Yung Wavii: “Come Over Feat. Tai Smoove” – crystalline delivery and professional wordplay

New York based Nocturnal Seven Entertainment has a rich history of working with an array of artists in the R&B, Hip Hop, Reggaeton, and Freestyle genres. Since the late 90s their work as an established management company has led to partnerships with big names in music including Supreme, a Producer from Wu Tang and Positive K, Grand Puba, Will Traxx, DJ Red Alert among many others. The company is proud to announce its new wave of talent, including thrilling new artist Yung Wavii. Wavii is a charismatic rapper whose lyrics get to the point quickly. He is a rapper that

Bizeeee: “Looking For It” – an out-of-this-world scenario!

What separates #Bizeeee aka #4ez from many of today’s rappers, is his indestructible delivery. Every verse no matter what he is rapping, he relentlessly pound his rhymes into your head mercilessly, with bone crushing stanzas and a ruthless attitude. Every word spoken shows an aggressive mood and seemingly cannot be stopped by anything. With this intensity also comes a very dramatic and cinematic driven production. This intense style is especially shown 4ez’s latest single, “Looking For It”. This song is driven by a rhythmic drumbeat, hissing hi-hats, and harmonized by futuristic and spacey keys. This is a chance for 4ez to step

A Talk With Singer-Songwriter Rob Sky

Rob Sky first appeared on the NYC music scene with his debut single, “Beautiful”, in 2007. His debut album, Right Now, was released in 2010 and followed with a tour in the UK. Rob has performed on stage with MJK, Blu Cantrell, and Monique. In 2017, he released TEN, an anniversary album that included previous unreleased tracks from the recording sessions of his debut album. After an 8 year hiatus, he returned to the studio and began recording again, releasing a few singles before finally completing his latest album, “What’s Left of Me”. Rob is already back in the studio,

Quintin Tarintinto: “No Self Pity” – dense articulation!

Tallahassee, Florida rapper, Quintin Tarintinto has his 2019 fifteen track project, “No Self Pity”, out right now. This is the record many of Tarintinto’s contemporaries would love to make, but they don’t have a sufficient enough state of consciousness to draw inspiration from, or truly focus the menagerie of their minds upon. It’s the most topically cohesive, palatable and headily conscious Tarintinto ever been for an entire set of songs. His universal vision makes it all work together in perfect, coalescing, high-tech harmony. A less knowledgeable Quintin Tarintinto might have asked compelling questions and never get to present the answers projected

3Mind Blight: “Make This Right” – transcribes emotions into music perfectly

Let’s begin with the fact that 3Mind Blight doesn’t make music for the fans or the label. In the era of rappers who are doing it for the gram, 3Mind Blight is all about the art of self-expression: he isn’t rich, he isn’t cocky, and he respects those who came before him. His style is not rap focusing on bling or hedonism, instead he observes and tries to teach us everyday lessons about ourselves, but his focus is also knowing he is better now than he once was and only plans to get better, something that should be recognized as

Flo: “Mix in a Water” – all of it is crisp and gorgeous!

James Florio aka Flo, is a Toronto, Canada based producer, songwriter, and multi-instrumentalist. His signature style combines diverse musical elements and genres together to create an immersive listening experience. The rich mixture of delicate sounds, booming basslines and silky, chopped vocals will keep listeners coming back for more. His latest single is “Mix in a Water”. Is there any way to describe the music of Flo other than stylistically shimmering, and rhythmically hypnotic? Not really: write down those words and free-associate as much as possible with eclectic and luscious, and chances are you’ll have written Flo’s press blurb. The Flo

Capo 2G: “Pullup” ft. KirkoBanz – a tidal wave of aural sensation!

Capo 2G is a Hip Hop artist currently based in Las Vegas, Nevada. Originally from Lagos, Nigeria, his unique, island fused sound which he defines as AfroHipHop is one of the many factors giving rise to his growing fan base. Capo 2G’s close relationship with A-listers such as Rae Sremmurd gives him the opportunity to learn from the front lines as he prepares himself to step into the spotlight. He begins his first solo tour in Trinidad, Colorado on February 21st. This isn’t exactly a startling revelation, but hip-hop has always been rife with emcees who style themselves as unrepentant

J.R.Clark: “Zenith Spokes” – Capable of balancing and articulating his conceptual goals

J.R.Clark is a hip-hop artist based in Virginia Beach, VA. He started his career behind the mixing board as a studio engineer. In 2014 started releasing his own music and building a following in the underground hip-hop scene. Inspired by artists like Curren$y, Stalley, Big K.R.I.T, J.Cole, Rick Ross, Schoolboy Q, and Chance the Rapper, J.R.Clark’s latest project, an EP titled “Sunset Symphony”. If, after listening this recording, you’re under the impression that J.R.Clark is preparing to take over the world, you’re neither alone nor unjustified. For decades hip-hop has seen myriads of artists fleetingly captivate the attention of listeners

