Melua – debut single and music video – “Waves”

Tapio Fagerström (Bass), Ville Saarinen (Guitar), Olli Rautio (Guitar), Petri Koskela (Drums), and Jussi Rautio (Synths), make up the alternative rock band Melua, who have just released the song “Waves”, and the supporting music video by @simppafi. If you’ve been waiting for a time to check out this band, wait no more: this song is the perfect entry point. The song utilizes the band’s penchant for lush instrumentation to full effect, creating a mood and atmosphere that builds into a goosebump-raising climax. Melua strikes a great balance between the song’s poignant moments and the more soaring sections. Furthermore, they write

Melua – debut single and music video – “Waves”

Tapio Fagerström (Bass), Ville Saarinen (Guitar), Olli Rautio (Guitar), Petri Koskela (Drums), and Jussi Rautio (Synths), make up the alternative rock band Melua, who have just released the song “Waves”, and the supporting music video by @simppafi. If you’ve been waiting for a time to check out this band, wait no more: this song is the perfect entry point. The song utilizes the band’s penchant for lush instrumentation to full effect, creating a mood and atmosphere that builds into a goosebump-raising climax. Melua strikes a great balance between the song’s poignant moments and the more soaring sections. Furthermore, they write

Hei$enberg – “Text Me” employs a head-bopping flow with a throwback flair

Steven Scott aka Hei$enberg was born and raised in Jasper, Texas, but currently resides in Beaumont Texas. Houston rap music was a huge inspiration for him to start making music. “Text Me” is his third release to date, and the follow up to “Bad Chick” which has accumulated over 300,000 streams on Spotify. To hear Hei$enberg’s new single is to witness a once promising artist finally come into his own. He is able to transcend his contemporaries’ limitations with simple pleasures: he takes the fun braggadocio and punch lines that are a hallmark of battle rap, and turns it into

Martin Szorad and Maria Grazia Rago – “Burnt Steet” – a killer blend of classical, fusion and metal

Born in Sicily, Maria Grazia Rago is an Italian pianist and composer, who now resides in Illinois USA. She initially studied piano with Lea Cumbo and Eliodoro Sollima, and then continued her musical education in Rome with Bruno Canino and Marcello Abbado. Her composition studies came at the Conservatoire National Superieur De Musique Et Danse De Lyon in France. The award-winning composer’s works have been performed in festivals and theaters throughout the world. Martin Szorad is a guitarist from the Czech Republic. He has been playing guitar for 16 years. He plays guitar, bass guitar and piano. Together, Maria Grazia

Nancy Diaz – “Summer Love” – cultured chord changes, cleverly orchestrated synths, and tropical rhythms

If you crave mature Pop-R&B with rhythmic density and deep emotion, look no further than the stunning Toronto-born bombshell Nancy Diaz. The songstress of Chilean and Spanish descent, packs crazy soprano pipes ad a dynamic range that matches her cosmopolitan songwriting material and street-savvy sultriness. Track after track her synth-phonic sound and soulful singing sorties have broadened into catchy earworms and silken soul pop-hop. On her latest single, “Summer Love”, all of Nancy Diaz’s skills rush into cultured chord changes, cleverly orchestrated synths, and tropical rhythms. Nancy hones in on the listener and focuses their attention on her wares.  The

Sabrina Matola – “For you” – is fueled by the power and intensity of her voice

Sabrina Matola is an experienced vocalist and performer. She has played in live music venues and toured with bands, from as early as 12 years old. Known abroad as ”The Spiritual Voice”, Sabrina has collaboration credits with David Peaston, Loleatta Holloway, Amy Winehouse, Robert Timothy West and others. Working her way through a variety of styles, including Soul, Motown, Disco, Jazz, and Pop, her influences include, Aretha Franklin, Etta James, Ella Fitzgerald, Diana Krall, Nina Simone, Patti LaBelle, Whitney Houston, and Jill Scott. I must admit to being a bit, well, more than a bit, puzzled as to why Sabrina

DEEPSYSTEM – “Anda Linda” – a zesty groove and a humid atmosphere!

