Robot Raven: “Life Goes On” – relationships and its attached emotions

With “Life Goes On”, Robot Raven’s latest album, it’s tempting to zoom in on any single turning point in the duo’s timeline to figure out how they made it here. The obvious choices are “Greatest Hits, Part One”, and then “Greatest Hits, Part Two”, containing 36 of their best tracks, and released before any other album or single.  John Rigg (singer, instrumentalist and producer) and Edmond Bruneau (lyricist), have a habit of doing things in an odd manner, which perfectly matches their eclectic characters anyway.  Rigg creates robot machines and is reputed to have the world’s largest museum dedicated to toy and

“Sunshine” – Artem Cithara (ft. Nicole Elizabeth & Slick Sax) conjures immediate and unflinching imagery

The scene opens to the midnight skyline of a neon city while Slick Sax’s saxophone blows like a whirling cool breeze through the balmy summer air, muting the buzzing fluorescent signs that clamor for attention. All the while, Nicole Elizabeth’s breathy vocals murmur and soar above the four-to-the-floor piano-driven beat on the stunning new feel-good single release from Artem Cithara, entitled “Sunshine”. The track is an appropriate composition from a mysterious artist, songwriter and producer whose only goal is to be taken seriously–not only as an EDM icon, but in the context of finer arts. While much of the electronic music

Sarantos: “Why Ask Why” – uniformly excellent throughout

In a sense, Sarantos is as much a realist as he is a romantic; his best songs are about fearing the worst, hoping for the best, and getting lucky sometimes. His best songs are also about three or four minutes long and loaded with licks and melodies befitting of a great singer-songwriter reared on the musical legends of our time. All of those influences coalesce on “Why Ask Why”, a tight, spirited rock track.  Purely as sound, this track unquestionably succeeds; though AOR is basically a primary color of modern pop at this point, Sarantos’ vocals and lyrical tics are

Boy in the Rain: “Wave” – a fine assemblage of piano mastery

Boy in the Rain is a composer and solo artist. His style draws heavily from classical and romantic periods, stemming from the traditional piano studies of his youth, but incorporates modern styles into a unique contemporary fashion.  His latest album, “Wave,” is a collection of original piano solos. The piano has a chief interest of exploration for many composers. Through the history of music we can even certify the following: static discoveries and dynamic ones. Bartok, for example, in many of his solo piano pieces is always certain when to use an incomplete chord, which register and which inversion to

TALENTDISPLAY DISCUSSES HIS UPCOMING ALBUM, TALKING NICKI/REMY BEEF, 2CHAINZ AND MORE…

TalentDisplay confidently fuses old influences into his raw, modern sound, taking rap to a new intoxicating level. The Los Angeles rapper and songwriter TalentDisplay keeps a unique approach to hip-hop that incorporates the influence of fresh sounds, reality and assorted styles. TalentDisplay blasted on to the music scene in 2006 with his self-titled multi-lingual single. Since then, he has worked with superstar artists Fredro Starr and Ca$his, collaborated on pop, rap and R & B tracks while even spending some time working at Paramount assisting with songwriting and more. TalentDisplay uses the love and support of his fans whom he calls

Kris Woodbird: “Monsters of Heart” – a purveyor of persuasive folk!

Kris Woodbird aka Krister Svensson was born in the south of Sweden. He played and was a part of the punk, new wave and art music scene in Lund before moving to Stockholm. He went on to play drums in various indie bands before getting into vocals and songwriting in a band called Wan Light, which he formed with Magnus Karnock, releasing three albums and two EPs. In 2016 Kris Woodbird began his journey with the release of the single “Alien & River”. This led to the album “Monsters of Heart” recorded in Kris’ apartment by producer Håkan Folkesson from

René Puchinger: “Emotions” – gentle and pensive lyricism mixed with challenging soundscapes

Traditionally, when people think of the classical music, they associate it with the likes of old, boring, and antiquated composers of the 18th and 19th centuries. But if we look just a little harder, we will notice that the landscape and conception behind classical music written today is consistently changing. Today, if you open up newspapers and magazines, they are consistently writing encouraging words about the very best up-and-coming 21st century composers in amongst the Hip hop and pop artists. Record labels that release contemporary classical music, are ever increasing, including up and coming labels such as FatCat, Bedroom Community,

Sean Tibbetts Founder of Metal Band SAULT

Sault (Featuring members of Kamelot and Arcanium) was a creation formed by bassist Sean Tibbetts in 2014 and originally intended to be a solo album, but the project soon morphed into a band project. Sean was introduced to guitarist Curtis Jay by long-time friend Bisquette Bewley while at a tattoo parlor. Curtis was asked to record on a few tracks for the Sault demo. The two instantly knew there was something special in the music they had just created and were driven to start on a journey that would soon lead to a full length album. Next they found a singer in Benjamin Riggs, again via friend, this time in

