North Carolina Jimmy Bones Releases his first major Single worldwide

From River Head, Long Island, NY by way of Elizabeth City NC emerges Jimmy Bones and his long awaited Single, “Goin In” Feat. Ms. B now available on ITunes, Spotify, Amazon, Apple Music, and Google Music worldwide Jimmy Bones is Goin In, all the way in with this first major Single release. Signed to Indie Label, out of Muncie, Indiana, G.I. Records LLC, a label that is known for breaking artists, from Indie to Major, one hit at a time. Jimmy Bones lives the life that he writes and raps about; his music is his blood. The Hip Hop Rap

Myja display a very specific amount of fearlessness

Los Angeles, CA-based side project Myja featuring Michael Marquart and Jacob Bunton release their debut self-titled album on January 12th, 2018. The record was produced, engineered and mixed by Jason Elgin (Maylene & The Sons Of Disaster, Collective Soul), at The Barn, Marquart’s studio in Malibu, CA. In today’s world of singles, short attention spans and immediate gratification, it goes against the grain to release a 10 track rock album. But then I guess that Myja are not a band to go along with the crowd. Let’s face it: Being a classic rock band in 2018 requires a very specific

Andrew Gerard: “Run Away With Me” – This album has much to offer listeners

Canadian singer, guitarist and songwriter Andrew Gerard was born in Ottawa, and grew up on Vancouver Island. He is also known as Gerard The Hypnotist from the TV series Mindfreak with Criss Angel. Departing from TV and the world of magic after a car accident he rediscovered music while recovering. Discovered by LA Producer Ran Pink who produced his “Two Birds” recording at Fonogenic Records in LA, Andrew has just released his brand new full-length album “Run Away With Me”. Two songs on the album – the titular track and “Miracles” was produced by Danny Craig, while “Shine” and “Rewind”

NOAH ARCHANGEL & THE BAND OF THE HAWK – “THE MASCHINE WARS: SONGS OF SOLOMON”

The Maschine Wars: Songs of Solomon is a journey more complex and original, yet more accessible than anything Noah Archangel & The Band of the Hawk may have released before it. The fact that it exists at all is testament to the projects perseverance, raw talent, and prophetic direction with which Noah Archangel, King Aka Yeaux Majesty, Ash Ra Aka Houey Freeman Fka Ashtonomics, P.ey3, Grynd Seazon, and Juskwam steer the good ship Band of the Hawk aka BOHUP, to the richest musical waters; plucking out those worth bringing along on their musical voyage and creating records greater than the

Interview: Miles Casella Getting ready for Live Show in new Orleans!

Miles Casella is a Hip-Hop artist from Baton Rouge, LA, who has released several projects under different aliases since 2014. Miles blends Hip-Hop, Jazz, and Blues to create his own eclectic style. He has just released his album “The Sidewalk Flower” which illustrates the view of a small-town kid caught up in the city life. Apparently many of the recordings used for this album were recorded curbside. Miles Casella has an upcoming show on January 21st, 2018 at The Willow Uptown in New Orleans, Louisiana. Shows starts at: 6:30pm – Tickets are $12.00 dollars each. This will be the second

Esteban Alvarez: “Piano meets Mariachi” ft. El Mariachi Nuevo Tecalitlán – sophisticated and ambitious

Esteban Alvarez is an award-winning pianist and composer, originally from San José, Costa Rica. Ever since relocating to Texas USA to study music, his priority and goal has been to bridge cultures through my music. His idea was to bring the noble elegance of the piano together with the folkloristic vibrancy of the Mariachi. Hence he launched the album project entitled “Piano meets Mariachi”, which became a reality in 2017. The resulting recording features eight tracks and a 15-piece Mariachi band – El Mariachi Nuevo Tecalitlán, known as one of the best bands of their genre. The collective represents a

T.C. Crosser: “The Book of Arius – Act I” – versatility, sensitivity, and humility

After years of composing, playing and producing indie and punk, pianist T.C. Crosser moved towards combining chamber strings and rock/pop to tell narrative stories with instrumental music. The composer has also scored music for commercials (such as Microsoft), television (such as Visionaries: Inside The Creative Mind), and performance art companies (such as Leslie Seiters Dance). His latest release, “The Book of Arius – Act I”, is a four movement narrative for string quartet which explores three distinct points in T.C. Crosser life. The recording was done using a 14 mic array for the string quartet and then processed through a

