Busola Martins: “Pleasant Surprises” ft. Bukola Bekes – You can hear the passion and her intention

“He turns my life around”, with these words, Busola Martins whets our appetite as we are led with bated breath into her new release “Pleasant Surprises” ft. Bukola Bekes.  With her ingenious use of simple questions and quotable phrases, she challenges us on a mid-tempo cliff hanger to re-access our relationship with Jesus. Precisely because Gospel thrives on its spontaneity, it has often traded lyrical sophistication for its immediacy.  This is not so with this track. Saved without being sanctimonious, and heaven-aspiring while remaining down-to-earth, when it comes to conveying ministry within her music, Busola Martins handles the load with passion

Weston Simonis set to release “Yoga Pants” video on Thanksgiving

For those who’re still unfamiliar with Weston Simonis and his wide range of musical styles, this is a very special talent. A native of the Grande Ronde Valley, Weston is difficult to pin down to one or two genres. Some might say he’s all over the place. I say he has the special ability to play Blues, Rock, Funk, Metal, Punk and any progressive thinking crossover music at will. Listening to his award winning album “Moments Of Intoxication” has reminded me that there was a time when you could hear all types of artists on the same radio station. Now

Jay Felicite: “758 Stories 2” features killer hooks and irresistible melodies

When thinking of England as a musical landscape, Dancehall may not be the first genre that pops to mind for people not in the know, but it’s there, under the surface of the streets, the thump of the drum and pop of the bass reverberating into walls, and spilling out under the doorways from dub clubs and roots bars. One of the current underground stars of the UK’s indie circuit is probably Jay Felicite (pronounced; Fay-Lee-See-Tay) is a Saint Lucian born and raised singer, songwriter, sound engineer. The resilient firebrand is making a big noise with the release of his new

Cris Marshall’s music will ensure he hooks as wide an audience as possible

Cris Marshall is an American Country Music Artist raised in a musical home, the small town of Haslet, Texas. He received his first drum set from his father at the age of two and by 8 he was playing his first guitar. In his teens, and alongside his dad, Cris began performing at some of Dallas/Fort Worth’s most well-known music venues. A singer-songwriter, multi-instrumentalist and producer, Cris also launched his very own home studio when he was 18, recording artists and bands all over Texas, Oklahoma, and Louisiana. However his passion for writing and performing never subsided during this time,

Midnight Watchman: “Liquid Universe” – an extremely focused record

A guitarist and keyboard player who began as a street musician in UK before touring the US and then returning home, Andy Jones AKA Midnight Watchman, is a composer and producer of ambient music. Influenced by an extremely wide spectrum of music and musicians, that go from Vangelis to Chopin, ad Ryan Adams to Tycho, Midnight Watchman has released his 12 track instrumental album, entitled “Liquid Universe”. In the hands of a lesser artist, the varying song structures of this album would likely become tiresome, but every one of the album’s twelve tracks is a testament to the Midnight Watchman’s

Joey Britton: “Edmonton Sessions” – fluorescent, acoustic-centric ambient atmospheres

Joey Britton started his journey in music at an early age. He joined the band ISO and played lead guitar helping to launch the Torn and Tethered Album. After ISO, Joey decided to move to California to expand his skills in the music industry while writing, recording, and producing his own records.  “I try to write songs that tell stories, relate to people, so that when you listen to them – you realize you’re not alone,” says Joey Britton. Exploring is an experience not easily replicated. Associated with it is equal parts thrill, anxiety, and apprehension. Exploring a new artist

Daryl Yahudy: “Soulful Life Within” – a perfect calling card

Indeed, you could say that Darrell McClover aka Daryl Yahudy, a former professional athlete, is a soul singer with a warm timbre and a penchant for sublime, emotional arrangements, defining what the neo-soul genre should sound like in 2017. He is a singer with a fine voice weaving a spell on songs which are full of distinctive takes on universal topics. The album “Soulful Life Within” is almost looking at how he was, how he is and how he will be in life. The warm, evocative, impeccable playing around Daryl here ensures a timeless listen. The album is overflowing with lush, lilting

John J: “Pain To Power 5 Love Letters” – strap yourself in and enjoy this vibrantly orchestrated roller coaster

I have always been eager to pick up every piece of music John J issues because of the lyrical expertise he demonstrates in every song, and the attention to the music production and features he provides. John J has just dropped a 5 track bonus EP, entitled “Pain To Power 5 Love Letters”, which comes hot on the heels of his latest release, “Pain To Power”. Like his previous recordings, each song on this EP carries a different succinct feel and hook while the flow stays swift and acrobatic. The beats, features and subject matter again excel well above average.

