North Carolina Jimmy Bones Releases his first major Single worldwide

From River Head, Long Island, NY by way of Elizabeth City NC emerges Jimmy Bones and his long awaited Single, “Goin In” Feat. Ms. B now available on ITunes, Spotify, Amazon, Apple Music, and Google Music worldwide Jimmy Bones is Goin In, all the way in with this first major Single release. Signed to Indie Label, out of Muncie, Indiana, G.I. Records LLC, a label that is known for breaking artists, from Indie to Major, one hit at a time. Jimmy Bones lives the life that he writes and raps about; his music is his blood. The Hip Hop Rap

Myja display a very specific amount of fearlessness

Los Angeles, CA-based side project Myja featuring Michael Marquart and Jacob Bunton release their debut self-titled album on January 12th, 2018. The record was produced, engineered and mixed by Jason Elgin (Maylene & The Sons Of Disaster, Collective Soul), at The Barn, Marquart’s studio in Malibu, CA. In today’s world of singles, short attention spans and immediate gratification, it goes against the grain to release a 10 track rock album. But then I guess that Myja are not a band to go along with the crowd. Let’s face it: Being a classic rock band in 2018 requires a very specific

Andrew Gerard: “Run Away With Me” – This album has much to offer listeners

Canadian singer, guitarist and songwriter Andrew Gerard was born in Ottawa, and grew up on Vancouver Island. He is also known as Gerard The Hypnotist from the TV series Mindfreak with Criss Angel. Departing from TV and the world of magic after a car accident he rediscovered music while recovering. Discovered by LA Producer Ran Pink who produced his “Two Birds” recording at Fonogenic Records in LA, Andrew has just released his brand new full-length album “Run Away With Me”. Two songs on the album – the titular track and “Miracles” was produced by Danny Craig, while “Shine” and “Rewind”

NOAH ARCHANGEL & THE BAND OF THE HAWK – “THE MASCHINE WARS: SONGS OF SOLOMON”

The Maschine Wars: Songs of Solomon is a journey more complex and original, yet more accessible than anything Noah Archangel & The Band of the Hawk may have released before it. The fact that it exists at all is testament to the projects perseverance, raw talent, and prophetic direction with which Noah Archangel, King Aka Yeaux Majesty, Ash Ra Aka Houey Freeman Fka Ashtonomics, P.ey3, Grynd Seazon, and Juskwam steer the good ship Band of the Hawk aka BOHUP, to the richest musical waters; plucking out those worth bringing along on their musical voyage and creating records greater than the

Interview: Miles Casella Getting ready for Live Show in new Orleans!

Miles Casella is a Hip-Hop artist from Baton Rouge, LA, who has released several projects under different aliases since 2014. Miles blends Hip-Hop, Jazz, and Blues to create his own eclectic style. He has just released his album “The Sidewalk Flower” which illustrates the view of a small-town kid caught up in the city life. Apparently many of the recordings used for this album were recorded curbside. Miles Casella has an upcoming show on January 21st, 2018 at The Willow Uptown in New Orleans, Louisiana. Shows starts at: 6:30pm – Tickets are $12.00 dollars each. This will be the second

Esteban Alvarez: “Piano meets Mariachi” ft. El Mariachi Nuevo Tecalitlán – sophisticated and ambitious

Esteban Alvarez is an award-winning pianist and composer, originally from San José, Costa Rica. Ever since relocating to Texas USA to study music, his priority and goal has been to bridge cultures through my music. His idea was to bring the noble elegance of the piano together with the folkloristic vibrancy of the Mariachi. Hence he launched the album project entitled “Piano meets Mariachi”, which became a reality in 2017. The resulting recording features eight tracks and a 15-piece Mariachi band – El Mariachi Nuevo Tecalitlán, known as one of the best bands of their genre. The collective represents a

T.C. Crosser: “The Book of Arius – Act I” – versatility, sensitivity, and humility

After years of composing, playing and producing indie and punk, pianist T.C. Crosser moved towards combining chamber strings and rock/pop to tell narrative stories with instrumental music. The composer has also scored music for commercials (such as Microsoft), television (such as Visionaries: Inside The Creative Mind), and performance art companies (such as Leslie Seiters Dance). His latest release, “The Book of Arius – Act I”, is a four movement narrative for string quartet which explores three distinct points in T.C. Crosser life. The recording was done using a 14 mic array for the string quartet and then processed through a

