Tyler Brant mixes his Country skills with Top 40 radio instincts

Tyler Brant is an Oklahoma native with a strong influence from not only Country but many different genres and styles of music He worked in a factory until leaving his home town to serve his country.  It was during his military career that he picked up a guitar and found a calling. One year after beginning his singer-songwriter path that he was nominated for a Georgia music award for “Best Country Male Vocalist”. He later moved to Tennessee to continue his growing momentum, but eventually home came calling and Oklahoma couldn’t be resisted anymore.   Tyler also launched his inaugural international

Beat Maker Mo Beatz releases new album ‘Mo Better Beatz Than Blues’

The producer of hip hop instrumentals known as Mo Beatz has released his latest LP album, Mo Better Beatz Than Blues. The album contains 14 original tracks for an approximate total listening time of 50 minutes. It has been proudly published on his Mo Better Beatz independent record label without the direction of the corporate music industry. A cutting edge hip hop album packed with instrumental grooves, Mo Better Beatz Than Blues from Mo Beatz is a study in hip-hop music making. Nigerian-born Mo Beatz cites as main artistic influences Bob Marley, Fela Kuti, Quincy Jones, Michael Jackson, Prince, Stevie

Awaken Shepherd debuts with emotional Indie Rock Single R.I.P – Watch The Video here!

The alternative rock / alternative metal newcomer Awaken Shepherd’s debut single, ‘RIP’ and its dedicated music clip managed to get under it’s listeners skin with an emotional rock-ballad. The band project brought to life by Werner Jauk, and their first public release combined not only passionate melodies, but told it’s very own personal lyric story at the same time. Rest in Peace or short RIP is the title of the first public release of Werner Jauk’s band project ‘Awaken Shepherd’ and offers a striking first impression for their debut album ‘Into The Light’. The to be released on the 10th

AKASH: “Rooftop Vibes” conjures up an imposing sonic architecture

AKASH is an 18-year-old Indian Hip-Hop/Pop artist from New Jersey who a couple of months back rolled out his 10 track album “Rooftop Vibes”. AKASH penned all the tracks and called in a crew of talented producers including Davincii, DopeBoyzMuzic, and ANS who also contributed his vocals on several of the songs. The entire album was mixed, mastered and engineered by ANS of ANSstudios in New Jersey. “I’m excited for this album because it’s a reflection of not just my life now, but the life I’m striving for,” explained AKASH. “It’s a diary of the various aspects of life that

Busola Martins: “Pleasant Surprises” ft. Bukola Bekes – You can hear the passion and her intention

“He turns my life around”, with these words, Busola Martins whets our appetite as we are led with bated breath into her new release “Pleasant Surprises” ft. Bukola Bekes.  With her ingenious use of simple questions and quotable phrases, she challenges us on a mid-tempo cliff hanger to re-access our relationship with Jesus. Precisely because Gospel thrives on its spontaneity, it has often traded lyrical sophistication for its immediacy.  This is not so with this track. Saved without being sanctimonious, and heaven-aspiring while remaining down-to-earth, when it comes to conveying ministry within her music, Busola Martins handles the load with passion

Weston Simonis set to release “Yoga Pants” video on Thanksgiving

For those who’re still unfamiliar with Weston Simonis and his wide range of musical styles, this is a very special talent. A native of the Grande Ronde Valley, Weston is difficult to pin down to one or two genres. Some might say he’s all over the place. I say he has the special ability to play Blues, Rock, Funk, Metal, Punk and any progressive thinking crossover music at will. Listening to his award winning album “Moments Of Intoxication” has reminded me that there was a time when you could hear all types of artists on the same radio station. Now

Jay Felicite: “758 Stories 2” features killer hooks and irresistible melodies

When thinking of England as a musical landscape, Dancehall may not be the first genre that pops to mind for people not in the know, but it’s there, under the surface of the streets, the thump of the drum and pop of the bass reverberating into walls, and spilling out under the doorways from dub clubs and roots bars. One of the current underground stars of the UK’s indie circuit is probably Jay Felicite (pronounced; Fay-Lee-See-Tay) is a Saint Lucian born and raised singer, songwriter, sound engineer. The resilient firebrand is making a big noise with the release of his new

