Fitzsimon & Brogan: “Big Blue World” – a full, punchy pop sound!

Fitzsimon & Brogan is a musical project based in London, whose creators therefore logically are songwriter Neil Fitzsimon, and vocalist Bee Brogan. The two setup their songwriting and production to produce, what they describe as “pure pop for now people.” Both were previously in a band called Pretty Blue Gun who featured guests musicians such as members of The Art of Noise, Dave Bronze (Eric Clapton’s bass player), Tobias Boshell (Moody Blues) and Pip Williams, who played guitar on the Walker Brothers’ track, ‘No Regrets’.  The two critically acclaimed albums were produced by Pat Collier, who produced Katrina and the

Lord Conrad: “Only You” – a journey through sound, emotion and introspection

Italian DJ, producer and model Lord Conrad, continues his prolific run with a series of acclaimed crossover hits like “Touch the Sky”, “Day After Day”, “1 Minute” and “Fight Till The End”. Lord Conrad has made it so far since his introduction to the music scene with his first release. With his innovative sound that only he can perfect, his reception is steadily growing, to beyond the strongest communication devices on the planet. Now with the release of his brand new track, “Only You”, the producer once again takes the music world by storm. His sound has drastically improved through the years, and it

Arush Dayal is a triple threat!

With a career spanning acting, singing, and writing, Arush Dayal is a triple threat. Originally hailing from India, Arush has seen a wide swath of the globe on his quest to hone his craft. He has studied at prestigious acting programs across the world including the Acting Program at the International Academy of Film and Television in Hong Kong and the One Year Conservatory at T Schreiber Studio in New York. Meisner Technique, Acting for the Camera and Commercial Acting are all facets of the industry Arush has studied in depth. He continues to perform both onstage and in front

The Frost: “Keep It Real” – There’s a classiness to this!

The Frost is a multi-genre group comprised of Leah Evans (Vocals) and Christian Gratz (Guitar, Piano). Located in Pennsylvania, their brand new single “Keep It Real” was released on December 7.  The duo emerge at a time when the ranks of sophisticated pop contenders seemed to have disappeared on a daily basis. Simultaneously chic and very creative, they thrive on the considerable charm of lead singer Evans, with her smooth chocolate voice, the instrumental talents of Gratz, as well as the pair’s impressive abilities as a songwriting unit. An absolute stand-out aspect of the new song is the way it’s

Forest Robots: “Timberline and Mountain Crest” – Inspired by natural landscapes

Let’s start of by saying that Fran Dominguez aka Forest Robots is a master at producing chilled out electronic music with heavy beats, and lots of orchestral instrumentation thrown in the mix. To call it electronic music almost seems unfair, as it implies this is music made by machines. Yes, I realize he is called Forest Robots, but this could not be further from the truth, as Dominguez’s music is pumping with life and human emotion. His latest album “Timberline and Mountain Crest” showcases 10 tracks of stunning depth, the kind of album you just throw the headphones on, turn

Edward St. Martin: “Lullaby” – blur the lines between savvy pop stylings and hard hitting kinetic soundscaping

Hailing from San Diego, Edward St. Martin has a background in film composition and classical music. His most recent single is “Lullaby”. Expectations met, superseded and immediately I hit replay. This track is going round again and I’m not the only one within ear shot of my stereo who is pleased about it. The easy laid back crossover Pop/EDM groove take is not unexpected, as I had already read that St. Martin was one for mellow tones combined with pop and soul vibes. But this track has another key element which makes a record of this nature standout. Intelligence. This

Katiah One: “Tail Spin” – an evolving, audacious artist

Soon releasing debut first EP “A Whole Lotta Water Works”, Katiah One is an artist raised on the Upper West Side of New York City. His mission is changing the common perception of the average rapper. Katiah draws inspiration from many genres including R&B and Rock, while his favorite artists include Freddy Mercury, Sam Cooke and Issac Brock.  On his latest single “Tail Spin”, taken off the aforementioned EP, Katiah deals with the deep issues of existentialism, or simply put, the meaning of a human being’s existence. Sure his talking ‘black’ talk, but you can’t go there without understanding the

Alisa Chirco: “Give Me More” – bench marked with confidence!