Collegians: “Black Mass” – a hardline anti-establishment stance

Collegians occupy a unique place among the constellation of alternative rock acts that have emerged in the last few years. They seem as interested in the pop half of that portmanteau, while still creating a progressive hard-hitting swamp that sprouts elements of rock, electronic, and proto-industrial acts. It’s an admirable path to travel, as a lesser band would just as easily replicate the sounds of mainstream radio or the genre’s past successes. Instead, Glenn Patrick (Vocal, Guitar), Gerry Leigh (Guitar, Vocals), James Leigh (Keyboard, Bass) and Vince Leigh (Drums) have made moves to maintain their path of sonic evolution which they started with their stunning, critically acclaimed

Amaal: “Need It Too” – The chorus is incredibly catchy, latching upon the first listen

Amaal is a pop singer from Washington D.C. who has struggled with chronic pain and depression for years, and music has been a key in relief of his symptoms. He has been studying and performing music since he was 4 years old, and started taking singing lessons as he gravitated towards pop and jazz at fourteen. “Need It Too”, Amaal’s latest single makes the statement it needs to. The newcomer’s distinctive voice cuts through the melody sliding up and down the scales and packed with soul. From this point on he’s definitely on a winning streak as he impresses with his

Roubix: “Girls” – bolstered by the steady pulse of electro music

Synth-pop artist Roubix, who started his career in 2011, is still something of an enigma in the underground music business. Owned by two record companies, his identity has never been confirmed. The artist who performs live and records his music between Stockholm, Sweden and London, had a stint in the United Kingdom selections for 2014 Eurovision contest, and will apparently again be up for representing the UK in Eurovision 2018 in Lisbon, Portugal with his brand new song “Girls”. Roubix’s sound has expanded its horizons. That audible love of the 80s is still present, but the synths are bolstered by

Jack Travis is set to challenge today’s hip hop competition

Jack Travis is not one for a lot of colorful words and shiny packaging. “I wanna bring some true spittin back to the game,” he says. An Alabama native, Jack Travis spits aggressive and uncompromising lyrics rooted in his Southern upbringing. A fresh face in the hip hop world, the Atlanta transplant takes the diction of the rap game to new heights with engaging metaphors, similes and analogies that fuses his humble beginnings with pop culture. Influenced by the rap culture of the mid to late ’90s Jack Travis is set to challenge today’s hip hop competition. Not only with the lyrical side, He produces and engineers much of his music.

  1. How long have you been in the music business and how did you get started in the first place?

Jack Travis: I released my first piece of music in Sept. 2011. I’ve always had an ear and interest in music, from crying for a drumset when I was young to lying beside the jambox all night waiting for the right songs to record on my cassette tapes a couple years later. Although, my original plan for moving to Atlanta was to create a record company and a cousin of mine was to be the “rap star” but that didn’t work out as planned and I soon saw that the talent that I saw in him could only be bested by me and certainly not any “artist” that I was running across. All that came together, to bring about my rap career.

  1. Who were your first musical influences that you can remember?

Jack Travis: I’m a fan of music period and can remember all sorts of music from the past but the 1st song to catch my attention was from “The Pharcyde” “Passin Me By”, 1st CD I ever bought was “A Tribe Called Quest”, ”The Low End Theory” but ultimately Outkast and that whole Goodie Mobb/Dungeon Family movement got me.

  1. Which artists are you currently listening to?

Jack Travis: Jack Travis (Even though… I don’t listen to my music that much, I listen to theirs even less) \\_(*,*)_//

  1. Have you suffered any ‘resistance’ from within the industry, and if so how have you handled that, and how do you handle criticism and haters in general?

Jack Travis: I wouldn’t say necessarily “resistance” it’s been more of an “unwillingness” as far the certain people that one would like to be interested. Here in Atlanta it’s more about “who you are” than “what you are/trying to be”. With that said, I haven’t had many people that had something bad to say about my music. I have certainly heard that production, engineering, etc… could be better. A hater will bear the wrath… A constructive critic will get a salute.

