Nachamuni – “Deep Down” a total floor filler with an infectious groove!

“Deep Down” is the new EDM single from electronic music producer Nachamuni, who is based in Vienna Austria. The track extends the reach of his signature sound. Most significantly, the Deep House track showcases a shift toward the high-minded, super-precise catchy pop production vibe of most modern electronic producers. The growling basslines have the potential to draw law enforcement officers to your doorstep, depending on the decibel level and kindness of your neighbors. Its structure dominates the landscape with both breathtaking impact and precision. The track refuses to recycle an old beat, gradually building from a melodic and soulful vocal

Alysha Releases Official Video for “David Attenborough”

A bit over a month ago, London born Alysha, a 17 year old teen with enormous talent as a singer and songwriter, would have probably not imagined for her career to catapult in such a sort of magical way. Every artist, before they begin their road to stardom and even throughout, always dream all they want to do to achieve their goals. We hear many stories of singers that were many times turned down by the industry, one that said industry sometimes gets a tough reality check, when they realize that the artist is now a superstar (on a different

Matthew Schultz x Gyptian Present ‘Turn Me Up’

Multi-Talented U.S. artist, Matthew Schultz unveils his latest crossover cut, ‘Turn Me Up’ – a fire collaboration with revered Reggae-Dancehall singer Gyptian. Matthew Schultz and Gyptian touch down with a standout reggae-influenced dance track featuring hypnotic synths & punchy percussion. Coupled with a languid, chilled out dance vibe and mesmeric rhythms – ‘Turn Me Up’ is the perfect song for radio, streaming & dance floors alike. Along with a remix from X-Change – the single is positioned for a whole host of love worldwide. Matthew Schultz is a multi-instrumentalist, producer, singer and performer who started out playing guitar in Chris

“1969” is the new Single and Video by THE FUZES

“1969” is a brand new single by the Swedish based band, The Fuzes. The track elaborates on historical events that took place in the USA that year. The song features Martin Dagger Granhage (Guitars, Bass, Lead Vocals) who is also the producer. Nathanaël Bartolo is on Drums. The Fuzes have 3 albums under their belts, which includes “Moving On”(2004), “In From The Shadows” (2005) and “Shake Your Body” (2006). Their latest work, is the group’s first recording in 12 years.  Visit The Fuzes website here: http://www.thefuzes.net/ Check out the past albums here: Apple: https://music.apple.com/us/album/shake-your-body/163988247 Deezer: https://www.deezer.com/sv/track/70066783 You Tube: https://youtu.be/IXaI6dyjtvI Check the band

Grammy Award-Winning Guitarist, Songwriter, and Best-Selling Author Chris Perez Releases New Hot Sauce Brand!

Chris Perez, husband to the late superstar, Selena, dubbed the ‘Queen of Tejano music,’ will release his custom “Perez Pepper Sauce” starting Saturday, November 16th. The small-batch sauce will be available online at CaJohns.com and at select locations where Perez will make personal appearances to offer on-site demonstrations to fans and customers. “My love for spicy food began as a young child when I accidentally ate a Mexican chili pepper,” recalls Chris. “I guess you could say that’s when I had my jalapeno popped,” laughs Perez. A scene from the 1997 biopic “Selena: The Movie” (portrayed by mega-star Jennifer Lopez) showcases Chris’s (played by actor Jon Seda)

Kambiz Mirzaei – “The Lost Ambient” – a dominating melodic mellowness behind a rising wave of dynamic, ascending energy.

The Toronto based composer, Kambiz Mirzaei, has navigated between two musical cultures: from authentic transcendental Middle Eastern melodies to North American flavored ambient, electronic and orchestral arrangements. His collaboration with Jamshid Andalibi in 1999 initiated an alternative approach to traditional use of the folk instrument, Ney, in modern compositions. If you’re looking for an instrumental record that explores cross-culture electronic and ambient themes cohesively, look no further than the album – “The Lost Ambient” by Kambiz Mirzaei. I am astounded that Mirzaei isn’t talked about more often, because there is so much innovation in his compositions and production that it’s

Axl & Arth – Rising Up with “Triumphant”

After a short hiatus the Stockholm based-producer duo are back with new mature sound, having teamed up with singer Dustin Paul for their collaboration Triumphant.  Axl & Arth have been releasing music consistently since their debut single in 2015 and going through their track list on Spotify you quickly get the idea that the duo likes to experiment with genres, mash them together and never corner themselves. “Well, we don’t want to be typecasted I suppose,” says Axl. “We like to just create whatever feels right at a given moment and what inspires us differs from one day to another.

