Kali Ma & Cypher the Avatar – ‘Peaches n’ Sage’ – A hypnotic and fitting foundation

If you ask the duo of Kali Ma & Cypher the Avatar, better known as CxA what the goal of their music was, their reply would probably be, it’s to make a place where all listeners can come to feel safe and relieved from their pain, anxieties, and all other stresses in life. Because that’s exactly what their Cloud Rap single, ‘Peaches n’ Sage’ sounds like. Cypher the Avatar is one of the best alternative rappers mainly because of his presence. He’s confident but not cocky; honest but not vulgar. Cypher comes across as someone who is genuine and sure

VerseBorn: “Cheat Code” ft. Menhir demands a huge amount of respect

“Cheat Code” by VerseBorn ft. Menhir is a mostly uninterrupted stream of consciousness. Breaks in the story only occur when one the language switches from English to Italian and back, and when the plot ends and another begins. To call this track unique would be inadequate. The storyline is extremely complex, with recurring motifs. It’s hard to follow, but that’s the point. VerseBorn and Menhir want your undivided attention for the track’s entirety. Straight off the cuff, the listener is thrust right into the action. In true artistic fashion, interconnecting storylines are articulated through interconnecting verses. But even when they

New Songs to Confront Rising Tide of Hatred by Rev Peter Unger

Rev Peter Unger embraces a pastoral sense of beauty on the spacious skies of I Believe in Second Chances. Throughout the piece Rev Peter Unger explores the oft-ignored benefits of faith. One of the greatest elements of faith rests within the idea of forgiveness for past transgressions. No one is perfect and attaining perfection is a life-long goal. Lyrics focus upon this concept the improvement of the self. Without forgiveness however, this goal becomes impossible for if all were judged by their worst actions self-improvement would remain illusionary at best. Low key arrangements help to place Rev Peter Unger’s voice

Brian Hutson’s Debut Album “Habit” is Released

This week saw the release of Brian Hutson’s Debut Album. Habit is the name of the album that coincides with the song title track featured on his debut album. The album which has already sparked early interest follows the critical acclaim of his EP Midnight Sessions and enormous success of his single released in the fall of 2018. Like many artists, Brian draws influence from his personal life and experiences. This driving force allows him to express his feelings through music. Reflecting on love, lust, heartbreak, and triumph Habit is the result of memories from the past two years, all

YHN Hammertime: “Cash Out” – relatable lines over a sleekly banging beat

YHN Hammertime is a rap/hip-hop artist based in Washington DC. He often collaborates with fellow artists from the DC area. After a string of single releases, he has dropped his first official mixtape “Gang Meets Gang”. From the album comes the highly infectious single “Cash Out” along with its classy visual, now viewable on YouTube. With this album, YHN never seems to be trying to make one track for the thugs, one for the hip hop heads, one for the club, one for the backpackers, and one for the playas, etc. Although you could still attribute those labels to the

Hro Palyan: “White China” scores many transcendent moments!

Hro Palyan is an up and coming Armenian-American Hip Hop artist based in Granada Hills, CA. His journey into a musical career started during childhood when he learned how to play the electric guitar. Hro’s older brother was influential in introducing him to the world of rap and hip-hop and to fellow artists who encouraged him to learn music production tools like Fruity Loops, Reason, and Pro Tools. Influenced by the likes of Dre, Eminem, Xzibit, Nate Dogg, Snoop Dog, Tupac, Naz, Jayz, Dmx, Hro used the production tools as a coping mechanism that allowed him to express himself, and

Enzo: ‘Light Me Up’ – an absolutely sublime listening experience

DJs speak with their hands. Producers who can’t use words, express themselves through sound. On the other hand, it’s almost true that in the electronic music realm, the weight of the music can render words secondary. That’s not to say that producers aren’t using their voices…it’s rare but quite possible. Some producers over a number of electronic genres have stepped up to the mic to express themselves vocally, others engage the perfect voices to execute the needed emotion. Once such creative is Enzo, a self-taught musical artist from Boston, Massachusetts. His work as a producer and DJ has led to

Exit To Eden: Describes the extreme situation of hate-love, on their new Goth ‘n Roll single “Love At First Hate”!

