Sober Season: “You Fool” will captivate legions of ardent followers

Sober Season was created in Barcelona, Spain by two childhood friends – José Valle and Max Mir. They jokingly started to play metal to create a project for their Spanish class, but after realizing metal wasn’t their genre, they kept creating songs until they found out folk-rock was more of their thing. While watching a Talent Show they met Olivia de Rezende and invited her to join the band, thus completing the Sober Season lineup – José Valle (Lead Singer, Lead Guitar, and composer), Max Mir (Drummer, pianist, and co-composer) and Olivia de Rezende (Backup Singer). Sober Season, who has

Kyrre Bjørdal Sæther: “Lost In Love” – a feverishly cohesive earworm

Kyrre Bjørdal Sæther is multi-instrumentalist from Norway. Kyrre who has studied at the prestigious Liverpool Institute for Performing Arts (LIPA) in Liverpool, United Kingdom, where he specialized as a singer and songwriter, has been writing music since his teens. He released his debut album “On My Own” in 2004, and then had a 10 year hiatus before making a comeback. Signed to independent label KBS Productions, Kyrre recently released his brand new single “Lost In Love”, a song he had written in 2016, but rearranged for the single version, giving it a fuller, edgier flavor. Though he had some help

KITARI: “The Scarecrow & the Manor” – authentic carefree, psychedelic sound!

Brooklyn-based psychedelic funkers KITARI Originally formed almost a decade and a half ago in a small Upstate, NY mountain town, by middle school friends Adam Weyant (guitar and vocals) and Jared Rinaldi (bass, vocals and keys), the pair went their separate ways after graduation until the spring of 2014, when they began exchanging music ideas via Facebook and e-mail. Excited about the songs they were writing, they both relocated to NYC and quickly spawned a full set of dynamic, powerful songs. They teamed with talented drummer Jim Saint-Amour and spent a weekend in early March 2016 at Applehead Studios in

Wolvo: “Nothin Right” ft. DAYVID – towards the pop realm of charting electronica

“Nothin Right” by Wolvo is a massive pop dance banger with singer DAYVID on vocals. The lyrics as well as the melodic voice have quite an eclectic effect against the backdrop of the growling synths. DAYVID sings like an instrument, and adds an extra dimension to the heavy percussion and exotic tinkling keys. There’s romance, evocativeness, space, and longing. You can hear it as DAYVID sings “Ain’t nothing right without you” in the chorus section. It’s the one line that’s clearly repeated in the song to create a hook-like attraction. Wolvo here, is stepping between the vastly popular tropical house

Sismo Releases Debut Studio Endeavor, ‘We Crash And Burn’

Sismo , an international music collaborative helmed by French songwriter and guitarist Xavier Cevrin , has released its foray into the industry, a dynamic new single called ‘ We Crash And Burn .’ The infectiously catchy and exceedingly suave track elegantly walks the line between pop sensibility and dance floor prowess, making it a tune that’s sure to ignite clubs and radio stations around the globe. Chronicling the fiery end of a passionate relationship, ‘We Crash And Burn’ is a relatable, anthemic single that’s beautifully orchestrated with an array of tactful beats and synthesizers. The sonic landscape of Sismo’s debut

Blupa Music: “Repetition Of Life” & “Mama Earth (We Shall Meet Again)” provide more strength to the cause

Blupa Music is the retro pop expression of Norwegian guitarist, singer, songwriter and audio recording artist Geir Erlend Roev. He has just released two digital singles – “Repetition Of Life” and “Mama Earth (We Shall Meet Again)”, as well as a double-sided vinyl edition of the same tracks. It’s hard to believe music that sounds at times “so simple” can be so creative. This is music from the heart that will feel good in your soul. Blupa Music has been carving out his own singular niche since his nascent days. He struck creative gold from that point onward, veering from

MC²: “It’s ok” ft. Mojo prod. by Tek Nalo G – groove and flow without preachiness

Louis “LQ” Iverson and Keith ”Smeazy” Passmore, combine the experience, wisdom, and knowledge of everyday life with the mastery of Hip Hop and Soul Music to make up the duo MC². As prior military members, the group got its start in Washington, DC. Now as civilians, and dedicated to the creation of music as well as other avenues of creativity and entertainment, both MCs reside in San Antonio, TX. Smeazy, originally from Raleigh, NC and LQ, from Wichita, KS, find their music influences from artists and groups such as A Tribe Called Quest, Little Brother, BlackStar, Common, J DIlla, The

