has performed on the Red Square in Moscow, at the festival in Gorky Park, as well as concerts in Depo, Live Stars, San Diego, Glastonbury and many more. This year Sofi has dropped 3 singles so far, including “ASHITA”. If you like Sofi Maeda then you should already have “ASHITA” on

Jona Da King – “Roots Of Love” EP – balancing rhymes, and soulful crooning|

Jona Da King is a hip-hop artist from Toronto, Ontario, based in Edmonton, Alberta. Jona is set to release his EP “Roots Of Love” which is scheduled to drop September 30th 2020. The artist has an eclectic musical palette which is colored by Hip-hop, R&B, Pop, as well as Jazz and Rock tones. We checked out his prime tracks in anticipation of the EP, and if the goal of this release is to make a breakout statement that Jona Da King is getting seriously started, he’s succeeded, delivering some of the smoothest, most mellifluous urban sounds we’ve heard in music

Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

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Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

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Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

“Fading Away” By BRANDO ALBERS – Deceptively Simple And Beautiful!

It all started for Brando Albers, when he was nine years old, and his father bought their very first computer. For Brando’s brothers it was the ultimate video game source but for him it was much more. He started using the wave sound and cutting up bits of songs and looping them. At age 10 his grandfather let him borrow an old banged up six string so Brando could learn how to play. His mother then placed him into guitar classes, just to see if he would stick with it. Brando was in love with it, and continued practicing until he surpassed his friends.

At 14, he purchased his first home production software program which basically allowed him to create his own sound and style, experimenting with new ways to mix and play his instruments. It wasn’t until 2004 when he realized his calling was clear. A friend forgot a CD at his house, that at first he found odd, but after listening to it, Brando has been obsessed with the lo-fi, indie pop-rock sound ever since.

In the past Brando has been involved in several music projects, including Julian Alexander Barret, The Clandestine and My Dearly Forgotten. Since then, Brando has embarked on his own solo project, and began writing and recording his album, “Fading Away,” toward the end of 2008, finally finishing it in November of 2012.

The music is deceptively simple and beautiful. Musically and lyrically, the album is very real. The music creates a soft bed upon which Brando’s voice floats over, lands on, and sinks into. The vocal performance is in stark contrast to the pop-vocal performances of today. Brando whispers his laments in our collective ears, rather than scream at us. It is a very bold and personal statement.

“Fading Away,” while not being a concept album as such, nonetheless seems to follow the appropriate rules for becoming a concept album. The first two songs, “Future World” and “Nothing Left To Be Afraid Of,” sets up the mood and the situation, as Brando accompanies you into his bittersweet, melancholy world, invoking you to hang on and allow his emotions to touch you.

There is emotion in every note and word, and between the synthesized bars of pain and sadness there is beauty and even joy. All these different components come together to create something unique and truly honest. The album seems to be a personal look into Brando Albers’ emotions and inner thoughts.

What gives this album it’s focus, depth, and undeniable power is Brando’s ability to convey a true and inexorable sense of sincerity. He allows consistency to build a strong case. He never strays far from the quietly, disturbed simmer that opens on “Lakes Of Burden” and drifts on to more ethereal sounding songs like “Wash Away Your Tears,” “Your Kisses Are Mine” and the eleven minute title-track “Fading Away.”

Glitched and reverent keyboard, guitar and percussion sounds, follow Brando along his journey through 10 electronically-based lo-fi tracks. His tone and manner borders on the sad, thoughtful and mellow. Though ‘sad’, in this case, is never depressing.

Brando Albers is a voice that is calling out and observing life’s signals. He sings and invokes, while reminiscing over the footprints of the past and the burdens of the future. It is a glance into human emotions that takes you to an atmosphere so clearly painted by Brando.

At the end, everything on the album flows together, and it sounds so effortless, that it pulls you deep into Brando Alber’s own private world, until you are isolated with his gently reverberated voice, in a surrounding microcosm of electronic sounds, until slowly…“Fading Away”.

Brando Albers

Brando Albers

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