FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

Marshall Artz Productionz – “Go Missing” ft. SeanQ – is incredibly hypnotic, with crystal-clear production

Released Aug 28th, “Go Missing” Prod. by Marshall Artz Productionz, is the producer’s 3rd single release since June. The track will be featured on his upcoming 2021, self-titled LP “Marshall Artz Experiment”. The song features singer-songwriter SeanQ, from Dallas, Texas. The producer’s blend of R&B-inspired neo-soul and smooth chill sounds becomes its own entity within the hip-hop and urban music world. Marshall Artz Productionz work should gain high appraisal through its colorful and subtly amped vibes that play to any genre lover’s ears alike. After listening to this track, I expect that the outpouring of demand for more of the

Evie Calabasas – “STARGIRL” – strong, sensitive vocals and soul-baring songs

Evie Calabasas is a 20 year-old singer and songwriter. She started playing guitar at the age of 6 and started singing at 15 years old. After attempting to be part of band on numerous occasions, Evie finally opted for a solo career. Her first solo project, the 3 track EP “STARGIRL”, has its title inspired by the first song she ever played live.  It is a tempered and exceptional record. It shakes, rattles and rolls with minimal, almost absent percussion, a dominantly strummed acoustic guitar and occasional keyboard interludes. Above all, is Evie Calabasas’ voice, which delivers an untethered, sweetly

Close-up with Australian artist Rhett May

Born in Calcutta, India, Rhett May was immersed in a magical, musical melting pot; Carnatic and Hindustani music and instruments such as the Sitar and Tabla always providing melody and percussion against a daily backdrop of lifting and soaring voices of Ragas. By the time Rhett had begun boarding school in the Himalayan foothills; western music had also begun an invasion; The Rolling Stones, Beatles, Cream and Jimi Hendrix.Rhett May, whose first band was named The Wooly Bullys, eventually made the move from India to his current home in Australia. May who has released various singles, EP’s and albums during his long standing career, recently spoke to us in an exclusive interview.

  1. How long have you been in the music business and how did you get started in the first place?

Rhett May: Since I was 15 years of age, with a band called the Wooly Bullys…in Calcutta INDIA.

  1. Who were your first musical influences that you can remember?

Rhett May: My first musical influences were ELVIS, FABIAN, CLIFF RICHARD, and listening to the harmony/crooners bands that my father listened to…The Platters, The Inkspots. However,  also got involved with the Beatles, Dave Clarke Five, Jimi Hendrix, Cream, Jefferson Airplane, Rolling Stones, Herman’s Hermits…etc…etc…around the age of 15 yrs.

  1. Which artists are you currently listening to? And is there anyone of these that you’d like to collaborate with?

Rhett May: I’m totally averse to most of today’s music…it’s too ‘cookie-cutter’…today’s music has lost its soul somewhere down the manufactured line…the audience seems to be force fed mechanical plasticity with lyrics that are laughable. Music…songs…are a medium with which to provoke all the emotions in a human being…LOVE….LAUGHTER…HAPPINESS…GOOD TIMES…and convey a message…tell a story. I only listen to the people like Santana, Lennon, Pink Floyd, Rolling Stones, Cream, Clapton and the hard rock bands – Deep Purple, Led Zeppelin and Ozzy Osbourne etc. I love bands like YES, Queen, Black Sabbath – hard rocking, great vocals and harmonies…’when the van is rockin’…don’t come knockin’…

  1. You have been in various situations in your career. Do you ultimately prefer the freedom of working solo or the collaboration with other members in a band?

Rhett May: I love working with like-minded people. I was always the initiator and am extremely centered about how I want things done, but I generally get my way because I think outside the ‘norm’…and most musicians are eager to follow a formula and say “but that chord or sequence doesn’t fit”…and I say “Why not? Who says so?”….I don’t like to do things simply because that’s the way it’s done….so people/band members tend to follow my lead.

