Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Fellowcraft: “Get Up Young Phoenix” – a truly empowering and inspiring performance!

Fellowcraft’s debut album, “Get Up Young Phoenix” is a magnificent record. It is inventive, progressive, current and modern, highly inspired music, yet feels classic at the same time. It is a marvelously dynamic album that has many peaks and valleys and it actually feels like an experience from start to finish lyrically, musically and thematically. I had very high expectations for this collection, as I had reviewed a couple of the tracks a few of months back, and my expectations were literally blown to pieces as a fan this band proves to be a powerhouse of a recording act.

Fellowcraft

Fellowcraft

Compared to the mass majority of crap produced by our illustrious corporate overlords “Get Up Young Phoenix” is amazing. JR MACDONALD’s voice is incredible, he has the power, emotion and range to scream, croon and serenade with any of the greats. JR’s guitar, together with BRIAN NELSON-PALMER on drums and BRANDON WILLIAMS on bass, produces thick walls of sound that stir the soul and washes over the ears.

In creating a soundscape, slicing angular riffs or hammering a groove, when you combine the vocal abilities of JR with the drumming of NELSON-PALMER and monstrous thunder of WILLIAMS’ bass, it really is a blend of three musicians who gel in a way that makes the whole band rise above others. NELSON-PALMER’s perfect timing and groove is so reliable that he is largely underrated. WILLIAMS’ bass playing lays a foundation that augments the percussion while adding to the low end harmoniously.

JR MACDONALD

JR MACDONALD

Their entire collection of songs is brimming with brilliance in many hues. Pay particular attention to the title track “Get Up Young Phoenix”, as well as “Glass Houses”, “Long Gone”, “The Dying Of The Light”, “Learning To Love Again”, “I Want It All” and “The Last Great Scotsman”. All throughout, this Washington DC formed band, defines what it means to fire on all cylinders all throughout this eleven song opus. JR MACDONALD leads the charge with vocals that are truly top-notch, as he delivers a truly empowering and inspiring performance that engraves itself onto the listener’s frontal lobe after only one listen. And he is backed up by more than ample musical propulsion.

Fellowcraft sound as powerful as they do inviting, and as warm as they do wailing. So whether opting for maximum aggression or pulling back on the reigns a bit and dropping into an infectious melody, you would be hard-pressed to find a single moment of weakness in all of “Get Up Young Phoenix”.  Therefore, it is more than just a rock album. It is a great rock album. Do yourself a favor and play this loud and in your car or on great speakers to get the full effect. The production and mix is deep, raw and raucous, bringing out so many incredible and powerful nuances after repeated spins. Hence, it ought to be deemed as an absolutely essential listen for pure rock connoisseurs the world over!

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