J-Hamz ft. Jesse Peters: “Keep On Lovin’ Official Remixes” – smooth groove and audio euphoria

Electronic music producer and classically trained pianist J-Hamz has accumulated a series of accolades which include Beatport Staff Picks and Top 10s, FM radio play across Canada and the USA, and nominee for Electronic Recording of the Year 2017 at the Edmonton Music Awards. He has had his songs remixed by producers in Canada, the United States, Germany, Japan, and Russia, including “Keep On Lovin’” – featuring lyrics and vocals by Jesse Peters – in a remix contest with Digital Empire Records. Now the hard working producer has just dropped his 8th release – “Keep On Lovin’ Official Remixes” featuring

C-Neil: “A Working Progress” ft. Timara Rogers – enthralling and emotional

C-Neil is a talented artist, songwriter, and producer based in Arkansas. He has worked in the music business since he was 15 years old. For years, he rapped and produced for artists local to St. Louis before moving to Atlanta to hone his craft. C-Neil has performed at several showcases in Arkansas, St. Louis, and Atlanta, including the Royal Peacock and the Urban Network Festival in Memphis. Despite being well-received, C-Neil, inspired by his mother, turned to his roots to gospel music. His latest release, “A Working Progress”, opens up about the obstacles he has faced. The track also features

Harmless Habit: “FRONTERROR” – a marvel of rock hard timelessness

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Musicbyko: “Life In Element” – a melded perspective derived from a focused vision

Rap and hip-hop is no longer strictly about an artist’s lyrical ability, there is a series of beats and melodies that need to come together in perfect harmony to create the sonic excellence that fans demand to hear. To that end, Musicbyko is the embodiment of real modern rap in a production heavy hip-hop environment that has very little care for bars. This Bay Area rapper from Oakland, CA, has a message of ambition and a constitution of excellence that he is attempting to establish within his craft. It is clear that he has grown into more than just a

Maelstroms by Julian Kerins injects new life into Rock

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Los Angeles songwriter/producer Betty Moon celebrates her latest single Parachute with a new music video

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‘Sound of the City’ A New Four-Part Episode Docu-series is Launched by A Houston Record Company

‘Sound of the City’ gives viewers a behind-the-scenes look at what it takes to produce an album by following the creation of Wreckshop Nation’s collaborative new project titled ‘Unity Vol. 1.’ The docu-series premiered Sept. 17, 2018. Wreckshop Nation (WSN) is an independently owned entertainment company focused on promoting and producing digital content, products, and services for artists while simultaneously embracing the Southern Hip-Hop culture that developed in Houston during the late 1990’s “Wreckshop Records” era and still thrives today. Wreckshop aims to be more than just a label, but a brand; it is striving to be a centralized platform

The Keymakers: “Tell Me Something” – represents that urban love vibe

The Keymakers is the duo musical project from Rome Alexander and Rederic. Born and raised in Pittsburgh, the two brothers now live together in Boston. Individually, the boys have been making music for as long as they can remember. Singer-songwriter Rome, officially started his musical journey back in 2010 with his first release, and has since put out several songs to critical acclaim through various platforms. Most recently he had the idea to continue his passion almost exclusively as a writer before taking on this project with his brother. Rederic started his work in music between learning and playing piano,

The Sound And Vision International Film & Technology Festival Launches Saturday, September 22nd in NYC

The Sound And Vision International Film & Technology Festival Launches Saturday, September 22nd in NYC, Offering Uncanny Films To Viewers Of All Ages. The Sound And Vision International Film & Technology Festival will have its official premier Saturday, September 22nd, 2018 at two iconic Midtown Theaters in New York City, celebrating the convergence of art, science, music and cinema. Innovative new short films, animations and documentaries will be displayed that will captivate your mind and stir your soul. Uncanny new films, displaying cutting-edge innovation, never before seen, brilliant new films from all over the globe that will converge together to

Love Ghost: “Scarlet Letter” – an at once compelling and distressful storyline

The scarlet letter is meant to be a symbol of shame, a stigma someone bears for a misdeed he or she has committed. The term often refers to public shame forced upon a person as a means of ostracizing him or her. Those branded with a scarlet letter feel the punitive vengeance of an unforgiving society. Instead it becomes a powerful symbol of identity, in the latest video of the song, “Scarlet Letter”, taken off the album “Lobotomy” by the Los Angeles alternative rock band, Love Ghost. The video tells the story of the band’s violist, Mya Greene and her

CeladonCandy: “Celadonia” – lyrical depth and melodic soundscapes

Formed in 2010, CeladonCandy is currently Paul Allgood (Vox, Sampling) and Jorge Rangel (Programming, Keys). The alternative electro-pop duo are releasing the 10-track album entitled, “Celadonia”, which is due out on the 5th of July. If you’ve been combing through today’s electronic music looking for just a little bit of substance and a slight taste of yesteryear’s new wave synth sounds, you may have just found it with CeladonCandy. Paul Allgood and Jorge Rangel have somehow repackaged retro sounds and taken in new directions with the help of today’s technology, and it sounds like they have unearthed a whole new vibe. They have a keen sense for melody, which paired with their entrenched connection to electro sounds, creates a really cool synth affair.

What we have here is not your loud, crass, overrated pop-dance-techno album. “Celadonia” is something truly special that utilizes brilliant compositions and instrumentation, successfully personifying a seemingly unattainable, illusory alternative soundscape. In a sea of bland, irritating, unmitigated auditory garbage, CeladonCandy’s latest effort transcends genre to become a categorical classic. Literally anyone with any musical preference should find something to love.

The album cover

The album cover

They move from crushing uptempo tracks like “Socialist” and “Sweet” to melancholy slow-burners like “Snakes”. The closest I could come to explaining their sound to a friend was saying it sounded like a blend between Peter Gabriel and Depeche Mode. They have Gabriel’s lyrical depth, and his melodic soundscapes, while they also carry an iota of Depeche Mode’s dark, industrial synth sounds.

Headphones were actually invented for sonic experiences like this. From the opening notes of the first song, I got sucked in. Then I got hit with a curveball: Paul Allgood’s voice. When I first heard him sing “Undercutter” it gave me Goosebumps. The man can sing, and I don’t mean hitting all those funny notes like an R&B crooner. No, what Allgood does, is climb under the skin of every song, turning it inside out until the seeping raw emotion shows right through.

The best examples might be “Irritant” and “Snakes”, which are probably my favorite tracks on the entire album. These are considerate, heartfelt songs. For this reason there is almost an alternative-rock flavor, augmented by the frequency of Paul Allgood’s distinct voice.  Jorge Rangel gives you a better picture of the album’s continuum, implementing related timbres to make everything work within his massive synth soundscapes.

“Celadonia” is complex lyrically, textually, and rhythmically. On the first listen, it is a lot to take in all at once and it requires your attention to be fully enjoyed. An album like this demands to be treated as a reflection of an artistic existence, and features the sonic vehicles with which to fulfill that existence. There is no denying that this is an ambitious electronic album with great songwriting, incredible musicianship, and impeccable production quality.

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