Liquid Lunch: “Sketches 2 Seed” – an infectious and smoldering staple

Ken Eagle and Michele Akers discovered each other’s musical abilities after meeting at a dance in May 2014 and formed a duo in late October of the same year. They booked their first gig a month later…prior to having any material ready, and were forced to burn the midnight candle before successfully completing the gig with a 40 song repertoire. The duo, Liquid Lunch has now played in excess of 200 Gigs, performing at more than 50 different venues and travelling in excess of 160,000kms across the state of South Australia. Through it all Eagle and Akers, now bring to

DabriaLive Records Presents the heart and soul singer Anette Mendoza

Anette Mendoza, one of the original members of the Dabria duet which originated in 2011, has performed by request in various places such as Japan, Korea, UAE, and Indonesia among others establishing a solid reputation as a singer and performer. Anette, who started singing when she was 5, has also recorded the song, “I will do anything for love”, with Philippine artist – and first ‘Pilipinas Got Talent’ winner – Jovit Baldivino. Inspired by her late father, who himself was an excellent singer, Anette decided to sing professionally at the tender age of 7, starting out with covers by artists

KonQuestNow: “NOP (No One’s Perfect)” ft. STP & J.Morgan – an assemblage of uncanny language

The preconceived notions of what a KonQuestNow (VerseBorn & Wreck The Rebel) track is going to be like are plentiful well before you even press play. This has been a boon to their career, in what has become a viral habit of either hating or loving something based almost solely on your own personal internet culture and what your daily feed prompts you to feel about a certain subject. The collective’s name has become synonymous with great lyrics, superb beats, and originality. On their latest track “NOP (No One’s Perfect)”,  produced by Wreck The Rebel, featuring  STP & J.Morgan,  KonQuestNow

Enzo Sprigg: “Cosmic Bipolar Nebula” – therapeutic and cathartic

Enzo Sprigg is a creative electronic singer-songwriter, as well as a visual artist who illustrates his own album covers, creates the costumes in his videos and has even hand drawn and animated videos for his songs. Sprigg has just recently thrown down his therapeutic and cathartic 12-track “Cosmic Bipolar Nebula”, his third album. It’s with his continued freedom and internal exploration that Enzo Sprigg returns with a new recording, while showing a mature growth from his earlier releases. The album opens with “Raygun Love Transmission”, a beautifully sewn together song with distorted instrumentals and yearning vocals that create luscious textures

Stori Brooks: “Parachutes” – a potential for greatness

Stori Brooks has been a lot of things in her career: producer, poet, conflicted rapper, scenic storyteller. While her versatility keeps her afloat, it’s tough to get a bead on exactly who Brooks is and what she stands for—is she the conscious backpacker or the straight-talking street girl? She embodies the urban alternative, and she’s working on an album, to be entitled, “EVERYTHING IS GR8”, that offers her full narrative. The first single, “Parachutes”, taken off the upcoming album offers insight into her essence, finding the rapper at her most reflective. Maybe she’s assessing her current status and how she

Samantha Bouquin: “Contemplations on Solitude and Strings” – highly expressive

Connoisseurs of experimental or avant-garde chamber music may already know of Samantha Bouquin’s inventive and entrancing sounds. This is music of great integrity, startling vitality, and striking originality, yet it is virtually unknown outside the cult following that has appreciated these ingenious compositions. A cross between homespun classical populism and the sophisticated experimentation of the avant-garde, Bouquin’s music follows in the iconoclastic tradition of forward thinking composers, but with its own frank expression, exuberance, and wayward charm; yet it is also accessible to the casual listener in the directness of its material and the clarity of its techniques, no matter

My Silent Bravery: “Got it Going On” – a strong hook, and a nagging melody

“Got it Going On” is the latest single from My Silent Bravery and is the first track taken from the highly anticipated album “Willing to Try”. The song was featured on XM Sirius Satellite radio station XM The Pulse on Train Tracks with Pat Monahan, while the video premiered via the Huffington Post. Co-written and produced by Jim McGorman (Gwen Stefani, Avril Levine, Poison) the album features 12 tracks and will be released in 3 separate Eps over the next year. My Silent Bravery is the moniker used by Matthew Wade, and is meant to symbolize “persistence, perseverance and inner

Lord Doom: “II” – a mind-boggling array of sounds

Lord Doom leads the SGV trio Doom Squad who put on shows and support the growth of their local scene. Starting his own label and building a home studio, Lord Doom began working on a follow up to last year’s self-titled EP. Self-produced and written, the 25 y/o rapper aims to strike emotion rather than a turn up. The new album entitled simply “II” features beats that aren’t just made, but composed very well, and never monotonous. It fuses genres and sounds in a great blend that fits perfectly. The most immediately arresting feature of this album, is the production;

