RAVENSCROFT- “STAND UP” Video is the sound of a band inspired

Ralph Buso (Vocals), Brett Gorke (Guitars), Devin Baker (Bass), Pat Magrath (Drums), collectively known as RAVENSCROFT, are working on their most unique, creative, exploratory, and bone-crushing recording they have ever produced. It’s a progressive work of metal and rock art, delving deep into the nature of their craft. This six song EP “Rebel” will be released on March 25th 2018.  And there will be a release party held at The Slidebar in Fullerton California with Killset. The soaring melodies, the intense guitar solos, the deeply profound lyrics all take part in painting the picture that the band’s works regularly deliver.

Exit 22 Music: “Last Goodbye” – one of the finest musical acts in the pop-rock underground

It seems almost impossible that an artist that has been around this long – 20 years in Chris Calamera’s case, can keep making records that stand up among the best that he has ever done. Let’s be clear: “Last Goodbye” is a great song. It’s poppy, with a big melody and an insistent rock rhythm, and it’s catchy as hell. Sounds like authentic Exit 22 Music to me. This is pure Calamera from his pop-rock songwriting style standpoint, and pure Exit 22 Music, considering the breathtaking vocals and high production-value quotient. The perfect, power-pop formula. Exit 22 Music has been keeping

Lake of the Lion embodies embody emotive sounds and textures

Lake of the Lion is the brand name and moniker for Luxembourg music composer and producer, Daniel Kohnen, who is steadily building up his catalog and increasing his fan-base with regular new releases. In recent years, ambient instrumental and soundtrack scores have been following a certain trend. Composers seem to have this motif of creating overblown pieces with harsh lead instruments blasting out from the blue and background strings creating suspense with their melodies. Sure it was fun for a while, but within that little span of time listeners were just begging for it to stop because composers had this

Natalie Jean and Levi Moore: “The Letting Go” speaks the language of the ordinary person

A good duet, in our modern age, is a rare thing. There are plenty of features, guest verses and co-writes, and the cameo drop-in is a dime a dozen. The number of genuine duets, where vocalists share verses and tell a story together in the space of a song, is very small. If your optimism fails you, as you wonder whether there are enough great acts to keep hit radio stocked with worthy pop music duets, it’s reassuring to find that Natalie Jean and Levi Moore have a first-rate single to carry us through the next few months, all by itself. The

MAKI: ‘Waking Up With The World On Fire’ – truly majestic — grandiose, slowly unfolding, and extremely cinematic

The world is a fragmented place, with fear and hate giving rise to isolationist movements around the globe and huge portions of the population turning inward rather than outward towards each other. As such waves of bigotry spread like wildfire, the music scene becomes extremely important, not just because it means more great music, but because it connects us all together on a wavelength that hits the human heart, soul and mind even harder, faster and deeper than anger can. A creative constant in the field of communicative contemporary Instrumental music, is MAKI who focuses his ample talents on a

3 Phase – ready for genre domination!

The names Chirag Shah, Prasham Deliwala and Melvin Saldana may in themselves not ring a familiar bell in your ear right now. Probably, neither will the moniker ‘3 Phase’, nor their 6 track self-titled EP. It’s logical, it’s the law of the industry’s hype machine – cast a light on the big label clones, and leave the independent creatives in the shadows. Luckily the internet has a different set of rules.  On hearing the 3 Phase EP, the lofty ambition, the focus and dedication of this creative collective of producers, songwriters and vocal talent, makes sense – its six tracks

Sy: “Get Out Of My Dreams” – grab this R&B and Soul extravaganza

The singer, songwriter and author, Sy, releases a brand new single produced by Rueben Wood. The track “Get Out Of My Dreams” is the first single release written by the artist in 2018, since writing two self-help books, “A Swan Among Ducks” and “Saying Yes to (No): Learning the Power of (No) before the end of 2017. This track soulfully captures the spirit and feel of the emotional journey of grown womanhood. It is juicy, dynamic, soulful, gorgeous, and it is nourishment for the soul…and mind, as it examines the intricacies of a relationship built on want and lust. As

IJK: “Johnny & June” – sounds invigorated!

