Jason Miller: “Accel.” – an obvious amount of talent beneath a complex set of skills

The album “Accel.” by Detroit artist Jason Miller is both melodically stunning and bass bumping goodness. From the space-age track “My City” and the growling “Radiant Signals” to the driving “Lustrous Flow”, I was already hypnotized by the unique sounds and infectious rhythms three songs deep. This 14 track album plays heavy on the emotions and really utilizes its sonic elements to build a strong connection with the listener. Miller frees the inhibitions of every sub-bass raver lounged in front of a pair of speakers. He is a gifted producer with an obvious amount of talent beneath a complex set

COPPAHEAD RELEASES “WORK” SINGLE DESPITE BATTLING AGAINST THE ODDS WITH TRAGIC SHOOTING

This week brought news about North Carolina artist “Coppahead” working on more music, including his latest single “Work” https://www.youtube.com/watch?v=uRst0nA7AUg The video was actually filmed before the shooting incident. It’s the first we have heard from the artist for quite some years years. Many people have been asking about the whereabouts of the GMF (Get Money First) music star Coppahead.  The harsh reality is that, Coppahead has had many complications from getting caught up in a street shooting back 2014. Since, the artist hasn’t been able to fully recover and has been left paralyzed. In a recent interview, the rapper said: “The music

Phoenix O’Neill: “Out Of The Ashes” remains accessible while never sacrificing its emotional heart

Phoenix O’Neill grew up in Watford, North London and attended school in St. Albans. She was born into a musical household – her mother sang and played guitar, her dad was a drummer, and her step-father a singer-songwriter. Phoenix started writing stories and poems at age eight, songs at nine, and by thirteen, she had built a considerable portfolio. Her first live performance occurred when she was fourteen, at her mum’s friend’s wedding in France. Now at age twenty-three, Phoenix O’Neill has been giving heartfelt, memorable performances in and around the Hertfordshire area, and recently gained the attention of world

Lewis Griffiths Founder of Griffiths Records talks business and more

We meet with the Founder of Griffiths Records, Lewis Griffiths, who talks about their next release the unheard tracks by Dub master King Tubby, his entrepreneurial business savvy, music, clothing, and future releases, as well as the general running of the label. How long have you been in the music business and how did you get started in the first place? We have a clothing company named Griffiths-Clothing which launched some 3 years back. For me/us clothing and music goes hand in hand, you dress to what music you listen to, it’s a street thing a working class thing to

G.H. Hat: “Sukiyaki (feat. Alina Renae)” – an unwavering dedication to his sound

Seldom does chance have it that an electronic music producer is as simultaneously celebrated by both seasoned and novice fans of the genre as G.H. Hat is. The relative newcomer boasted 290 Classical track releases prior to officially starting his EDM career with two Triphop songs which saw him rack up Soundcloud Top 50 Charting, and continuing with many placements on Official Spotify playlists. In 2017, G.H. Hat achieved national Billboard success with “I Got a Problem (I Wonder…) . And 2018 has continued to rake in more success with the producer dominating many Spotify playlists and being

The Husk platform provides an effective advertising platform for musicians on Spotify, Soundcloud, and YouTube

The Husk is one of the fastest, most effective and direct advertising platform for musicians on Spotify, Soundcloud, and YouTube. It’s a one of its kind platform that provides innovative tools for artists, blogs, curators, labels and other music personnel to grow and promote their work. What makes it different from other music promotion platforms is that it is simple, comparatively cheaper and drives guaranteed traffic directly to the user’s Spotify, Soundcloud or YouTube account. The Husk is the brainchild of ‘The Drunken Coconut’, a Canada based music marketing and consulting company owned by Ariel Carter & Ryan Thompson. They

Dig The Reggae Meditations: Jahmings Maccow – ‘Trod It Through’

LETMEGOO Records proudly presents a brand new cut from the ubiquitous Anguillian-come-New York resident Rastafarian Jahmings Maccow. How to describe this latest output from a man with thirty years of recording experience behind him? A deep and uplifting reggae soul cut would be a start. ‘Trod it Through’ first came about during solitary sessions at Manhattan’s Rocket Studios, circa mid-to-late 80s. Throughout the following thirty years, the song found itself evolving through several bands and incarnations to finally see the light of day in all of its sagacious energy, here on LETMEGOO Records. Maccow stands like a mound, unassailable, waxing

ESP EVOLUTION New Music to Inspire The World – ‘WISHING ON A FALLING STAR’

ESP EVOLUTION is sending the world a message of hope, freedom and unity in their song ‘WISHING ON A FALLING STAR’. This duo consisting of music producer and guitarist Overdose and singer and songwriter The Lady Capri, are heating the airways with this urban, rhythmic and catchy song. Together the two have created a track that will definitely catch your ears, make you move and inspire you to keep pushing and make your dreams come true. “Our song ‘WISHING ON A FALLING STAR’ is an anthem of hope and freedom. No one, no matter who you are should let anyone

NuJ4X: “Dab (On Dem Haterz)” – glistening and eminently marketable

Waverly, Tennessee’s masked EDM DJ / Producer, NuJ4X, has set his sights on making a splash with his debut single, “Dab (On Dem Haterz)”. The journey for NuJ4X started when he asked his 13 year old son what he wanted to become. On replying, “a DJ”, NuJ4X wanted to show interest in his child’s choice and strengthen their bond, hence he started playing around with music…and liked it. After countless weeks, days and hours learn how to craft instrumentals, NuJ4X began to find his rhythm. Upon doing so, he created the instrumental beat for “Dab (On Dem Haterz)” and decided

Aryeh Leib Hurwitz is a Brooklyn-based singer and cantor whose brilliant voice has been featured all over the world!