Burnz: “Life” – a story of internal and external experiences

Burnz, an American hiphop artist from Charleston South Carolina, has dropped his autobiographical single, entitled “Life”. His insights and observations concerning himself, and subsequently his generation can be read from his lyrics sheet as pure prose. Even backed by a solid sonic collage, the signature combustion is still his own. This track jibes with a coast-to-coast aesthetic, as well as golden-era rap sound. Burnz laces this track with lessons learned and memories plucked from his entire life and he places the microscope close to his grind, sharing the harsh beauty and reality of it. Instead of shying away or avoiding certain

Free From Gravity: “Step Into The Sunlight” – an infusion of creativity and fresh air

Free From Gravity fill space with such perfection. It seems every beat, every syllable, and every phrase is calculated and prescribed just the right instrumentation and fill. Not every gap is filled with predictable guitar strums, hums, or piano doodling. If any instrument repeatedly fills space, it will nearly always take on a different sound every time. This band is an infusion of creativity and fresh air in what has become a stale, boring musical landscape. They arrived right on time all the way from Portsmouth, UK. Free From Gravity are needed in the world. They have chops. They have fun,

Lil J the white rapper from Westwood

Lil J is a white rapper from Westwood MA and a current student at Bryant University. He writes over both classic and original hip-hop beats. Rap is his true passion, almost to the point of obsession. He says his music can be considered “clowning”. After the release of his “Idols” EP, where he paid homage to his heroes and idols, Lil J came back with the follow-up, “Idols 2”, which over and above containing songs to his idols, also discusses Lil J’s dreams as a rapper.  He is following that up with his new mixtape, “Stoner Chick” which which dropped on 2/14. How long have you been in

DasMeter: “Evolution” – an uncanny knack for evoking pensive nostalgia in the present

Real-life brothers Darren (Keyboard, Drums) and Michael (Guitar, Vocals) are an American music duo project that goes by the name of DasMeter. Their debut electro-hardcore single “Mercury” was released in late May of 2015.  Now in 2017 DasMeter unleashes their brand new 13-track body of work entitled “Evolution”. Whenever you hear the words: “I choose you to be my partner in life. I promise you my unconditional love, my fullest devotion and tender care,” or “I promise to be faithful and to love, honor and cherish you all the days of our lives…”, beware, as promises like these, made by mere fallible mortals like ourselves are bound  to be broken.

Recent stats claim that over half of all marriages in the United States – a staggering 53% – end in divorce! So more than one in two marriages, where the above words are pledged, are proclaiming promises that will not be kept.

“Evolution” is born out of the failing of those pledges, as DasMeter compose the accompanying soundtrack that takes us through marriage, separation, and divorce. Up until now, the structural decisions, the subtle production touches, and the synth tones that DasMeter produce have always gone straight to the subconscious, that evokes feelings more than thoughts.

And on “Evolution”, the feeling in question seems to be a dim, wriggling, all-pervading anxiety and delusion, sprinkled with perceptible rays of hope.

They’ve made a really great soundtrack album for the moments of your day where you’re stressing about things of the heart and difficult personal-life decisions. They’ve made a great thematically uncomfortable – yet musically comforting ambiance album, one that sticks with you through all your discomforting moments.

DasMeter let you know that you are not alone in these saddening plights. Moreover, the replay-ability of this album pairs amazingly with late nights of work, road trips, a long gaze out of rain licked windows, a meditative nap…just about everything.

The uncanny knack the duo has for evoking pensive nostalgia in the present moment is readily available on this album, which will make you ponder and deliberate. The play of memory and music preoccupies most musicians, but few translate it into instrumental music as well as DasMeter do.

From the moment “twenty years” kicks in, you’ll begin to feel the narrative though the layered instrumentation.  It’s very atmospheric in places but rises to perfect IDM on upbeat back to back tracks, such as, “the wall”, “fighting for you” and “losing hope”.

There are no bad songs to be found here, even if some of them might take a while to sink in. It may not overtly hold mainstream appeal, but genre fans will absolutely adore this album. My favorites for now tend to be the melodic “on my knees”, the twisting rhythms of “I cared about you” and the brilliant synth sounds on “silver linings”.

However their aural magic is as evocative as ever on all of these tracks, and with their alchemical skills, they could well invent any necessary musical element they desire. In a music environment where most bands take great pains to be connected to their fans, DasMeter have created an environment which eludes tormented hyped-up commercial schemes for anyone interested in their music.

Why? Because the fabric of their music is creating emotional, profound scenarios that tease the mind as much as they satisfy it. The public who love this music will naturally be drawn towards it on its intrinsic merits alone, resulting in fans with a unique reverence for not only DasMeter’s music but their intelligent approach to making and diffusing it.

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