Alisa Chirco sure isn’t shy about revealing what’s on her mind, on her brand new single “Give Me More”, the follow up to her almost gothic-like pop ballad “Box”. Alisa sounds passionate, wanting and determined, in a driven rock song that is an anthem for empowered women. Her music here is very strong, has meaning, and is legit. The track shows that she is learning to emote in a more visceral and arguably more demonstrative way. Alisa has now escalated to being a rock chic with an attitude and bold open-confessional lyrics. A sensible direction for any reinvention is maturity, and

Roger Cole & Paul Barrere: “Old Folks Boogie Redeux” – true to their sound!

“Ya know that you’re over the hill, when your mind makes a promise that your body can’t fill!”, this is the line that inspired Paul Barrere to write the original version of the “Old Folks Boogie”, which would subsequently feature on the 1977 Little Feat record “Time Loves a Hero”. The citation came from a line Paul’s dad – an actor at the time – picked up at a vaudeville theater. He would often sing it around the house, so eventually Paul got hooked turned it into a song. For some time, Paul’s partner over at Better Daze Records, Roger

Glorious: “Move” – throbs with club energy

Pop singer, Livetronica drummer, producer and songwriter, Glorious, is a graduate of Berklee College of Music, who has been making music since she started playing drums at the age of three. Named after her grandmother Glorious Cooper, Glorious recently unveiled her single “Move”. In an increasingly crowded field of urban pop artists, you may be wondering what makes Glorious worth your time. To be sure, she boasts a lot of the qualities that her peers also bring to the table. Her song is outlined with an exquisite beat, her vocals are mesmerizing, and her persona appears spectacularly captivating. Without close

Ryan Helman: “Bowl Of Something” – an easy listening blend that is hard to resist for ears of differing generations

Ryan Helman is a British born singer-songwriter, from Harrow .He is widely known for his distinct late 70s guitar sounding music. With influences from The Beatles, The Kinks, Four Seasons, Chas n Dave, Squeeze, Elvis Costello, and Sum 41 his music is in the rock and Indie genre. Ryan has already released 3 solo albums – “Mistakes Included”, “That’s The Girl” and “On The Prowl” as well as 5 singles.

Ryan is currently working on a new album with some old friends from a band he was in in 1979 called Custom – hence the title of the upcoming album, “Custom79”. We recently listened to “Bowl Of Something”, one of the singles from the forthcoming album. Ryan Helman bursts onto the scene with his tongue-in-cheek, take it with a grain of salt retro rock style. Ryan embraces the old-school rock n’ roll influences – meaning lots of melody and clever lyrics – and turns them into completely original and, well, entertaining modern compositions.

ryan-helman-singProbably inspired by Thin Lizzy twin-guitar sound and the pop melodics of the Kinks, “Bowl Of Something”, is out to set the tone for the new album – with a breezing, fast-moving piece that never lets you down for one minute. In fact I kept thinking that if Thin Lizzy had done mainstream pop with a different vocalist, it would probably have sounded something like this. The songwriting is great; Ryan’s vocals are crisp and spot on; everything is tight, polished, and professional.

“Bowl Of Something” has a nice little rock groove going on while the chorus has some good harmony work, but best of all are those truly beautiful double guitar sounding lines. This is something you don’t hear in modern rock, almost at all anymore, and it just gives the song that layered, edgy harmonious twist, to lift it out of the pop doldrums and into something a bit more special.

While it’s true that comparisons to landmark sixties and seventies groups have been doled out liberally over the years, very few groups have come as close as Ryan Helman to sounding like their direct musical descendants. His music is unforced and its core sound is authentically embedded in those eras. It’s in the melody, the harmony and even the chord progressions. That doesn’t make it irrelevant in the modern era; on the contrary, it makes his music endearingly different. Add the Brit tongue-in-cheek lyrics and the knack for catchy pop hooks, and you have an easy listening blend that is hard to resist for most ears of differing generations.

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