  1. What are your thoughts on visual media and Youtube? Do think that video is an appropriate marketing tool for your music, and do you have any videos published for fans to see?

Jack Travis: ABSOLUTELY. In fact, these days a good visual representation can get you just as noticed as a hot song. Here’s my most recent video http://bit.ly/1iBywh2

  1. Which do you ultimately prefer? Entertaining a live audience or creating songs in a studio setting?

Jack Travis: It’s not a matter of preference, in my case I’ve done more creating in the studio then I’ve done live shows but I feel as though if you can’t be great in the studio you can’t be great on stage.

  1. Tell us something about your lyrics and music production on your releases. Which part of these processes do you handle, and which do you outsource generally?

Jack Travis: Aside from being an artist, I also produce. My previous efforts have been an mixture of both my and outside production. Recently I began engineering my own music. I’m open to outsourcing, but at this point my musical journey has dictated I do most of it myself.

  1. What is the title of your latest music release and where can fans find it? 

Jack Travis: “I’m Back!” is my latest music release. Song here: http://bit.ly/1OEzEhX Video here: http://bit.ly/1kd1ANT Website here: http://impyre.wix.com/jacktravis 

  1. Which ingredient do you think makes you special and unique as a performing artist in a genre thriving with newcomers?

Jack Travis: The fact that I am an artist first and foremost, in a time where these “Newcomers” are merely rappers. In my opinion that gives me the “special sauce” to out cook the competition.

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  1. If you were forced to choose only one, which emotion, more than any other drives you to be a part of this tough business. Is it joy, anger, desire, passion or pride and why?

Jack Travis: For me it’s passion. I’ve always had an obsession and a difference when it came to listening to music I knew i heard nuances, and was captivated by it. I can do many things in life but my passion for music overrides it all.

  1. Which aspect of being an independent artist and the music making process excites you most and which aspect discourages you most?

Jack Travis: It’s funny… just that. The fact that I’m an indie artist is exciting because in theory that means more money in my pocket, but at the same time being an indie artist is the most discouraging because that means I literally have to fund the campaign myself and hope that it catches on because if it doesn’t I don’t have a machine in my corner to pick up the slack.

  1. How do you market and manage your music career? Do you have a management team or do you control everything by yourself?

Jack Travis: At one point not too long ago, I had to manage everything myself, here lately though, I’ve been fortunate enough to run across a couple of people that are lending their assistance in expanding my visibility in this here rap world.

  1. How do you achieve your sound? Do you work from a private recording environment or do you use a commercial sound studio?

Jack Travis: Private studio for the most part but I do have access to a couple of post production studio’s that I use for the final listening sessions.

  1. The best piece of advice in this business you actually followed so far, and one you didn’t follow, but now know for sure that you should have?

Jack Travis: The best piece of advice I’ve followed so far is don’t stop, stay consistent. The piece of advice that I didn’t follow and wish that I should have from the start was invest in yourself. I was too busy looking for people to invest in me.

  1. If you had the choice which famous and/or successful producer would you like to collaborate with?

Jack Travis: Kanye.

  1. Do you consider Internet and all the social media websites, as fundamental to independent artists and indie music in general, or do you think it only creates ‘fake of fabricated fame’?

Jack Travis: I definitely think it’s important but I do realize how easy it is to fake an image and also how vital it is to have a real core fan base that you can touch.

  1. If someone has never heard your music, which keywords would you personally use to describe your overall sound and style?

Jack Travis: Aggressive. Solid. Fresh.

  1. Straight of the top of your head, how would you describe the current state of Hip-hop, R&B and Rap?

Jack Travis: Stale and mediocre.

  1. As you work your way through your career, which more than any other fires-up your imagination – A Grammy award, Platinum music sales or any other tangible milestone? 

Jack Travis: With the way I’ve seen individual trophies downgraded lately due to maybe not the most deserving artist winning… they don’t hold as much importance. Standing on the stage with a crowd full of people chanting my name and lyrics is what I dream about constantly.

  1. What is the ONE thing you are NOT willing or prepared to do EVER, in your quest to achieve a successful musical career?

Jack Travis: Be wack.

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