Cris Marshall’s music will ensure he hooks as wide an audience as possible

Cris Marshall is an American Country Music Artist raised in a musical home, the small town of Haslet, Texas. He received his first drum set from his father at the age of two and by 8 he was playing his first guitar. In his teens, and alongside his dad, Cris began performing at some of Dallas/Fort Worth’s most well-known music venues. A singer-songwriter, multi-instrumentalist and producer, Cris also launched his very own home studio when he was 18, recording artists and bands all over Texas, Oklahoma, and Louisiana. However his passion for writing and performing never subsided during this time,

Midnight Watchman: “Liquid Universe” – an extremely focused record

A guitarist and keyboard player who began as a street musician in UK before touring the US and then returning home, Andy Jones AKA Midnight Watchman, is a composer and producer of ambient music. Influenced by an extremely wide spectrum of music and musicians, that go from Vangelis to Chopin, ad Ryan Adams to Tycho, Midnight Watchman has released his 12 track instrumental album, entitled “Liquid Universe”. In the hands of a lesser artist, the varying song structures of this album would likely become tiresome, but every one of the album’s twelve tracks is a testament to the Midnight Watchman’s

Joey Britton: “Edmonton Sessions” – fluorescent, acoustic-centric ambient atmospheres

Joey Britton started his journey in music at an early age. He joined the band ISO and played lead guitar helping to launch the Torn and Tethered Album. After ISO, Joey decided to move to California to expand his skills in the music industry while writing, recording, and producing his own records.  “I try to write songs that tell stories, relate to people, so that when you listen to them – you realize you’re not alone,” says Joey Britton. Exploring is an experience not easily replicated. Associated with it is equal parts thrill, anxiety, and apprehension. Exploring a new artist

Daryl Yahudy: “Soulful Life Within” – a perfect calling card

Indeed, you could say that Darrell McClover aka Daryl Yahudy, a former professional athlete, is a soul singer with a warm timbre and a penchant for sublime, emotional arrangements, defining what the neo-soul genre should sound like in 2017. He is a singer with a fine voice weaving a spell on songs which are full of distinctive takes on universal topics. The album “Soulful Life Within” is almost looking at how he was, how he is and how he will be in life. The warm, evocative, impeccable playing around Daryl here ensures a timeless listen. The album is overflowing with lush, lilting

John J: “Pain To Power 5 Love Letters” – strap yourself in and enjoy this vibrantly orchestrated roller coaster

I have always been eager to pick up every piece of music John J issues because of the lyrical expertise he demonstrates in every song, and the attention to the music production and features he provides. John J has just dropped a 5 track bonus EP, entitled “Pain To Power 5 Love Letters”, which comes hot on the heels of his latest release, “Pain To Power”. Like his previous recordings, each song on this EP carries a different succinct feel and hook while the flow stays swift and acrobatic. The beats, features and subject matter again excel well above average.

Chaz Hearne: “Rise of the Voluminous” – sneakily inventive and massively engaging

The very first thing I learned while listening to the album “Rise of the Voluminous” by eclectic folk artist, Chaz Hearne, is that the defining question regarding any Hearne song is which Chaz Hearne he’ll be. Will it be the introspective, contemplative Hearne of slow-burning masterpieces like “Falling For Reason” and “Hount The Jab”? Or will the party-starter behind “Fun In ‘82” poke his head out, armed with flash phrases and funky beats? Or maybe he will just activate his progressive art-rock mode, as on “Voluminous Man” and “Spicy In The Dim Halls” – catchy, complex, yet ultimately armed with a sort

The Gibb Collective: “Please Don’t Turn Out the Lights” – perfectly cut gems!

October marks the 45th anniversary of the Bee Gees song “Please Don’t Turn Out the Lights,” and fans of the musical super group of the 1970s, have reason to be excited. The Gibb Collective is a musical tribute, and a family legacy.  On the input of Maurice’s daughter, Samantha, the children of Andy, Barry, Robin and Maurice Gibb have found a way to honor their fathers by infusing new lymph  into the more than memorable Bee Gee classics of the 60’s and 70’s. And what better title for the 10-track album, than “Please Don’t Turn Out The Lights”. Though I

