KEYE KATCHER – A MIXTURE OF EILISH, AGUILERA AND SAM SMITH

“THE VOICE” SINGER-SONGWRITER KEYE KATCHER RELEASES HIS FIRST SINGLE: THE MASSIVE POWER-VOCAL DRIVEN “INFECTED” ALONGSIDE AN UNMISSABLE MUSIC VIDEO.  Striking songs, unique power vocals, captivating visuals. One of the youngest and most memorable live show candidates from the 2nd season of “The Voice of Germany” loves to reinvent himself. He wrote the official “Pride Song” for Berlin and has toured the whole country with his live shows and is a leading supporter of the LGBTQI* scene. On January 10th 2020, Keye Katcher released the intense, sinister pop song “Infected”. A visual feast of a music video paired with a

BentleyRecords Signing Liber Electro are back with their long-awaited album “Fuel”!

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Pete Vagabond – “Without You” (feat. Kireina Michan) – effortless expanding synths and elegant uplifting vocals

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June O aka Michael O’Connor, is a 17 year old Colombian/American from Texas. By shining light on his artistic prowess, his EP project “Variations” allows the performer to prove himself as both a singer and rapper. Here he provides various musical experiences for listeners as he moves from rap to rock soundscapes. June O steps outside of his comfort zone, and outside of the box as he experiments with different flows. The addition of alternative styles is a positive step for any upcoming musician’s career. The presence of these stylistic changes on the EP makes a statement that features and

MINOH – “The Witness” – The grit-filled production is near flawless

Jamin Oh (guitar, vocals) and Frank Strozyk (drums) first met in the 5th grade. They then played together in a metal hardcore band called The Bierfront. Twenty years later, the Korean classical guitarist and the German geology professor met again and started to write songs as a side project which in 2019 officially became MINOH. The Asian progressive post-rock duo are currently working on their debut EP, set for release in October 2020. In the meantime they have dropped the stunning single and accompanying video, “The Witness”, which addresses the increasingly dystopian state of the world. MINOH is anything but

Strangers Of Necessity – “Abundance” – dripping with jazzy soul!

Every once in a while, there comes a track that arrives out of the left field and takes people by surprise. One that can prematurely declared an instant classic and actually lives up to the title. I love all types of music, but my taste is irrelevant. What is relevant is the fact that the single, “Abundance” by Midwest duo Strangers Of Necessity, will be considered great years from now. The track speaks to a generation of people struggling to prosper and find harmony, in a confusing, stressful modern environment. The duo bring forth their mindset and experiences, with immaculate flow

The Love Theme – “Hold On” – one mighty swirl of dance-floor groove

“Hold On” is a groovy cauldron of electronic shades and textures. Part dubstep, part soul, part funk, pretty much all breaks; there’s a rhythmic melting pot attitude that runs through the track, which ricochets off the walls with crusty slapping drums and long-dark-tunnel basslines. This is the latest track by The Love Theme – the brainchild of producer Dominic Owen on his Smokersblend record label. The cut is taken off an upcoming album, out later this year. “Hold On” is an absolute monster of a tune with soulful vocal chants, and some funky bluesy guitar throughout. As with a lot

MACKENZIE NICOLE’S TEDX TED TALK ‘MYSTIC: A MENTAL HEALTH ODYSSEY’ IS NOW LIVE

NEW ALBUM MYSTIC OUT NOW VIA STRANGE MAIN/STRANGE MUSIC NEW VIDEO FOR “GOODBYE” With authentic storytelling and varying sounds, Mackenzie Nicole bares her soul and shares her most intimate emotions, thoughts, and struggles throughout the songs on her new album Mystic out now on Strange Main (the pop music division of Strange Music.) “It’s a story I needed to tell,” Mackenzie explains. “I’m not the only person who’s been through this. I’m not the only person who has broken down and felt like the only one in the world.” With a desire to reach others who are struggling and further

Matthew J Van Howe – “Emergent Narrative” – a deluge of his sonic palette!