Aryeh Leib Hurwitz is a Brooklyn-based singer and cantor whose brilliant voice has been featured all over the world. His repertoire consists of many different melodic genres and songs in a variety of languages, including Opera, Broadway and Modern Jewish music. Aryeh released his debut single “SHEYIBONE” on SEFIROT RECORDS on February 26th, which was followed by the live music video for this song. “SHEYIBONE” is a very unique combination of Chazanut and Jazz, which makes for a perfect rendition of this classical Jewish song. It features a truly all-star team working on it: performed by the Eyal Vilner Big

Fun Cam: “Basement Rock” manufactures some absolutely hair-raising sounds!

Cam Fraser has an education spanning from English Literature, New York theatre training, graduate work in graphic design and music at the renowned Berklee College of Music. Among others, Cam has played in popular Toronto bands including The Four Kelly’s, Crispin’s Glove and The And Then’s. His individualistic flare and outlandish live antics garnered Cameron the stage name “Fun Cam”.

Fun Cam (Cam Fraser) and crew, worked on and off on the “Basement Rock” album for about a year, recording all the tracks live, off the floor, and in the same room. They kept the overdubbing at an absolute minimum. All the guitars went in dry using no pedal effects or software enhancements. So, in today’s swashbuckling, glossy and Melodyned music world, how does Fun Cam and “Basement Rock” measure up?

Fun Cam

Fun Cam

For starters, Fun Cam has a sound that is completely his own. It’s crunchy, fuzzy, aggressive, spacey, acidy and sometimes brooding alt-folksy with a touch of 60’s psychedelia and punk mixed in. And I’m not sure I even got enough descriptions in there! It’s a sound that Fun Cam maintains perfectly, in varying does, throughout the whole album.

Fun Cam (Cam Fraser) and Johann Burkhardt complement each other very well, and together, they manufacture some absolutely hair-raising sounds throughout this recording. This album is vintage in feel, yet modern and innovative and the same time. I will enjoy it for years to come, just as I do my old Bowie, Zeppelin and Crosby, Stills Nash & Young records; simply because “Basement Rock” relies on substance, rather than on pretense.

This much is clear the minute “Baby Tonight” comes flying in on a high note. The song is full of referential influences and the sound echoes of the past amalgamating into a blend of psychedelia and rock and roll, with a few shards of melodic folk-rock shining through. “Colder in L.A” is faster and louder with Fun Cam’s punk influences taking a front seat. The supporting vocals come in nicely, just lending a hand to catch some fire, while Fun Cam and the band jams out right.

There is a really good infectious beat going on in all the songs. And “Vegan Girlfriend” is no exception. Fun Cam’s vocals are incredible, the guitars wonderfully crunchy, the bass and drums tight. If you like the retro rock sound, you won’t go wrong with this. Listen to “Bandana Jeans Girl” loud a few times and you’ll like it more and more each time. Put it away and listen to it a few days later. And the melody and harmonies sound even better. You’d need to put Jackson Browne into the Beach Boys to get anywhere close to this authentic feel-good sound.

Fun Cam

Fun Cam

Passionate, intense and hard-hitting, “Small Town Swing Bridge” forges all of Fun Cam’s influences possibly absorbed from Neil Young. It really is one of the highlights of this album’s sonic texture for sure. “Last Show” and “Not Today”, are chalked full, good rocking jams. The attitude and style in which they are delivered demands your full attention and greatly adds to the overall vibe of this album.

“Hit me baby” is none other than a superb reworked, acoustic version, of “Baby One More Time”, the Britney Spears megahit song, written and produced by Max Martin and Rami in 1998.Fun Cam strips the song down, and then turns it upside down and inside out, in the best possible way. The result is a track so full of character that it stands out like no other bare-bones acoustic-rock song, I’ve heard in a long time. 

Fun Cam (Cam Fraser) and crew have done an excellent job of pooling together all their talents into a cohesive and refreshing use of their instruments and voices. This album is always about the songs, and never about the musicians, and every part that is played creates a full-bodied jam of chunky riffs and analog lushness. The groove laid down on these tracks is undeniable and almost unheard of in the digital era. “Basement Rock” is a must have for anyone who remotely likes rock music. It embodies what has made…and still makes rock music so damn enjoyable!

The official record release date and show is set for Aug 27th – The Paddock Tavern – Toronto, Ontario. The single, “Baby Tonight” is currently in video production.

OFFICIAL LINKS: WEBSITEFACEBOOKSOUNDCLOUDTWITTER

Album Credits:

Vocals: Cam Fraser

Backing Vocals: Liv Jean Mott, Katie Moreley, Amanda Jean Mountford, Kim Baxter, Johann Burkhardt, Melodie Lemon, Cam Fraser

Drums: Tony Rabalao, Don Pham, Matt Morton Axe: Cam Fraser, Johann Burkhardt

Bass: Johann Burkhardt Keys: Johann Burkhardt

Additional percussion: Cam & Johann

Jk (John Kanakis) back up vox, bass, lead axe, baritone sax, mandolin, slide axe, organ, synths, percussion, and tambo

Written and arranged by Cam Fraser. Produced and engineered by Johann Burkhardt. Additional mixing and producing by JK (John Kanakis)

About The Author

Reply