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One Step From Everywhere is a Seattle based band that does not limit themselves to genre or style. Primarily a rock band, with a passion for playing live, they are not afraid to add shades of any style that may strike a chord within them.  Their album, “Somewhere In Between”, is a full and complete artistic statement that can function equally well as an introduction to and summation of the varied strengths of this band. The production and engineering also aids immeasurably in this regard. The sumptuous mixes place the listener deep within the instrumental interplay of a band whose

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DAV!D&CLARA: “Repair” – rugged and intense!

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Catch up with Boston based group Urban Lights Band

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Royal: “Letter To Cecil” narrates his hardships, his grind and his contributions

Royal is a hip hop artist who currently resides in Hockessin, Delaware. He understands the importance of giving back and he performs at dozens of middle schools and high schools. In the past, he has donated the proceeds from concerts and albums entirely to the community, spreading his generosity to the surrounding neighborhoods. Royal has performed alongside artists such as Waka Flocka, Meek Mill, Yo Gotti, YG, and Tory Lanez. His latest project is the single, “Letter To Cecil”. Here Royal seems to be hungrier than ever and is out to remind hip-hop of the abilities that should eventually bring

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Simon Ratcliffe (BASEMENT JAXX): “Redford have a unique fresh and lush sound with strong heartfelt songs, gorgeous melodies – not to mention superb musicianship.” Mastered by Greg Brooker (Dejstil feat Peter Hook – Joy Division / New Order, You Love Her Coz She’s Dead, Micky Diana) Polish indie-rockers Redford have announced their arrival with a brand new single, cinematic video clip and a new Ep on Glasstone Records. The new Ep The World We Live In is on streaming platforms now, and you can watch the video for the single To The Morning below on YouTube.  With a brand

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Perhaps Iskar D’Abrel’s only misfortune is releasing his music at the wrong time.  Had he dropped the track “Ruins of You” in the 70’s, 80’s or even early nineties, he surely would have been recognized universally along with other greats of those eras.  It was a time where artists were not defined by a specific genre and allowed to approach different styles of music with a creative freedom almost totally lost today. Iskar is a master of song construction.  No song in his catalog is just a repeat of parts.  Each song is its own story; each follows its own

Fun Cam: “Basement Rock” manufactures some absolutely hair-raising sounds!

Cam Fraser has an education spanning from English Literature, New York theatre training, graduate work in graphic design and music at the renowned Berklee College of Music. Among others, Cam has played in popular Toronto bands including The Four Kelly’s, Crispin’s Glove and The And Then’s. His individualistic flare and outlandish live antics garnered Cameron the stage name “Fun Cam”.

Fun Cam (Cam Fraser) and crew, worked on and off on the “Basement Rock” album for about a year, recording all the tracks live, off the floor, and in the same room. They kept the overdubbing at an absolute minimum. All the guitars went in dry using no pedal effects or software enhancements. So, in today’s swashbuckling, glossy and Melodyned music world, how does Fun Cam and “Basement Rock” measure up?

Fun Cam

Fun Cam

For starters, Fun Cam has a sound that is completely his own. It’s crunchy, fuzzy, aggressive, spacey, acidy and sometimes brooding alt-folksy with a touch of 60’s psychedelia and punk mixed in. And I’m not sure I even got enough descriptions in there! It’s a sound that Fun Cam maintains perfectly, in varying does, throughout the whole album.

Fun Cam (Cam Fraser) and Johann Burkhardt complement each other very well, and together, they manufacture some absolutely hair-raising sounds throughout this recording. This album is vintage in feel, yet modern and innovative and the same time. I will enjoy it for years to come, just as I do my old Bowie, Zeppelin and Crosby, Stills Nash & Young records; simply because “Basement Rock” relies on substance, rather than on pretense.

This much is clear the minute “Baby Tonight” comes flying in on a high note. The song is full of referential influences and the sound echoes of the past amalgamating into a blend of psychedelia and rock and roll, with a few shards of melodic folk-rock shining through. “Colder in L.A” is faster and louder with Fun Cam’s punk influences taking a front seat. The supporting vocals come in nicely, just lending a hand to catch some fire, while Fun Cam and the band jams out right.

There is a really good infectious beat going on in all the songs. And “Vegan Girlfriend” is no exception. Fun Cam’s vocals are incredible, the guitars wonderfully crunchy, the bass and drums tight. If you like the retro rock sound, you won’t go wrong with this. Listen to “Bandana Jeans Girl” loud a few times and you’ll like it more and more each time. Put it away and listen to it a few days later. And the melody and harmonies sound even better. You’d need to put Jackson Browne into the Beach Boys to get anywhere close to this authentic feel-good sound.

Fun Cam

Fun Cam

Passionate, intense and hard-hitting, “Small Town Swing Bridge” forges all of Fun Cam’s influences possibly absorbed from Neil Young. It really is one of the highlights of this album’s sonic texture for sure. “Last Show” and “Not Today”, are chalked full, good rocking jams. The attitude and style in which they are delivered demands your full attention and greatly adds to the overall vibe of this album.

“Hit me baby” is none other than a superb reworked, acoustic version, of “Baby One More Time”, the Britney Spears megahit song, written and produced by Max Martin and Rami in 1998.Fun Cam strips the song down, and then turns it upside down and inside out, in the best possible way. The result is a track so full of character that it stands out like no other bare-bones acoustic-rock song, I’ve heard in a long time. 

Fun Cam (Cam Fraser) and crew have done an excellent job of pooling together all their talents into a cohesive and refreshing use of their instruments and voices. This album is always about the songs, and never about the musicians, and every part that is played creates a full-bodied jam of chunky riffs and analog lushness. The groove laid down on these tracks is undeniable and almost unheard of in the digital era. “Basement Rock” is a must have for anyone who remotely likes rock music. It embodies what has made…and still makes rock music so damn enjoyable!

The official record release date and show is set for Aug 27th – The Paddock Tavern – Toronto, Ontario. The single, “Baby Tonight” is currently in video production.

OFFICIAL LINKS: WEBSITEFACEBOOKSOUNDCLOUDTWITTER

Album Credits:

Vocals: Cam Fraser

Backing Vocals: Liv Jean Mott, Katie Moreley, Amanda Jean Mountford, Kim Baxter, Johann Burkhardt, Melodie Lemon, Cam Fraser

Drums: Tony Rabalao, Don Pham, Matt Morton Axe: Cam Fraser, Johann Burkhardt

Bass: Johann Burkhardt Keys: Johann Burkhardt

Additional percussion: Cam & Johann

Jk (John Kanakis) back up vox, bass, lead axe, baritone sax, mandolin, slide axe, organ, synths, percussion, and tambo

Written and arranged by Cam Fraser. Produced and engineered by Johann Burkhardt. Additional mixing and producing by JK (John Kanakis)

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