Neave Zaria’s ‘Never The Same’ Is Evocative Of The Golden Era Of Jazz & Blues

Neave Zaria’s latest track ‘Never The Same’ is a soft yet impassioned exploration of our deepest infatuations and frustrations. The composition is steady but energetic, and the jazz spirit comes in hot from the get-go. Zaria’s voice bears a strong resemblance to that of the greatest blues singers of all time: Etta James and Aretha Franklin. The most modern comparisons would be to Adele and Norah Jones, but even then there’s a striking vulnerability in Zaria’s vocals that makes her stand apart. It helps that the English singer is just nineteen, but she demonstrates a superb ability at striking the

Sam and Sounds Guaranteed to Make You Smile with New Single “Cloud 9”

UK indie artist Sam and Sounds has just released a brand-new single that will have you both grinning and grooving. The singer songwriter has just dropped “Cloud 9,” offering endless feel-good vibes and some much-needed positivity in today’s world. With his debut EP due to land in October this year, this track is the second teaser to what we can expect. It follows his first single release which came out in April, “Do It All Again,” that soon became an instant smash hit. Sam and Sounds has already netted an impressive 41,000 Spotify streams, with 23,000 monthly listeners and a

Cymbalik – “A New Positive”- the alchemical combination of quality, creativity, and alluring empathy

There are a lot of new producers that are coming to the scene this years, and some that have been in the game for a while, but few are as exciting has Cymbalik AKA Jose Serpas who hails out of Denver, CO. If you’re a part of the people who don’t know who Cymbalik is just yet, then expect him to be all over your music queue in the next couple of years. With his crazy beats and smooth melodies it’s expected that he makes some big jumps in the industry very soon. Cymbalik works with modern day techniques while

Best friends in New York City make dope a hip-hop song during quarantine and are donating ALL proceeds to charity

The producer Christos “XOS” Angelidis created the instrumental for the record “ICE COLD” while recovering from the sever virus COVID-19 in his Queens, New York home. His close friend and colleague, Laquan “REVL TVLK” Priester, from Brooklyn, New York, now living in Los Angeles, wrote the lyrics and rapped over the song. “ICE COLD” is a result of the inspiration being based from the cold winter months of New York City. Furthermore, the duo – being from New York City, the U.S. epicenter of the outbreak – has experienced firsthand the devastation of the virus. XOS lost four coworkers as

Steve Sperandeo – “Contagious Emotions” – intimate storytelling that inebriates the senses

Like all works of music, there are always going to be some you absolutely love and some you only like. “Contagious Emotions” by Steve Sperandeo one is going on the absolute love list. Steve has added some jazzy, bluesy touches in this album, while maintaining a soft organic-rock style made of elegant guitar work and graceful melody. It’s a masterful blend by a thoughtful musician. But be forewarned, Steve’s music needs more than a single playing to fully savor its nuances. So grab a drink of your choice, sit back and enjoy the storytelling as Steve Sperandeo delivers 11 unhurried

Heistheartist – “Boom” (Love Version) – transposes crystal-clear artistry through spiritual glistening

Heistheartist is an American Christian singer-songwriter from Central Islip, NY. Formerly a secular neo-soul singer signed to Bentley Records under his biological name LeeMann Bassey, Heistheartist discovered that his true calling was with the Lord, after hearing an inspiring sermon by TD Jakes online one day. That day he was inspired to teach the world about the Lord like TD Jakes did with his Sermon, but through music. The song “Boom” – a song that mixes sensuality with religion – is actually based on a dream that Heistheartist had one night, in which he had relations with an angel. “Boom”

Bobby Royale – “Live Jazz at Staarsound” – There is an artistic quality in the music that cannot be overlooked

Some see hip-hop and jazz as an unholy alliance, maybe even the vulgarization of jazz. But other musicians see the genre-melding as a positive development. Every so often, in some corner of the globe in fact, you’ll find a handful of jazz musicians experimenting with jazz and hip-hop hybrids. In some ways the musical connection would seem inevitable. After all, early gospel, blues and jazz employed call-and-response cadences dealing with the same themes prevalent in hip-hop today. For some, though, the similarities end there. Straight ahead jazz musicians who have had their music sampled appreciate their work being exposed to

J.Drive – “Untitled” showers the auditory canvas with musical ideas

Hailing from the inner city of Youngstown, Ohio’s Southside, Jessie “J.Drive” grew up in a small apartment in a violent neighborhood without his natural mother or father.  At a very young age he realized that his natural affinity for basketball and Hip-hop music would become the tools necessary to pave his way to a more comfortable lifestyle.  Despite the tragic events that ended his hoop dreams, Jessie’s understanding of what it takes to make the best of his gifts regardless of circumstances is what has brought him thus far. Currently he is pushing his latest single called “Untitled”. In his

“Millions” shows off how talented and self-assured DboySlim is!