Yes…working solo…or with other members of a band is certainly different…but I don’t mind the synergies that follow!

The cover artwork

The cover artwork

  1. What are your thoughts on visual media and Youtube in general? Do think that video is an appropriate marketing tool for your music, and what is your latest available video for fans to see?

Rhett May: YES…video…YouTube…fabulous…so much more you can say via this visual medium. They say that a song with a video can have around 65% more attraction and impact than the audio track on its own. My latest video is called ‘The Violence of Ice’…it’s an anti-drug song that I’m hoping will attract more awareness to the dangers of the drug and the violence that can impact, especially toward women and children.

  1. Which do you ultimately prefer? Entertaining a live audience or creating songs in a studio environment?

Rhett May:  As they say “Horses for Courses”. There is a time and place for both. It’s magical on stage and the rapport that it can bring between myself and the audience is immensely satisfying – knowing that people appreciate your music and believe in your work. At the moment I’m in a place where I’m very secure and happy to be writing, recording and simply jamming with my mates, but I hope that next year we could summon up the motivation for a tour. I’ve had a number of tours offered but nothing has been imaginative enough to move me.

  1. Tell us something about your lyrics and music on your releases. Are you more inspired by real-life situations or by fantasy?

Rhett May: I have an enormous number of songs written through personal experience and observations, remember, I have come through some of the most ground breaking decades in music history…60s…70s…80s…90s…into modern day music, and I’ve seen and experienced all types of things, events and occurrences ….ALL WITHOUT A SINGLE ADDICTIVE INFLUENCE. I was watching, registering and recording a lot of stuff that was insane! However, I have a very, very vivid and wild imagination too….and some of my best songs are all via my imaginings.

  1. If you were forced to choose only ONE of the songs in your catalogue to represent the artist Rhett May, which song would that be, and why?

Rhett May: Wow, now that’s a tough one, because I write so many varying genres. I love heavy rock, slow sensitive ballads, community minded sing along stuff. However, if I were to pick something off my current album ‘Fast Cars and Sitars’ it would have to be ‘Drifting Dreaming’. A laid back, stripped down song about taking it slow and easy, laying in the sun and simply floating away….hehehe….as the song goes “OH SO SICK OF SHAKING HANDS…ALL THOSE FOLK WITH LEATHERY TANS”

  1. On which one of your songs do you feel you personally delivered your best performance so far, both technically and emotionally?

Rhett May: Once again there are a number depending on the mood. Like an actor immersing myself in the role, I place my emotions in to every song I write and record. I am quite fond of ‘Insatiable’, which is guttural, raw and emotive, and like all my songs there is no technological enhancements or auto-tuning to my vocals. Everything done is natural. I’m not sure the vocal is that technically proficient. It wasn’t meant to be, but the acoustic work between the two guitars blends magnificently.

  1. If you were forced to choose only one, which emotion, more than any other drives you to be a part of this tough business?

Rhett May:  I am totally passionate about lyric, rhyme, melody and rhythm. I am obsessed with making, creating music…OBSESSED! Love…sorrow…sadness…happiness…anger…every emotion that is possible, including lust is a part of what I create, and that is why I am so very disappointed in today’s manufacturing of the music that is being made, played, aired and sold. The absolute brainwashing of our youth and the music they are growing up with is a tragedy….NO SOUL!

Rhett May

Rhett May

  1. Which aspect of being an independent artist and the music making process excites you most and which aspect discourages you most?

Rhett May:  Every part of creating, writing, recording, performing…EXCITES ME…MY BLOOD BOOMS AND RUSHES around my body when I pick up my guitar….when I write a lyric…WOW!

  1. How do you market and manage your music career? Do you have a management team to assist you or do you control everything by yourself?

Rhett May:  I do everything myself these days. I’m a perfectionist and I suppose a control freak. I need to learn to delegate and pass on the responsibility to someone with more time and more expertise than I….if only I can find a manager who has the nous and the passion….?

