THE BRKN RELEASE NEW SONG AND VIDEO FOR “BE COOL” – DEBUT EP NO. 3 OUT NOW

THE BRKN RELEASE NEW SONG AND VIDEO FOR “BE COOL” DEBUT EP NO. 3 OUT NOW BOTH AVAILABLE ON RIGHT BRAIN MUSIC GROUP/INGROOVES  The BRKN’s Jacob Cade – Guitar & Synth, Mike Bokenkamp -drums and MJ Younkers -guitar release new song and video for “Be Cool.” Stream it here: https://ingroov.es/be-cool. Taking a different direction from their 2019 debut release No. 3, The BRKN steps away from their infectious brand of pop-punk and deliver a more pop-rock sound with “Be Cool,” giving us a great summer rock song and perhaps a taste of what’s to come. The song is filled with

Dragg – “Letter To My Love” is the second single from the EP “L.i.T”

“Letter To My Love” is the second single from Dragg’s EP “L.i.T”, and features singer-songwriter Frya who recently wrote & performed the theme track for popular South African Netflix series “Blood And Water,” and is dedicated to whom Dragg describes as “the love of my life.” Dragg uses metaphors, double-entendres and cleverly crafted schemes, whilst Frya adds a powerful, heartfelt delivery guaranteed to keep R&B/Soul lovers captivated. With minimalistic production, an addictive keys chord progression and a sparse mix overall, emphasized by the reverb, “Letter To My Love” enables Dragg and Frya’s vocals to really  take center stage. Lawrence Sean

US-based Contemporary Christian band Pivotal Awakening Drop the Official Video for “Soulblind”

“Soulblind” is the debut song and first-ever music video by Pivotal Awakening, a US-based Contemporary Christian band. The band create encouraging and uplifting songs with engaging sounds and impactful themes. Here they lead the charge with another impressive arsenal of sweet soulful sounds and meaningful lyrics. It’s no surprise that their songs tend to captivate and excite listeners. Without reservation, “SoulBlind” kicks off on a surefooted organic note. The opening chords and drums launch the introduction of the song; the verse and chorus picks up with thoughtful but energetic drums, piano, and guitar. Mindi Odom on vocals leads the song,

Yeison Jimenez & Silvestre Dangond Present ‘Gracias a ti’

Yeison Jimenez & Silvestre Dangond The Greatest Exponents of Two Genres Defining Colombian Culture and Folklore Present ‘Gracias a ti’ Both music stars are joining forces to merge Vallenato with Colombian regional music, in a collaboration without comparison that promises to be an anthem for posterity. Yeison Jiménez, the greatest exponent of popular music in Colombia, and singer and instrumentalist Silvestre Dangond, who is considered one of the principal and greatest representatives of the new wave of the genre Vallenato, have joined forces to present “Gracias a ti”, a musical proposal that fuses Vallenato with regional Colombian music, as well

Playfio – ‘Nameless Man’ will take you on a unforgettable ride through time and space

In celebration of the upcoming release of Arcadian Resonance on 20th August by the alternative rock artist Playfio, they will be showcasing a brand new music video every Friday under the hashtag #ONEaWEEK – 16 videos in total, running  for 3 and half months.  Follow Playfio on Facebook to follow this epic stream of awe inspiring music video releases. Over the past two years since the debut release of ‘Arcadian Rhythm’ in 2018, Playfio has had the pleasure of working with some extremely talented creatives to create some jar dropping good videos. Four of these videos will precede the 20.08.20

MONOTRONIC RELEASES NEW SONG AND VIDEO FOR “KIDS OF SUMMER”

MONOTRONIC RELEASES NEW SONG AND VIDEO FOR “KIDS OF SUMMER” VIA THE ORCHARD WITH THREE MORE SINGLES SLATED TO BE RELEASED IN 2020. NEXT SINGLE “BUY YOURSELF A DREAM” OUT IN SEPTEMBER With danceable grooves, glaring riffs and chantable refrain, Monotronoc releases “Kids of Summer,” new song and video out now.  See The video here: https://youtu.be/zRxbcxowLEY  “It’s got an upbeat vibe that feels right for summer, but also speaks to the times, in terms of all the youth energy we are seeing out in the streets, which I think is leading to real change” explains Monotronic’s Ramsey Elkholy. Monotronic

Everything that makes Calvin Priice brilliant, is on full display here!