Passionate, yet hateful is the story of Exit To Eden’s latest video clip. The Austrians around frontman Bernie Pfeiffer, celebrate the March 22nd, 2019, release of their associated Goth ‘n Roll single, entitled ‘Love At First Hate’ and give an audiovisual preview of their upcoming mini-album “Love And Other Nightmares”, especially Fans of traditional gothic rock alá The Sisters Of Mercy, The Cure, or Bauhaus are guaranteed to find it appealing.  In a nightmare of hate-love, the protagonist described in ‘Love At First Hate’, whose story is presented in first-person perspective, seems to be. Two extremes, passionate love and

Javyn Knight: “Exodus” – Relatability, positivity, and general geniality

Javyn Knight releases his debut EP, “The Gospel Of Javyn” on March the 24th. The artist’s arrival to this event has not been an easy one. He left home at sixteen to join the army, completing his basic training and part of his AIT training, when he was diagnosed with schizophrenia. He went on to be officially discharged and found his way back to civilian life. It was then that Javyn decided to flip his future and pursue a different, but just as passionate, career route. Javyn Knight aka The Blacc SINatra grabbed hold of a mic and started reppin’ South

Silvertung: “(BUT, AT WHAT COST??!)” – assailing swagger, an abrasive bring-it-on vibe!

Award-winning rock band Silvertung, has landed on the Billboard Mainstream Rock Radio Chart three times. The Mid-Atlantic quartet, made up of vocalist Speed, lead guitarist Codey, bassist Sam Sour, and drummer Danno, have also opened for groups like Godsmack, Disturbed, Shinedown, Slipknot, Staind, Papa Roach, Buckcherry, Filter, Drowning Pool, Anthrax, P.O.D., and others. With three albums and one EP under their belt, Silvertung, in collaboration with Thermal Entertainment, have dropped their latest album “(BUT, AT WHAT COST??!)”, produced by Steven Wright, whose credits include Slipknot, Mars Volta, and Rihanna. This is the type of release that occurs when a band

Steve Lieberman: “Terminator V617F” – a nexus and a microcosm all its own

Written and produced by Steve Lieberman with the exception of three cover tunes by The Who, Chicago, and the Jim Carroll Band, “Terminator V617F” is Steve’s 25th CD release and features 15-tracks of genuine Gangsta Rabbi-styled industrial metal jazz-rock. The project title made of letters and numbers has a meaning that is as equally important as each song. The (JAK2) V617F is a chromosome mutation causing several types of myeloprolifirative leukemias, including Lieberman’s disease (post Polycythemia Vera Myelofibrosis).

Steve Lieberman who played alongside Weezer and opened for the Misfits, Andrew W.K. and the late Dunn and Vito, completed “Terminator V617F” within 2 months after receiving news that his cancer had become terminal. Brooklyn-born Steve has built a successful career off his unorthodox approach within the industrial rock genre largely due to his signature use of distorted bass, guitars and other instruments such as flutes, saxophones, trombones and melodica.

Steve Lieberman

Steve Lieberman

Some albums are a nexus and a microcosm all their own. This is one of them. This collection of obscure, dissonant tunes will still be kicked around speakers fifty years from now. I have no doubt of it. This album won’t fail to animate and invigorate the souls of those who hear it, it’s a virus in the classic Burroughsian sense, but a virus that fortifies and awakens those who are lucky enough to catch it: This music is passion in its rawest and most vitriolic form.

The first time I listened to “Terminator V617F”, frankly, I didn’t like it. The music was too fast and it was devoid of any melody. Steve’s vocals were screamed so fast and unintelligibly, that it turned me off at first. But there was something infectious about the music that kept me coming back for more. Then I started analyzing the lyrics. They cut with such razor sharp poignancy and heartfelt honesty that the music started to make my stomach churn. I finally got it. This music blew away my old punk and metal records. Steve Lieberman presented his emotions in an honest and beautiful way.

Though often sounding like a casual jam, musically Steve is tighter than 95 percent of the hardcore bands around, and the music stands up. This is revolutionary stuff. I mean who else would blend the diversity of horn instrumentation that Steve does, into a fast-paced, grinding rock raucous like “Terminator V617F”.  All I know is that I can put this record on in my room and roll around like an idiot, get all sweaty, and shout along, and love every second of it. This record transcends punk, hardcore, metal or any B.S. music label that you can think of.

Steve Lieberman is the epitome of musical individualism. Fighting the desire to conform to the assimilating establishment, this album is more of a tribute to ideals than to pervading mediocrity. Granted this is no easy album to listen to. You will need ears of steel, but at least with Steve there isn’t such thing as a dull moment, and this 15-track compilation does much to cement that fact. It’s like being on a rollercoaster ride, going higher and higher, further and further, where the air becomes so thin you can no longer breathe…from sheer excitement and anticipation!

I won’t bother with breaking down song title as they are self-explanatory once you get the album. Suffice to say that every song is an adrenaline rush of therapeutic emotion. By the end, you will discover that “Terminator V617F” is much more melodic than you thought, and much less insane than you believed.

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