K Block’s First Single “Rose Gold” to Be Released Early 2017

Rapper-songwriter K Block’s first upcoming EP Album titled “Poetry in Motion” will be released this year. “Rose Gold” is the first single due to drop early 2017. Born on February 20, 1994 in Chicago, Illinois, Dimitri Dyshaun Drew or more popularly known as K Block is best known for signing with the indie label OUT’DO ENTERTAINMENT Inc. His first EP album is also OUT’DO ENTERTAINMENT’s first release. The 23-year old rapper attended Prosser Career Academy High School in Chicago, but decided to drop out to pursue his passion for music. K Block started putting his music on social media, gaining

LIL J & PASTY WHITE BOY TO PERFORM LIVE AT THE HARD ROCK CAFE BOSTON!

Lil J & Pasty White Boy to perform at THE HARD ROCK CAFE on Thursday April 6. Music Starts at 7:00 pm Show Details: Artists – Lil J and PWB Venue: HARD ROCK CAFE – CAVERN ROOM 22-24 Clinton St. Boston, MA 02109 (All Ages & Bar w/ID) Date – April 6th, 2017 Show Start Time – 7 PM Link to Purchase Tickets: http://www.aftonshows.com/LilJ420

Seldom: “Black Mirror” – calculated with meticulous attention to detail, chord progressions and lyrical content

After performing with internationally acclaimed acts likes Buckcherry, Flyleaf, Puddle Of Mudd, Lacuna Coil, POD, Drowning Pool or Saving Abel, as well as successfully funding the production of a debut studio release via Kickstarter, Seldom released “Damaged”, their first full-length album, in 2014 and performed extensively on a regional basis in support of the release. Mitch Atkinson – vocals, Matt Hernandez – guitar, Sergio Martinez – guitar, Carlos Hidalgo – bass and Bryan Murillo – drums, are already back with a brand new EP, “Black Mirror”; focused on the increasingly symbiotic relationship between society and technology.

Seldom

Seldom

This Ep is phenomenal. I don’t know why I was surprised, Seldom has never disappointed. Once again, their sound is calculated with meticulous attention to detail, chord progressions, lyrical content, and a passionate singing style, and heavy overall. While being much more radio friendly they still maintain a truth and vitality that is lacking in much of today’s rock music. With 5 songs that blow you away whenever you hear them, this album breaks through new boundaries.

Black Mirror” is easily my favorite of the Seldom releases so far. I really liked “Damaged”, but this is what I hoped for from Seldom, though I didn’t expect it so quickly. The musicianship, the lyrics, the passion with which the songs are sung….it’s all here. And, the more I listen to it, the more I like it. While using a familiar song structure ensures Seldom’s accessibility, the true strength lies in vocalist Mitch Atkinson. A powerful vocalist and relatable lyrics are sure ways to win over an audience, but only up to a point.

From the title track and opener “Black Mirror” the sound is as subtle as a slap and then a fist to the face. The production is crystal clear, the levels perfectly mixed (that means an extremely audible bass), the guitars are an even balance of melodic and heavy, and the vocals emotional and strong. And the purity of the sound carries through the entire Ep. Balancing rockers with a ballad  (well sort of), the Ep is sure to appeal to just about any modern rock fan. It’s sonically adventurous, yet it’s comfortable and executed with precision.

The album CD

The album CD

The vocal and instrumental range is absolutely stunning on “The Grudge”. Lyrically not over complicated, but immensely immersive, this track shifts Seldom from great to awesome! The tight guitar lines, awesome melodic metal riffs, and interesting musical arrangements of this song all add up to one brilliant package in my view. Just when you think these guys are an all-out aggressive band, along comes the brilliant piece of art called “Digital Echoes”. It starts out with very soothing guitar played over an even paced drum beat. Then it picks up with some great guitars, while still maintaining that emotional atmosphere. The choruses change the whole mood before all hell breaks loose.

On “Masquerade” and “Marionette”, Seldom combine elements in rock and metal music to create an assault of razor sharp riffs within a massive wall of sound. The guitarists, bass and drums are the main players on these tracks. They demonstrate their skills to perfection. What the members of Seldom have crafted here is an incredibly melodic, powerful and technically impressive album; one that just fills you with energy.

In Seldom, we finally have a young band with an absolutely insane amount of talent that still can appeal to the masses. There are heavier bands. There are softer bands. It doesn’t matter who they sound like or which subgenre they belong in. Just listen to the album. It’s damn good!

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