DEEPSYSTEM, Europe’s underground ambassador of reggaeton and Latin trap — has remade the future of Spanish-language hip-hop in his image. If there is a revolution to be had in the new crossover market, this artist has done so by sticking to his guns, and mining reggaeton’s sonic riches for dancefloor gold. Rather than offer audiences lyrical signposts to what he’s thinking, DEEPSYSTEM makes you come to him, with a shared sense of explosive, downright sensual musicality and a hypnotically propulsive rhythm. Few others could do as much, in the European region. Furthermore, the man is consistent, putting out track after

Neave Zaria’s ‘Never The Same’ Is Evocative Of The Golden Era Of Jazz & Blues

Neave Zaria’s latest track ‘Never The Same’ is a soft yet impassioned exploration of our deepest infatuations and frustrations. The composition is steady but energetic, and the jazz spirit comes in hot from the get-go. Zaria’s voice bears a strong resemblance to that of the greatest blues singers of all time: Etta James and Aretha Franklin. The most modern comparisons would be to Adele and Norah Jones, but even then there’s a striking vulnerability in Zaria’s vocals that makes her stand apart. It helps that the English singer is just nineteen, but she demonstrates a superb ability at striking the

Sam and Sounds Guaranteed to Make You Smile with New Single “Cloud 9”

UK indie artist Sam and Sounds has just released a brand-new single that will have you both grinning and grooving. The singer songwriter has just dropped “Cloud 9,” offering endless feel-good vibes and some much-needed positivity in today’s world. With his debut EP due to land in October this year, this track is the second teaser to what we can expect. It follows his first single release which came out in April, “Do It All Again,” that soon became an instant smash hit. Sam and Sounds has already netted an impressive 41,000 Spotify streams, with 23,000 monthly listeners and a

Cymbalik – “A New Positive”- the alchemical combination of quality, creativity, and alluring empathy

There are a lot of new producers that are coming to the scene this years, and some that have been in the game for a while, but few are as exciting has Cymbalik AKA Jose Serpas who hails out of Denver, CO. If you’re a part of the people who don’t know who Cymbalik is just yet, then expect him to be all over your music queue in the next couple of years. With his crazy beats and smooth melodies it’s expected that he makes some big jumps in the industry very soon. Cymbalik works with modern day techniques while

CHANKS’ singular brand of ambience hypnotizes one second, and stuns the next!

Lush, mellow and sexy, CHANKS – a music producer and video director,  has created a truly fantastic, eclectic, and mind blowing self-titled instrumental mixtape. Showing more guts and talent than most other beat producers today, this mixtape is a welcome departure from the all-to-typical macho posturing, and obsessive hedonism of modern day hip hop. From the electro stylings of “I Don’t Wanna Smoke No More” to the slow-burning ambience of “I Don’t Know Where This Came From” and “Rip” to the head-nodding goodness of “Right Back”, CHANKS has crafted beats of remarkable quality.

Originality and a personal style are attributes all producers and beatmakers attempt to go for. This mixtape is true CHANKS style. The beats are smooth and flow with subtleness, each retaining its character but varying from song to song – that’s just pure brilliance. The tracks on this mixtape are definitely innovative, and a fantastic combination of slow-groove and concrete sound!

Chanks

Chanks

This is not your average instrumental mixtape with banging beats and catchy hooks. CHANKS tends to craft tracks that are more ambient- influenced. He creates a thick atmosphere of sound with mesmerizing beats. His tracks feature shimmering synths, deep basses, spectral samples, and a healthy dose of hi-hats and snares. It’s an incredibly refreshing sound amidst the legions of fading producers.

CHANKS’ singular brand of ambience hypnotizes one second, and stuns the next. It’s a blend of calm and menacing that you seldom hear, but that’s what makes his music so interesting. This sound is most notable on tracks like “Chanksolay” and “Goz Chanks The God Son”.

The tracks are the perfect length and are varied, yet cohesive enough to easily listen to in one sitting. The production is so different I can’t even compare it to anything out right now. Listening to this CHANKS project is like looking at a magic eye poster. At first glance, the poster is just a jumble of incoherent colors and shapes. But once you stare at it long enough, the magic eye picture begins to form an image that you didn’t see before. This is exactly what this mixtape is like. It comes together track after track to form an aural union.

It’s a mixture of sounds and beats that come together in ways you never would have expected. Somehow, the end result is an amazingly smooth mixtape.  This isn’t an instrumental hiphop rap tape in the traditional sense. This could be seen more as progressive hip-hop in a certain way. The production itself is almost hypnotic and will truly leave you in a trance as you listen to it, putting you right inside CHANKS’ highly blunted world.

This self-titled mixtape works so well on a whole. There is an undeniable feel to it. For those not acquainted with CHANKS, this may take a few listens to get into. For those who are into abstract hip-hop, and also have heard CHANKS on any of his other projects, this album is easy to get addicted to, and it gets better on each consecutive listen!

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