Alternative rock artist Imad Jack Karam, known by his initials and stage name IJK, is a Dubai-based, Lebanese singer-songwriter, who has released critically acclaimed songs and recorded with internationally known music producers in prestigious London studios. Both his singles “Space Odyssey” and “Dancing Shadows” garnered a positive reception from fans and critics alike. IJK has a style that can move between edgy modern-day alt-rock and sixties rock n’ roll crooning.  He recently published his latest single and supporting, fully animated video, for the song “Johnny & June”. So, how does this new offering cope? Very well, in truth. “Johnny &

TRVP HIPPI3Z: “On Lock” – no lack of muscular skill-flexing!

TRVP HIPPI3Z is a Canadian rap duo who just dropped their latest single entitled, “On Lock”.  Listeners beware. This product has been known to blow up and cause fires in a variety of stereo systems, due to the super-hot fire provided by this crew. TRVP HIPPI3Z is a team-up that has risen as great exemplars of righteous chaos. Their supersonic sound and hard-nosed imagery gives them a mysterious sheen, but the duo have grounded themselves via booming production, and a sonorous verbal presence, coupled with their willingness to fuck you up. Their chest-beating bravado is explosive on “IDGAF (Prod. THZ)”,

Eddy Mann: “Simple Things” will leave you breathless and in a state of euphoria

At first as a musician, I created music, then as an A&R executive I challenged it, now as a music reviewer, I explore it.  Of the three, the latter is the most difficult. Criticizing or appraising somebody else’s creation is no easy task. Enjoying it is one thing, understanding it another, and translating it is even more arduous. The funny thing is, I’ve always hated describing music. It’s such a volatile and subjective art, that nobody should really have the authority or the presumptuous audacity to judge the level of enjoyment or emotion any one piece of music is capable

Aaron Lindstrom drops “Queen Anne” from the album Lucid Whiskey

Rarely does a musician have an excuse to take ownership of our ears for more than four minutes per song. There are a few artists who have the imagination to write beyond an enticing hook that becomes cacophony after a few turns on repeat. Enter Aaron Lindstrom’s ballad, Queen Anne. With an eight-and-a-half minute duration, listening to this piece of music seems like a big commitment, but wait a while, give it the license to change your ears and your mind. This is a lyrical story traveling through time, space, and genres.

Aaron Lindstrom in concert

Aaron Lindstrom in concert

Written over the course of several years and miles logged, a few desperate heartbreaks and six too many shots of whiskey, Queen Anne begins as a folk love song, sweet and subtle, acoustic and soulful. You’re transported to Seattle, gaze over the steam of fresh-brewed coffee upon the love of your life. A piece of electric guitar pulses through the cords to trace the beginnings of this phantom love story. Then… it pauses. It starts again.

Lindstrom’s fresh vocals fill the void with harmonies reminiscent of Paul Simon. Then… it breathes and begins again. And you’re transported into an entirely different venue of jam-band essence and an incendiary electric guitar solo that brings this ballad to a finish. By the end, this sweet love-story is drenched in resentment and heartache, all dripping from the frets.

Aaron Lindstrom in concert

Aaron Lindstrom in concert

It’s a bold move. There are at least three songs embedded into these prolific eight and a half minutes melody. There are at least two musical genres threaded throughout. And putting in multiple pauses? Yeah, it’s not a safe move on the part of a musician. But it works.

Aaron Lindstrom is not a stranger to lyricism and he’s not afraid to use it. He bleeds the first 30 seconds of the song so prolifically that you won’t even notice the pauses or mind the time. It’s sweet and salty and complex. Its seduction is worthy of the time needed to be contemplated/understood.

There is a dearth of songs that are powerful enough to give you pause. Lindstrom forces you to pause; with rich and robust lyrics taking you across Montana, San Francisco and back to the Pacific Northwest. You need a fade to black to breathe it in, and here is a song with so much attention to detail in each note that Lindstrom gives the listener space to fade up and poised for more as he transitions between styling’s and spaces.

OFFICIAL LINKS: WEBSITEYOUTUBETWITTERINSTAGRAMSOUNDCLOUD

About The Author

Reply