Ike Tanner – “Garden Talks” – a string of brilliant vocal performances

Ike Tanner is a 21 year old Music artist From Russellville AL. He is The CEO of YungGMusic & Gravity XO which are Film/Music Marketing Companies. He has 3 music artists from Alabama, namely JayGoldz, Trench Godd and Yung Cody TYBG signed to a marketing contract with his companies. Tanner is currently promoting his mixtape “Garden Talks”. Tanner’s style, lyrical content and overall attitude as expressed on this mixtape reflect a rapper trapped in the body of an R&B singer and a rockstar. His rich timbre and genre bending implies an influence of esteemed hip-hop singers. Combining soulful singing with

Mason Monroe and Haze present the visuals to “Crown” the first single from the project “Genesis”

Underground Tampa artist Mason Monroe has been on the prowl undercover for years all throughout the south and east coast. As an event curator and local promoter Mason has worked with his team to piece together shows and tours for artist such as Young Bans, Xavier Wulf, Famous Dex, Kid Trunks, Yund Simmie, Key!, and other major artist in aid of their early careers. From there they started creating a sound that can only be described as his own. The song “Crown” ft. Haze, is an introduction into the world of cadence and rhythm, in which he thrives in. 

Zoey The White Lioness – “Annihilation” – beautiful and brutal!

Zoey The White Lioness has the most incredible and unusual female voice you’ll hear this year. She can bring the heavy while keeping the melody in check, delivering thought provoking angst-filled lyrics. She’s amazing, really. The guitar riffs are tight, massive, and atmospheric, while, the presentation is both bombastic and stylish. A determined and fierce hard rock artist, Zoey strives to put out quality content complete with harsh realities, personal mental struggles, and songs of pure angst. The EP, “Annihilation” is an incredible effort by an incredibly original and talented woman. Zoey The White Lioness demonstrates that she has one

Swamp Doctor Drops Official Video for “Goodbye To Nashville”

Swamp Doctor’s second single “Goodbye To Nashville” is taken from his Debut Album ‘The Swamp Doctor’ released on Silverfox Records Internationally on the 21st August 2020. “Swamp Doctor’s voice puts me in mind of 70’s crooner/whistler Roger Whittaker, It’s so deep (it’s so deep) and has the same comforting tone that brings back childhood memories for me.” – Forever British Country  OFFICIAL LINKS: SILVERFOX RECORDS: https://www.silverfoxrecords.com/swampdoctor YOUTUBE: https://youtu.be/I7lO3gO0xzA FACEBOOK: https://www.facebook.com/Silverfoxrecordings/ APPLE MUSIC: https://music.apple.com/gb/album/the-swamp-doctor/1495862118 AMAZON: https://amzn.to/31KhLcL

Neptyoon – “Laid Back” – expect moments of pure mesmerism on this track

Influenced by artists such Juice Wrld, 50 Cent, Future, Jay Z, Kevin Gates, Project Pat, Juicy J, and more, Neptyoon makes music that kids can, and do relate to. His brand new release is entitled “Laid Back” produced by CJ Beatz, LLC. Fueled by weed and chilling with his homie, Neptyoon recorded this track on a laptop in the heat of the moment. “Laid back getting high, yeah. I’m just tryna to smoke. Stay fly go away and die,” sings the rapper, as he makes his thoughts clear: “Life been getting to me. I don’t know which way 2 go.

G Angels – “Born” – a true genre-transpiring gem!

G Angels is an independent group that released their debut single “Never Confident” on 24th May 2020. The group consists of singer-songwriter Gleb, and composer, engineer, and sound producer Tosha, who initially made electronic music. The duo, who create in different styles and genres, released their second single, “Born” on July 24, and the track shows a remarkable amount of confidence. And that’s a fantastic thing for a new group. Through the atmospheric buildup of the opening bars, though the spectacular swirling verses, and right up to the aching choruses, the darkened atmosphere is as relentless as it is cohesive

Paolo Virdis is back on the scene with a new release: “Abisso” (Abyss)

Paolo Virdis is back on the scene with a new release: Abisso (Abyss). A brand new production with a tech feel and other influences. Artist and producer Paolo Virdis is back on the scene with a distinctive sound and a one-of-a-kind attitude. His most recent release is titled Abisso (Abyss), and it showcases some of his best creative output to date. The track has a distinctive beat and a nice layering of synth parts, reminiscent of techno, as well as trance music and other EDM currents. This production has a nice retro vibe, but it also feels compact and direct.

