North Carolina Jimmy Bones Releases his first major Single worldwide

From River Head, Long Island, NY by way of Elizabeth City NC emerges Jimmy Bones and his long awaited Single, “Goin In” Feat. Ms. B now available on ITunes, Spotify, Amazon, Apple Music, and Google Music worldwide Jimmy Bones is Goin In, all the way in with this first major Single release. Signed to Indie Label, out of Muncie, Indiana, G.I. Records LLC, a label that is known for breaking artists, from Indie to Major, one hit at a time. Jimmy Bones lives the life that he writes and raps about; his music is his blood. The Hip Hop Rap

Myja display a very specific amount of fearlessness

Los Angeles, CA-based side project Myja featuring Michael Marquart and Jacob Bunton release their debut self-titled album on January 12th, 2018. The record was produced, engineered and mixed by Jason Elgin (Maylene & The Sons Of Disaster, Collective Soul), at The Barn, Marquart’s studio in Malibu, CA. In today’s world of singles, short attention spans and immediate gratification, it goes against the grain to release a 10 track rock album. But then I guess that Myja are not a band to go along with the crowd. Let’s face it: Being a classic rock band in 2018 requires a very specific

Andrew Gerard: “Run Away With Me” – This album has much to offer listeners

Canadian singer, guitarist and songwriter Andrew Gerard was born in Ottawa, and grew up on Vancouver Island. He is also known as Gerard The Hypnotist from the TV series Mindfreak with Criss Angel. Departing from TV and the world of magic after a car accident he rediscovered music while recovering. Discovered by LA Producer Ran Pink who produced his “Two Birds” recording at Fonogenic Records in LA, Andrew has just released his brand new full-length album “Run Away With Me”. Two songs on the album – the titular track and “Miracles” was produced by Danny Craig, while “Shine” and “Rewind”

NOAH ARCHANGEL & THE BAND OF THE HAWK – “THE MASCHINE WARS: SONGS OF SOLOMON”

The Maschine Wars: Songs of Solomon is a journey more complex and original, yet more accessible than anything Noah Archangel & The Band of the Hawk may have released before it. The fact that it exists at all is testament to the projects perseverance, raw talent, and prophetic direction with which Noah Archangel, King Aka Yeaux Majesty, Ash Ra Aka Houey Freeman Fka Ashtonomics, P.ey3, Grynd Seazon, and Juskwam steer the good ship Band of the Hawk aka BOHUP, to the richest musical waters; plucking out those worth bringing along on their musical voyage and creating records greater than the

Interview: Miles Casella Getting ready for Live Show in new Orleans!

Miles Casella is a Hip-Hop artist from Baton Rouge, LA, who has released several projects under different aliases since 2014. Miles blends Hip-Hop, Jazz, and Blues to create his own eclectic style. He has just released his album “The Sidewalk Flower” which illustrates the view of a small-town kid caught up in the city life. Apparently many of the recordings used for this album were recorded curbside. Miles Casella has an upcoming show on January 21st, 2018 at The Willow Uptown in New Orleans, Louisiana. Shows starts at: 6:30pm – Tickets are $12.00 dollars each. This will be the second

Esteban Alvarez: “Piano meets Mariachi” ft. El Mariachi Nuevo Tecalitlán – sophisticated and ambitious

Esteban Alvarez is an award-winning pianist and composer, originally from San José, Costa Rica. Ever since relocating to Texas USA to study music, his priority and goal has been to bridge cultures through my music. His idea was to bring the noble elegance of the piano together with the folkloristic vibrancy of the Mariachi. Hence he launched the album project entitled “Piano meets Mariachi”, which became a reality in 2017. The resulting recording features eight tracks and a 15-piece Mariachi band – El Mariachi Nuevo Tecalitlán, known as one of the best bands of their genre. The collective represents a

T.C. Crosser: “The Book of Arius – Act I” – versatility, sensitivity, and humility

After years of composing, playing and producing indie and punk, pianist T.C. Crosser moved towards combining chamber strings and rock/pop to tell narrative stories with instrumental music. The composer has also scored music for commercials (such as Microsoft), television (such as Visionaries: Inside The Creative Mind), and performance art companies (such as Leslie Seiters Dance). His latest release, “The Book of Arius – Act I”, is a four movement narrative for string quartet which explores three distinct points in T.C. Crosser life. The recording was done using a 14 mic array for the string quartet and then processed through a

