Jae’ Morrissa – “AWOL” and “Butterfly” will send chills up and down your spine

Born Ingrid Jasmin, professionally known as Jae’ Morrissa has gone from singing to patients and residents in hospitals and nursing facilities, to becoming a fast rising singing sensation in the music industry. She started singing at the young age of 3 years old, as her talents were nurtured through her Mother’s taste and love for music. Jae’Morrissa was also inspired and influenced by such artists as Deniece Williams, Stephanie Mills, Minnie Rippleton, Phyllis Hyman and Teena Marie. Her debut single “Just My Next Song”, is being considered as a Nominee for the 62nd Grammy Awards 2020, as well as a

Downtown Mystic – ‘3-Way Heartbreak’ – more than just a nostalgic listening experience!

One of the things Downtown Mystic notoriously excel at is masking emotional lyrics with upbeat, driving-with-the-windows-rolled-down kind of melodies. Their double-side single, ‘3-Way Heartbreak’, which also includes the track ‘Same Old Lover’, recorded in 1983, has all that and more. While for most other contemporary bands, it’s hard to recapture the real magic of rock n’ roll, for Robert Allen and his crew, this comes easy. They grew up during rock’s golden era, hence Downtown Mystic’s music lives up to the genre’s legacy, rather than just riding on its coattails. The ‘3-Way Heartbreak’ single, on the Sha-La Music, Inc. catalog,

P Bailey – “Change The World” – a lush blend of mid-tempo R&B and Soul

P Bailey has adorned our pages many times over the last few years, but just in case you missed it, we’ll fill you in again. Originally from the UK, Paul Bailey aka P Bailey grabbed his first musical influences from Motown and Muscle Shoals, as well as Stevie Wonder and Michael Jackson. Without any formal training, the 5 octave singer, developed his singing and writing style by listening to artists like, Ron Isley, Donny Hathaway, Luther Van dross, Prince and James Brown. Bailey had his first major break when Rick James sampled his track ‘Part time Lover’ for the sound

Mandalan and So Foreign Productions Launch Campaign For ¿CÓMO SABRÉ? ft. Emarie Video

Mandalan is the music project of Los Angeles-based musician, songwriter and producer James Brennan. He produces a tropical house genre of dance/pop music with a dramatic sound including heavy drums and electronic elements. Together with So Foreign Productions, Mandalan is creating a music video experience for his new dance single ¿CÓMO SABRÉ? ft. Emarie, which you can be part of. On PATREON, they have launched a campaign inviting Patrons to be part of an upcoming official music video for the song. Supporters will receive a digital download of the song along with credits in the music video. They will also

Sofi Maeda – “ASHITA” bursts with sound and energy!

Sofi Maeda was born in Takamatsu, Japan. The alternative pop-punk starlet has been doing music seriously since 2016. She has released the album “You Know Me Well” in 2017 and has followed up with a series of successful singles. She has won singing as well as song contests, and has performed on the Red Square in Moscow, at the festival in Gorky Park, as well as concerts in Depo, Live Stars, San Diego, Glastonbury and many more. This year Sofi has dropped 3 singles so far, including “ASHITA”. If you like Sofi Maeda then you should already have “ASHITA” on

Jona Da King – “Roots Of Love” EP – balancing rhymes, and soulful crooning|

Jona Da King is a hip-hop artist from Toronto, Ontario, based in Edmonton, Alberta. Jona is set to release his EP “Roots Of Love” which is scheduled to drop September 30th 2020. The artist has an eclectic musical palette which is colored by Hip-hop, R&B, Pop, as well as Jazz and Rock tones. We checked out his prime tracks in anticipation of the EP, and if the goal of this release is to make a breakout statement that Jona Da King is getting seriously started, he’s succeeded, delivering some of the smoothest, most mellifluous urban sounds we’ve heard in music

Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

Latin Kings: “Worldwide” – complex and imaginative but grounded in realness

The Latin Kings created a lot of hip-tracks which were dissected and disbursed to other groups along the West Coast, when Warner Bros. hesitated to take a chance on a bunch of Puerto Rican and Mexicans rappers who were waiting to set the world alight. Due to a lack of technology to get their music distributed independently back then, the Latin Kings would have to wait until they were grown up and raising families before deciding to get back into the studio and produce the original “Puertoroc Posse/Latin Kings” LP, the industry faint-heartedly refused to release in 1990.

Latin-Kings-groupNow KOOL HEC SI and DJ FUEGO 1 is all set to go with the album “Worldwide”. The Latin Kings is a major breath of fresh. They are rapping from a Latinos perspective, they drop beats that are more than dope, and write lyrics about everything. The rhymes are complex and imaginative but grounded in realness. Everything about this album, the beats, samples, and rhymes, makes it a king among kings in the hip-hop world.

As you start off with the song “KLoKI” you wonder if there could be anything that could beat the feeling of listening to Latin Kings. Then as you continue listening to tracks like “B4U Go Cruisen”, “SoCKS”, “Giga-Hoe’s & Puta’s” and “Latin America”, you know the answer to the question. You’re like glued to the music. The Latin Kings remind you of the good old days when rap was interesting and had some creative skills behind it, instead of a bunch of over-hyped rappers bragging about how rich they are or how many cars they have. Latin Kings’ “Worldwide” is a classic rap album and they sure don’t make gems like this anymore…or let’s say it’s very hard to come by one in the game of rap these days.

latin-kings-logoWhile following the gangster rap format, and having its fair share of profanities and violent/drug references, the songs touch on political and social matters in an in-depth way too; doing a great job of flowing and appealing to even those who may not find those specific topics all that interesting. In other words, this is an excellent album with some great songs. Period.

“Worldwide” is able to achieve what many of the new rap albums of today fail to do. It’s a great listen with songs that are simply about more than bragging about “bling-bling” or that type of nonsense. If you’re a big fan of 90s rap, then chances are you may take an instant liking to The Latin Kings, just like I did.

KOOL HEC SI and DJ FUEGO 1 will take your mind on a trip down memory lane where the real classics came from.  I was completely hooked by the grooves which were as cool as the rapping. Clearly these guys deserve more acknowledgement, as they did back then. Only this time around Latin Kings don’t need any major labels to put their music to the public.

latin-kings-fuegoLatin Kings are by far one of the best Latino underground rap groups to walk the face of the earth. They bring color, ingenuity and astonishing lyrics to flows that are obviously melodic in structure, due to the musicality of the Latino flavors embedded in their songs. A lot of work was put into this dope album, and you can tell it all paid off well. This is real hip-hop that’s way better than the mainstream radio stuff. When you spin this album, you hear many layers of sweet sound. Among the finest of the genre, richness and funky goodness which was the norm.

The now motto basically is “Find one simple hook and play the piss out of it”. Long gone are the days when you’d find daring and unique sounds on a Rap album. What you have today are essentially Pop artists in disguise. Dig the unassumingly deep and funky tunes on this album like, “Get Papers”, “Casi Como Yo”, “Whatever” and “Kruked Halo”, then fast forward to the current radio charts to understand the contrast.

In a way, the Latin Kings’ sound is a microcosm of what Rap was, and not what is called Rap today. If you like the current state of Rap and Hiphop, then more power to you. Taste in music is as subjective as any other art form, if not more. I’m only saying that if you want to know what real rap should sound like, and what once defined the genre, then grab this album. “Worldwide” has the same creative ideas, musically and lyrically, just advanced 25 years…and that’s a damn mean feat!

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