John-Marc Lucid: “Judas” ft. Fyah Sthar – breathes down-to-earth authenticity

Music is a very powerful and mystical force. It speaks to people on a much deeper level than conversation. It really reaches the soul. With his new track “Judas” ft. Fyah Sthar, John-Marc Lucid hits us with music that indeed does reach our souls, an intriguing melody, piercing lyrics and outstanding musicianship included. The new release by the Texas based Dancehall and Reggae artist is a joint venture with Fyah Sthar, and together they breathe down-to-earth authenticity, making for an airy, buoyant listening experience. Lucid is a creative mind that doesn’t bother about drawers or labels – his music explores

Innocent Bystanders: “Attractive Nuisance” – a roller coaster of emotion and excitement

Based in Kensington and Mission Hills, Innocent Bystanders was founded by musicians who played regularly in various bands in high school and college, who got together to form a band to play fundraising events for a local law school. They perform a wide-range of rock and soul, focused on the music of the 1960s and 1970s. The band is made up of Steve Berenson (Drums), Steve Semeraro (Electric Guitar, Vocals), Kaimi Wenger (Keyboards, Vocals), Jessica LaFave (Saxophone), Ben Nieberg (Acoustic Guitar, Vocals) Kath Rogers (Vocals) and Donny Samporna (Bass guitar). Their “Attractive Nuisance” EP of original music was recorded at

Roger Cole & Paul Barrere: “Let It Go” combines musical inspiration and travelling emotions

Meaningful lyrics, amazing songwriting, superb heart-warming yet angry sound, musical teamwork, everything is so perfect in this track. Such a gorgeous and refined melody and philosophical lyrics is worth being remembered for all of the current generation. The guitarist uses swampy resonating sound so beautifully and the drummer plays simple but tight groove, with every drum fill-in is on the sweet musical spots. The bassist backs up the music stably as the boys sing the vocals with conviction. This is one of my current desert Island #1’s in the Roger Cole & Paul Barrere catalog. Yes, the track “Let It

Markus Scott: “Live Life With No Regrets” – confidence is sky high on this project

Born in New York City, Markus Scott grew up in humble surroundings, and his family were always on the move resulting in him constantly transferring schools. He excelled at reading and writing poetry, before discovering that he could rap when he won a freestyle battle with a signed artist at a house party in Harlem. He soon learned to DJ too, and with his first check from summer youth, Markus went to a pawn shop and brought a laptop. He then brought a DAW, and microphone from Guitar Center and began researching how to mix and edit his vocals. He

Christopher Rapkin: “Focus In” – substance over style!

Composer, arranger, producer, multi-instrumentalist and singer. Christopher Rapkin is many things, including founding member of Digital Composers Guild, and a music industry consultant. During September Rapkin released his 10 track heavy guitar album, entitled “Focus In”. Listening to Rapkin on this album it also becomes clear that he could be known as a great guitar virtuoso and a perfectionist. Christopher is the guitarist who sings and he does it quite well, in my opinion even better than Steve Vai. Also he is a good composer, all of his albums are full of songs of different styles. So he’s the man

Ziggy: “Breathe” – music for a new generation of kids

Zachary Raul Reyes aka Ziggy was born in Arcadia, California, but spent a lot of time moving around since his dad was in military service, ending up in a town in Ohio called Middletown where he spent most of my elementary and high school career. Growing up, music was his life. At 13 he received his first guitar, as a gift from his mom. He took two lessons before teaching himself how to write tabs and understanding harmony. From there Reyes ventured into listening to Hip hop and metal before discovering Dubstep, which represented a complete change of direction. Suddenly

Lynne Taylor Donovan: “Sooner or Later” – a swirling pool of rich technique and tender ability

“Sooner or Later”, the new release by independent Canadian Country songstress, Lynne Taylor Donovan, is the third single from the Nashville sessions that produced her hugely successful Euro-UK #1 hit “Strong One” and the follow-up European #2 hit “Am I Dreaming”. The reigning queen of indie country music has a knack for finding a way into the hearts of her global fan base. “Sooner or Later” has a warm and deep intention, reflecting Donovan’s eloquent and versatile tidings, showcasing her country gravitas, and a swirling pool of rich technique and tender ability. A careful sensory indulgence is heard in the

Odd-Arne Jacobsen: “While I Was Crossing The Bridge” – a gift to the world

Musician, songwriter and guitarist extraordinaire, Odd-Arne Jacobsen has worked with most of the leading artists in his home country of Norway, in both theatre and music, and has also presented his craft internationally. He has had his own television show in Russia, as well as a solo concert at the Moscow International Jazz Festival, and has toured the USA, Mexico, Russia, France, China, Kuwait, Scotland, and Japan. In 1990 he undertook a solo concert of his own compositions in New York, becoming the first Norwegian guitar player ever to hold a solo concert in Weil Recital Hall at Carnegie Hall.

