Karen Salicath Jamali Set to Take the Carnegie Hall Stage Saturday for Her Debut Concert

Karen Salicath Jamali – Two Performances Set For December 15, 2018 New York City, New York – Karen Salicath Jamali is an award-winning pianist who earned a chance to play not once, but twice at Carnegie Hall on Saturday, December 15, 2018. Winning second place in the American Protégé Music Talent Competition and an honorable mention winner at the American Protégé International Competition of Romantic Music this fall has given Karen Salicath Jamali the chance to play twice in one day on the world famous Carnegie Hall stage. Locals can check out her performances of her original piano composition, Rainbow

True Media Independence (TMI): Building a Music career with Khady Thiam Gueye

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Son of Andy: “Looking Up” – creating lyrical atmospheres!

Detroit area native, Son of Andy got his start in 2011 and has been producing music and beats since then. His first album, “Wendigo”, was released in 2017, and his second album “Looking Up” is available for Pre-Order right now. Son of Andy takes it to another level with his latest album. He’s on top of his game and easily out does his past couple of releases. Newcomers can appreciate this just as well as previous fans. Likewise, you don’t even have to be a fan of hip hop to appreciate what’s bought to the table here. For those not familiar,

Fitzsimon & Brogan: “Big Blue World” – a full, punchy pop sound!

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Italian DJ, producer and model Lord Conrad, continues his prolific run with a series of acclaimed crossover hits like “Touch the Sky”, “Day After Day”, “1 Minute” and “Fight Till The End”. Lord Conrad has made it so far since his introduction to the music scene with his first release. With his innovative sound that only he can perfect, his reception is steadily growing, to beyond the strongest communication devices on the planet. Now with the release of his brand new track, “Only You”, the producer once again takes the music world by storm. His sound has drastically improved through the years, and it

Arush Dayal is a triple threat!

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The Frost: “Keep It Real” – There’s a classiness to this!

The Frost is a multi-genre group comprised of Leah Evans (Vocals) and Christian Gratz (Guitar, Piano). Located in Pennsylvania, their brand new single “Keep It Real” was released on December 7.  The duo emerge at a time when the ranks of sophisticated pop contenders seemed to have disappeared on a daily basis. Simultaneously chic and very creative, they thrive on the considerable charm of lead singer Evans, with her smooth chocolate voice, the instrumental talents of Gratz, as well as the pair’s impressive abilities as a songwriting unit. An absolute stand-out aspect of the new song is the way it’s

Forest Robots: “Timberline and Mountain Crest” – Inspired by natural landscapes

Let’s start of by saying that Fran Dominguez aka Forest Robots is a master at producing chilled out electronic music with heavy beats, and lots of orchestral instrumentation thrown in the mix. To call it electronic music almost seems unfair, as it implies this is music made by machines. Yes, I realize he is called Forest Robots, but this could not be further from the truth, as Dominguez’s music is pumping with life and human emotion. His latest album “Timberline and Mountain Crest” showcases 10 tracks of stunning depth, the kind of album you just throw the headphones on, turn

Edward St. Martin: “Lullaby” – blur the lines between savvy pop stylings and hard hitting kinetic soundscaping

Hailing from San Diego, Edward St. Martin has a background in film composition and classical music. His most recent single is “Lullaby”. Expectations met, superseded and immediately I hit replay. This track is going round again and I’m not the only one within ear shot of my stereo who is pleased about it. The easy laid back crossover Pop/EDM groove take is not unexpected, as I had already read that St. Martin was one for mellow tones combined with pop and soul vibes. But this track has another key element which makes a record of this nature standout. Intelligence. This

Dan Weintraub: “Songs for Beautiful Souls” – a dignified poise and fluency

For Dan Weintraub, music isn’t work – its therapy. And it’s been that way since he started recording and performing in the mid-80s. Raised on everything from punk rock to jazz, he’s opened for Tracy Chapman, played in a country/rockabilly group with Graham Cassano of Blue Pontiac, and spent his college years polishing skills in a Grateful Dead cover band. In 2008 he released his self-titled debut EP – a folk-inspired effort recorded with punk rock royalty Geza X and Paul Roessler; and in 2016 tracked a second EP with Roessler. On January 1st 2016, Weintraub also embarked on his personal challenge of writing 1000 songs in 1000 days. You can track Dan’s progress on his website here.

