Forest Robots: “Timberline and Mountain Crest” – Inspired by natural landscapes

Let’s start of by saying that Fran Dominguez aka Forest Robots is a master at producing chilled out electronic music with heavy beats, and lots of orchestral instrumentation thrown in the mix. To call it electronic music almost seems unfair, as it implies this is music made by machines. Yes, I realize he is called Forest Robots, but this could not be further from the truth, as Dominguez’s music is pumping with life and human emotion. His latest album “Timberline and Mountain Crest” showcases 10 tracks of stunning depth, the kind of album you just throw the headphones on, turn

Edward St. Martin: “Lullaby” – blur the lines between savvy pop stylings and hard hitting kinetic soundscaping

Hailing from San Diego, Edward St. Martin has a background in film composition and classical music. His most recent single is “Lullaby”. Expectations met, superseded and immediately I hit replay. This track is going round again and I’m not the only one within ear shot of my stereo who is pleased about it. The easy laid back crossover Pop/EDM groove take is not unexpected, as I had already read that St. Martin was one for mellow tones combined with pop and soul vibes. But this track has another key element which makes a record of this nature standout. Intelligence. This

Katiah One: “Tail Spin” – an evolving, audacious artist

Soon releasing debut first EP “A Whole Lotta Water Works”, Katiah One is an artist raised on the Upper West Side of New York City. His mission is changing the common perception of the average rapper. Katiah draws inspiration from many genres including R&B and Rock, while his favorite artists include Freddy Mercury, Sam Cooke and Issac Brock.  On his latest single “Tail Spin”, taken off the aforementioned EP, Katiah deals with the deep issues of existentialism, or simply put, the meaning of a human being’s existence. Sure his talking ‘black’ talk, but you can’t go there without understanding the

Alisa Chirco: “Give Me More” – bench marked with confidence!

Alisa Chirco sure isn’t shy about revealing what’s on her mind, on her brand new single “Give Me More”, the follow up to her almost gothic-like pop ballad “Box”. Alisa sounds passionate, wanting and determined, in a driven rock song that is an anthem for empowered women. Her music here is very strong, has meaning, and is legit. The track shows that she is learning to emote in a more visceral and arguably more demonstrative way. Alisa has now escalated to being a rock chic with an attitude and bold open-confessional lyrics. A sensible direction for any reinvention is maturity, and

Roger Cole & Paul Barrere: “Old Folks Boogie Redeux” – true to their sound!

“Ya know that you’re over the hill, when your mind makes a promise that your body can’t fill!”, this is the line that inspired Paul Barrere to write the original version of the “Old Folks Boogie”, which would subsequently feature on the 1977 Little Feat record “Time Loves a Hero”. The citation came from a line Paul’s dad – an actor at the time – picked up at a vaudeville theater. He would often sing it around the house, so eventually Paul got hooked turned it into a song. For some time, Paul’s partner over at Better Daze Records, Roger

Glorious: “Move” – throbs with club energy

Pop singer, Livetronica drummer, producer and songwriter, Glorious, is a graduate of Berklee College of Music, who has been making music since she started playing drums at the age of three. Named after her grandmother Glorious Cooper, Glorious recently unveiled her single “Move”. In an increasingly crowded field of urban pop artists, you may be wondering what makes Glorious worth your time. To be sure, she boasts a lot of the qualities that her peers also bring to the table. Her song is outlined with an exquisite beat, her vocals are mesmerizing, and her persona appears spectacularly captivating. Without close

Ferentz and The Felons: “Hudson County” – an engaging and gripping performance

During his childhood, Zak Ferentz experienced both his parents suffering with drug addiction which eventually claimed the life of this mother. A life on the streets selling drugs and getting in trouble with the police, found Zak headed down his own dark path. However he soon discovered that creating music could help him heal. Furthermore it gave him a purpose in life and also a way to explore his creativity and bring it to tangible fruition. He subsequently teamed up with drummer Matt Waz, bass player Rob Dudziak and lead guitarist Rich Catalano to give birth to the band, Ferentz

TheVerce: “The Dawg Walk 6” ft. Pastor Troy – an attention-grabbing track in zero seconds!