Jennifer Hope Releases “My December” for Music for Relief’s One More Light Fund in memory of Chester Bennington

JENNIFER HOPE LAUNCHES DOWNLOAD TO DONATE FUNDRAISING CAMPAIGN TO BENEFIT LINKIN PARK’S MUSIC FOR RELIEF CHARITY Singer-Songwriter Jennifer Hope, has released her cover version of Linkin Park’s “My December” to raise awareness, and contributions for Music for Relief’s One More Light Fund in memory of Chester Bennington. The track is available for download until October 27, 2017 at GoFundfMe. A one dollar donation is all that is required to receive a download code, but any additional amount is appreciated and your extended generosity can further help many in their time of need. All donations go to the charity through the

Jordan Everist: “Vacancy” – the perfect soundtrack for anything you can really think of doing

Jordan Everist is a creative from Portland, Oregon. His love of music began when he was 4, but really took off in his high school years. Since then he has been producing music professionally for short films, cartoons, and musicians. He also has had a series of personal projects, where he’s been able to express himself and develop his own voice. Besides music, Jordan has an interest in all things creative, which he shows through his other ventures, writing and animating cartoons, and developing video games. Odds are if you’re reading this review, you’ve heard of Everist’s music before. If

Red Martian: “Ghost Into The Fog” – showcases wonderful arrangements and sonic textures

On the fringes of music you can find some really spectacular things. It’s a journey that’s often worth taking- trying to scope out artists doing something unique and passionate in the face of everything corporate and plain. Here’s one of those few examples of true gems that can only really be found with a little searching. Formed in 1999, Red Martian came out of the DIY punk scene in Seattle, WA. Drawing influences from My Bloody Valentine, New York Dolls, and Iggy Pop. Having previously released five CDs, six vinyl LPs, and four acetate limited-edition EPs on the band’s own label (Bughlt Records), Red Martian is proud to be back with its sixth studio album, “Ghost Into The Fog”.

red-martian-250Red Martian is both creative and focused. Their sounds are beautiful and skillful. They are talented in all areas, both musically and lyrically. The crunchy guitar sounds drone, bob and weave, bringing songs to a haunting conclusion. They showcase wonderful arrangements and sonic textures. The songs, at first, sound distant and detached. However, continued exposure will have you thinking, “Wow.” The title track, “Ghost Into The Fog” is an amazing song, which leaves you breathless and emotionally spent, after only 2 minutes and 35 seconds.

If you like alternative rock music and creative guitar work, don’t walk…run and buy this album. It’s wonderful music. Instead of solos or instrumental breaks that usually showcase any guitarist’s formidable skills, Red Martian opt instead for using the six-stringed instrument as a means of texturing and coloring each song. This is best accomplished on songs like “NONE”, “UNDERTOW”, “USE” and “WON’T”.

red-martian-drumsUsually shoegazer music is much too slow and sludgy for me, but Red Martian puts a new turn on proceedings; they have some power chords, killer riffs and bone-crunching crescendos that it’s almost unfair on their competition. So much so, that if it wasn’t for the song “INGENTING”, I would have forgotten that they use synths too!

The songs on “Ghost Into The Fog” transports you, at the same time it evokes pensive thoughts and draws out dormant emotions. Though the guitar work is superb, dense and emotional and is probably the core of the album. This is not to say that it overshadows the rest of the elements of the band or its music. The lyrics are also big part of the reason why you can listen to this album for days on end. Even in some of its straightforward simplicity, there’s always a line or phrase to latch onto and ponder or smile and sigh about.

Perhaps the most outstanding thing about Red Martian is their seamless blend of electronic, rock, indie and shoegazer. The vigorous electric riffs, sprawling ethereal melodies and the whirling, muscular guitars create an interwoven mash without so much as a hiccup. At first listen, it seems like A fairly typical alternative-rock/shoegazer experience, but upon further listening, the enchantingly experimental angles of the music begins to filter itself fully into your brain.

red-martian-350“Ghost Into The Fog” is uniquely moving and works well on a bunch of emotional levels. It’s difficult to find a musical flaw in here. The album is fiercely adventurous, brooding and expressive, and it’s easy to get hooked after some intensive listening.

Inventive and enticing, this is a breathtaking voyage into a majestic, vintage, non-corporate alternative rock world. Legendary Producer, Gordon Raphael (The Strokes, Regina Spektor) did a great job with the production of this album and deserves a lot of credit too.

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