Cyrus R.O. – “Bones” is still a skillfully crafted song

I think I expected this music to be sterile and methodical. However, to my surprise, Cyrus R.O.’s new single “Bones” from his upcoming debut album “Deconvolution” is blazingly irradiated like bundle of energy that expertly marries the organic and synthetic. Underneath it all, a darker lyrical narrative dealing with “a character struggling with their gender identity, and the fear of social turmoil that comes with that.” Everything just grooves so well together; it’s a blend of sounds that I haven’t heard done this well from any progressive, jazz, or electronic artist in quite some time. It’s a masterful melding of electronic machinery with

Temperature Falls Release The Video For Their Latest Single “1-2-3”

The sound and atmosphere of Temperature Falls is built around somewhat gritty, blended organic-electronic sounding tracks that hearken the listener back to earlier times. Their latest track, ‘1-2-3’, is a seductive track that pulls the listener in with an eerie melody, sultry vocals and an ethereal reverberating atmosphere. Mixed beautifully, this is the perfect example of what to expect from this indie trip-hop/alternative rock duo from Oslo, Norway, made up of vocalist/lyricist Camilla, and multi-instrumentalist Ian J. Ward. ‘1-2-3’ is a gorgeous, melancholic song that is heart wrenchingly beautiful. Temperature Falls is one of those bands that are absolutely necessary

Pop Music Artist DAYVID Releases Music Video for “Same Old Feeling”

This song was released last Fall on his self-titled debut EP. DAYVID explains that “Same Old Feeling” was the last song written for this EP. It reflects on an old love that was like no other. “Same Old Feeling” was co-written by DAYVID and Grammy-Nominated producer Morgan Taylor Reid (Marshmello, Jack & Jack, CHROMEO). “Same Old Feeling” is available on all streaming platforms including Spotify and Apple Music: http://dayvid.lnk.to/SameOldFeeling. The production is simple with piano, vocals, and an 8-member gospel choir providing backgrounds. The lyrics and vocal performance make this song meaningful and powerful. All elements support the soaring voice

Arrows – “After Hours” – Inspired by 80’s synthwave and video game sound tracks

“After Hours” the brand new full length album by Arrows, says all it needs to about the brand of retro nostalgia this kind of music evokes. The project’s sonic palette is especially dense with layer upon layer of synth sounds stacked upon one another and wrapped up in a modern production veneer that makes it bang. Every song delivers big in the keyboard hooks department and the moods are consistently melancholy and wistful throughout. “After Hours” is Arrows hitting their stride; this is what it sounds like when a young band is killing it. Inspired by 80’s synthwave and video

PWJazy – “Heroes” – the mind of an alternative creative

LA-based performer, PWJazy, is an unusual artist. His songwriting is soulful and the arrangements are mind blowing. His voice is a breath of fresh air with all of the nonsense that has been going on for years in the music scene. His singing has a distinctive tone that has not been auto tuned or fixed up in any other manner. “Heroes”, his latest single, is a really intriguing, diverse recording. I didn’t like it when I first heard it, but the uniquely experimental alternative rock sound, the bombastic lead guitars, and the dark, mysterious lyrics somehow fuse together to produce

João Tostes – “Live Ukulele Here, There & Everywhere” exhibits dazzling musical dexterity

How often do you get to hear a full length live album of twenty instrumental songs played on the ukulele? And what if those songs were being played by an artist considered to be one of the pioneers of the ukulele in Brazil? Someone who has toured the world, taking his ukulele sound, to the most diverse countries – from Brazil to Canada, Italy and South Korea, among others. Someone who dropped a parallel career as an Information Technology entrepreneur in 2017 to fully dedicate himself to music and the ukulele. The Brazilian musician, composer, arranger and musical educator, in

Donny Richmond Continues #1 Success With “Statue Of A Fool”

Multi-award winning international recording, movie and TV star Donny Richmond is now an inductee of 4 different music Halls of Fame. His recent starring role in the movie, “Saving Faith”, released by media giant Lionsgate Entertainment, earned him a nomination for Best Lead Actor in a Feature Film from the International Christian Film Festival. Cameo appearances in the film were made by several of Donny’s fellow artists, including Vince Gill, Amy Grant, Michael W Smith, members of Rascal Flatts and The Gatlin Brothers, Olympic skater Scott Hamilton, and many others. Donny is highly respected among his music peers and fans

Oliver von K releases ambient guitar instrumental – “Ayinka V”

As the new single from 35 Year old male hobby guitarist from Switzerland,  Oliver von K, “Ayinka V” is a recording full of sweet emotionally charged moments, of quiet subtlety, emphatic life affirming melodies and sprinklings of musical flare. Bursting with fresh ideas and rhythmic vigor, this record is a highlight of the instrumental ambient guitar genre itself. If you’re like me and have crippling anxiety and it takes a lot for you to find your zen, this is the track for you. Put on your headphones and let this be the background of your day and you will be

Ambrose – “Without a Word” – brilliantly composed, produced, and imagined

Ambrose is one of those unusual musical composers you rarely come across via the mainstream media. Her work is never trite or clumsy and it always sparkles with personal genius. She never panders to modern trends or seeks to retread classic retro avenues, in search of commercial viability. She simply composes what moves and inspires her emotions. Each track on her stunning album, “Without a Word” will resonate with a different part of you. Ambrose’s works are equally beautiful and unique, as well as being particularly crafty at appealing to even the most elusive facets of your states of being.

