Nathi: “Foreign” – so calculatingly and intentionally good!

Born in Brazil, and currently residing in Los Angeles, Nathi is a singer-songwriter and producer who infuses her music with themes of unity and embracing people of all cultures and ethnicities. A classically trained pianist who continued her education at the Musician’s Institute in Hollywood, Nathi is also a painter and visual artist, responsible for the artwork on her latest visual EP “Foreign”. It’s weird and a little unexpected to hear new music that seems so calculatingly and intentionally good, boasting some fine, funky, soulful and jazzy instrumentation. Nathi’s single “Foreign”, offers a breath of fresh air that finds power

Lyndon Rivers: “Heart To Heart” – a mix of nostalgia and current innovation

The people who decide the sounds of the future are the producers and songwriters of the present. They blend familiar sounds and emotional beats with modern-day lyrics and studio advancements, often capturing the world’s imagination with a mix of nostalgia and current innovation — throwback pop no longer has to sound plainly retro; even the past can pick up future sheen. This is exactly what English-born and Australian based producer Lyndon Rivers is getting up to lately. His latest creative effort is the single, “Heart To Heart”. This reminded me of the some music from the 50s, whimsical, with great energy.

Digital Down: “Open Source Nervous System” – pulsing rhythms, mingling with the spiraling synths

Digital Down is located in central Arkansas and consists of sole member, Melville Bragg. Melville started his professional career in late 2015 with the release of the first EP entitled “Incunabula”. Melville has since placed 2nd in an international music contest hosted by software company Open Labs and sponsored by Linkin Park, as well as release his first full-length album, entitled “Open Source Nervous System”. At this point, many decades into its existence, it can be fairly expected that rock is not going to cough up a new paradigm anytime soon. The advent of digital sampling technology and electronic manipulation,

HALO: “Expressions” moves between various soundscapes which have distinctive influences

Darnelle Treadwell aka HALO, was born and raised in Gary, Indiana. He started singing in the church at the age of 4, by 13 he found that he wanted to pursue a professional career in singing but didn’t know how to go about it. He met an artist by the name of B.L.O.U.N.T. who introduced him to M80 a producer from the Midwest that owns an independent label called G.S.P. Music & Film. Halo signed to G.S.P. and has been working closely with M80 for the past 9 years. Their latest artistic collaboration has delivered the album “Expressions”. The recording

Detroit artist – The Infamous Crackhead

Born on the Eastside of Detroit, the youngest of six, The Infamous Crackhead was kept off the streets and into music which became his passion. He worked hard at his craft as a DJ, then a beat-maker, and improving his mic skills before creating The Law Breakers. A couple of months backed The Infamous Crackhead dropped the 14 track album, entitled “Mental”. Focused and furious this is an album that has moments of great energy, toughness, lyrical smartness and a great old school atmosphere. How long have you been in the music business and how did you get started in the first place?  The Infamous Crackhead: About

Adam Idris: “Count On Me” – rich with influences and thoughts

Formerly known as Adamjlss, Adam Idris is musician and composer based in the United Kingdom. Almost a freshman to the scene, Idris started recording and making music seriously in 2016. Entrenched in the urban genres and blending R&B, Pop and Dance elements, the artist has a host of singles in circulation, including “Count on me”, “I’m incarcerated” and Power hungry”. The songs are by turn oblique, smolderingly direct, forlorn, funny, sad and gorgeous: a vertiginous marvel of digital-age urban pop. On the lead single, “Count On Me” Adam wraps his voice in woozy emotion and pivots in the space of

John Grind: “Numb” – a track brimming with confidence and energy

John Grind is a hell of a songwriter with an undeniably cracking voice, brilliant lyrics, colossal tunes, grungy swagger and of course, as always, the right amount of light and shade in his songs. Through his life experiences riddled with pain, darkness, and self-destruction he has quickly moved towards being an adventurous and psychedelic musical maverick and author of timeless sounding pop-rock songs that effortlessly became part of our consciousness. Grind is a masterful song writer. Raw, brash and yet supremely polished – “Numb”, the single taken from his “Beauty Of Decay” EP, is an impressive track an ever-reliable artist.

