Aneessa – “Just to Be with You” – a silky edge and warm-blooded intimacy

I’m not the type to defend everything any of my favorite artists’ release, nor am I inclined to adore what does not impress, inspire or initiate emotional responses, but that simply does not apply to the latest release by Aneessa. Here she presents a smooth and colorful blend of instruments and voice, the jazz backdrop taking a soft but edgy and effective backseat to Aneessa’s vocals – sweet, soft, yet powerful and lyrically impressive. One of seven children with a wide range of musical tastes all around her, Aneessa was born in Saint-Étienne in eastern central France. Initially, she made

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THE JOHNSON PARTY DELIVER A SONG AND VIDEO FOR “CAN’T LET THE BASTARDS WIN”

AS MANY PEOPLE GRAPPLE WITH THE UPCOMING US ELECTION AND POLITICAL MOTIVATIONS THE JOHNSON PARTY DELIVER A SONG AND VIDEO FOR “CAN’T LET THE BASTARDS WIN” A SINGALONG ANTHEM FOR ALL While protest songs never went away, a worldwide awakening has created a need for more voices to rise, enter The Johnson Party a musical collective based out of the mountain ski town of Truckee, CA. At the height of the 2020 global pandemic and social unrest, while millions of people are risking their health and safety by waiting in long lines to cast their vote. The Johnson Party are

7 Lord – “Drop” – a melody-driven banger with a very good verses

7 Lord’s single, “Drop”, has everything to do with his wordplay and storytelling prowess. And even more to do with his flow and his voice: a deep, swollen and smooth resonance that quietly rumbles over the piano-driven and bubbling bass influenced soundtrack, with mellifluous grace, stringing together vowels and consonants until any one word can rhyme with any other word. 7 Lord’s baritone voice is perfectly fit for the sleek music that he came up with on “Drop”, and that is what makes this release much more than your average rap track. And also why 7 Lord’s name will soon

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YAGI – “How You Do That” – Turn up the volume and the roof will be levitating off your house!

The legendary city of Houston has produced a number of artists that will go down in history as hip hop pioneers, who helped expand rap music within the south. Currently coming out of Houston (TX), YAGI is an emerging artist born in New York, and who moved to Houston to play football at U of H. The production on YAGI’s latest single “How You Do That” consists of the same dramatic, emotional, somewhat dark, and banging sonic backdrop, fans have come to expect of rap’s new wave of artists. YAGI has a deep and resonant voice ready for hard-edged gangsta

Lokye – “Color Coated 2” – the sound of an artist evolving directly on record

Brian H Newman is an abstract artist from NYC who has been living and creating in Detroit since 2009. Graduated from CCS with BFA, he is the owner of Art Gallery Granny’s Chandelier in Hamtramck M.I. Primarily a mixed Media artist with a focus on figurative abstraction, and surrealist philosophy, when he switches his artistic gaze towards blending lyrics and instrumentals he takes on the moniker of Lokye. His album, “Color Coated 2”, pushes the genre forward musically, by looking back stylistically. The beats are extremely alternative and jazzy. It is not a hook-heavy record, instead this is hip hop

The 4PACK Ent. Music Group Presents MACKronyms – “Take Me Away” Video

The 4PACK Ent. Music Group Presents MACKronyms “Take Me Away” ft. Johnny Blk Reese as Heckle and Racci AK Ashy Knuckles as Jeckle. By and large, “Take Me Away” has the classic MACKronyms sound: a warm and crisp confluence of cinematic hip-hop, old school lyrical flows, and a modern soulful hook, all mixed and mastered impeccably. Here MACKronyms have once again captured the energy and depth that has made them such an important and inimitable act in the first place. Johnny Blk Reese and Racci AK Ashy Knuckles come with a sense of urgency, deep introspective thought, and camaraderie. It

PlantBassed – “Lambo” (Original Mix) – a banging combination of percussion, synths, and voices!

