Quinn Soular: “Ovah & Ovah” ft. Ziggi Recado – both impressionistic and insightful

Quinn Soular has released his 3rd official single “Ovah & Ovah” which is a summer banger featuring guest vocals from Dutch-Caribbean Reggae superstar Ziggi Recado. Born on the Island of St. Maarten, Quincy Adolphin aka Quinn Soular is a Pop and R&B singer-songwriter who has his own music production company, QP (The Quinn Productions). If you’re a fan or just a longtime R&B historian in general, you probably know that some of the game’s most renowned voices were cultivated in choir stands and churchyards. Sure, R&B’s secular content often clashes with the gospel’s divine intent but the similarities are unmistakable.

Emmanuel Dalmas & Kirby Howarth: “This Is Love That I’m Feeling” – a song with a country bent

Emmanuel Dalmas a company founder and high level executive in the scientific industry from the South West of France, also moonlights as a multi-genre music composer. Dalmas has been steadily building his music catalog since kicking things off in 2016 from his home studio. He produces instrumental and vocal tracks, engaging talented male and female voices to complete his projects, which in turn are made available for both commercial and non-commercial use. Emmanuel Dalmas recently dropped his latest single, “This Is Love That I’m Feeling”, done in collaboration with Kirby Howarth, who added the vocals and lyrics to Dalmas’ music and

Armonite: “And The Stars Above” – complex, vibrant sonic landscapes

May 2018 saw the release of the new album, “And The Stars Above”, by Italian progressive rock band, Armonite, featuring violinist Jacopo Bigi and keyboardist Paolo Fosso. The album also includes a guest appearance by Porcupine Tree’s bassist, Colin Edwin. Composer Fosso and violinist Bigi are classical musicians who through their teenage years, joined local bands, playing a variety of genres and artists, from the Beatles to Dream Theater. At the end of the ’90s, while still in college, they would play in a band called Armonite. They released an album in 1999, performed a few dates live, and then

MVJOR ARCVNA: “The Last Word in Love”- a master of layers and sequenced progression

Jaron Pearlman aka MVJOR ARCVNA, is an audio engineer, backing musician, and songwriter who grew up in Asheville NC, and is now based in Atlanta GA. Over the years he has toured and recorded with a wide range of artists, including The Indigo Girls, The Shadowboxers, Amor Kismet, Mercury Jackson and more. MVJOR ARCVNA is revered by many critics – and certainly by us – as one of the most quintessential independent producers currently around, standing almost alone in his ability to mix catchy crossover EDM-Pop sounds with complex rock-styled songwriting, and igniting the electronic underground in a truly unprecedented fashion.

DJ Mizzy: “Prost” – gorgeously phrased synth lines, and subtly floating aural overtones

Boasting a sound that goes from his favored deep house grooves to hip-hop, DJ Mizzy, born Claudel Larose, is an international DJ and producer raised just outside of New York. Inspired by artists such as Sander van Doorn, DJ Yonny, and Avicii, Mizzy has a strong passion for his work. Throughout his 18 years of DJing, Mizzy has traveled all over the world to perform, using the original Technic SL1200 turntable as his prime tool. His latest endeavor is “Prost”, a German influenced track with a melodic tone, incorporating a subtle Caribbean flair. DJ Mizzy’s melodies are emotionally evocative and

Boy Leadfoot: “Turn-Buckle” – wholeheartedly playing to their strengths and sounding great while doing it

Max Gordon with Boy Leadfoot is a three-piece blues-based, alternative soul and rock project, from Vancouver Island, Canada. Their latest release, the EP “Turn-Buckle” is a breath of fresh air compared to the pop dribble permeating the American music scene right now. This is the type of musical project that will carve out a steady cult following and attract a good deal of critical acclaim. All three members are very professional and innovative musicians, and musicians of any sort will gobble up all kinds of licks, tones and spices from this release. The EP resides in the nebulous nexus of

Juan Donovan: “Merlot & Marijuana” – a brilliant compendium of styles and luxurious production

As one half of the production duo Darkroom Productions, Juan Donovan has produced with his partner Jamal Roberts some of today’s hottest artists. That list includes R Kelly, Wale, Young Money, Maino, JellyRoll, 24Hrs (Royce Rizzy), Brick Squad, G-Unit, Bad Boy, and more. The duo also won multiple awards for its phenomenal work on HBO’s classic hit series “The Wire”, which garnered them featured in major publications such as FADER, The New York Times, VIBE, and dozens more. It’s not surprising then that Juan Donovan would want to drop a record that’s as much a personal statement as a collection

American Spirits: “Nowhere Near Perfect” – at their most musically and lyrically ambitious

Since being launched in 2017, Bowling Green, Ohio, Indie Rock band, American Spirits, have also founded The Summit Shack, a local DIY venue that has hosted over 25 bands since its inception in the same year. 2018 saw the four piece band release their album “Nowhere Near Perfect”. This recording will grip you by the neck and slam you into the ground. It’s simply one of the most listenable Emo albums you would have heard in a while. You could play the whole thing through without getting bored, probably every day if you wanted to. The music is catchy. The