Chaz Hearne: “Rise of the Voluminous” – sneakily inventive and massively engaging

The very first thing I learned while listening to the album “Rise of the Voluminous” by eclectic folk artist, Chaz Hearne, is that the defining question regarding any Hearne song is which Chaz Hearne he’ll be. Will it be the introspective, contemplative Hearne of slow-burning masterpieces like “Falling For Reason” and “Hount The Jab”? Or will the party-starter behind “Fun In ‘82” poke his head out, armed with flash phrases and funky beats? Or maybe he will just activate his progressive art-rock mode, as on “Voluminous Man” and “Spicy In The Dim Halls” – catchy, complex, yet ultimately armed with a sort

The Gibb Collective: “Please Don’t Turn Out the Lights” – perfectly cut gems!

October marks the 45th anniversary of the Bee Gees song “Please Don’t Turn Out the Lights,” and fans of the musical super group of the 1970s, have reason to be excited. The Gibb Collective is a musical tribute, and a family legacy.  On the input of Maurice’s daughter, Samantha, the children of Andy, Barry, Robin and Maurice Gibb have found a way to honor their fathers by infusing new lymph  into the more than memorable Bee Gee classics of the 60’s and 70’s. And what better title for the 10-track album, than “Please Don’t Turn Out The Lights”. Though I

Seldom: “Black Mirror” – calculated with meticulous attention to detail, chord progressions and lyrical content

After performing with internationally acclaimed acts likes Buckcherry, Flyleaf, Puddle Of Mudd, Lacuna Coil, POD, Drowning Pool or Saving Abel, as well as successfully funding the production of a debut studio release via Kickstarter, Seldom released “Damaged”, their first full-length album, in 2014 and performed extensively on a regional basis in support of the release. Mitch Atkinson – vocals, Matt Hernandez – guitar, Sergio Martinez – guitar, Carlos Hidalgo – bass and Bryan Murillo – drums, are already back with a brand new EP, “Black Mirror”; focused on the increasingly symbiotic relationship between society and technology.

Seldom

Seldom

This Ep is phenomenal. I don’t know why I was surprised, Seldom has never disappointed. Once again, their sound is calculated with meticulous attention to detail, chord progressions, lyrical content, and a passionate singing style, and heavy overall. While being much more radio friendly they still maintain a truth and vitality that is lacking in much of today’s rock music. With 5 songs that blow you away whenever you hear them, this album breaks through new boundaries.

Black Mirror” is easily my favorite of the Seldom releases so far. I really liked “Damaged”, but this is what I hoped for from Seldom, though I didn’t expect it so quickly. The musicianship, the lyrics, the passion with which the songs are sung….it’s all here. And, the more I listen to it, the more I like it. While using a familiar song structure ensures Seldom’s accessibility, the true strength lies in vocalist Mitch Atkinson. A powerful vocalist and relatable lyrics are sure ways to win over an audience, but only up to a point.

From the title track and opener “Black Mirror” the sound is as subtle as a slap and then a fist to the face. The production is crystal clear, the levels perfectly mixed (that means an extremely audible bass), the guitars are an even balance of melodic and heavy, and the vocals emotional and strong. And the purity of the sound carries through the entire Ep. Balancing rockers with a ballad  (well sort of), the Ep is sure to appeal to just about any modern rock fan. It’s sonically adventurous, yet it’s comfortable and executed with precision.

The album CD

The album CD

The vocal and instrumental range is absolutely stunning on “The Grudge”. Lyrically not over complicated, but immensely immersive, this track shifts Seldom from great to awesome! The tight guitar lines, awesome melodic metal riffs, and interesting musical arrangements of this song all add up to one brilliant package in my view. Just when you think these guys are an all-out aggressive band, along comes the brilliant piece of art called “Digital Echoes”. It starts out with very soothing guitar played over an even paced drum beat. Then it picks up with some great guitars, while still maintaining that emotional atmosphere. The choruses change the whole mood before all hell breaks loose.

On “Masquerade” and “Marionette”, Seldom combine elements in rock and metal music to create an assault of razor sharp riffs within a massive wall of sound. The guitarists, bass and drums are the main players on these tracks. They demonstrate their skills to perfection. What the members of Seldom have crafted here is an incredibly melodic, powerful and technically impressive album; one that just fills you with energy.

In Seldom, we finally have a young band with an absolutely insane amount of talent that still can appeal to the masses. There are heavier bands. There are softer bands. It doesn’t matter who they sound like or which subgenre they belong in. Just listen to the album. It’s damn good!

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