Yung Wavii: “Come Over Feat. Tai Smoove” – crystalline delivery and professional wordplay

New York based Nocturnal Seven Entertainment has a rich history of working with an array of artists in the R&B, Hip Hop, Reggaeton, and Freestyle genres. Since the late 90s their work as an established management company has led to partnerships with big names in music including Supreme, a Producer from Wu Tang and Positive K, Grand Puba, Will Traxx, DJ Red Alert among many others. The company is proud to announce its new wave of talent, including thrilling new artist Yung Wavii. Wavii is a charismatic rapper whose lyrics get to the point quickly. He is a rapper that

Bizeeee: “Looking For It” – an out-of-this-world scenario!

What separates #Bizeeee aka #4ez from many of today’s rappers, is his indestructible delivery. Every verse no matter what he is rapping, he relentlessly pound his rhymes into your head mercilessly, with bone crushing stanzas and a ruthless attitude. Every word spoken shows an aggressive mood and seemingly cannot be stopped by anything. With this intensity also comes a very dramatic and cinematic driven production. This intense style is especially shown 4ez’s latest single, “Looking For It”. This song is driven by a rhythmic drumbeat, hissing hi-hats, and harmonized by futuristic and spacey keys. This is a chance for 4ez to step

A Talk With Singer-Songwriter Rob Sky

Rob Sky first appeared on the NYC music scene with his debut single, “Beautiful”, in 2007. His debut album, Right Now, was released in 2010 and followed with a tour in the UK. Rob has performed on stage with MJK, Blu Cantrell, and Monique. In 2017, he released TEN, an anniversary album that included previous unreleased tracks from the recording sessions of his debut album. After an 8 year hiatus, he returned to the studio and began recording again, releasing a few singles before finally completing his latest album, “What’s Left of Me”. Rob is already back in the studio,

Quintin Tarintinto: “No Self Pity” – dense articulation!

Tallahassee, Florida rapper, Quintin Tarintinto has his 2019 fifteen track project, “No Self Pity”, out right now. This is the record many of Tarintinto’s contemporaries would love to make, but they don’t have a sufficient enough state of consciousness to draw inspiration from, or truly focus the menagerie of their minds upon. It’s the most topically cohesive, palatable and headily conscious Tarintinto ever been for an entire set of songs. His universal vision makes it all work together in perfect, coalescing, high-tech harmony. A less knowledgeable Quintin Tarintinto might have asked compelling questions and never get to present the answers projected

3Mind Blight: “Make This Right” – transcribes emotions into music perfectly

Let’s begin with the fact that 3Mind Blight doesn’t make music for the fans or the label. In the era of rappers who are doing it for the gram, 3Mind Blight is all about the art of self-expression: he isn’t rich, he isn’t cocky, and he respects those who came before him. His style is not rap focusing on bling or hedonism, instead he observes and tries to teach us everyday lessons about ourselves, but his focus is also knowing he is better now than he once was and only plans to get better, something that should be recognized as

Flo: “Mix in a Water” – all of it is crisp and gorgeous!

James Florio aka Flo, is a Toronto, Canada based producer, songwriter, and multi-instrumentalist. His signature style combines diverse musical elements and genres together to create an immersive listening experience. The rich mixture of delicate sounds, booming basslines and silky, chopped vocals will keep listeners coming back for more. His latest single is “Mix in a Water”. Is there any way to describe the music of Flo other than stylistically shimmering, and rhythmically hypnotic? Not really: write down those words and free-associate as much as possible with eclectic and luscious, and chances are you’ll have written Flo’s press blurb. The Flo

Capo 2G: “Pullup” ft. KirkoBanz – a tidal wave of aural sensation!

Capo 2G is a Hip Hop artist currently based in Las Vegas, Nevada. Originally from Lagos, Nigeria, his unique, island fused sound which he defines as AfroHipHop is one of the many factors giving rise to his growing fan base. Capo 2G’s close relationship with A-listers such as Rae Sremmurd gives him the opportunity to learn from the front lines as he prepares himself to step into the spotlight. He begins his first solo tour in Trinidad, Colorado on February 21st. This isn’t exactly a startling revelation, but hip-hop has always been rife with emcees who style themselves as unrepentant

J.R.Clark: “Zenith Spokes” – Capable of balancing and articulating his conceptual goals

