Sloppy Joe’s: “Eight Reasons To Rock” is able to kick up a head-banging fuss

Inspired by legendary bands such as KISS, Volbeat, Maiden and AC/DC the trio of Sloppy Joe’s features Jesse Garon(Lead vocals, Guitar), Johnny Angel (Bass, Vocals) and Pätzy Dävey (Drums, Vocals) who provide blistering guitar riffs, thumping bass lines and pounding drums. Their EP “Eight Reasons To Rock” goes from catchy power-pop and punk songs like “Right Decision” to hard rock ones such as “Lonesome No.1”, and even has a rockabilly-themed cover song on it, in the shape of the reworked “Diana” a tune first made famous by writer and singer Paul Anka in 1957. Sloppy Joe’s also do a thrilling

Auditions For All Music Fest And Sustainability Conference Announced

More than 200 songwriters, artists, and bands will be selected to perform at showcase slots during of original music performances and educational workshops on Friday April 21, and Saturday April 22, 2017. The first annual All Music Festival & Sustainability Conference will kick off with two afternoons of music business panels, sustainability panels, workshops and clinics, with night time showcases at area restaurants and other venues in historic Ambler, PA, open to the public. The original music of both emerging and established artists, representing many popular genres will be performed back to back on Friday and Saturday, April 21 and 22,

MusicMegaBox – An Easy To Use Free Music Site

A group of music lovers launched http://musicmegaboxen.net/: this website is a cool online portal designed basically for all music lovers out there. This website will be featuring free music. What’s cool to know about the MusicMegaBox is that the songs it features are mostly available with lyrics. There is a section on the website where people can go and get a copy of any song they like, allowing them to sing and enjoy. MusicMegaBox is also said to be the website where people can go when they want to listen to free music online. The website is so easy to use.

Donny Richmond – A Creative Genius who remain true to his core beliefs

Donny Richmond makes a career of expanding the borders of what it means to be a performer. All the while, he seeks to remain true to his core beliefs, and the faith that sustains him. Donny’s latest international single release, “A Satisfied Mind”, is a step back in time – an intriguing remake of the #1 Porter Wagoner hit of the 1950’s, written by Jack Rhodes and Joe Hayes. The late, great Porter Wagoner was the host for Donny’s initial appearance on The Grand Ole Opry in 1997. And Donny is a longtime admirer of Porter’s laid back style. As

Stellar Lane: “Reflection” bridges the gap between true grit and pure emotion

Lead singers and siblings Jonathan and Udi Vogelsang formed the alternative rock back Stellar Lane based in Tel-Aviv, Israel. The brothers who have been playing and composing music for years are heavily influenced by Seattle’s Grunge era, hence their music has a nineties flavor, without however, losing its modern indie and alternative elements. Having two lead-singers allows Stellar Lane to give an energetic and diverse performance which has conquered many stages. The band has already toured North-America and Europe including shows at the Canadian Music Week festival (Toronto, Canada) and Deichbrand festival (Bremerhaven, Germany) which gained interest in local radio

Fenix: “All Around The World” ft. Chris Casino contains the essential ingredients of a pop confection

Alexander Mamonov rose through the sporting ranks in his home country of Russia, eventually landing squarely in Russia’s Youth Olympic volleyball team.  A self-professed hip-hop and classic rock enthusiast, Manomov had a strong attraction towards music and was quickly drawn into the electronic sphere after frequenting the Moscow club scene. In 2004 his moniker DJ Fenix started off his career and began sharpening his skills and building his network. A collaboration with the UK dance duo led to his debut single “I Believe” which achieved mainstream success in various countries, including the U.S., Australia, Germany and the UK. Fenix’s career

Robot Raven: “Life Goes On” – relationships and its attached emotions

With “Life Goes On”, Robot Raven’s latest album, it’s tempting to zoom in on any single turning point in the duo’s timeline to figure out how they made it here. The obvious choices are “Greatest Hits, Part One”, and then “Greatest Hits, Part Two”, containing 36 of their best tracks, and released before any other album or single.  John Rigg (singer, instrumentalist and producer) and Edmond Bruneau (lyricist), have a habit of doing things in an odd manner, which perfectly matches their eclectic characters anyway.  Rigg creates robot machines and is reputed to have the world’s largest museum dedicated to toy and