You could call this ambient, experimental, drone, avant-garde, cinematic or simply electronic music, the fact is “Emergent Narrative”, is so impactful it’s like it’s its own genre. It’s as if some new musical form has been created from retro synthwave sounds, and ultra-modern avant-garde motifs. I was stunned by the textures, and the moods that got stuck in my head, along with the intensity and dynamic depth. This is an album to hear again and again. Loud, raucous, serene, gentle, stretching, insistent, melodic, dissonant. It is a collection of 12 musical pieces with simple one-word titles. Meaning, the Chicago composer,

Andy Pett – “Back Again” turns hurt into art with great results on this song

Experience with adversity builds exemplary character and a spirit of resilience that allows artists to deliver great music. Their personal stories provides them with original ideas and profound insight to rap or sing about, creating a relatable feeling of vulnerability that fans emotionally connect with. Many prominent artists from today’s culture have battled through adversity to become widely accepted and beloved. There is an interesting argument – and quite a lot of statistics lean toward this theory – that adversity is necessary to become successful.  The bottom line seems to be that many artists lack the ambition to succeed because

Guitarist DEAR_JAZZROCK leans toward composed pieces that allow room for interpretative soloing

Guitarist Taweechok Kaewkam (a.k.a. DEAR_JAZZROCK) is a former artist with Sony Music, Thailand, who has success in the fields of Jazz, Blues, Rock, Latin, Fusion, Indie, and other progressive forms of contemporary music. He has achieved recognition nationally in his native Thailand, and internationally since he burst on to the New York club and concert scene in the last few years. If you’ve been listening to DEAR_JAZZROCK then you know that he leans toward composed pieces that allow room for interpretative soloing and often thundering conclusions that use guitar voicing’s for emotion and tension.

I have to say that he has a way of fitting what are his best qualities and sensibilities within each song’s settings.  DEAR_JAZZROCK is ever present in the music, supportive when necessary but always soloing with such a keen sense of the piece he is playing and how his solo fits. He never goes off on tangents of fleet fingered but irrelevant solos. He adds so much warmth to the music this way.

Listening to a few tracks, in his catalog, it is clear that DEAR_JAZZROCK’s sound, the expressiveness of his guitar, tone, note choice, and timbre is always intact, but it is his sense of orchestration and composition that will astound his audience and peers. The melodic developments and harmonic saturation is ineffable and defies emotional description on “Kirs”.

The accompanying band also plays very well together, with great sympathy and telepathy. The tracks are inventive and sound fresh and the recording engineer captured a great deal of ambience, which gives tracks like “Four Jazzrock” a live feel.

There is an amazing chemistry that took place on “Four Jazzrock” with DEAR_JAZZROCK’s jazz and lyrical post-bop sensibilities, combined with a supremely singing bass and the explosive yet detailed drumming. There are lots of wide-open spaces, and impressionistic pastel-like harmonies, which allow DEAR_JAZZROCK’s challenging, intricate melodies and solos to color the soundscape.

Both these cuts rise and surge then gently coincide revealing a smart melodic jazzy melody. The only gripe I have are that these pieces are very short, as I would have liked to have heard DEAR_JAZZROCK fully flesh out these arrangements. Hopefully we’ll be hearing more from Taweechok Kaewkam soon.

MORE ABOUT: Taweechok Kaewkam’s ability as an accomplished soloist and accompanist has led to significant teaching assignments at MIFA international music school, KPN Music Academy, and the Yamaha School of Music all prestigious Thai institutions. He has, furthermore, enjoyed considerable success as a recording artist, session player, and live performer while receiving numerous plaudits from colleagues, peers, and experts for his innovative approach to the art of guitar and his complete dedication to the advancement of this craft.

Taweechok Kaewkam received his musical training at highly reputable institutions. He obtained his Bachelor of Music, Major of Jazz Guitar performance from Silpakom University, one of Thailand’s leading educational institutions for the arts. He has recently graduated Master’s Degree from Media Art Department, Long Island University, Brooklyn, New York, concentration on Digital Sound and Sound Design (Audio Production).

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