Brand new artist Nuumelody spreads a powerful message on her latest hit “BODY”

Brand new artist Nuumelody goes out of the way to spread a powerful and empowering message about embracing yourself in her latest hit “BODY”. Her voice sounds assured and strong. With this song album, she confirms her position as a vocalist to watch in the coming months. Blending a mix of rhythmic groove, smart lyrics and soulful vocals, Nuumelody deftly displays the maturity and self-confidence that she has developed since her recording debut. Having already worked with a variety of accomplished producers, Nuumelody showcases a smooth range of emotion and mood on “BODY”, produced by Defstarz that reveals the heart

VOICE IN THE ATTIC: “After Songdown” – beautifully expresses the universal through the particular

BC Bogey is the VOICE IN THE ATTIC. He is a critically acclaimed songwriter, multi-instrumentalist, award winning music video director and classically trained singer whose live performances have been hailed as an archetypal world of precise sonic imagery. “I like music that’s organic,” Bogey says. “In this quantized ‘hyper real’ day and age when recording I frequently pick those takes that sound less perfect, but preserve the original vibe. It’s what I call the ‘humanizing approach.'”

On the fifteen tracks of the forthcoming album “After Songdown”, to be released on November 15 through Betsy Belfry Records, an acoustic guitar and a vintage piano manufactured at the turn of the twentieth century form the backbone of the music. Together with violins, a viola, a cello, an upright bass, drums, percussion instruments (cajón, marimba, shakers & tambourines) and two charismatic vocalists who create the album’s unique sound.

The album cover

The album cover

BC Bogey set a very high standard for himself with his previous works but here he reaches and surpasses those standards by coming at it from an unexpected angle, playing with the seasoned wisdom of experience and the daring and ambition of youth, in the company of musicians that deeply comprehend and extend his idiosyncratic vision. It’s obviously a must-buy for his fans, but even for listeners who are only familiar with VOICE IN THE ATTIC’s moody contributions, it’s worth picking up as an exploration of new emotional and musical territory by one of the most fertile musical minds around.

As soon as I began listening to this album I knew it was VOICE IN THE ATTIC. Well he has a pretty distinctive voice so how would I not know it was him? What I mean is that if you removed his voice and just played everything else, I would still be thinking these are VOICE IN THE ATTIC songs. The chords, structure, and arrangements – they all carry the feel of his other recordings and adding his wonderful voice to it wraps it into one nice package.

BC Bogey’s work in general and this recording in particular, is a masterpiece which needs to be heard. The melodies are memorable. The harmonies soar. The rhythms are striking. The lyrics are sobering and personal. They speak to our times. BC has succeeded in the most fundamental component of great art. He has beautifully expressed the universal through the particular. The musicianship is impeccable. Brilliantly produced, the sonic envelope and production are unsurpassed. Drawing on the strengths of both, “After Songdown” has all the warmth and depth of analog, but does not for one moment lack a similar crispness and clarity reminiscent of digital. It is an extremely compelling experience.

voice-in-the-attic-as-logoVOICE IN THE ATTIC is Nick Drake, Chris Rea and Tom Waits all rolled into one. Moody, melancholic and thought-provoking, songs such as “Glass”, “Ablaze (JazzMy AzzMix)”, “Tear (WatershedMix)”, “Over” and “Sundown” are as inventive and beautiful as ever. A special mention must go to “Tribute”, which is exactly what the title says, a tribute to the Foo Fighters and Nirvana, reworked and crafted with the glow of insight by BC Bogey. I was drawn into these songs musically and found myself pondering a poet’s lyrics about life and looking for meanings.

With all of these elements considered together, I am not sure a more authentic, organic, neo folk-rock recording has been produced in recent times. Embedded with the ethos of the 60’s, extracts from all the elements that made the 70’s so magical, and without being nostalgic, this body of work succeeds by the very nature of its understated fusion of yesterday and today.

If you were to only buy only one recording this year, this should, hands down, be it. Mixed by Craig Durrance and Mastered by Bernie Grundman, “After Songdown” is the definition of sonic mastery. Most important, it is a musical experience that is compelling, moving, and nutritious. Popular music simply does not get better than this. VOICE IN THE ATTIC is a much needed anomaly in these times. Simply brilliant!

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