Sober Season: “You Fool” will captivate legions of ardent followers

Sober Season was created in Barcelona, Spain by two childhood friends – José Valle and Max Mir. They jokingly started to play metal to create a project for their Spanish class, but after realizing metal wasn’t their genre, they kept creating songs until they found out folk-rock was more of their thing. While watching a Talent Show they met Olivia de Rezende and invited her to join the band, thus completing the Sober Season lineup – José Valle (Lead Singer, Lead Guitar, and composer), Max Mir (Drummer, pianist, and co-composer) and Olivia de Rezende (Backup Singer). Sober Season, who has

Kyrre Bjørdal Sæther: “Lost In Love” – a feverishly cohesive earworm

Kyrre Bjørdal Sæther is multi-instrumentalist from Norway. Kyrre who has studied at the prestigious Liverpool Institute for Performing Arts (LIPA) in Liverpool, United Kingdom, where he specialized as a singer and songwriter, has been writing music since his teens. He released his debut album “On My Own” in 2004, and then had a 10 year hiatus before making a comeback. Signed to independent label KBS Productions, Kyrre recently released his brand new single “Lost In Love”, a song he had written in 2016, but rearranged for the single version, giving it a fuller, edgier flavor. Though he had some help

KITARI: “The Scarecrow & the Manor” – authentic carefree, psychedelic sound!

Brooklyn-based psychedelic funkers KITARI Originally formed almost a decade and a half ago in a small Upstate, NY mountain town, by middle school friends Adam Weyant (guitar and vocals) and Jared Rinaldi (bass, vocals and keys), the pair went their separate ways after graduation until the spring of 2014, when they began exchanging music ideas via Facebook and e-mail. Excited about the songs they were writing, they both relocated to NYC and quickly spawned a full set of dynamic, powerful songs. They teamed with talented drummer Jim Saint-Amour and spent a weekend in early March 2016 at Applehead Studios in

Wolvo: “Nothin Right” ft. DAYVID – towards the pop realm of charting electronica

“Nothin Right” by Wolvo is a massive pop dance banger with singer DAYVID on vocals. The lyrics as well as the melodic voice have quite an eclectic effect against the backdrop of the growling synths. DAYVID sings like an instrument, and adds an extra dimension to the heavy percussion and exotic tinkling keys. There’s romance, evocativeness, space, and longing. You can hear it as DAYVID sings “Ain’t nothing right without you” in the chorus section. It’s the one line that’s clearly repeated in the song to create a hook-like attraction. Wolvo here, is stepping between the vastly popular tropical house

Sismo Releases Debut Studio Endeavor, ‘We Crash And Burn’

Sismo , an international music collaborative helmed by French songwriter and guitarist Xavier Cevrin , has released its foray into the industry, a dynamic new single called ‘ We Crash And Burn .’ The infectiously catchy and exceedingly suave track elegantly walks the line between pop sensibility and dance floor prowess, making it a tune that’s sure to ignite clubs and radio stations around the globe. Chronicling the fiery end of a passionate relationship, ‘We Crash And Burn’ is a relatable, anthemic single that’s beautifully orchestrated with an array of tactful beats and synthesizers. The sonic landscape of Sismo’s debut

Blupa Music: “Repetition Of Life” & “Mama Earth (We Shall Meet Again)” provide more strength to the cause

Blupa Music is the retro pop expression of Norwegian guitarist, singer, songwriter and audio recording artist Geir Erlend Roev. He has just released two digital singles – “Repetition Of Life” and “Mama Earth (We Shall Meet Again)”, as well as a double-sided vinyl edition of the same tracks. It’s hard to believe music that sounds at times “so simple” can be so creative. This is music from the heart that will feel good in your soul. Blupa Music has been carving out his own singular niche since his nascent days. He struck creative gold from that point onward, veering from

MC²: “It’s ok” ft. Mojo prod. by Tek Nalo G – groove and flow without preachiness

Louis “LQ” Iverson and Keith ”Smeazy” Passmore, combine the experience, wisdom, and knowledge of everyday life with the mastery of Hip Hop and Soul Music to make up the duo MC². As prior military members, the group got its start in Washington, DC. Now as civilians, and dedicated to the creation of music as well as other avenues of creativity and entertainment, both MCs reside in San Antonio, TX. Smeazy, originally from Raleigh, NC and LQ, from Wichita, KS, find their music influences from artists and groups such as A Tribe Called Quest, Little Brother, BlackStar, Common, J DIlla, The