Set to drop his brand new “Bon Voyage” project, Calvin Priice has already proven with the release of last year’s “Pineapple Sunset” that they he as innovative as he is grounded in classic stylings – a well-oiled machine representative of the musical mastery at the heart of his rhythmic sound. One that remains a powerhouse of full-bodied grooves, dancefloor rhythms, technologically on-point composition, world-class vocal talent, and an expert pen game. Calvin’s versatility across all of his works proves the value of staying power and musical chops. “Bon Voyage” is touted to contain the singles “Amor Galactico”, “Sugar Honey Iced

Ali Doukali – “Smooth” has top tier flows and lyrics!

In the modern hip-hop and trap era, an artist like Ali Doukali is probably severely overlooked in hip-hop, when truthfully he has top tier flows and lyrics that put him above many of his peers. All through his song-list, Ali cements himself among the best, at creating hard-hitting, aggressive and catchy trap while telling vivid stories in the process. This legacy is continued on his latest single, “Smooth” as the listener is dragged down the deep well that is the rapper’s psyche, making for one of the grittiest tracks of the year. Recorded at ID Labs in Pittsburgh “Smooth” is

Bad Bikini – “Free” – puts the producers in league with their heroes

After hanging behind the scenes for the last couple of years and remixing artists like “The Love Theme, Short Wave Craft & “Disco Circus”, Bad Bikini release their Disco infused debut single “Free” on the Smokersblend record label, run by producer Dominic Owen (The Love Theme). There are a combination of sounds on this track but the overall feel is electronic disco. There are also plenty of moments for Bad Bikini to show an almost chill wave undertone – the spectral chords and tuneful flutes flourishing beautifully above the driving rhythm. The female harmonies keep the smoothness bumping, while a

Lakinni has narratives that are glowing red in her heart

Over the years Lakinni’s sound has evolved, grown and blossomed and each new song release, hears her defining her sound further with a mature and brassy delivery. Her concise catalog is a bold collection that hears her combining a winning sound of brash and confident pop-soul along with  vulnerable and croon worthy ballads. Note for note, Lakinni is a engaging storyteller. Her fearless intent is evident right from the start. Her single “Walking The Line” not only imprints the her spellbinding musical charm and ambition but alerts the listener to the damning but empowered thematic stretches present throughout her catalog’s

BangBizzy: “Grim Reaper” is recognizably luscious

One of BangBizzy’s greatest characteristics is his ability to turn complex rhymes into dot-to-dot simple phrases that appear to come on slow but, listening back, strike with polysyllabic smoothness. It’s his diction, maybe – he spills dizzying imagery like a man possessed on his latest single, “Grim Reaper” but every word is clear and correct, his accent pointing every plosive.

John (Bang Bizzy) Bone has moved on to more intimate but direct subject matter, on the track produced by deemaxproductionz, often switching between a confrontational and a confessional tone in the process.  Make no mistake, he’s got bars and it appears that his intent is clear with this track. He is having fun, but he is still trying to go deep lyrically.

Running through his catalog of tracks, I can hear that BangBizzy is always playing the same game in his rapping, offering believable narratives (or, sometimes, narratives so unbelievably real they scan as supposedly “gritty” realism) that could easily be mere riffs on listener expectations.

No matter how verbose he gets he constantly offers to let us in and then plays us the fools for thinking we could ever get to the “real” BangBizzy“Grim Reaper” feels more than any of his earlier work like wandering through a fun-house full of mirrors while BangBizzy’s voice echoes on the sound system. The production suits his game perfectly.

Just like BangBizzy’s vocals, it’s recognizably luscious, but tightened to a bare minimum: with squeaky synths and a bass heavy vacuum that discloses what’s necessary for the track to function perfectly, evoking atmosphere and communicating content, and always keeping the spotlight firmly on the mark where BangBizzy is standing in the mix – and that’s right in the forefront. It’s an off-kilter aesthetic that works to a tee.

The beat clatters and clangs intelligibly but never settles on the groove, sounding like it’s either about to become a typical rap song or like it used to be one that has since exploded into a million pieces, as Bangbizzy delivers his wit that hits like a whip, and rhymes spit like a shuriken.

“Grim Reaper” is a work that positions BangBizzy as a hyper-current presence in the hip hop landscape, acutely aware of how to manipulate fresh sounds and traditional expectations for his own inscrutable ends. It’s a breath of fresh air for anyone who is flat out sick of where mainstream Hip-Hop is going, and more importantly, a sign what I hope are things to come.

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