Sublimerent – “Circular Emotion” – intense dynamism, amazing instrumentation and complex song structures

The progressive metal band Sublimerent from Berlin, Germany, was formed in late 2018, and consists of Álvaro (Drums), Jerome (Guitar), Luce (Vocals) and Martin (Bass). Their latest recorded work, is the 3 track conceptual EP, entitled “Circular Emotion”, which was mixed and mastered by Mendel (ex-Aborted, Oracles, System Divide). So, what is the glue that makes this recording stick together? What are you supposed to feel when you’re listening to “Circular Emotion”? The driving themes behind the EP is alluded to in the song titles themselves – “Perception”, “Sentiment” and “Singularity”. Each discussing the existential weight of its own meaning

Interview: STRONG A.R.M. – Coming straight out of Brownsville, Brooklyn NYC!

STRONG A.R.M. is the name that describes the 6’2″, 200 plus pound Brooklyn native who is definitely taking on ALL HATERS! It’s a perfect description of his overall attitude. This is one artist that believes anything goes when it comes to his music. He did not choose to do hardcore hip hop, hardcore hip hop chose him! It allows him to say what the hell he wants. Bringing it straight to the front line so your attention is caught and kept. Don’t get STRONG A.R.M. wrong though, that is just one area of hip hop he is good at, he

Still Hustie & WILDZ XL – “Vicious Circle of the Wildz” – another important message that the world needs to hear

Hip Hop is incredibly accessible.  If you have any performing, rhyming or poetic talent – you can tell your life story, through rapping, a beat and accessible means. This makes it globally significant – people can put their own spin on it, and express their individuality, or a collective message. Rappers, as poets, have always been a good reflection of the heart of a community. They take ideas out of the community and spread them to the rest of the world. Sometimes its stuff that’s positive, often times its stuff that’s negative. At best, it’s engaged in social, political and

On “Banksters” (feat. Kham), ABSOLOOT Tackles The Corporate Money Grabbers!

A successful record executive, artist manager, and artist himself, Absoloot embraces an industry that has made and broke countless individuals before him. Having worked in the industry for years, accomplishing album sales both domestically and internationally as an independent, Absoloot continues to progress forward gaining more momentum as he makes moves. Hailing from the Sunshine State, the Jook Capital, Absoloots’ sound blends the new school flavor with a hint of old school, in every aspect from delivery to production.

Just the other day I was reading about how Detroit has lost 25 percent of its population in the last decade, due to the foreclosure epidemic that has leveled its communities, and which was a direct product of the racist, predatory lending practices of just about every major bank there. The banks knew these sub-prime loans would fail when they made them, but they didn’t care because of the massive profits they knew they would be making. I couldn’t help thinking how these banking guys get away with anything just short of murder (and sometimes much worse), yet, apart from the odd die-hard, the major part of the hip-hop movement was paying their undivided attention to ‘big booties, fast cars and hard drugs’. I was wondering if there were any socially conscious rappers out there who still cared about the serious banking and economic issues, capable of destroying an entire nation. And then, even if he cared enough to put it into song, could he do this without preaching or beseeching, but just lay it on the line for listeners to clearly understand?

Well when you least expect it, somebody comes along and puts the record straight. Absoloot shows that Rap is still a potent tool for distributing knowledge and making social commentary, with the release of his latest single, “Banksters” (feat. Kham). He tackles the corporate money-grabbing issues, with an honest, smooth, and almost flamboyant ease that you would have expected to come from one of his peers instead.

Ladies and Gentleman, this is what hip hop should be; informative, makes you think, brings some important issues to light, and then sounds good while doing it. Rather than all the nonsensical, women degrading, how many baby mamas you can make, how much money you got, shake your thang stuff, you hear from most other artists.

Absoloot really hits home with “Banksters” (feat. Kham). The song is mature sounding, has an amazing piano-driven beat, great vocals, catchy harmonies, and is pieced together with top notch production. Most importantly, Absoloot manages to bring you the scenes of real life, in its entire inglorious splendor, from a perspective of one who is still very much in touch, with what’s happening in the world that surrounds him.

It’s not only that however, as Absoloot shows here, that he can tell a story with the best of them. And that probably will be his major advantage over most other rappers: He can tell a story with almost intellectual poetic ability and make you feel like you’re there, watching it all happen.

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