TheVerce is an artist who knows how to make songs that echo in the brain of listeners. Songs like “The Dawg Walk”, and “Booty Tude” which were released more than 7 years ago are a delight to the ears till today.  “The Dawg Walk”, in particular, has been through a series of sequels, leading up to the brand new 2018 release, “The Dawg Walk 6 (Stadium Edition)”. Although he’s been around for a couple of years, and the industry has become even more competitive, the Atlanta rapper is an artist that can create hit sounding tracks, effortlessly. The new track

AFRO POP SINGER MR. P ROMANTICIZES ZOMBIES IN NEW VIDEO

Afro-pop singer Peter Okoye, a former member of the famous duo group P-Square, teams up with upcoming singer Simi for a new take on the Zombie concept. In the video, Peter, also known as Mr. P, describes how his new lover has turned him into a Zombie because his love for her is controlling every aspect of his life. Zombie takes its listener on an exciting mange of Afro-beats and R&B rhythms. Both artists give a good account of themselves vocally in this love song which we are sure everyone will enjoy. The song is produced by P-Classic producer Daihardbeats.

Pastobal: “Nature” is absolutely gorgeous!

The French project Pastobal, started out as a duo and has grown into a small crew committed to serving their ideals. Dedicated to rock, folk and love, the group has two EP recordings under their belt – “My Head” released in 2014, and “EP# 2” released in 2016. The following year saw the band drop their full length trilingual album, entitled “Logon Calling”. Now in December 2018. Pastobal release their brand new, English-language EP, “Nature”. This new recording does an admirable job mixing the sounds of Pastobal to create a wide-ranging kaleidoscope of folk-rock references. The best songs have an

Steve Lieberman: “Terminator V617F” – a nexus and a microcosm all its own

Written and produced by Steve Lieberman with the exception of three cover tunes by The Who, Chicago, and the Jim Carroll Band, “Terminator V617F” is Steve’s 25th CD release and features 15-tracks of genuine Gangsta Rabbi-styled industrial metal jazz-rock. The project title made of letters and numbers has a meaning that is as equally important as each song. The (JAK2) V617F is a chromosome mutation causing several types of myeloprolifirative leukemias, including Lieberman’s disease (post Polycythemia Vera Myelofibrosis).

Steve Lieberman who played alongside Weezer and opened for the Misfits, Andrew W.K. and the late Dunn and Vito, completed “Terminator V617F” within 2 months after receiving news that his cancer had become terminal. Brooklyn-born Steve has built a successful career off his unorthodox approach within the industrial rock genre largely due to his signature use of distorted bass, guitars and other instruments such as flutes, saxophones, trombones and melodica.

Steve Lieberman

Steve Lieberman

Some albums are a nexus and a microcosm all their own. This is one of them. This collection of obscure, dissonant tunes will still be kicked around speakers fifty years from now. I have no doubt of it. This album won’t fail to animate and invigorate the souls of those who hear it, it’s a virus in the classic Burroughsian sense, but a virus that fortifies and awakens those who are lucky enough to catch it: This music is passion in its rawest and most vitriolic form.

The first time I listened to “Terminator V617F”, frankly, I didn’t like it. The music was too fast and it was devoid of any melody. Steve’s vocals were screamed so fast and unintelligibly, that it turned me off at first. But there was something infectious about the music that kept me coming back for more. Then I started analyzing the lyrics. They cut with such razor sharp poignancy and heartfelt honesty that the music started to make my stomach churn. I finally got it. This music blew away my old punk and metal records. Steve Lieberman presented his emotions in an honest and beautiful way.

Though often sounding like a casual jam, musically Steve is tighter than 95 percent of the hardcore bands around, and the music stands up. This is revolutionary stuff. I mean who else would blend the diversity of horn instrumentation that Steve does, into a fast-paced, grinding rock raucous like “Terminator V617F”.  All I know is that I can put this record on in my room and roll around like an idiot, get all sweaty, and shout along, and love every second of it. This record transcends punk, hardcore, metal or any B.S. music label that you can think of.

Steve Lieberman is the epitome of musical individualism. Fighting the desire to conform to the assimilating establishment, this album is more of a tribute to ideals than to pervading mediocrity. Granted this is no easy album to listen to. You will need ears of steel, but at least with Steve there isn’t such thing as a dull moment, and this 15-track compilation does much to cement that fact. It’s like being on a rollercoaster ride, going higher and higher, further and further, where the air becomes so thin you can no longer breathe…from sheer excitement and anticipation!

I won’t bother with breaking down song title as they are self-explanatory once you get the album. Suffice to say that every song is an adrenaline rush of therapeutic emotion. By the end, you will discover that “Terminator V617F” is much more melodic than you thought, and much less insane than you believed.

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