Collegians: “Black Mass” – a hardline anti-establishment stance

Collegians occupy a unique place among the constellation of alternative rock acts that have emerged in the last few years. They seem as interested in the pop half of that portmanteau, while still creating a progressive hard-hitting swamp that sprouts elements of rock, electronic, and proto-industrial acts. It’s an admirable path to travel, as a lesser band would just as easily replicate the sounds of mainstream radio or the genre’s past successes. Instead, Glenn Patrick (Vocal, Guitar), Gerry Leigh (Guitar, Vocals), James Leigh (Keyboard, Bass) and Vince Leigh (Drums) have made moves to maintain their path of sonic evolution which they started with their stunning, critically acclaimed

Amaal: “Need It Too” – The chorus is incredibly catchy, latching upon the first listen

Amaal is a pop singer from Washington D.C. who has struggled with chronic pain and depression for years, and music has been a key in relief of his symptoms. He has been studying and performing music since he was 4 years old, and started taking singing lessons as he gravitated towards pop and jazz at fourteen. “Need It Too”, Amaal’s latest single makes the statement it needs to. The newcomer’s distinctive voice cuts through the melody sliding up and down the scales and packed with soul. From this point on he’s definitely on a winning streak as he impresses with his

Roubix: “Girls” – bolstered by the steady pulse of electro music

Synth-pop artist Roubix, who started his career in 2011, is still something of an enigma in the underground music business. Owned by two record companies, his identity has never been confirmed. The artist who performs live and records his music between Stockholm, Sweden and London, had a stint in the United Kingdom selections for 2014 Eurovision contest, and will apparently again be up for representing the UK in Eurovision 2018 in Lisbon, Portugal with his brand new song “Girls”. Roubix’s sound has expanded its horizons. That audible love of the 80s is still present, but the synths are bolstered by

CeladonCandy: “Celadonia” – lyrical depth and melodic soundscapes

Formed in 2010, CeladonCandy is currently Paul Allgood (Vox, Sampling) and Jorge Rangel (Programming, Keys). The alternative electro-pop duo are releasing the 10-track album entitled, “Celadonia”, which is due out on the 5th of July. If you’ve been combing through today’s electronic music looking for just a little bit of substance and a slight taste of yesteryear’s new wave synth sounds, you may have just found it with CeladonCandy. Paul Allgood and Jorge Rangel have somehow repackaged retro sounds and taken in new directions with the help of today’s technology, and it sounds like they have unearthed a whole new vibe. They have a keen sense for melody, which paired with their entrenched connection to electro sounds, creates a really cool synth affair.

What we have here is not your loud, crass, overrated pop-dance-techno album. “Celadonia” is something truly special that utilizes brilliant compositions and instrumentation, successfully personifying a seemingly unattainable, illusory alternative soundscape. In a sea of bland, irritating, unmitigated auditory garbage, CeladonCandy’s latest effort transcends genre to become a categorical classic. Literally anyone with any musical preference should find something to love.

The album cover

The album cover

They move from crushing uptempo tracks like “Socialist” and “Sweet” to melancholy slow-burners like “Snakes”. The closest I could come to explaining their sound to a friend was saying it sounded like a blend between Peter Gabriel and Depeche Mode. They have Gabriel’s lyrical depth, and his melodic soundscapes, while they also carry an iota of Depeche Mode’s dark, industrial synth sounds.

Headphones were actually invented for sonic experiences like this. From the opening notes of the first song, I got sucked in. Then I got hit with a curveball: Paul Allgood’s voice. When I first heard him sing “Undercutter” it gave me Goosebumps. The man can sing, and I don’t mean hitting all those funny notes like an R&B crooner. No, what Allgood does, is climb under the skin of every song, turning it inside out until the seeping raw emotion shows right through.

The best examples might be “Irritant” and “Snakes”, which are probably my favorite tracks on the entire album. These are considerate, heartfelt songs. For this reason there is almost an alternative-rock flavor, augmented by the frequency of Paul Allgood’s distinct voice.  Jorge Rangel gives you a better picture of the album’s continuum, implementing related timbres to make everything work within his massive synth soundscapes.

“Celadonia” is complex lyrically, textually, and rhythmically. On the first listen, it is a lot to take in all at once and it requires your attention to be fully enjoyed. An album like this demands to be treated as a reflection of an artistic existence, and features the sonic vehicles with which to fulfill that existence. There is no denying that this is an ambitious electronic album with great songwriting, incredible musicianship, and impeccable production quality.

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