  1. How do you achieve your sound? Do you work from a private recording environment or do you use a commercial sound studio?

Rhett May:  I have built a studio in my basement at home in Black Rock Australia. I also have a buddy, Jimbo Payne, who was with me in my first band when we were 15 years of age. We still collaborate. He’s in Perth Australia and we talk via skype probably 5 to 10 times every day. We write together…or I send him ideas and he puts them together for me. He is a genius and knows exactly what I want and how I feel about things.

  1. The best piece of advice in this business you actually followed so far, and one you didn’t follow, but now know for sure that you should have?

Rhett May:  My advice to anyone who will listen….BE YOURSELF! Write, create, play what’s in your heart and soul, be TRUE to yourself. DO NOT become a clone of something that the A&R guys/gals representing the so-called record companies think is the ‘next biggest star’. I refuse to play or create something that I feel uncomfortable with and that is not ‘ME’. Everyone on this planet is special and unique; whatever you create is special and unique. Be confident, be proud, YOU ARE SPECIAL – there’s no one else with your mind and your DNA. I regret trying to conform, albeit for around six months, to changing my music style to disco/funk in the late seventies when Saturday Night Fever changed the music world forever. I very soon decided to get out of music for good after that….

  1. Is there anything in your long-standing career you would do differently if you had the chance to be able to relive those moments again?

Rhett May: I did get out of music from 1979 to 2007 to pursue life in the corporate world, and found myself a ‘proper job’ as my father said…to support my family, but then again, I’ve come back to my roots and passion with a vengeance to make up for those ‘lost’ years and I feel that the experiences outside of the music scene looking in have been a blessing too !

The upcoming new album.

The upcoming new album.

  1. Do you consider Internet and all the social media websites, as fundamental to your career, and indie music in general, or do you think it has only produced a mass of mediocre “copy-and-paste” artists, who flood the web, making it difficult for real talent to emerge?

Rhett May: Yes…the internet has developed an industry of ‘cookie-cutter’ artists/bands/and phony pseudo musicians….but on the other hand…it has also opened up the world to an individual’s music. Something that could never have been achieved simply by playing live on tour, or even getting an opportunity to being heard across the globe and beyond the frontier of one’s local town or city. I feel that the web, social media for indie artists has been a liberation of talent that has been made accessible to the masses of music lovers worldwide…FABULOUS!

  1. To someone has never heard Rhett May, which keywords would you personally use to describe your overall sound and style?

Rhett May:  Emotive…passionate…uncompromising…raw and genuinely natural…nothing plastic or false. SIX decades of experience and experimentation to bring you music that will thrill your body, your mind…and satisfy your soul…music that is HYPNOTIC…EXOTIC…songs with an edge….that go round and round inside your head!

  1. Could you tell fans what your latest single and/or album release is and where to find it?

Rhett May: My latest album ‘Fast Cars and Sitars’ will be released worldwide on 30th October.

The first single released off the album this month was ‘RICH BITCH’

The second single off the album ‘The Violence of Ice’ will be released on 2nd October 2015

  1. As you continue to work your way through your career, which more than any other still fires-up your imagination – A Grammy award, Platinum music sales or any other tangible milestone?

Rhett May:  What fires my imagination has nothing to do with Grammy awards or accolades of that nature. What I want to achieve is an acceptance of my music globally, by more and more people who understand what music does for the soul. Sure I’d love to have Platinum sales, but really the pleasure for me is appreciation of my endeavor, my creativity and my craft. I work very, very hard to produce what I do. I simply want recognition for my songs and my music, however, it’s not about me…it’s about my music! That is why you will NEVER see me appear in any of my videos…my songs are the STARS!

  1. What is the ONE thing you are NOT willing or prepared to do EVER, in your quest to consolidate a successful musical career?

Rhett May:  SELL OUT! I create, produce and play WHAT I FEEL…WHAT I LOVE…WHAT I’M PASSIONATE ABOUT!


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