Moorhouse: “I Love You to the Moon and Back” ft. The Cellophane Heart – brings a new slant to the genre

Irish DJ and producer Moorhouse has dedicated the song, “I Love You to the Moon and Back”, to his daughter, Abbie. It speaks about their relationship and what the future holds. Canadian artist, The Cellophane Heart, provided the vocals for the track, and the song was produced in Moorhouse’s home studio in Waterford, Ireland. The track offers a lively, upbeat 90s dance pop sound mixed with current top 40 influences from Baz Luhrmann and N-Trance. This track means a lot. And there is a reason for that. Sure, it may be electronic dance music, but it’s…different. EDM music is becoming

THE RIFT: “Rock Narcotic”shows off some impressive performance abilities

Los Angeles hard rock trio THE RIFT is made up of brothers Aris Anagnos (Vocals, Guitar), John Anagnos (Bass) and Ovais Malik (Drums). Since forming in 2009, they have played alongside the likes of Exodus, Yngwie Malmsteen, The Misfits, among others. Their 2016 full-length debut “INVENTIONS” caught the attention of the media, industry insiders and radio stations, as well as Grammy winning producer Brandon Friesen who has worked with Alice in Chains and Nickelback . Now 2017 sees the band release their brand new single “Rock Narcotic”, which is music on THE RIFT own terms, and really, that’s all you

LeeSon Bryce: “The Proelium EP” – some of the most diverse talent around this genre

Briceson Lee, artistically known as LeeSon Bryce, was born in Kansas City, MO and raised in Lee Summit, MO (south of Kansas City). First as a drummer for his church since the age of 12, then as a college graduate, manager, and an affiliate owner of a nutrition company LeeSon has always been influenced by music. Now at 23, he is adamant in pursuing what has always been his true passion. Teaming up with other local artists and DJs such as Oblivinatti and Buck, LeeSon Bryce sets out to prove himself in the music industry. The first challenge comes from

MusicMegaBox.net – Listen To Music In Your Own Language!

It is always comforting to see that the website you just accessed is available in your language. Well, MusicMegaBox.net (you can read more about this music service here) is proud to release its French and German versions. While it may not be a problem to look for the music you like in English, which is a universal language, used on every website available on the Internet, using your own language means accessing a greater variety of details. You will know the meaning of every word on the website and you will certainly find what you’re looking for a lot faster.

Liquid Lunch: “Sketches 2 Seed” – an infectious and smoldering staple

Ken Eagle and Michele Akers discovered each other’s musical abilities after meeting at a dance in May 2014 and formed a duo in late October of the same year. They booked their first gig a month later…prior to having any material ready, and were forced to burn the midnight candle before successfully completing the gig with a 40 song repertoire. The duo, Liquid Lunch has now played in excess of 200 Gigs, performing at more than 50 different venues and travelling in excess of 160,000kms across the state of South Australia. Through it all Eagle and Akers, now bring to

DabriaLive Records Presents the heart and soul singer Anette Mendoza

Anette Mendoza, one of the original members of the Dabria duet which originated in 2011, has performed by request in various places such as Japan, Korea, UAE, and Indonesia among others establishing a solid reputation as a singer and performer. Anette, who started singing when she was 5, has also recorded the song, “I will do anything for love”, with Philippine artist – and first ‘Pilipinas Got Talent’ winner – Jovit Baldivino. Inspired by her late father, who himself was an excellent singer, Anette decided to sing professionally at the tender age of 7, starting out with covers by artists

KonQuestNow: “NOP (No One’s Perfect)” ft. STP & J.Morgan – an assemblage of uncanny language

The preconceived notions of what a KonQuestNow (VerseBorn & Wreck The Rebel) track is going to be like are plentiful well before you even press play. This has been a boon to their career, in what has become a viral habit of either hating or loving something based almost solely on your own personal internet culture and what your daily feed prompts you to feel about a certain subject. The collective’s name has become synonymous with great lyrics, superb beats, and originality. On their latest track “NOP (No One’s Perfect)”,  produced by Wreck The Rebel, featuring  STP & J.Morgan,  KonQuestNow