“Millions”, the track by DboySlim, has an incendiary takeoff, wasting zero time to underscore the necessary sense of urgency through a compacted sonic boom and a room full of booty. The backdrop is made of a dynamic piano loop, skittering hi-hats, and twisting synths, while the rapper updates his dance-swaying lyricism. DboySlim is impressive to say the least, while the track absolutely bumps. He creates an intense atmosphere that makes you want to jump around and groove. “Millions” shows off how talented and self-assured DboySlim is, and how he can probably live up to any hype you want to put

Andree Cassielll – “Alimento” – a universality that makes him a perfect fit for the modern era!

The Mexico City native, Andree Cassielll, possesses a down-to-earth humility in his vocal tone that makes his storytelling raps feel like they’re always coming from a place of truth over fiction. Considering the producer and artist, predominantly sings and raps in Spanish, which I cannot understand, that’s an impressive feat. The trap-inspired beats flicker in and out as Andree becomes more invested in his storytelling, and it truly feels like you’re on the phone with a rambling friend. He’s a poet, capable of transporting you somewhere otherworldly with his sound. His music has a genuine fluidity, and if he continues

Steve Lieberman: “The Gangsta Rabbi’s Quadrophenia” – completes a story of a sound that has made its way through history

I’m a Steve Lieberman ‘The Gangsta Rabbi’ fan. Consider the fact that this is only the second release of Steve’s that I have heard, having just recently reviewed his “Terminator V617F” album. What attracts me to Steve Lieberman’s loud, aggressive and sometimes dissonant sound? Simple. I don’t just hear musical notes. I hear a man on a very personal musical mission. And this has nothing to do with the usual pitiful rhetoric concerning Steve’s terminal illness. Or maybe it has, in the sense that he is literally playing the crap out of his instruments with an explosive energy and sense of abandon like he was going to be living for another one thousand years on another planet somewhere in the galaxy!

“The Gangsta Rabbi’s Quadrophenia” contains 18 pieces of hardcore punk-metal, created to complete a story of a sound that has made its way through history. This sound is infectious. The assault of guitar and voice is without a doubt one of the strongest of modern American rock. I view ‘The Gangsta Rabbi’ as something of a Punk Rock anti-hero with the politics of an emotive soul. Why? He explores every emotion possible and then some – and the music stands right beside the words presenting each and every song as the continuing story of his life.

Steve Lieberman

Steve Lieberman

Steve Lieberman ‘The Gangsta Rabbi’ is pure genius amidst an ocean of corporate rock tradesmen, and “Quadrophenia” stands tall as an exception to the rule…any rule…every rule. Steve’s music has no rules. Its free, it’s wild, and as such reaches and crosses, borders and boundaries that our conventional mainstream ears find difficult to comprehend or follow. The original “Quadrophenia” recorded by The Who was about that awful period between being a teenager and being a real adult. And it captured that bewildered rage and frustration that goes with that whole stage of life. Songs like ‘The Real Me’, ‘The Punk and the Godfather’ and ‘Dr Jimmy’ boil with anger; others, such as the suicidal-tinged ‘Drowned’ (for my money the best song on here and one of the most beautiful melodies songwriter Pete Townshend ever came up with), and ‘Bell Boy’, the pathos. The story follows the early years of a young man, Jimmy, growing from adolescence to nearly killing himself due to his fall into the depths of depravity in the whirlwind world of the Mods and Rockers on the south coast of England in the early sixties

Steve sings, shouts and even screams if he has to. He has violent emotions and then tender insights, encapsulating the original, intended song emotions, but he extends and blows those sentiments into total outrage. And that’s the way this disc is: over-driven, overblown, guitar-induced punk-metal and highly emotive song crafting. Lieberman taps into the subconscious and makes music that simply blows the term ‘conventional’ away, by progressing from the raw aggression of “The Punk Meets The Godfather” to the sublime maturity of “Is It In My Head?”. Maturity is a word I select because it shows people being forced to deal with their problems instead of simply observing them. The Who dealt with theirs, Steve is dealing with his. What are you doing about yours?

There’s a lot to absorb on this record and it’s still well worth the effort to do so today. The writing approaches volatile subject matter thoughtfully, and with great insight. Steve Lieberman’s delivery is atypical, powerful and outrageously original. And without a doubt more anti-conformist and anti-establishment than The Who could ever possibly have imagined when they made “Quadrophenia’s” original musical and lyrical statement.  And that’s really saying a lot!

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