Yung Wavii: “Come Over Feat. Tai Smoove” – crystalline delivery and professional wordplay

New York based Nocturnal Seven Entertainment has a rich history of working with an array of artists in the R&B, Hip Hop, Reggaeton, and Freestyle genres. Since the late 90s their work as an established management company has led to partnerships with big names in music including Supreme, a Producer from Wu Tang and Positive K, Grand Puba, Will Traxx, DJ Red Alert among many others. The company is proud to announce its new wave of talent, including thrilling new artist Yung Wavii. Wavii is a charismatic rapper whose lyrics get to the point quickly. He is a rapper that

Bizeeee: “Looking For It” – an out-of-this-world scenario!

What separates #Bizeeee aka #4ez from many of today’s rappers, is his indestructible delivery. Every verse no matter what he is rapping, he relentlessly pound his rhymes into your head mercilessly, with bone crushing stanzas and a ruthless attitude. Every word spoken shows an aggressive mood and seemingly cannot be stopped by anything. With this intensity also comes a very dramatic and cinematic driven production. This intense style is especially shown 4ez’s latest single, “Looking For It”. This song is driven by a rhythmic drumbeat, hissing hi-hats, and harmonized by futuristic and spacey keys. This is a chance for 4ez to step

A Talk With Singer-Songwriter Rob Sky

Rob Sky first appeared on the NYC music scene with his debut single, “Beautiful”, in 2007. His debut album, Right Now, was released in 2010 and followed with a tour in the UK. Rob has performed on stage with MJK, Blu Cantrell, and Monique. In 2017, he released TEN, an anniversary album that included previous unreleased tracks from the recording sessions of his debut album. After an 8 year hiatus, he returned to the studio and began recording again, releasing a few singles before finally completing his latest album, “What’s Left of Me”. Rob is already back in the studio,

Quintin Tarintinto: “No Self Pity” – dense articulation!

Tallahassee, Florida rapper, Quintin Tarintinto has his 2019 fifteen track project, “No Self Pity”, out right now. This is the record many of Tarintinto’s contemporaries would love to make, but they don’t have a sufficient enough state of consciousness to draw inspiration from, or truly focus the menagerie of their minds upon. It’s the most topically cohesive, palatable and headily conscious Tarintinto ever been for an entire set of songs. His universal vision makes it all work together in perfect, coalescing, high-tech harmony. A less knowledgeable Quintin Tarintinto might have asked compelling questions and never get to present the answers projected

3Mind Blight: “Make This Right” – transcribes emotions into music perfectly

Let’s begin with the fact that 3Mind Blight doesn’t make music for the fans or the label. In the era of rappers who are doing it for the gram, 3Mind Blight is all about the art of self-expression: he isn’t rich, he isn’t cocky, and he respects those who came before him. His style is not rap focusing on bling or hedonism, instead he observes and tries to teach us everyday lessons about ourselves, but his focus is also knowing he is better now than he once was and only plans to get better, something that should be recognized as

Flo: “Mix in a Water” – all of it is crisp and gorgeous!

James Florio aka Flo, is a Toronto, Canada based producer, songwriter, and multi-instrumentalist. His signature style combines diverse musical elements and genres together to create an immersive listening experience. The rich mixture of delicate sounds, booming basslines and silky, chopped vocals will keep listeners coming back for more. His latest single is “Mix in a Water”. Is there any way to describe the music of Flo other than stylistically shimmering, and rhythmically hypnotic? Not really: write down those words and free-associate as much as possible with eclectic and luscious, and chances are you’ll have written Flo’s press blurb. The Flo

Capo 2G: “Pullup” ft. KirkoBanz – a tidal wave of aural sensation!

Capo 2G is a Hip Hop artist currently based in Las Vegas, Nevada. Originally from Lagos, Nigeria, his unique, island fused sound which he defines as AfroHipHop is one of the many factors giving rise to his growing fan base. Capo 2G’s close relationship with A-listers such as Rae Sremmurd gives him the opportunity to learn from the front lines as he prepares himself to step into the spotlight. He begins his first solo tour in Trinidad, Colorado on February 21st. This isn’t exactly a startling revelation, but hip-hop has always been rife with emcees who style themselves as unrepentant

J.R.Clark: “Zenith Spokes” – Capable of balancing and articulating his conceptual goals

J.R.Clark is a hip-hop artist based in Virginia Beach, VA. He started his career behind the mixing board as a studio engineer. In 2014 started releasing his own music and building a following in the underground hip-hop scene. Inspired by artists like Curren$y, Stalley, Big K.R.I.T, J.Cole, Rick Ross, Schoolboy Q, and Chance the Rapper, J.R.Clark’s latest project, an EP titled “Sunset Symphony”. If, after listening this recording, you’re under the impression that J.R.Clark is preparing to take over the world, you’re neither alone nor unjustified. For decades hip-hop has seen myriads of artists fleetingly captivate the attention of listeners

Natalie Jean: “What Would You Do For Love?” – a show-stopping exhibition

Admittedly I have been waiting years now for Natalie Jean to surpass her previous levels of excellence; she had arrived quietly with not much fanfare, and she steadily declared her arrival with a number of albums, singles and collaborative efforts. Needless to say I was impressed. Yet, while I immediately acclaimed and understood that Ms. Jean was indeed extremely talented, she had, as far as I was personally (and secretly) concerned, yet to produce anything indicating she was even close to showcasing what I suspected to be her fully unrealized potential—that is of course until I listened to “What Would

Jevil Project: “Shade” – Positive artistic aggression!