J.R.Clark is a hip-hop artist based in Virginia Beach, VA. He started his career behind the mixing board as a studio engineer. In 2014 started releasing his own music and building a following in the underground hip-hop scene. Inspired by artists like Curren$y, Stalley, Big K.R.I.T, J.Cole, Rick Ross, Schoolboy Q, and Chance the Rapper, J.R.Clark’s latest project, an EP titled “Sunset Symphony”. If, after listening this recording, you’re under the impression that J.R.Clark is preparing to take over the world, you’re neither alone nor unjustified. For decades hip-hop has seen myriads of artists fleetingly captivate the attention of listeners

Natalie Jean: “What Would You Do For Love?” – a show-stopping exhibition

Admittedly I have been waiting years now for Natalie Jean to surpass her previous levels of excellence; she had arrived quietly with not much fanfare, and she steadily declared her arrival with a number of albums, singles and collaborative efforts. Needless to say I was impressed. Yet, while I immediately acclaimed and understood that Ms. Jean was indeed extremely talented, she had, as far as I was personally (and secretly) concerned, yet to produce anything indicating she was even close to showcasing what I suspected to be her fully unrealized potential—that is of course until I listened to “What Would

Jevil Project: “Shade” – Positive artistic aggression!

The Jevil Project is a France-based instrumental metal act, who does not perform live, but prefers to create music meant to be listened to. Jevil Project is proficient at marrying sludge metal riffery with dirtier post-rock guitar melodies. Trudging, down-tuned riffs drive each song, while subtle melodic movements develop on top. This pattern works to fantastic effect on the 4 track EP – “Shade”. There are tons of incredibly inspiring moments on this album. There are also plenty of riffs that will make your head bang uncontrollably. Moreover there seems to be sense of adventure on the recording, and with

Linda Debella: “Jupiter Moon” – crafty, melodic, layered, beautiful and inspired!

Growing up outside Los Angeles, Linda Debella took years of classical piano lessons, and listened almost exclusively to pop radio. She says there’s nothing like the perfect “3-minute song” – how it can move people in a way that nothing else can. Her first job was at a Hollywood recording studio and, as a budding songwriter; she instantly fell in love with music production. It was there that she learned the basics of recording and engineering that allows her to seamlessly weave together complex vocal harmonies and instrumentation to create her unique sound.

Linda Debella

Linda Debella

Linda Debella’s latest album is the 12-track, socially conscious, indie-pop recording, “Jupiter Moon”. If you have never listened to Linda, take the time to listen to this album. Her voice is like no other – sultry, sweet, powerful, inviting, while the music is crafty, melodic, layered, beautiful and inspired.  Its’ quieter acoustic spaces give way to energy-driven lamentations that manage to flow together seamlessly.

Once you penetrate what you think is an apparent lack of musical diversity on this album and instead come to appreciate the subtle variations from one song to another, it can possess you at a far deeper level than more accessible but ultimately more superficial albums. Pianos, acoustic guitars, bass, drums and layers of harmonies abound, to breathe life into magnificent storytelling by a voice that takes us back to the golden era of singer-songwriters. Linda Debella’s voice drips like honey off of an open jar, taking me back to memories of Joan Baez, Carole King, Carly Simon and Rita Coolidge… lord they don’t make them like they used to…or do they?

This is a seriously outstanding album. Linda Debella is one of the few contemporary artists who can stand comparison with female singer-songwriter figures from previous decades. Whether she gives us promises of volcanic love or whether she just sings to us her fear and sorrows, or is taking a look into our daily existence, the result is always the same here: spectacular.

Linda Debella

Linda Debella

What makes the whole equation even more satisfying is the music which is brilliantly penetrating. The combination of voice and piano dominates almost every song with angular dynamics which will reverberate in your soul and mind long after the last note is played. And it happens the minute she kicks off the album with “Big Bang”.

And as far as the subsequent songs are individually concerned, what you get is nothing less than a barrage of masterful, incredibly powerful songs: “Sanity”, “Jupiter Moon”, “Blame”, “Nothing Else Will Do”, “Unthinkable”, “Crush” and “Black and White” are filled with lyrical and musical stuff that nobody should overlook. In terms of consistent songwriting, the only female artist capable of filling an album with so much consistent quality that I can remember in the last 30 years or so is Joni Mitchell.

No matter what your beef is about Linda Debella’s music, you have to admit that she totally immerses herself in her craft.  I was totally absorbed in “Jupiter Moon” and didn’t want it to end. That, to me, is the sign of a great artist.

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