Internationally Acclaimed Contemporary Jazz Band Drivetime Drops Elegant New Single “Mysterious Life”

 Song is the Lead Single and Title Track of their Latest Album Single Follows their Billboard Jazz #1 Most Added song “Whispers”  Single Marks Band’s relaunch Via Red Hot New The Sound of Los Angeles (TSOLA) Records  (Los Angeles – The Sound of Los Angeles (TSOLA) Records is proud to announce the release of a new single, “Mysterious Life,” by Jazz Fusion torchbearers Drivetime. This Michael B. Sutton production is enriched with sensual soprano saxophone, spacy synths, pulsating drums and percussion, deep pocket bass and enigmatic electric guitar, “Mysterious Life” – the title track of the band’s eight and latest

d’Z: “Connected” – dazzling musical arrangements and a super-tight rhythm section

Hans-Peter de Zeeuw a.k.a. d’Z is a Dutch drummer and composer in the soul, jazz and funk genres. Born to a conservative family in Rotterdam, the life of d’Z changed at the age of nine when he took his first drum lesson. He knew he was destined to be a drummer. By 19, d’Z attended the largest conservatory for pop, jazz and world music in Europe, being taught by leading musicians of the Netherlands. It wasn’t long before d’Z was a sought-after drummer, but he attended the summer of 2016 before turning his attentions to recording. d’Z handpicked his favorite

Latin Kings: “Worldwide” – complex and imaginative but grounded in realness

The Latin Kings created a lot of hip-tracks which were dissected and disbursed to other groups along the West Coast, when Warner Bros. hesitated to take a chance on a bunch of Puerto Rican and Mexicans rappers who were waiting to set the world alight. Due to a lack of technology to get their music distributed independently back then, the Latin Kings would have to wait until they were grown up and raising families before deciding to get back into the studio and produce the original “Puertoroc Posse/Latin Kings” LP, the industry faint-heartedly refused to release in 1990.

Latin-Kings-groupNow KOOL HEC SI and DJ FUEGO 1 is all set to go with the album “Worldwide”. The Latin Kings is a major breath of fresh. They are rapping from a Latinos perspective, they drop beats that are more than dope, and write lyrics about everything. The rhymes are complex and imaginative but grounded in realness. Everything about this album, the beats, samples, and rhymes, makes it a king among kings in the hip-hop world.

As you start off with the song “KLoKI” you wonder if there could be anything that could beat the feeling of listening to Latin Kings. Then as you continue listening to tracks like “B4U Go Cruisen”, “SoCKS”, “Giga-Hoe’s & Puta’s” and “Latin America”, you know the answer to the question. You’re like glued to the music. The Latin Kings remind you of the good old days when rap was interesting and had some creative skills behind it, instead of a bunch of over-hyped rappers bragging about how rich they are or how many cars they have. Latin Kings’ “Worldwide” is a classic rap album and they sure don’t make gems like this anymore…or let’s say it’s very hard to come by one in the game of rap these days.

latin-kings-logoWhile following the gangster rap format, and having its fair share of profanities and violent/drug references, the songs touch on political and social matters in an in-depth way too; doing a great job of flowing and appealing to even those who may not find those specific topics all that interesting. In other words, this is an excellent album with some great songs. Period.

“Worldwide” is able to achieve what many of the new rap albums of today fail to do. It’s a great listen with songs that are simply about more than bragging about “bling-bling” or that type of nonsense. If you’re a big fan of 90s rap, then chances are you may take an instant liking to The Latin Kings, just like I did.

KOOL HEC SI and DJ FUEGO 1 will take your mind on a trip down memory lane where the real classics came from.  I was completely hooked by the grooves which were as cool as the rapping. Clearly these guys deserve more acknowledgement, as they did back then. Only this time around Latin Kings don’t need any major labels to put their music to the public.

latin-kings-fuegoLatin Kings are by far one of the best Latino underground rap groups to walk the face of the earth. They bring color, ingenuity and astonishing lyrics to flows that are obviously melodic in structure, due to the musicality of the Latino flavors embedded in their songs. A lot of work was put into this dope album, and you can tell it all paid off well. This is real hip-hop that’s way better than the mainstream radio stuff. When you spin this album, you hear many layers of sweet sound. Among the finest of the genre, richness and funky goodness which was the norm.

The now motto basically is “Find one simple hook and play the piss out of it”. Long gone are the days when you’d find daring and unique sounds on a Rap album. What you have today are essentially Pop artists in disguise. Dig the unassumingly deep and funky tunes on this album like, “Get Papers”, “Casi Como Yo”, “Whatever” and “Kruked Halo”, then fast forward to the current radio charts to understand the contrast.

In a way, the Latin Kings’ sound is a microcosm of what Rap was, and not what is called Rap today. If you like the current state of Rap and Hiphop, then more power to you. Taste in music is as subjective as any other art form, if not more. I’m only saying that if you want to know what real rap should sound like, and what once defined the genre, then grab this album. “Worldwide” has the same creative ideas, musically and lyrically, just advanced 25 years…and that’s a damn mean feat!

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