Ephect: “Just Like That” – focused on making an impression

Ephect is an Independent Rap/Hip Recording Artist and Music Producer born, raised and currently located in Indianapolis, Indiana (US). Ephect has released around 20 music, numerous singles, and his latest full length album titled “The Nphection”, which dropped back in September 2018. What makes this album different than other recent releases comes down to, how Ephect works with his producers. He doesn’t just compliment good production, he capitalizes on stunning production. In today’s hip-hop scene, fans tend to shy away from raw rapping talent. Gone are the days when the scene was more focused on how good the flow was

Lew Houston: “Safe” – a gritty flow that adds to the lyrical poignancy

Lew Houston is a hip-hop artist currently based in San Diego. Originally from Houston, Texas, Lew rose above the violence and poverty in his life by playing sports and creating music. Influenced by Southern rap styles, he began writing his own lyrics at a young age and released his debut album “The Progression” in 2016.  His latest EP “Back to da Money” is available now, and features the single “Safe”. With no forewarning, Lew gives us a sharp and compact four-minute statement on “Safe”. It’s just a quick and efficient declaration of supremacy, a warning for us not to underrate

Rodrigo Rocha gets the lead role in “SSW Of The Border”

Actor Rodrigo Rocha is not slowing down anytime soon. After a slew of roles, he is preparing to lead a feature indie movie, “SSW Of The Border”. Set to start production in the first quarter of 2019, the film is projected to be released early next year. “SSW Of The Border” will be directed by Felipe Bretas and Bruno Vieira. Other casts of the movie include Kayky Brito, Zhubin Rahbar, Eduardo Magalhaes, Dani Antunes, Eben Reinhardt, Joao Gevaerd, Dimi Papas, Kenzie Dodds, Rhaina Rodovalho, and Juliana Amador. “SSW Of The Border” movie will start production in April 2019. An official

Daud Aur Yahudy: “Home Bound” – The sounds are deep-toned

A former professional athlete in the NFL, now turned singer-songwriter, Daud Aur Yahudy has released his EP “Home Bound”, which follows the re-release of his critically acclaimed debut album “Soulful Life Within”. Daud has earned his right to experiment with his sound and release something that tells us who he really is. The eloquently presents his unique version of future soul lined with a touch of love, spirituality and enchantment. His distinct flare allows him to appeal to the masses without becoming a cookie-cutter R&B and soul singer. The silky smooth, 6 song EP features peaceful and melodic vocals that

Marcus Christ is the American prodigy known for his hit hooks, killer songs, and melodic voice.

Marcus Christ continues to move forward in the entertainment industry. He has just recently released two single songs edited for radio play called “It’s Like” and “If I Knew”, for sale on Cdbaby.com. Marcus Christ is the American prodigy known for his hit hooks, killer songs, and melodic voice. Marcus Christ was just recently released from jail after pleading no contest to vandalism charges. As an artist Marcus Christ has had problems in the past “expressing himself”. Marcus Christ expects his double album “Prince of the Universe” to showcase various producers, but especially his own productions. Marcus Christ admits he

AMARU: “CHAMPAGNE ATTITUDE (RAP-TITUDE MIX)” is totally on fire!

AMARU – a singer-songwriter and a trained actor, originally from the Republic of Suriname residing in The Netherlands since 1991 – has found critical success with enough Pop, Rock, R&B and Electronic influenced songs that there’s plenty of demand for more, but there’s nothing like hearing the gloriously hard-nosed Dutch artist rap a beat to shreds. This is something he does not often do. Now on his latest release – “CHAMPAGNE ATTITUDE (RAP-TITUDE MIX)” – we get to savor just that. The song is rap remix of the title track of his debut album, and is a completely new version,

Hookdiggy: “On My Way” ft. Sunja Dannette – full feel-good potential

2019 sees Atlanta-based Hookdiggy, continuing his growing momentum and his promise to put out well written hip-hop that appeals not only to fans of the genre, but fans of creative and innovative lyrical content. In fact he goes beyond that with his latest track, “On My Way” ft. Sunja Dannette. Utilizing full-bodied smooth instrumentation, Hookdiggy manages to pull off an almost cinematic-like ambiance throughout. The intoxicating mix of jazz, hip-hop, and neo-soul with a dash of dance is maintained at a very high level from beginning to end while the musicianship is top-notch every step of the way. Hookdiggy, together