In most cases, EDM producers are reacting to what’s going on around them. On a basic level, some produce in line with trends, while others produce in contrast to them. Sometimes though it is possible that an artist as singular as PlantBassed is able to blend everything that’s going on in the electronic environment. And he can do it in one single project. Put another way, if you listen to the track “Lambo” (Original Mix), you’ll notice that there aren’t many producers out there making PlantBassed music – a rhythmic and frenzied banging combination of percussion, synths, and voices. The

MajorHardcore hits the scene with “One Shot Deal”!

✊🏿IM🎖MAJ🌍RHARDC🏀RE🎤NE✈️T LEVEL🚀HIPH🎱PARTIST🎧EST.6/2/20🥳AND🏋🏿‍♀️STILL☄️SOARING 🦅ALREADY🥊HIT🥁A🔥MILLI🍾IN🥇STREAMS 👏🏿LETSGOYANKEES⚾️JESUSISKING💒✌🏿 https://linktr.ee/MajorHardcore Im in a Yankee hat from where the Yankees at being a snitch nigga can’t be that no 🐀 being a bitch nigga can’t be that no 💪🏿being a rich nigga that’s a fact yeah 💵 straight off the wake up 🥱 hit the bodega, feens running like they just caught a caper, or I hear is let me get give me major. Now like a BBL (Brazil but lift) my pockets cake up. I’m from the projects public housing. Stair cases those my couches. My louie belt cause a thousand, and my job is flipping

Ditsea Yella is setting their own trend and creating their own unique sound

Ditsea Yella is an electro-grunge duo from London, consisting of Diana and Phil, after having met in a boxy studio in Shoreditch while working on separate projects. The duo is a much unexpected surprise indeed. With their tracks, “Sin Mona Lisa”, “Boys and Girls” and “Vampire”, the listener is thrown back to authentic Alternative music. Something that is sorely missed in today’s world. Experimentation with great songwriting and hooks all over makes it hard to ignore these recordings.

Diane

Diane

Ditsea Yella is a breath of fresh air in today’s music industry; setting their own trend and creating their own unique sound.  Their songs harbor a wide range of edgy styles, while Diana’s sultry vocals joined with the heart pumping electro-rock fusion make them wildly eclectic and delectably addictive in a crazy way. Throughout the songs Diana has this amazing sense of sensual wickedness, creating a marvelous persona that is so infectious and so intoxicating. This is particularly evident on the deliciously mischievous “Boys and Girls”.

Phil and Diana have the uncanny ability to create massive side to side beats combined with atmospheric and sonic anomalies; each listen reveals hidden layers that seem to peel back to uncover new sounds.  A few listens to tracks like “Vampire” and you will know this duo is all about twisting and turning mainstream conventions – experimenting with sound, creating new hybrids of funky ear-candy, whether they draw from harder rock, simpler pop or groovier electro. And at the same time they are telling a story and sending a message. “Vampire” deals with how people sometimes – deliberately or not – deplete, debilitate and devitalize others, completely draining them, both literally and emotionally.

Phil

Phil

Ditsea Yella make songs that kick and cry, moan and tease, and sometimes they do it all in one song, like in “Sin Mona Lisa”, with which I made a horribly embarrassing spectacle of myself in traffic by cranking the volume in my car on the way to the coffee shop and home again, to the point I know I was offending someone somewhere around me, even with the windows up and the sunroof closed. I know I went into shop reeking of music, the volume having been so extreme it forced the notes and words and chords and melodies into my clothes and hair. It’s not the kind of sound I’m used to, but that’s ok, because this music still makes me feel and think and feel groovy.

With that said Ditsea Yella isn’t for everyone, as their music requires you to pay attention while listening to their electro-rock agglomeration. They incorporate different textures, techniques and sound that, when layered, form a complex network of eclectic rhythms and melodies that give them their infamy. Ditsea Yella meshes cryptic lyrics with the sporadic lapse into peculiarity, overdriven jagged guitar chords, and the occasional eccentricity, to form 3 satisfyingly diverse singles that go where few newer bands have gone before.

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