Neave Zaria releases the highly anticipated piano ballad ‘Patience Of A Saint’

Neave Zaria is a 19 year old singer-songwriter from the UK who possesses a talent way beyond her years. Heavily compared to Adele & Amy Winehouse, Neave was brought up listening to classic jazz and soul singers such as Nina Simone, Aretha Franklin & Etta James. Influenced by these musical legends and inspired by everyday life Neave has become an accomplished and prolific songwriter. Debut single ‘If I See You’ was released in March 2020 and has been playlisted all around the world, receiving glowing reviews from the music press. Hot off the heels of ‘If I See You’, her

In ‘The Book of Vision’ Composer Hanan Townshend Blurs The Line Between Science and Spirituality

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Ute – “Happiness Together” – thoughtfully sung beautiful music from a strong female singer

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Love Ghost – “Pillz (The Sky is Falling)” will now appeal to a much wider audience

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LU – Ride or Die” ft. Omari Night and DazeOnEast – a surreal and identifiable tone!

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Jae’ Morrissa – “AWOL” and “Butterfly” will send chills up and down your spine

Born Ingrid Jasmin, professionally known as Jae’ Morrissa has gone from singing to patients and residents in hospitals and nursing facilities, to becoming a fast rising singing sensation in the music industry. She started singing at the young age of 3 years old, as her talents were nurtured through her Mother’s taste and love for music. Jae’Morrissa was also inspired and influenced by such artists as Deniece Williams, Stephanie Mills, Minnie Rippleton, Phyllis Hyman and Teena Marie. Her debut single “Just My Next Song”, is being considered as a Nominee for the 62nd Grammy Awards 2020, as well as a

Downtown Mystic – ‘3-Way Heartbreak’ – more than just a nostalgic listening experience!

One of the things Downtown Mystic notoriously excel at is masking emotional lyrics with upbeat, driving-with-the-windows-rolled-down kind of melodies. Their double-side single, ‘3-Way Heartbreak’, which also includes the track ‘Same Old Lover’, recorded in 1983, has all that and more. While for most other contemporary bands, it’s hard to recapture the real magic of rock n’ roll, for Robert Allen and his crew, this comes easy. They grew up during rock’s golden era, hence Downtown Mystic’s music lives up to the genre’s legacy, rather than just riding on its coattails. The ‘3-Way Heartbreak’ single, on the Sha-La Music, Inc. catalog,

P Bailey – “Change The World” – a lush blend of mid-tempo R&B and Soul

P Bailey has adorned our pages many times over the last few years, but just in case you missed it, we’ll fill you in again. Originally from the UK, Paul Bailey aka P Bailey grabbed his first musical influences from Motown and Muscle Shoals, as well as Stevie Wonder and Michael Jackson. Without any formal training, the 5 octave singer, developed his singing and writing style by listening to artists like, Ron Isley, Donny Hathaway, Luther Van dross, Prince and James Brown. Bailey had his first major break when Rick James sampled his track ‘Part time Lover’ for the sound

VOICE IN THE ATTIC: “After Songdown” – beautifully expresses the universal through the particular

BC Bogey is the VOICE IN THE ATTIC. He is a critically acclaimed songwriter, multi-instrumentalist, award winning music video director and classically trained singer whose live performances have been hailed as an archetypal world of precise sonic imagery. “I like music that’s organic,” Bogey says. “In this quantized ‘hyper real’ day and age when recording I frequently pick those takes that sound less perfect, but preserve the original vibe. It’s what I call the ‘humanizing approach.'”

On the fifteen tracks of the forthcoming album “After Songdown”, to be released on November 15 through Betsy Belfry Records, an acoustic guitar and a vintage piano manufactured at the turn of the twentieth century form the backbone of the music. Together with violins, a viola, a cello, an upright bass, drums, percussion instruments (cajón, marimba, shakers & tambourines) and two charismatic vocalists who create the album’s unique sound.

The album cover

The album cover

BC Bogey set a very high standard for himself with his previous works but here he reaches and surpasses those standards by coming at it from an unexpected angle, playing with the seasoned wisdom of experience and the daring and ambition of youth, in the company of musicians that deeply comprehend and extend his idiosyncratic vision. It’s obviously a must-buy for his fans, but even for listeners who are only familiar with VOICE IN THE ATTIC’s moody contributions, it’s worth picking up as an exploration of new emotional and musical territory by one of the most fertile musical minds around.

As soon as I began listening to this album I knew it was VOICE IN THE ATTIC. Well he has a pretty distinctive voice so how would I not know it was him? What I mean is that if you removed his voice and just played everything else, I would still be thinking these are VOICE IN THE ATTIC songs. The chords, structure, and arrangements – they all carry the feel of his other recordings and adding his wonderful voice to it wraps it into one nice package.

BC Bogey’s work in general and this recording in particular, is a masterpiece which needs to be heard. The melodies are memorable. The harmonies soar. The rhythms are striking. The lyrics are sobering and personal. They speak to our times. BC has succeeded in the most fundamental component of great art. He has beautifully expressed the universal through the particular. The musicianship is impeccable. Brilliantly produced, the sonic envelope and production are unsurpassed. Drawing on the strengths of both, “After Songdown” has all the warmth and depth of analog, but does not for one moment lack a similar crispness and clarity reminiscent of digital. It is an extremely compelling experience.

voice-in-the-attic-as-logoVOICE IN THE ATTIC is Nick Drake, Chris Rea and Tom Waits all rolled into one. Moody, melancholic and thought-provoking, songs such as “Glass”, “Ablaze (JazzMy AzzMix)”, “Tear (WatershedMix)”, “Over” and “Sundown” are as inventive and beautiful as ever. A special mention must go to “Tribute”, which is exactly what the title says, a tribute to the Foo Fighters and Nirvana, reworked and crafted with the glow of insight by BC Bogey. I was drawn into these songs musically and found myself pondering a poet’s lyrics about life and looking for meanings.

With all of these elements considered together, I am not sure a more authentic, organic, neo folk-rock recording has been produced in recent times. Embedded with the ethos of the 60’s, extracts from all the elements that made the 70’s so magical, and without being nostalgic, this body of work succeeds by the very nature of its understated fusion of yesterday and today.

If you were to only buy only one recording this year, this should, hands down, be it. Mixed by Craig Durrance and Mastered by Bernie Grundman, “After Songdown” is the definition of sonic mastery. Most important, it is a musical experience that is compelling, moving, and nutritious. Popular music simply does not get better than this. VOICE IN THE ATTIC is a much needed anomaly in these times. Simply brilliant!

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