Enzo Sprigg: “Cosmic Bipolar Nebula” – therapeutic and cathartic

Enzo Sprigg is a creative electronic singer-songwriter, as well as a visual artist who illustrates his own album covers, creates the costumes in his videos and has even hand drawn and animated videos for his songs. Sprigg has just recently thrown down his therapeutic and cathartic 12-track “Cosmic Bipolar Nebula”, his third album. It’s with his continued freedom and internal exploration that Enzo Sprigg returns with a new recording, while showing a mature growth from his earlier releases. The album opens with “Raygun Love Transmission”, a beautifully sewn together song with distorted instrumentals and yearning vocals that create luscious textures

Stori Brooks: “Parachutes” – a potential for greatness

Stori Brooks has been a lot of things in her career: producer, poet, conflicted rapper, scenic storyteller. While her versatility keeps her afloat, it’s tough to get a bead on exactly who Brooks is and what she stands for—is she the conscious backpacker or the straight-talking street girl? She embodies the urban alternative, and she’s working on an album, to be entitled, “EVERYTHING IS GR8”, that offers her full narrative. The first single, “Parachutes”, taken off the upcoming album offers insight into her essence, finding the rapper at her most reflective. Maybe she’s assessing her current status and how she

Samantha Bouquin: “Contemplations on Solitude and Strings” – highly expressive

Connoisseurs of experimental or avant-garde chamber music may already know of Samantha Bouquin’s inventive and entrancing sounds. This is music of great integrity, startling vitality, and striking originality, yet it is virtually unknown outside the cult following that has appreciated these ingenious compositions. A cross between homespun classical populism and the sophisticated experimentation of the avant-garde, Bouquin’s music follows in the iconoclastic tradition of forward thinking composers, but with its own frank expression, exuberance, and wayward charm; yet it is also accessible to the casual listener in the directness of its material and the clarity of its techniques, no matter

Neb Doe: “3-2-1” is a progressive mixtape within it’s own musical niche

Born and raised in Los Angeles, Hip-hop artist Neb Doe brings a dope and eccentric vibe to the rap game with unique production and his clever lyricism and versatility. Neb gets his creative sound and influences from artists such as Nas, Ghostface Killah, Jay-Z, Eminem, The Gorillaz, Mos Def, and Kid Cudi.

Neb Doe’s unrepentant attitude is partly why his latest mixtape “3-2-1” sounds so engaging during its sparkling entirety. He’s not just whining piously in an attempt to win anyone’s sympathy; he is able to tell anybody when to fuck off, and then in the same instant is able to convince them why they shouldn’t return the sentiment.

neb-doe-profileHis uncanny sense of melody guides him from the jazz-influenced opener “Intro (Symphony 35) (Prod. By Canis Major)”, through the electro-inspired girds of “They Know (Prod. By Aye-K.O.)”, and the piano-powering “Oh My! (Prod. By Skinny Mooxe)” to the fuzzy orchestral noise of “Go Home Roger (Prod. By Idbeatz)”, and then the progressive ambient swirling of “Goin Up (Bonus Track)(Prod. By Lowkey)”.

Unlike most other rappers’ corny EDM loops, Neb Doe carefully works to select and incorporate a myriad of eclectic, creative sounds into his production set.

All in all, this mixtape is an experience. It is a clear demonstration of the versatility of Neb Doe and his growth as an artist. Some tracks seem to lean squarely on the rapper’s shoulders, and others have the aid of swashbuckling beats.

Mostly, though, it’s a mix of those gangly beats and Neb’s breathy flow. He successfully switches not only between rapping and singing here, but also between styles of instrumentation, flows while rapping, and even different styles of singing. Tracks such as “Let Me In ft. Cail Baroni (Prod. By Fiya x JonnyCashBeatz)” and  “ Gah Damn It ft. Haybano (Prod. By Epikbeatz)” are sure to appeal to the masses.

As a whole, “3-2-1” is an original and bold project, and the group of producers he was able to pull together to create it is impressive. Credit is due to Neb Doe for challenging and taking on a new skill-set rather than throwing together the usual mainstream hip-hop collection of moody anthems and dead beats. If you’re willing to suspend preconceived ideas about lesser known or underground artists, “3-2-1” is a mixtape that is very well done and actually does get better with time.

So the more you listen, the more you’ll get to like it. Neb Doe’s unadulterated freedom as an independent artist helps create a progressive mixtape within his own musical niche that will leave listeners earnestly waiting for more.

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