The Jevil Project is a France-based instrumental metal act, who does not perform live, but prefers to create music meant to be listened to. Jevil Project is proficient at marrying sludge metal riffery with dirtier post-rock guitar melodies. Trudging, down-tuned riffs drive each song, while subtle melodic movements develop on top. This pattern works to fantastic effect on the 4 track EP – “Shade”. There are tons of incredibly inspiring moments on this album. There are also plenty of riffs that will make your head bang uncontrollably. Moreover there seems to be sense of adventure on the recording, and with

Brad Rau: “Guitar Night” is up to the task of every mood, pace and interpretation

If you are enchanted by great classical guitar music and an emotional prisoner to Segovia, John Williams, Holzman, Pujol, Saul, Ayala, Guastavino and company, then you must have the collection, entitled “Guitar Night” by Brad Rau. Brad has a great and deep sensitivity to the classics and what the guitar can render. There is such a variety and depth of feeling to his work, and the range of compositions on this album are executed beautifully by Brad. He is up to the task of every mood, every pace, and every interpretation. This is truly a “must-have” classical guitar album.

Apart from the “String Quartet Op 12 II” by Mendelssohn and “Prelude and Fugue BWV 995” by J.S. Bach, the rest of the compositions presented in this compilation are by Latin composers like the Argentinian Jorge Morel, the Brazilian Heitor Villa-Lobos, the Venezuelan Antonio Lauro and the Spaniard Francisco Tarrega. In performing their works Brad Rau’s interpretations are superb in everything – depth, virtuosity and sound.

Playing these pieces requires more than just excellent technique. The performer has to capture the darkness in the light passages, like a yearning in moments of gaiety. And then also, capture the light in the dark passages, as a ray of optimism in moments of sorrow. Rau captures all these emotions profoundly in this highly recommended collection.

Brad Rau expresses the psyche of 20th century classical guitar with his magical interpretations and through his ability to capture every single note, every little sound, every subtle harmonic, and every little tremolo.  If you know anything about the composers or the compositions to be found on this album, you should get hold of “Guitar Night”.

You will notice that Rau’s playing is not just about feeling but about understanding what this brilliant music is about and how this unsurpassable instrument, the classical guitar, should express itself within the confines of these compositions.

If you like both beautiful melody and rhythm of the Latin American sort, you will like this recording and especially tracks such as Valse Venezuela No 2” by Antonio Lauro and “Valse Venezuela No 3” by Antonio Lauro, as well as “Etude 7” by Villa Lobos. If on the other hand you like solo classical guitar of the supremely virtuosic sort, add that into the equation too, and take in pieces such as, String Quartet Op 12 II” by Mendelssohn or “Prelude and Fugue BWV 995” by J​.​S. Bach.

All these pieces however, are played with an uncanny rhythmic precision that does not sound mechanical. They are played elegantly, eloquently and with feeling neither overstated nor understated. Bear with me, because it is impossible to do justice to this beautiful recording with mere words.

Brad Rau is an exceptional classical guitarist and his exploration of guitar music always presents a winning body of work. The recording is extremely clear, capturing all the warmth of the instrument. Rau discovers and conveys musicals worlds unknown to some of us, with precision, honesty, and mastery, allowing the work to speak for itself.

MORE ABOUT: Brad Rau has been performing music for over 20 years all over Boston, Pennsylvania, New Jersey, and Delaware, as a classical guitarist, rock guitarist, and rock drummer. Brad received a scholarship to attend New England Conservatory (NEC), and received a Master’s degree in 2015 with academic honors. At NEC, he studied classical guitar under Eliot Fisk who was the last pupil of Andres Segovia. Brad has performed in countless masterclasses with instructors including; Sharon Isbin, Andrew York and Jason Vieaux, all Grammy award winning guitarists.

Brad’s personal learning methods have enabled him to surpass his competition memorizing over 8 hours of the most difficult repertoire for the classical guitar. Brad was a semi-finalist in the International Texas Guitar Competition of 2008. In addition to his performing career, Brad has mentored hundreds of students of all ages, styles and levels. Many of Brad’s students have gone on to develop their own music careers and teaching studios.

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