Cris Marshall’s music will ensure he hooks as wide an audience as possible

Cris Marshall is an American Country Music Artist raised in a musical home, the small town of Haslet, Texas. He received his first drum set from his father at the age of two and by 8 he was playing his first guitar. In his teens, and alongside his dad, Cris began performing at some of Dallas/Fort Worth’s most well-known music venues. A singer-songwriter, multi-instrumentalist and producer, Cris also launched his very own home studio when he was 18, recording artists and bands all over Texas, Oklahoma, and Louisiana. However his passion for writing and performing never subsided during this time,

Midnight Watchman: “Liquid Universe” – an extremely focused record

A guitarist and keyboard player who began as a street musician in UK before touring the US and then returning home, Andy Jones AKA Midnight Watchman, is a composer and producer of ambient music. Influenced by an extremely wide spectrum of music and musicians, that go from Vangelis to Chopin, ad Ryan Adams to Tycho, Midnight Watchman has released his 12 track instrumental album, entitled “Liquid Universe”. In the hands of a lesser artist, the varying song structures of this album would likely become tiresome, but every one of the album’s twelve tracks is a testament to the Midnight Watchman’s

Joey Britton: “Edmonton Sessions” – fluorescent, acoustic-centric ambient atmospheres

Joey Britton started his journey in music at an early age. He joined the band ISO and played lead guitar helping to launch the Torn and Tethered Album. After ISO, Joey decided to move to California to expand his skills in the music industry while writing, recording, and producing his own records.  “I try to write songs that tell stories, relate to people, so that when you listen to them – you realize you’re not alone,” says Joey Britton. Exploring is an experience not easily replicated. Associated with it is equal parts thrill, anxiety, and apprehension. Exploring a new artist

BangBizzy: “Grim Reaper” is recognizably luscious

One of BangBizzy’s greatest characteristics is his ability to turn complex rhymes into dot-to-dot simple phrases that appear to come on slow but, listening back, strike with polysyllabic smoothness. It’s his diction, maybe – he spills dizzying imagery like a man possessed on his latest single, “Grim Reaper” but every word is clear and correct, his accent pointing every plosive.

John (Bang Bizzy) Bone has moved on to more intimate but direct subject matter, on the track produced by deemaxproductionz, often switching between a confrontational and a confessional tone in the process.  Make no mistake, he’s got bars and it appears that his intent is clear with this track. He is having fun, but he is still trying to go deep lyrically.

Running through his catalog of tracks, I can hear that BangBizzy is always playing the same game in his rapping, offering believable narratives (or, sometimes, narratives so unbelievably real they scan as supposedly “gritty” realism) that could easily be mere riffs on listener expectations.

No matter how verbose he gets he constantly offers to let us in and then plays us the fools for thinking we could ever get to the “real” BangBizzy“Grim Reaper” feels more than any of his earlier work like wandering through a fun-house full of mirrors while BangBizzy’s voice echoes on the sound system. The production suits his game perfectly.

Just like BangBizzy’s vocals, it’s recognizably luscious, but tightened to a bare minimum: with squeaky synths and a bass heavy vacuum that discloses what’s necessary for the track to function perfectly, evoking atmosphere and communicating content, and always keeping the spotlight firmly on the mark where BangBizzy is standing in the mix – and that’s right in the forefront. It’s an off-kilter aesthetic that works to a tee.

The beat clatters and clangs intelligibly but never settles on the groove, sounding like it’s either about to become a typical rap song or like it used to be one that has since exploded into a million pieces, as Bangbizzy delivers his wit that hits like a whip, and rhymes spit like a shuriken.

“Grim Reaper” is a work that positions BangBizzy as a hyper-current presence in the hip hop landscape, acutely aware of how to manipulate fresh sounds and traditional expectations for his own inscrutable ends. It’s a breath of fresh air for anyone who is flat out sick of where mainstream Hip-Hop is going, and more importantly, a sign what I hope are things to come.

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