Tony Marino: “Family and Friends” – a wildly rhythmic demonstration of every crowd-pleasing twist

Tony Marino – the South Philly composer, pianist, and bandleader – has been passionately carrying the torch for his love of Latin Jazz sounds since the release of his debut Cd “Tony Marino & Havana Heat: The Latin Jazz Project” which was dropped in January 1997. The artist who fell in love with the piano at just 7 years of age, has since recorded 10 more albums. Each bringing to the fore his songwriting and performing skills learned over the years, after crossing paths with Bill DelGovenatore, Frank DiBussolo, Al Stauffer, Tom Lawton and Ernest Hopkins – all of whom had an

KC Sisters: “Walk With Me” – sincere, authentic and absolute!

The KC Sisters aren’t old enough to remember when radio programmed pop records next to country, rock, folk, and beyond, but their artistic DNA tells them that’s the way music was meant to be heard. Their sound on the EP, “Walk With Me”, is like a warm embrace from a loved one. It’s sincere, authentic and absolute, taken from a legacy of sound that comes from their fondness for the all-girl groups of the 1960s. The Casey sisters – Deanna, Noelle, Tasha, Elise and Kathleen – highlight their acapella harmonization, as well as their mastery as skilled musicians, playing piano,

GentleBeatz: “Soul City” – the rhythm and flow of free form poetry

Sometimes a recording catches you off guard, rising from nowhere and worming its way into your ears with new sounds and ideas. Such a recording grows on you over time, and eventually can reorient what music and sounds you thought you liked. “Soul City” released on December 31 by artist and producer GentleBeatz, is such an EP. Emotionally rich, musically rich, and technically brilliant, it appeared with little fanfare or publicity to mesmerize our senses. GentleBeatz is an artist and producer currently residing in Mozambique. The eclectic creative crafts his tracks in the lo-fi hip-hop/chill-hop genres. Here he includes flavors

Sanghera: “In The Thick Of It…” Simple Yet Amazingly Sophisticated

In The Thick Of It…, rips, slaps, slumps, knocks, bumps, and anything else you can think of. Sanghera is smooth on the beat and kills it with soulful samples, some even taken from the likes of Al Green.

Sanghera lays down 6 tracks that sizzle, crackle and pop. “Pass it to the Right” (Produced by Kavinsky), “Yep” (Produced by Flying Lotus), “Al Greening,” “90’s Baby,” “Man at the End (Feel)” and “Blackbird”.

Sanghera’s rhymes are pretty good, with solid metaphors and strong punchlines. The lyrics are not too hard-core or vulgar, keeping the tones within mainstream reach. Musically the arrangements are simple yet amazingly sophisticated. No one song sounds like the other, but the album isn’t too experimental to feel disjointed or messy, with great beats and a wonderful variety of tempo and feel to each song.

On the surface, Sanghera’s flow sounds almost relaxed, like his free-styling the whole Ep. However when you truly listen, and I mean closing your eyes and bopping head listening, you realize the work it takes to develop ideas and themes the way Sanghera does. As I can’t stand rappers who do nothing but preach, I admired how Sanghera handles spiritual and social leitmotifs, without shoving it down your ears.

With this Ep, Sanghera finds the perfect vehicle for his style. Many of the songs don’t crack the 3 minute barrier, and some fans may see this as laziness. I see it as keen awareness. Considering that a lot of people don’t listen to albums straight through in one sitting anymore, cutting down on complex and lengthy song structures, may just be an effective and winning choice.

This album never plods, it never gets stuck, it flows, and refuses to rest in one place too long. This is the beauty of the structure Sanghera has used here. Like the album, the lyrics have a movement, a meeting of fleeting images and careful sentiments, complementing the production, and his flow.

On “In The Thick Of It…”,  Sanghera stays right there in the music. There’s a supreme nuance to what his doing here. Every song is a perfect match, he’s not trying to overpower the music around him, he’s blending in, and his pushing it along.

This is an album to sit back and listen to, just let it flow.

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The Sanghera logo…

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