Burnz: “Life” – a story of internal and external experiences

Burnz, an American hiphop artist from Charleston South Carolina, has dropped his autobiographical single, entitled “Life”. His insights and observations concerning himself, and subsequently his generation can be read from his lyrics sheet as pure prose. Even backed by a solid sonic collage, the signature combustion is still his own. This track jibes with a coast-to-coast aesthetic, as well as golden-era rap sound. Burnz laces this track with lessons learned and memories plucked from his entire life and he places the microscope close to his grind, sharing the harsh beauty and reality of it. Instead of shying away or avoiding certain

Free From Gravity: “Step Into The Sunlight” – an infusion of creativity and fresh air

Free From Gravity fill space with such perfection. It seems every beat, every syllable, and every phrase is calculated and prescribed just the right instrumentation and fill. Not every gap is filled with predictable guitar strums, hums, or piano doodling. If any instrument repeatedly fills space, it will nearly always take on a different sound every time. This band is an infusion of creativity and fresh air in what has become a stale, boring musical landscape. They arrived right on time all the way from Portsmouth, UK. Free From Gravity are needed in the world. They have chops. They have fun,

Lil J the white rapper from Westwood

Lil J is a white rapper from Westwood MA and a current student at Bryant University. He writes over both classic and original hip-hop beats. Rap is his true passion, almost to the point of obsession. He says his music can be considered “clowning”. After the release of his “Idols” EP, where he paid homage to his heroes and idols, Lil J came back with the follow-up, “Idols 2”, which over and above containing songs to his idols, also discusses Lil J’s dreams as a rapper.  He is following that up with his new mixtape, “Stoner Chick” which which dropped on 2/14. How long have you been in

Red Martian: “Ghost Into The Fog” – showcases wonderful arrangements and sonic textures

On the fringes of music you can find some really spectacular things. It’s a journey that’s often worth taking- trying to scope out artists doing something unique and passionate in the face of everything corporate and plain. Here’s one of those few examples of true gems that can only really be found with a little searching. Formed in 1999, Red Martian came out of the DIY punk scene in Seattle, WA. Drawing influences from My Bloody Valentine, New York Dolls, and Iggy Pop. Having previously released five CDs, six vinyl LPs, and four acetate limited-edition EPs on the band’s own label (Bughlt Records), Red Martian is proud to be back with its sixth studio album, “Ghost Into The Fog”.

red-martian-250Red Martian is both creative and focused. Their sounds are beautiful and skillful. They are talented in all areas, both musically and lyrically. The crunchy guitar sounds drone, bob and weave, bringing songs to a haunting conclusion. They showcase wonderful arrangements and sonic textures. The songs, at first, sound distant and detached. However, continued exposure will have you thinking, “Wow.” The title track, “Ghost Into The Fog” is an amazing song, which leaves you breathless and emotionally spent, after only 2 minutes and 35 seconds.

If you like alternative rock music and creative guitar work, don’t walk…run and buy this album. It’s wonderful music. Instead of solos or instrumental breaks that usually showcase any guitarist’s formidable skills, Red Martian opt instead for using the six-stringed instrument as a means of texturing and coloring each song. This is best accomplished on songs like “NONE”, “UNDERTOW”, “USE” and “WON’T”.

red-martian-drumsUsually shoegazer music is much too slow and sludgy for me, but Red Martian puts a new turn on proceedings; they have some power chords, killer riffs and bone-crunching crescendos that it’s almost unfair on their competition. So much so, that if it wasn’t for the song “INGENTING”, I would have forgotten that they use synths too!

The songs on “Ghost Into The Fog” transports you, at the same time it evokes pensive thoughts and draws out dormant emotions. Though the guitar work is superb, dense and emotional and is probably the core of the album. This is not to say that it overshadows the rest of the elements of the band or its music. The lyrics are also big part of the reason why you can listen to this album for days on end. Even in some of its straightforward simplicity, there’s always a line or phrase to latch onto and ponder or smile and sigh about.

Perhaps the most outstanding thing about Red Martian is their seamless blend of electronic, rock, indie and shoegazer. The vigorous electric riffs, sprawling ethereal melodies and the whirling, muscular guitars create an interwoven mash without so much as a hiccup. At first listen, it seems like A fairly typical alternative-rock/shoegazer experience, but upon further listening, the enchantingly experimental angles of the music begins to filter itself fully into your brain.

red-martian-350“Ghost Into The Fog” is uniquely moving and works well on a bunch of emotional levels. It’s difficult to find a musical flaw in here. The album is fiercely adventurous, brooding and expressive, and it’s easy to get hooked after some intensive listening.

Inventive and enticing, this is a breathtaking voyage into a majestic, vintage, non-corporate alternative rock world. Legendary Producer, Gordon Raphael (The Strokes, Regina Spektor) did a great job with the production of this album and deserves a lot of credit too.

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