Natalie Jean: “What Would You Do For Love?” – a show-stopping exhibition

Admittedly I have been waiting years now for Natalie Jean to surpass her previous levels of excellence; she had arrived quietly with not much fanfare, and she steadily declared her arrival with a number of albums, singles and collaborative efforts. Needless to say I was impressed. Yet, while I immediately acclaimed and understood that Ms. Jean was indeed extremely talented, she had, as far as I was personally (and secretly) concerned, yet to produce anything indicating she was even close to showcasing what I suspected to be her fully unrealized potential—that is of course until I listened to “What Would

Jevil Project: “Shade” – Positive artistic aggression!

The Jevil Project is a France-based instrumental metal act, who does not perform live, but prefers to create music meant to be listened to. Jevil Project is proficient at marrying sludge metal riffery with dirtier post-rock guitar melodies. Trudging, down-tuned riffs drive each song, while subtle melodic movements develop on top. This pattern works to fantastic effect on the 4 track EP – “Shade”. There are tons of incredibly inspiring moments on this album. There are also plenty of riffs that will make your head bang uncontrollably. Moreover there seems to be sense of adventure on the recording, and with

JACK OF NONE: “Who’s Listening to Van Gogh’s Ear?” – ranges between indie to full-blooded art rock

It’s not very often that I’m left open-jawed in amazement by a band. My friend suggested that I check out this poetic, experimental art-rock band called JACK OF NONE made up of siblings A.G. Syjuco (principal composer on guitar, bass and synths), Maxine Syjuco (poet-songwriter and vocalist), and Julian Syjuco (guitar)

The band’s debut album, “Who’s Listening to Van Gogh’s Ear?” was released globally in April of 2016. What makes them different at first glimpse is that Maxine Syjuco uses the spoken word rather than actually sings.

"Who's Listening to Van Gogh's Ear?"

“Who’s Listening to Van Gogh’s Ear?” cover

She recites a mosaic of stories and anecdotes, from the dark underbelly of society as she grapples with life’s harsh realities and its daily grind, as well as the reservoirs of the ingeniously obscure crevasses of her mind. The musical style ranges between indie to full-blooded art rock, with great emphasis on the spoken word delivery and the complex musical arrangements.

The tracks are all full of contrasts, and album requires you to make an effort to understand it. The lyrical twists and turns may leave you puzzled in places, but in others it exposes situations with intuitive insight. The more I played it, the more I fell under its spell….it’s strangely addictive.

Raw, brutal, and beautiful, I put this on when its late at night, close my eyes, and feel the emotion break down my barriers and build me back up and feel renewed. This is what music is all about. No, this isn’t the only type of music, but if you can’t sit and feel like this, with what you’re listening to, then you’ve missed the transcendent power of music.

If you do like good lyrics and storytelling, there are many lines here that are packed with so much imagery they will just explode in your mind. So you will have to start pausing the music and get yourself stuff together before venturing into the next intense onslaught. Try “Confessions of a Chop Chop Lady”, “(But) Noise” and “Fire Song” as a prelude to the apocalyptic intensity this band is capable of, both lyrically and instrumentally.

Musically, “Who’s Listening to Van Gogh’s Ear?” is made of that good, solid rock fabric of crunching guitar riffs and complex rhythms with enough twists and turns that always sound fresh and not over-rehearsed-to-sterility, but extremely tight.

JACK OF NONE

JACK OF NONE

JACK OF NONE sound like they have lots of good music in abundant supply, like they could cut a hundred records today if you just let the recorder keep rolling. This is probably an illusion of their style, as they have so much going on at any one time, but it’s a darn effective illusion.

It is only once in a great while, that an album comes out which is more than simply music and words – an album that can be described as nothing less than art. Few bands are capable of producing such an album. I believe that with “Who’s Listening to Van Gogh’s Ear?”, JACK OF NONE has recorded a truly special album, an album that as a whole is much greater than the sum of its parts – And some of its parts are truly immense, specifically, “There Was A Crooked Man” and “The Witherling” which feature amazing guitar work and some extremely creative voice arrangements.

JACK OF NONE is one of those bands that are almost impossible to describe through words. This is a band that needs to be listened to. They will take you through a musical odyssey you may never have traveled before, or at the very least, you were never ever expecting to explore.

Very left-field and at times extremely macabre, “Who’s Listening to Van Gogh’s Ear?” sounds like an intense, harrowing, glimpse into someone’s soul. Rest assured, everything else you ever listen to this year will sound cheap, in comparison to the multi-layered emotional tapestry on display here.

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