Collegians: “Black Mass” – a hardline anti-establishment stance

Collegians occupy a unique place among the constellation of alternative rock acts that have emerged in the last few years. They seem as interested in the pop half of that portmanteau, while still creating a progressive hard-hitting swamp that sprouts elements of rock, electronic, and proto-industrial acts. It’s an admirable path to travel, as a lesser band would just as easily replicate the sounds of mainstream radio or the genre’s past successes. Instead, Glenn Patrick (Vocal, Guitar), Gerry Leigh (Guitar, Vocals), James Leigh (Keyboard, Bass) and Vince Leigh (Drums) have made moves to maintain their path of sonic evolution which they started with their stunning, critically acclaimed

Amaal: “Need It Too” – The chorus is incredibly catchy, latching upon the first listen

Amaal is a pop singer from Washington D.C. who has struggled with chronic pain and depression for years, and music has been a key in relief of his symptoms. He has been studying and performing music since he was 4 years old, and started taking singing lessons as he gravitated towards pop and jazz at fourteen. “Need It Too”, Amaal’s latest single makes the statement it needs to. The newcomer’s distinctive voice cuts through the melody sliding up and down the scales and packed with soul. From this point on he’s definitely on a winning streak as he impresses with his

Roubix: “Girls” – bolstered by the steady pulse of electro music

Synth-pop artist Roubix, who started his career in 2011, is still something of an enigma in the underground music business. Owned by two record companies, his identity has never been confirmed. The artist who performs live and records his music between Stockholm, Sweden and London, had a stint in the United Kingdom selections for 2014 Eurovision contest, and will apparently again be up for representing the UK in Eurovision 2018 in Lisbon, Portugal with his brand new song “Girls”. Roubix’s sound has expanded its horizons. That audible love of the 80s is still present, but the synths are bolstered by

Seven Strait: “Rise from The Ashes” simply delivers the goods!

Seven Strait, consisting of Dustin Penny (Vocals, Guitar), Staffan Osterlind (Lead Guitar) and Matt O’Rourke (Drums), has shared the stage with bands such as Three Days Grace, Five Finger Death Punch, Sublime and  Krash Karma. Between 2014-2015 they performed over 300 shows after achieving some success with their debut EP, “Big Dirty Nasty”. Currently the band is getting ready to drop the first full-length album “Rise from The Ashes”, produced by Mark S Berry. In the meantime they have also released the album’s lead single, “Hold me Down” as well as allowing a preview peek of 2 more songs – “Back Home” and the Johnny Cash cover “Folsom Prison”.

Seven Strait has done something remarkable. They have maintained a mainstream rock formula while putting out excellent music and keeping their edge. They simply deliver the goods, giving longtime rock fans many new flavors to keep them excited.

This band has an uncanny ability to please fans with grooving thick driving tunes that practically leave you holding your breath for more.  These tracks on “Rise from The Ashes” truly displays the fact that Seven Strait continues to be a viable force in music, regardless of their long-standing experience in the industry, and still write great, material.

“Hold me Down” – the lead single, opens with a strong force that boldly announces this is a Seven Strait record and that they’re going to be moving you.  The track oozes talent and emotion, and any modern rock lover who wishes to break out of the norm will enjoy the hard hitting guitars riffs and screaming solo.

But more than anything else they will adore the stop and start rhythms, as well as the uplifting chord progressions, and the anthemic choruses.  The band demonstrates a rare talent for staying within a focused, yet very successful, creative formula without sounding like any old rock n’ roll cliché.

“Back Home” blends both electric and acoustic sounds, as well as layered harmonies to give the track a fully fleshed out soundscape, able to sound comfortable on mainstream radio or inside a stadium. It’s hard to put into words the emotions you feel when listening to Seven Strait as they rework “Folsom Prison”. My immediate thoughts are along the lines of wow, that’s exactly the arrangement I would create if I had to redo the song in a heavier version.

But there are many standouts on the album, like the crunchy “All Day Long”, the more aggressive rhythms of “Let It Bleed”, the superb guitar riffs on “Come Clean”, the grungy “Shades Of Grey”, and the melodic bone-crusher “Flatline”. Musically, throughout the album, the band has develops incredible riffs and rhythms.

The underlying guitar work is excellent, and the addition of the solos is a personal bonus for me, the drums seems intensely linked to the songs – not just the generic mechanical, banging drum beats you hear on some modern rock albums. Seven Strait should be proud of themselves. Their debut album is a solid piece of work.

With Seven Strait you’ll also instantly come to grips with a great singing voice that can go gritty and heavy or soft and melodic. That is what makes their sound pleasurable to many an ear, whether the song is hard and heavy with grinding riffs or uses softer tones. If you value these traits in a rock band, then there is everything to be happy about on listening to this album.

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