Delta Station: “An Unexpected Turn of Events” – the experience is more epic and cinematic

The little 14 year old Australian genius who goes by the moniker of Delta Station, has a new album out. And, somewhat predictably, it’s another utter and perfect treat. Before you listen to Delta Station’s latest album you really should leave all preconceptions at the door. Despite the connotations of the album’s title, “An Unexpected Turn of Events” is a joyous affair. It is an album that is warm, exhilarating, and incredibly uplifting and it is his greatest piece of work to date. Delta Station has only been in the production craft since June 2016, but has already released two EPs, previous to this album.

The Valium: “Amazing Breakdowns” – walking the high-wire intersections of visceral punk-rock expression and high art perfection

The Valium hooked me as soon as I heard the first track “Too Many Dreams Of Rock N Roll” from freshly released album, entitled “Amazing Breakdowns”. This was an album that hit me in the gut and instantly dragged me along for the ride. After listening to it, I must say that this is one of the most unique, interesting and high-energy bands I have ever heard in the alternative rock scene of late. Though taken from a myriad of influences, their sound is completely their own and every song sounds unique to their band. I can’t really imagine some

Newborn: “Honey Trap” – something of a perfect alchemy

The Coney Island, Brooklyn-based band Newborn was formed by  high school friends Allen James (vocals/guitar) and Eric Weglicki (guitar/bass/vocals) and a love of rock spanning from Metallica, Nirvana, to Muse. After many years of jamming together they decided to form a band. Newborn played their first show December 2014 which was followed by the release their debut EP “Broken Virgo”. The band has since evolved musically, adding drummer Dave Goldenberg, and going from strength to strength, culminating in the release of their latest single, entitled “Honey Trap”. The song features Newborn’s most diverse lyrical palette to date. The result is a cohesive,

Gloom Influx: “First LP” – looping the listener into a nostalgic yet futuristic world

Montréal-based musician Luc Leclerc, aka Gloom Influx, delivers a unique and powerful blend of metal and synthwave, influenced by 80’s movies and video game soundtracks, heavy metal, and contemporary artists like Justice, and Carpenter Brut. Sometimes you need to listen to music that makes you feel like you are in the future in outer space and somehow the 80s never ended. And sometimes you want to add elements of robots, monsters and fear. When you want those things, there are few better than Gloom Influx . Whether you come at this album from the perspective of someone into synthwave, darkwave

Jigsaw Man: ‘No Home’ – a self-produced EP with strong stoner overtones

The 4 track ‘No Home’ EP is the debut release from Jigsaw Man, the moniker under which singer-songwriter Steven Faulkner is releasing original material. “It’s nice doing things under a pseudonym because you can be more personal about the lyrics, and because you have that separation,” said Faulkner, continuing: “In my head the lyrics belong to Jigsaw Man, so I can be more honest and personal. I can write far more honestly and I’ve certainly done that on this EP. In the past I’ve always looked for metaphor or simile but this EP is very honest.” Playing since he was a

Corlioni: “Destiny” has a genuinely refreshing effect!

In case you’re not down with the nomenclature being thrown around the EDM community currently, on his latest track, “Destiny”, electronic producer Corlioni, comfortably slides into the trend-setting genre called ‘Tropical house’. Though, it would be correct to say that the masked British producer is not really confined to that specific genre at all. Tropical house is a more relaxing yet uplifting form inside the EDM craze, a response to the grimy, dark sounds of the dubstep craze which has been losing steam for the last several years. Rather than deep bass growls that sound like a broken inkjet printer,

DJ DezZ: “SometimeZ” – a tour-de-force!

Fast forward a quarter of a century and the phrase ‘Deep House’ has become to mean something completely different from its first incarnation during the halcyon days of house. It’s hard to move in the overpopulated market of all things ‘deep’ these days, but in amongst the monotony of the same old EDM samples and generic preset bass lines are a number of artists that really are able to tickle your fancy. One such EDM producer that we believe has kept it deep, down and dirty so far in 2017, with the release of his single “SometimeZ”, is Charlie Desi aka DJ

Toni Castells: 2045: The Year Man Becomes Immortal? – The emotion is very compelling

