SKOWT A Brand New Platform Connecting Unsigned Musicians To The Industry

SKOWT is a brilliant new venture that helps give recognition to unsigned musicians around the world. SKOWT helps connect unsigned artists with the biggest target markets most relevant to their needs – streaming music fans, event/media companies and A&R/Licensing Managers. The platform is highly interactive with artists from a wide range of genres represented. The platform is free to register on and provides for a much better and faster introduction of new music to fans – while at the same time creating a chart which quickly gives insight into the most listened to tracks, helping A&R/Licensing Managers as well as

Bitter Lake: “Frozen Landscapes” has both atmosphere as well as pummeling force

Ambient and Symphonic metal often run into walls of mundane sameness that conflict with intended results. No matter what could go wrong with these types music, one-man Scottish project, Bitter Lake, of does not fall victim to it. The composer reliably challenges the genres’ categorical parts to create something unique and as equally beautiful as it is noisy. And noisy it is, as Bitter Lake’s blend of the aforementioned genres is abrasive, aggressive and loud on the single “Frozen Landscapes”, which is taken from an upcoming album. The song construction and the use of classic black metal fare work well

Angel: “Hero” – all-embracing artistic approach

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M3 El Famoso Leon drops “Dead Inside” (Prod. Vessels)

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Matt Westin: “Legacy” – the rising country star with a deep baritone

Matt Westin found his fulfillment in the creative outlets of singing and singing after years of searching, and walked away from a promising career in engineering to pursue that passion. Influences by legendary artists, ranging from Johnny Cash to Garth Brooks, to even Frank Sinatra, Matt found his voice. He honed his vocal ability in bars and clubs around Pittsburgh for over a decade, with his at first reluctant family, becoming his biggest supporters. But it was the tragic event of his father passing away due to complications of chemotherapy in his battle with Leukemia, which drove Matt to seriously

North Carolina Jimmy Bones Releases his first major Single worldwide

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Myja display a very specific amount of fearlessness

Los Angeles, CA-based side project Myja featuring Michael Marquart and Jacob Bunton release their debut self-titled album on January 12th, 2018. The record was produced, engineered and mixed by Jason Elgin (Maylene & The Sons Of Disaster, Collective Soul), at The Barn, Marquart’s studio in Malibu, CA. In today’s world of singles, short attention spans and immediate gratification, it goes against the grain to release a 10 track rock album. But then I guess that Myja are not a band to go along with the crowd. Let’s face it: Being a classic rock band in 2018 requires a very specific

Andrew Gerard: “Run Away With Me” – This album has much to offer listeners

Canadian singer, guitarist and songwriter Andrew Gerard was born in Ottawa, and grew up on Vancouver Island. He is also known as Gerard The Hypnotist from the TV series Mindfreak with Criss Angel. Departing from TV and the world of magic after a car accident he rediscovered music while recovering. Discovered by LA Producer Ran Pink who produced his “Two Birds” recording at Fonogenic Records in LA, Andrew has just released his brand new full-length album “Run Away With Me”. Two songs on the album – the titular track and “Miracles” was produced by Danny Craig, while “Shine” and “Rewind”

NOAH ARCHANGEL & THE BAND OF THE HAWK – “THE MASCHINE WARS: SONGS OF SOLOMON”

The Maschine Wars: Songs of Solomon is a journey more complex and original, yet more accessible than anything Noah Archangel & The Band of the Hawk may have released before it. The fact that it exists at all is testament to the projects perseverance, raw talent, and prophetic direction with which Noah Archangel, King Aka Yeaux Majesty, Ash Ra Aka Houey Freeman Fka Ashtonomics, P.ey3, Grynd Seazon, and Juskwam steer the good ship Band of the Hawk aka BOHUP, to the richest musical waters; plucking out those worth bringing along on their musical voyage and creating records greater than the

Jahmings Maccow: “I” – explores new areas without losing reggae authenticity

Jahmings Maccow was born in Crocus Hill overlooking Crocus Bay on the Island of Anguilla, a British overseas territory in the Caribbean. Jahmings started singing and playing the harmonica at the age of 5 with a choral group at school in St. Kitts. At the age of 8 he built a steel drum and tuned it himself with excellent results. And by the time he was nine everyone in Anguilla was talking about him as one of the best singers and poets in school. Jahmings Maccow  became the leader of the “Public Works Steel Band” at 12 and the keyboardist of the band “The Flames” at 13 in St. Thomas.

Jahmings Maccow moved to New York City, and the 42nd Street Movie Theatre is where it all happened for him during the late 70’s and early 80’s. From there it was on to Studio 45 where Jahmings and his band, Catch-A-Fire Band had a fortunate spell. After disagreements, the band broke up and Jahmings moved on to the South Bronx where he formed “The Enforcers”, doing studio work for studio work for artists such as Max Romeo and Sugar Minott. In the fall of ’87 Jahmings moved to Los Angeles where he attended the Dick Grove Music School, while finding success as a songwriter.

Jahmings Maccow

Jahmings Maccow

Jahmings Maccow has continued to make music, and on “I” he exhibits his worthiness with what could be considered the most solid and consistent of his solo efforts. Jahmings continues to push the musical boundaries of reggae while always having a rootsy foundation, as he moves through rock and blues territory. There are no bad Jahmings songs and this 3-track EP reinforces my opinion.

From when Jahmings kick off the EP with the slow-burning “Passing Through”, he explores new areas without losing his reggae authenticity. But he separates himself from the plethora of cookie cutter reggae musicians out there. The deceivingly simple, yet profound lyrics do an exceptional job of synchronizing many ideas that you’ve probably been trying to coordinate in your head. By the time you hit the second and title track, “I”, you will be totally in love with Jahmings’ voice. It is edgy, but smooth and soothing, and incredibly easy to listen to. This track is intense, radiating Jahmings’ creativity with a personal, introspective backdrop that spouts truth in every direction.

However it’s “Horizon Train” that truly captures my attention. It is in constant rotation in my car, my bedroom, the living room, my work studio –  the track bridges the gap between roots reggae and that catchy mainstream, modern pop sound, in the same way Bob Marley so easily manipulated this specific melodic and rhythmic blend. In fact, “Horizon Train” wouldn’t be out of place on any classic Marley album. This is an excellent crossover track, with Jahmings displaying skilled lyrical delivery and an unmistakable charisma over a beat that chugs and grinds like a steam train building its momentum. You will find yourself humming and singing along before you know it!

“I” is the type of EP that never gets old, just sit down put the music on and follow along with the words and become addicted. Jahmings Maccow comes from another generation of musicians and his music shows how the dumbing down of the American music scene has been so successful. Jahmings is far removed from the hype and gadgetry, preferring a more musical, spiritual and personal perspective, which is beautiful. As the EP goes on, you can sense this classic feel and sensitive approach, which is very soothing. That being said, this is an intensely spirited recording with great lyrics and solid music that will blow your socks off!!

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