Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

Billy Stark Stone: “Revolution Rerun” is nothing like you expect!

Billy Stark Stone has been around the block within the music industry. He was the lead singer and founding member of New York’s original teen punk band The Blessed. But apart from punk rock, Billy is well versed in the rock idiom as whole, with particular emphasis on creative songwriting and experimental performances that push the boundaries. On his latest single release, “Revolution Rerun”, Billy roped in a collaboration appearance with former band mate Rico Blythe. Billy has gone down on record as saying “Everything I have done up to now was a dress rehearsal…now it’s ShowTime!”

And ShowTime it is! This is nothing like you expect. “Revolution Rerun”, sounds like an odd, hodge-podge from those notorious punk bands of the late seventies that transcends vulgarity and low brow humor and drifts into the realm of the truly bizarre.

This track deserves 5 stars and a place on any shelf that contains punk, punk-rock, proto-punk, or any other kind of alternative rock. Why? How often have you heard the raw power of this kind music driven by a didgeridoo-synth type sound played on guitar! Pure genius.

Billy Stark Stone breaks more barriers than any of his contemporaries, fusing psychedelic garage rock, proto-punk, and avant-garde performance art with an absolute lack of self-consciousness. To simply call Billy Stark Stone w/ Rico Blythe punk sells them way too short.

The first thing you notice is that didgeridoo-synth type sound; a virtuoso take on the classic trebly guitar-driven axis that once was, but with a difference. It abrades against your ear, it’s a little too different to be conventional, and it has fought for space and beaten out victorious everything else on this recording – bass and drums are reduced to the background, no matter how powerful they tend to be.

The next thing you notice is the voice, a laidback but incessant conversational tone; mixed co-equal with the ‘didgeridoo’ sound, it too abrades against the ear, while on key it sounds like it’s ready to shatter any speckles of silence the music may leave vacant, this is the voice not of a braggart but a musical warrior on point and in total observational mode. It’s 2016, and welcome to the first few bars of the aptly titled record – “Revolution Rerun”.

This is not a normal record. This is an extreme record, a documentary snapshot of an artist standing on the ragged edge of time and scrutinizing the current state of affairs, only to discover that “There’s nothing new beneath the sun. Yeah everything has been said and done.”

“Revolution Rerun” is not simply a great record, or even a classic piece of rock; it’s one of those rare tunes that’s so incredibly unique, fuzzed out and dirty sounding, you’ll find yourself wondering how you will survive without it.

OFFICIAL LINKS: WEBSITEFACEBOOKTWITTERINSTAGRAMITUNESGOOGLE PLAYAMAZON

About The Author

Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.