Toni Castells is a Hispano-British composer currently based in London. A lecturer at Imperial College London and the London College of Music, his sonic worlds transpire an inherited precocious classical training with an inventive use of modern technologies to create unique and distinctive soundscapes. Castells latest musical endeavor is entitled ‘2045: The Year Man Becomes Immortal?’ which explores the prediction by computer engineer and futurologist Ray Kurzweil that the year 2045 will see the start of a new era in which human and artificial intelligence will merge, man will cease to age and so acquire the potential to live indefinitely. In the original interview with Kurzweil

POOL MOON ELEPHANT: “FLUKY ISLAND” – a relentless appetite for new music

Released June 21 via the Symphonic Distribution label, “FLUKY ISLAND” is the brand new 5-track EP from electronic duo POOL MOON ELEPHANT. A storming journey through various rhythmic styles, combining the duo’s skills to create imaginative feel-good moments, the EP spearheads a new wave of indie dance electro-inspired tracks while embracing the love for warm synths, sparkling heights, gentle electric textures and deep drums. POOL MOON ELEPHANT is the moniker under which the Swiss electronic music duo composed of Riccardo Studer and Ivan Nurchis, undertake their creative journey through the electronic world of music and animation. Both have double-decade experiences in audio-visuals, and working for film and TV

The Hooplas: “Midas Touch” – a statement of intent!

The Hooplas are a modern progressive rock group from Ocean City, MD. Twin brothers Adam (Vocals/Guitar) and Ben Martin (Bass/Vocal) started the band. While their musical influences might not be identical, they share the love of making music. Musicians Cody Bush (Lead Guitar/Vocals), Lovechile (Drummer) and Seth Paul (Synth) round out the band’s roster and form the unique, fresh sound that defines The Hooplas. From their “American Junk EP” comes the band’s latest single “Midas Touch”.The musicianship on this single is impeccable. Flawless guitar riffs changeup like Adam’s voice, from wall-shaking, twin guitar rhythm crunch, to the divine solos straight from the

On “Banksters” (feat. Kham), ABSOLOOT Tackles The Corporate Money Grabbers!

A successful record executive, artist manager, and artist himself, Absoloot embraces an industry that has made and broke countless individuals before him. Having worked in the industry for years, accomplishing album sales both domestically and internationally as an independent, Absoloot continues to progress forward gaining more momentum as he makes moves. Hailing from the Sunshine State, the Jook Capital, Absoloots’ sound blends the new school flavor with a hint of old school, in every aspect from delivery to production.

Just the other day I was reading about how Detroit has lost 25 percent of its population in the last decade, due to the foreclosure epidemic that has leveled its communities, and which was a direct product of the racist, predatory lending practices of just about every major bank there. The banks knew these sub-prime loans would fail when they made them, but they didn’t care because of the massive profits they knew they would be making. I couldn’t help thinking how these banking guys get away with anything just short of murder (and sometimes much worse), yet, apart from the odd die-hard, the major part of the hip-hop movement was paying their undivided attention to ‘big booties, fast cars and hard drugs’. I was wondering if there were any socially conscious rappers out there who still cared about the serious banking and economic issues, capable of destroying an entire nation. And then, even if he cared enough to put it into song, could he do this without preaching or beseeching, but just lay it on the line for listeners to clearly understand?

Well when you least expect it, somebody comes along and puts the record straight. Absoloot shows that Rap is still a potent tool for distributing knowledge and making social commentary, with the release of his latest single, “Banksters” (feat. Kham). He tackles the corporate money-grabbing issues, with an honest, smooth, and almost flamboyant ease that you would have expected to come from one of his peers instead.

Ladies and Gentleman, this is what hip hop should be; informative, makes you think, brings some important issues to light, and then sounds good while doing it. Rather than all the nonsensical, women degrading, how many baby mamas you can make, how much money you got, shake your thang stuff, you hear from most other artists.

Absoloot really hits home with “Banksters” (feat. Kham). The song is mature sounding, has an amazing piano-driven beat, great vocals, catchy harmonies, and is pieced together with top notch production. Most importantly, Absoloot manages to bring you the scenes of real life, in its entire inglorious splendor, from a perspective of one who is still very much in touch, with what’s happening in the world that surrounds him.

It’s not only that however, as Absoloot shows here, that he can tell a story with the best of them. And that probably will be his major advantage over most other rappers: He can tell a story with almost intellectual poetic ability and make you feel like you’re there, watching it all happen.

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