John-Marc Lucid: “Judas” ft. Fyah Sthar – breathes down-to-earth authenticity

Music is a very powerful and mystical force. It speaks to people on a much deeper level than conversation. It really reaches the soul. With his new track “Judas” ft. Fyah Sthar, John-Marc Lucid hits us with music that indeed does reach our souls, an intriguing melody, piercing lyrics and outstanding musicianship included. The new release by the Texas based Dancehall and Reggae artist is a joint venture with Fyah Sthar, and together they breathe down-to-earth authenticity, making for an airy, buoyant listening experience. Lucid is a creative mind that doesn’t bother about drawers or labels – his music explores

Innocent Bystanders: “Attractive Nuisance” – a roller coaster of emotion and excitement

Based in Kensington and Mission Hills, Innocent Bystanders was founded by musicians who played regularly in various bands in high school and college, who got together to form a band to play fundraising events for a local law school. They perform a wide-range of rock and soul, focused on the music of the 1960s and 1970s. The band is made up of Steve Berenson (Drums), Steve Semeraro (Electric Guitar, Vocals), Kaimi Wenger (Keyboards, Vocals), Jessica LaFave (Saxophone), Ben Nieberg (Acoustic Guitar, Vocals) Kath Rogers (Vocals) and Donny Samporna (Bass guitar). Their “Attractive Nuisance” EP of original music was recorded at

Roger Cole & Paul Barrere: “Let It Go” combines musical inspiration and travelling emotions

Meaningful lyrics, amazing songwriting, superb heart-warming yet angry sound, musical teamwork, everything is so perfect in this track. Such a gorgeous and refined melody and philosophical lyrics is worth being remembered for all of the current generation. The guitarist uses swampy resonating sound so beautifully and the drummer plays simple but tight groove, with every drum fill-in is on the sweet musical spots. The bassist backs up the music stably as the boys sing the vocals with conviction. This is one of my current desert Island #1’s in the Roger Cole & Paul Barrere catalog. Yes, the track “Let It

Neb Doe: “3-2-1” is a progressive mixtape within it’s own musical niche

Born and raised in Los Angeles, Hip-hop artist Neb Doe brings a dope and eccentric vibe to the rap game with unique production and his clever lyricism and versatility. Neb gets his creative sound and influences from artists such as Nas, Ghostface Killah, Jay-Z, Eminem, The Gorillaz, Mos Def, and Kid Cudi.

Neb Doe’s unrepentant attitude is partly why his latest mixtape “3-2-1” sounds so engaging during its sparkling entirety. He’s not just whining piously in an attempt to win anyone’s sympathy; he is able to tell anybody when to fuck off, and then in the same instant is able to convince them why they shouldn’t return the sentiment.

neb-doe-profileHis uncanny sense of melody guides him from the jazz-influenced opener “Intro (Symphony 35) (Prod. By Canis Major)”, through the electro-inspired girds of “They Know (Prod. By Aye-K.O.)”, and the piano-powering “Oh My! (Prod. By Skinny Mooxe)” to the fuzzy orchestral noise of “Go Home Roger (Prod. By Idbeatz)”, and then the progressive ambient swirling of “Goin Up (Bonus Track)(Prod. By Lowkey)”.

Unlike most other rappers’ corny EDM loops, Neb Doe carefully works to select and incorporate a myriad of eclectic, creative sounds into his production set.

All in all, this mixtape is an experience. It is a clear demonstration of the versatility of Neb Doe and his growth as an artist. Some tracks seem to lean squarely on the rapper’s shoulders, and others have the aid of swashbuckling beats.

Mostly, though, it’s a mix of those gangly beats and Neb’s breathy flow. He successfully switches not only between rapping and singing here, but also between styles of instrumentation, flows while rapping, and even different styles of singing. Tracks such as “Let Me In ft. Cail Baroni (Prod. By Fiya x JonnyCashBeatz)” and  “ Gah Damn It ft. Haybano (Prod. By Epikbeatz)” are sure to appeal to the masses.

As a whole, “3-2-1” is an original and bold project, and the group of producers he was able to pull together to create it is impressive. Credit is due to Neb Doe for challenging and taking on a new skill-set rather than throwing together the usual mainstream hip-hop collection of moody anthems and dead beats. If you’re willing to suspend preconceived ideas about lesser known or underground artists, “3-2-1” is a mixtape that is very well done and actually does get better with time.

So the more you listen, the more you’ll get to like it. Neb Doe’s unadulterated freedom as an independent artist helps create a progressive mixtape within his own musical niche that will leave listeners earnestly waiting for more.

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