TONI REDD releases “Take Me To Paradise” featuring the smooth sax of Walter Beasley

Atlanta, GA – The tantalizing talents of multi-faceted entertainer Toni Redd is in the music spotlight with the new release of her latest gem, Take Me To Paradise, a jazzy, soulful, up-tempo feel good song that features the smooth sounds of renowned saxophonist Walter Beasley. Its a brilliant collaboration that will be a signature standout from her forthcoming jazz project. Her soaring, feel-good vocals coexist harmoniously in the infectious tune. I recorded Take Me To Paradise because I love the song and I wanted to show my listening audience the jazzier side of me, just in case they forgot.  Jazz is

A Silver Lining: “Don’t Let me Down” – absolutely massive and immaculately performed

A Silver Lining is a five-member alternative rock band from Bay City, Michigan. Formed in 2017, the band is treading new ground with old influences, and re-discovering the sense of purpose and fun in rock music. Their single “Don’t Let me Down”, taken off their debut album “Paralyzed” is covered in a welcome confidence and swagger that has been disconcertingly absent from the genre for far too long. On this latest offering, we are presented with a concise magnum opus – prepared to weave and shapeshift, prepared to embrace the unknown with reckless abandon, utilizing crunching riffs, pounding percussion, soaring

Shashika Mooruth: “Jogan”- Indian traditional influence on her music style

Jogan is an album of folk songs in the Hindi language that enthralls the listener with an uplifting experience. Shashika Mooruth is an independent artiste from South Africa. Her lineage extends to her forefathers from India hence the dynamic Indian traditional influence on her music style. Under the auspices of her music label, Urja Music, she displays her holistic musical artistry at every level of production. Her voice, however, is her main instrument. In Jogan, she has rendered her voice to compositions based on styles that are popular in North India, particularly the state of Uttar Pradesh, which praise Krishna

Chaos Theory: A Blistering Assault On The Ears

Chaos Theory, is fronted by singer/songwriter Rock Johnson, who along with members Lex Coulstring (guitar/vocals), Scott McKenzie (lead guitar), Tim Garagan (bass) and Craig Brown (drums) complete this melodic rock and alternative metal band.

Chaos Theory’s self-titled debut album, hit stores to praiseworthy reviews and critical acclaim, and it’s easy to see why. This album is pure “energy rock”, it displays all of the band’s technical strengths, adding mature and reflective lyrics to  melodies filled with anger, frustration, a building rage, and an overall intensity. Front-man Rock Johnson adds the final ‘cherry on top’, as he tears the lyrics apart from the depths of his being.

I listened to the entire album, track-by-track, and didn’t once have the urge to switch off or skip one single song. It’s a rare thing for that to happen, so I applaud these bad-ass boys for crafting such a strong, unified debut album. The songs are all masterfully crafted, drawing on Chaos Theory’s strengths; its strong powerful vocals, dirty cranked-up amps and driving rhythm section. Many of the songs hit you like a runaway train with their powered guitar riffs.

Straight-off “Remind” is a blistering assault on the ears, and Rock Johnson confirms how uncannily close, to a mix of Ozzy Osbourne and Sammy Hagar he sounds. Likewise, “Save Yourself” and the fierce and nasty “Afterthought”, are both venomous yet catchy and downright crunchy. “Silhouette” is also a rollicking affair, and the inclusion of “Dead Inside” keeps the album’s intensity genuine. But most surprising is the swirling, brooding “Broken Dream” and “Scarred” with its dreamily powerful ambiance and melodic vocals.

Make no mistake though, most of this album is meant to please the heavy rock and metal fans who like the harder side of Chaos Theory. It contains some of the heaviest songs written, and a couple of atmospheric tracks that complement the album nicely. Moreover, the album possesses the best assets of this band; fierce, crunchy alternative-metal, representing the brutal beauty of their music, bared for all to see.

Chaos Theory leaves the best for last, as the penultimate track, “Hollow Heart”, is perhaps the most powerful, radio-ready hit song on the album. Overflowing with crunchy riffs, hooks, solos and unbridled energy; the twin guitar sound, drive this song like a hurricane, while the vocals soar high above the pounding drum- and-bass engine-room.

Chaos Theory close the album down with a solitary piano theme, almost as if to allow you to recapture your breath and runaway heartbeat, after eleven tracks of awesome power, raw energy and great musicianship.

It is clear that the angry vocals with crunching guitars, great basslines, and quick-wristed drumming are definitely going to establish this band as a rock solid outfit!

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