Janie's Candle

Janie’s Candle

Dan Weintraub’s day job includes teaching history and coaching soccer at a private high school near Dartmouth College in New Hampshire – a role that’s personally fulfilling, but comes with difficult challenges. One of those challenges occurred in late 2016 when tragedy struck the local community. His student Janie Chase Cozzi was killed in a horrendous car accident with four of her friends, including her childhood best friend Mary.

Attempting to find meaning in the tragedy and mend the broken hearts of the community, Weintraub turned to what he knows best: music. He wrote an EP titled “Songs for Beautiful Souls” to honor Janie and her friends. And in summer 2017, he’ll be embarking on a tour of the same name to share their message. “The songs are all about love – how it’s always present, how it’s timeless, and how it guides us when we’re having trouble seeing or believing,” says Weintraub.

The first that struck me about the song “JANIE LIKE NO OTHER” were the heartfelt lyrics which played off against an upbeat jangling rhythm: “It’s a time like no other / tender sorrow and love so fair / we’ll find comfort together / As tears of longing we still share / For Janie like no other.” I was expecting a morbid and sorrowful arrangement, but had completely missed the point. This song, more than being an ode to Janie, is a celebration of her, which became clear in the closing verse: “She’s a child like no other / radiant with eyes so bright / Sparkle girl forever / Help us make it through the night / Janie like no other.”

Dan Weintraub

Dan Weintraub

Weintraub’s songwriting and narratives are superb. His songs transpose emotion into a sonic experience that pulls you in. You’ll find yourself both sympathizing and empathizing with the feelings and experiences Weintraub is describing in these tracks. The ballad I was expecting on the first track, arrived with “BECAUSE LOVE LASTS FOREVER”: “You said Because love lasts forever / We can carry this load / When our hearts heavy aching / There’s Grace still bestowed / Though The dawn’s foggy breaking / And In the mist lurks such pain / Loving e’er we’ll push forward / Again and again.” The song is built with Weintraub’s voice and acoustic guitar as the centerpiece, but there is violin, harp, bass, drums, percussion, keyboards and beautiful harmonies.

“There are times when at 2am I lie awake in bed / I’m staring at the ceiling, so much noise inside my head / The urge to run comes over me, sometimes i think I might / The darkness heavy on my chest / I am terrified, I must confess / But somehow hope I still possess  Light”, is the opening verse to “LIGHT” another upbeat track with sharp electric guitar and a sure-fire Dire Straits feel.

On the very first listen to this EP everything seemed to fit perfectly together. The songs connect to each other in such a unique and subtle fashion, without sounding forced and melodramatic, which can often happen when approaching subject matter such as this. An earnest soul searcher, Weintraub’s melodies are timeless and familiar, yet they land where you least expect them to.

“Songs for Beautiful Souls” is a stunning document of fragile eloquence that glides seamlessly from upbeat ruminations to hushed balladry. Artistic without being pretentious, Dan Weintraub’s craft is anchored in melody and articulate, but simple arrangements that do not abandon the music’s cerebral and emotional core.

With a pure and sincere vocal delivery Weintraub’s lyrics are soaked in heart-on-sleeve honesty and have the tendency to never come off contrived. Hardly have I heard a recording treat the theme of loss with such dignified poise and fluency.

You can follow and catch up with Dan Weintraub and his music at http://www.danweintraubmusic.com and http://www.danweintraubacoustic.com

or grab the songs here https://danweintraub.bandcamp.com/

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