Dennis Sy: “Life is What You Make It”- a vision of a better life

Dennis Sy is an award-winning, multi-genre singer and BMI songwriter, as well as GRAMMY-winning producer (for the album PRESIDENTIAL SUITE: EIGHT VARIATIONS ON FREEDOM by Ted Nash at the 59th Grammy Awards 2016). Songs from his 3rd solo album STRONGER THAN BEFORE have garnered multiple nominations and awards. Sy has also collaborated with other Grammy members and has performed on many important stages. Currently on a roll Dennis has been involved in a number of projects including writing and performing the official soundtrack song for “Life is What You Make It” – a short documentary written, produced and directed by

David Vaters: “A Voice In The Wilderness Volume 1” – certified authenticity

This year Canadian born David Vaters released his first solo album “A Voice In The Wilderness Volume 1” on Feb 17. It’s an ambitious project showcasing a cast of a-league musicians which include: Tom Hemby on guitars and mandolin; John Hammond and Brian Fullen in the pocket; Jeff Cox on bass; David Vest and Johnathan Brown on keyboards; Charles Owens on harmonica; Susie Vaters and K.J. Raney on background vocals; and David Vaters on acoustic guitar and vocals. The album was produced by Dave Vest and David Vaters. “A Voice In The Wilderness Volume 1” may be the best, most influential

Seldom: “Black Mirror” – calculated with meticulous attention to detail, chord progressions and lyrical content

After performing with internationally acclaimed acts likes Buckcherry, Flyleaf, Puddle Of Mudd, Lacuna Coil, POD, Drowning Pool or Saving Abel, as well as successfully funding the production of a debut studio release via Kickstarter, Seldom released “Damaged”, their first full-length album, in 2014 and performed extensively on a regional basis in support of the release. Mitch Atkinson – vocals, Matt Hernandez – guitar, Sergio Martinez – guitar, Carlos Hidalgo – bass and Bryan Murillo – drums, are already back with a brand new EP, “Black Mirror”; focused on the increasingly symbiotic relationship between society and technology.

Seldom

Seldom

This Ep is phenomenal. I don’t know why I was surprised, Seldom has never disappointed. Once again, their sound is calculated with meticulous attention to detail, chord progressions, lyrical content, and a passionate singing style, and heavy overall. While being much more radio friendly they still maintain a truth and vitality that is lacking in much of today’s rock music. With 5 songs that blow you away whenever you hear them, this album breaks through new boundaries.

Black Mirror” is easily my favorite of the Seldom releases so far. I really liked “Damaged”, but this is what I hoped for from Seldom, though I didn’t expect it so quickly. The musicianship, the lyrics, the passion with which the songs are sung….it’s all here. And, the more I listen to it, the more I like it. While using a familiar song structure ensures Seldom’s accessibility, the true strength lies in vocalist Mitch Atkinson. A powerful vocalist and relatable lyrics are sure ways to win over an audience, but only up to a point.

From the title track and opener “Black Mirror” the sound is as subtle as a slap and then a fist to the face. The production is crystal clear, the levels perfectly mixed (that means an extremely audible bass), the guitars are an even balance of melodic and heavy, and the vocals emotional and strong. And the purity of the sound carries through the entire Ep. Balancing rockers with a ballad  (well sort of), the Ep is sure to appeal to just about any modern rock fan. It’s sonically adventurous, yet it’s comfortable and executed with precision.

The album CD

The album CD

The vocal and instrumental range is absolutely stunning on “The Grudge”. Lyrically not over complicated, but immensely immersive, this track shifts Seldom from great to awesome! The tight guitar lines, awesome melodic metal riffs, and interesting musical arrangements of this song all add up to one brilliant package in my view. Just when you think these guys are an all-out aggressive band, along comes the brilliant piece of art called “Digital Echoes”. It starts out with very soothing guitar played over an even paced drum beat. Then it picks up with some great guitars, while still maintaining that emotional atmosphere. The choruses change the whole mood before all hell breaks loose.

On “Masquerade” and “Marionette”, Seldom combine elements in rock and metal music to create an assault of razor sharp riffs within a massive wall of sound. The guitarists, bass and drums are the main players on these tracks. They demonstrate their skills to perfection. What the members of Seldom have crafted here is an incredibly melodic, powerful and technically impressive album; one that just fills you with energy.

In Seldom, we finally have a young band with an absolutely insane amount of talent that still can appeal to the masses. There are heavier bands. There are softer bands. It doesn’t matter who they sound like or which subgenre they belong in. Just listen to the album. It’s damn good!

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