Brannon announces new album ‘Everyday Heroes’

Brannon announces new album ‘Everyday Heroes’. The 13 track album is a masterclass in acoustic rock songwriting  Brannon specializes in the type of classic, no frills songwriting that defies trends and speaks directly to the hearts of the listeners.  A collaboration between award winning lyricist Jonathon Brannon and ace studio vocalist David Cagle, the duo’s songs are filled with a rare authenticity and honesty, making them stand out from the crowd of their fame seeking peers.  With their new album, Brannon are proving the timeless appeal of a well-crafted song. Fans of old fashioned acoustic rock should take notice. Opening

THE BRKN RELEASE NEW SONG AND VIDEO FOR “BE COOL” – DEBUT EP NO. 3 OUT NOW

THE BRKN RELEASE NEW SONG AND VIDEO FOR “BE COOL” DEBUT EP NO. 3 OUT NOW BOTH AVAILABLE ON RIGHT BRAIN MUSIC GROUP/INGROOVES  The BRKN’s Jacob Cade – Guitar & Synth, Mike Bokenkamp -drums and MJ Younkers -guitar release new song and video for “Be Cool.” Stream it here: https://ingroov.es/be-cool. Taking a different direction from their 2019 debut release No. 3, The BRKN steps away from their infectious brand of pop-punk and deliver a more pop-rock sound with “Be Cool,” giving us a great summer rock song and perhaps a taste of what’s to come. The song is filled with

Dragg – “Letter To My Love” is the second single from the EP “L.i.T”

“Letter To My Love” is the second single from Dragg’s EP “L.i.T”, and features singer-songwriter Frya who recently wrote & performed the theme track for popular South African Netflix series “Blood And Water,” and is dedicated to whom Dragg describes as “the love of my life.” Dragg uses metaphors, double-entendres and cleverly crafted schemes, whilst Frya adds a powerful, heartfelt delivery guaranteed to keep R&B/Soul lovers captivated. With minimalistic production, an addictive keys chord progression and a sparse mix overall, emphasized by the reverb, “Letter To My Love” enables Dragg and Frya’s vocals to really  take center stage. Lawrence Sean

SUPADAMN combines depth with an almost pop accessibility and simplicity!

In my own opinion the self-titled album by SUPADAMN provides something that many hip-hop artists and groups struggle to deliver. It is consistent, comprehensive, and dynamic. The theme of this album is present in every single track without compromising the individual purpose of each song.

Supadamn-CoverThis is important as many artists, especially in hip-hop, who attempt this approach end up creating an album many come to find bland. With “SUPADAMN”, the theme is there but not overwhelming. There is just a good enough amount to remind the listener that they are listening to a piece of a greater whole while allowing them to easily pick their favorites. Mine happens to be “B.O.O.M.”, “Let’s Ride”, “Always All Night”, “How I Spent The Week (Getting’ Paid)” and “Stay Ahead”.

The production has an unbelievable ability to break the rules and deliver outstanding pieces of work. Traditionally, DJ’s and producers tend to follow a certain structure in their tracks that is predictable and monotonous. Here the production acknowledges that structure, but tends to switch it up in a way that creates something incredibly admirable on each track. This is hip-hop at its finest, a poetic display of true feelings and emotions spit skillfully over divine beats.

It’s when you listen to albums such as “SUPADAMN” that you clearly realize Hip-hop isn’t about being black or white, or about growing up in the streets or in an upper-middle class suburb. It isn’t about the East, West or the South; Hip-hop is about expressing what you truly feel in a clever rhetoric.

SUPADAMN-BoomSUPADAMN combines depth with an almost pop accessibility and simplicity. His lyrics are crisp, to the point meaningful, and well-delivered, as is evident on “100 Round Drum” or “Always All Night”. The use of metaphors and the plays-on-words are also magnificent elsewhere on the album, like for example on “K.I.N.G.”.

There’s music out there that is light-years ahead of anything you’re hearing on the charts right now; and most people just don’t get it yet, including industry insiders. Basically, ninety-nine percent of the Hip-hop world probably hasn’t heard of SUPADAMN yet. In the meantime major labels force ridiculous garbage down the throats of the public.

The sheer rhythm of SUPADAMN’s lyrics is perfect, on point every time. It’s a constant head-nodder without a break or pause where it isn’t necessary, which is what makes the listen-ability of this album so entirely addictive. Each line leads to another, no awkward wording or phrasing, each line has a point to make, and the rhyme-scheme is flawless.

Like all great pop music, this album succeeds on several levels. It has a consistency of character, but enough variety from track to track to keep the listener from getting bored. Bottom Line: If you like hip-hop, you’ll dig this.

OFFICIAL LINKS: VEVOYOUTUBETIDALSPOTIFYRHAPSODYAMAZON7DIGITALGOOGLE PLAY

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