“Sunshine” – Artem Cithara (ft. Nicole Elizabeth & Slick Sax) conjures immediate and unflinching imagery

The scene opens to the midnight skyline of a neon city while Slick Sax’s saxophone blows like a whirling cool breeze through the balmy summer air, muting the buzzing fluorescent signs that clamor for attention. All the while, Nicole Elizabeth’s breathy vocals murmur and soar above the four-to-the-floor piano-driven beat on the stunning new feel-good single release from Artem Cithara, entitled “Sunshine”. The track is an appropriate composition from a mysterious artist, songwriter and producer whose only goal is to be taken seriously–not only as an EDM icon, but in the context of finer arts. While much of the electronic music

Sarantos: “Why Ask Why” – uniformly excellent throughout

In a sense, Sarantos is as much a realist as he is a romantic; his best songs are about fearing the worst, hoping for the best, and getting lucky sometimes. His best songs are also about three or four minutes long and loaded with licks and melodies befitting of a great singer-songwriter reared on the musical legends of our time. All of those influences coalesce on “Why Ask Why”, a tight, spirited rock track.  Purely as sound, this track unquestionably succeeds; though AOR is basically a primary color of modern pop at this point, Sarantos’ vocals and lyrical tics are

Boy in the Rain: “Wave” – a fine assemblage of piano mastery

Boy in the Rain is a composer and solo artist. His style draws heavily from classical and romantic periods, stemming from the traditional piano studies of his youth, but incorporates modern styles into a unique contemporary fashion.  His latest album, “Wave,” is a collection of original piano solos. The piano has a chief interest of exploration for many composers. Through the history of music we can even certify the following: static discoveries and dynamic ones. Bartok, for example, in many of his solo piano pieces is always certain when to use an incomplete chord, which register and which inversion to

Sanghera: “In The Thick Of It…” Simple Yet Amazingly Sophisticated

In The Thick Of It…, rips, slaps, slumps, knocks, bumps, and anything else you can think of. Sanghera is smooth on the beat and kills it with soulful samples, some even taken from the likes of Al Green.

Sanghera lays down 6 tracks that sizzle, crackle and pop. “Pass it to the Right” (Produced by Kavinsky), “Yep” (Produced by Flying Lotus), “Al Greening,” “90’s Baby,” “Man at the End (Feel)” and “Blackbird”.

Sanghera’s rhymes are pretty good, with solid metaphors and strong punchlines. The lyrics are not too hard-core or vulgar, keeping the tones within mainstream reach. Musically the arrangements are simple yet amazingly sophisticated. No one song sounds like the other, but the album isn’t too experimental to feel disjointed or messy, with great beats and a wonderful variety of tempo and feel to each song.

On the surface, Sanghera’s flow sounds almost relaxed, like his free-styling the whole Ep. However when you truly listen, and I mean closing your eyes and bopping head listening, you realize the work it takes to develop ideas and themes the way Sanghera does. As I can’t stand rappers who do nothing but preach, I admired how Sanghera handles spiritual and social leitmotifs, without shoving it down your ears.

With this Ep, Sanghera finds the perfect vehicle for his style. Many of the songs don’t crack the 3 minute barrier, and some fans may see this as laziness. I see it as keen awareness. Considering that a lot of people don’t listen to albums straight through in one sitting anymore, cutting down on complex and lengthy song structures, may just be an effective and winning choice.

This album never plods, it never gets stuck, it flows, and refuses to rest in one place too long. This is the beauty of the structure Sanghera has used here. Like the album, the lyrics have a movement, a meeting of fleeting images and careful sentiments, complementing the production, and his flow.

On “In The Thick Of It…”,  Sanghera stays right there in the music. There’s a supreme nuance to what his doing here. Every song is a perfect match, he’s not trying to overpower the music around him, he’s blending in, and his pushing it along.

This is an album to sit back and listen to, just let it flow.

The Sanghera logo...

The Sanghera logo…

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