Delta Station: “An Unexpected Turn of Events” – the experience is more epic and cinematic

The little 14 year old Australian genius who goes by the moniker of Delta Station, has a new album out. And, somewhat predictably, it’s another utter and perfect treat. Before you listen to Delta Station’s latest album you really should leave all preconceptions at the door. Despite the connotations of the album’s title, “An Unexpected Turn of Events” is a joyous affair. It is an album that is warm, exhilarating, and incredibly uplifting and it is his greatest piece of work to date. Delta Station has only been in the production craft since June 2016, but has already released two EPs, previous to this album.

The Valium: “Amazing Breakdowns” – walking the high-wire intersections of visceral punk-rock expression and high art perfection

The Valium hooked me as soon as I heard the first track “Too Many Dreams Of Rock N Roll” from freshly released album, entitled “Amazing Breakdowns”. This was an album that hit me in the gut and instantly dragged me along for the ride. After listening to it, I must say that this is one of the most unique, interesting and high-energy bands I have ever heard in the alternative rock scene of late. Though taken from a myriad of influences, their sound is completely their own and every song sounds unique to their band. I can’t really imagine some

Newborn: “Honey Trap” – something of a perfect alchemy

The Coney Island, Brooklyn-based band Newborn was formed by  high school friends Allen James (vocals/guitar) and Eric Weglicki (guitar/bass/vocals) and a love of rock spanning from Metallica, Nirvana, to Muse. After many years of jamming together they decided to form a band. Newborn played their first show December 2014 which was followed by the release their debut EP “Broken Virgo”. The band has since evolved musically, adding drummer Dave Goldenberg, and going from strength to strength, culminating in the release of their latest single, entitled “Honey Trap”. The song features Newborn’s most diverse lyrical palette to date. The result is a cohesive,

Gloom Influx: “First LP” – looping the listener into a nostalgic yet futuristic world

Montréal-based musician Luc Leclerc, aka Gloom Influx, delivers a unique and powerful blend of metal and synthwave, influenced by 80’s movies and video game soundtracks, heavy metal, and contemporary artists like Justice, and Carpenter Brut. Sometimes you need to listen to music that makes you feel like you are in the future in outer space and somehow the 80s never ended. And sometimes you want to add elements of robots, monsters and fear. When you want those things, there are few better than Gloom Influx . Whether you come at this album from the perspective of someone into synthwave, darkwave

Jigsaw Man: ‘No Home’ – a self-produced EP with strong stoner overtones

The 4 track ‘No Home’ EP is the debut release from Jigsaw Man, the moniker under which singer-songwriter Steven Faulkner is releasing original material. “It’s nice doing things under a pseudonym because you can be more personal about the lyrics, and because you have that separation,” said Faulkner, continuing: “In my head the lyrics belong to Jigsaw Man, so I can be more honest and personal. I can write far more honestly and I’ve certainly done that on this EP. In the past I’ve always looked for metaphor or simile but this EP is very honest.” Playing since he was a

Corlioni: “Destiny” has a genuinely refreshing effect!

In case you’re not down with the nomenclature being thrown around the EDM community currently, on his latest track, “Destiny”, electronic producer Corlioni, comfortably slides into the trend-setting genre called ‘Tropical house’. Though, it would be correct to say that the masked British producer is not really confined to that specific genre at all. Tropical house is a more relaxing yet uplifting form inside the EDM craze, a response to the grimy, dark sounds of the dubstep craze which has been losing steam for the last several years. Rather than deep bass growls that sound like a broken inkjet printer,

DJ DezZ: “SometimeZ” – a tour-de-force!

Fast forward a quarter of a century and the phrase ‘Deep House’ has become to mean something completely different from its first incarnation during the halcyon days of house. It’s hard to move in the overpopulated market of all things ‘deep’ these days, but in amongst the monotony of the same old EDM samples and generic preset bass lines are a number of artists that really are able to tickle your fancy. One such EDM producer that we believe has kept it deep, down and dirty so far in 2017, with the release of his single “SometimeZ”, is Charlie Desi aka DJ

Toni Castells: 2045: The Year Man Becomes Immortal? – The emotion is very compelling

Toni Castells is a Hispano-British composer currently based in London. A lecturer at Imperial College London and the London College of Music, his sonic worlds transpire an inherited precocious classical training with an inventive use of modern technologies to create unique and distinctive soundscapes. Castells latest musical endeavor is entitled ‘2045: The Year Man Becomes Immortal?’ which explores the prediction by computer engineer and futurologist Ray Kurzweil that the year 2045 will see the start of a new era in which human and artificial intelligence will merge, man will cease to age and so acquire the potential to live indefinitely. In the original interview with Kurzweil

POOL MOON ELEPHANT: “FLUKY ISLAND” – a relentless appetite for new music

Released June 21 via the Symphonic Distribution label, “FLUKY ISLAND” is the brand new 5-track EP from electronic duo POOL MOON ELEPHANT. A storming journey through various rhythmic styles, combining the duo’s skills to create imaginative feel-good moments, the EP spearheads a new wave of indie dance electro-inspired tracks while embracing the love for warm synths, sparkling heights, gentle electric textures and deep drums. POOL MOON ELEPHANT is the moniker under which the Swiss electronic music duo composed of Riccardo Studer and Ivan Nurchis, undertake their creative journey through the electronic world of music and animation. Both have double-decade experiences in audio-visuals, and working for film and TV

The Hooplas: “Midas Touch” – a statement of intent!

The Hooplas are a modern progressive rock group from Ocean City, MD. Twin brothers Adam (Vocals/Guitar) and Ben Martin (Bass/Vocal) started the band. While their musical influences might not be identical, they share the love of making music. Musicians Cody Bush (Lead Guitar/Vocals), Lovechile (Drummer) and Seth Paul (Synth) round out the band’s roster and form the unique, fresh sound that defines The Hooplas. From their “American Junk EP” comes the band’s latest single “Midas Touch”.The musicianship on this single is impeccable. Flawless guitar riffs changeup like Adam’s voice, from wall-shaking, twin guitar rhythm crunch, to the divine solos straight from the

Elmo Karjalainen: ‘Age Of Heroes’ is full of diversity

Elmo Karjalainen is a ‘guitarist’s guitarist’ who revels in a self-penned musical hybrid shot through with intensity and precision. His latest album ‘Age Of Heroes’ is a big sounding album with enough twists and turns to make Karjalainen’s solos sound both dynamic and interesting. This album represents a milestone, for Elmo, who is considered one of the best rock guitarists in his native Finland. On this album he realized his dream of playing alongside side some of his own ‘heroes’.

“This album saw me realize a dream. I have always wanted to have people I consider influences appear on an album of mine,” says Karjalainen, continuing, “I dreamt of playing with Steve Vai or Yngwie Malmsteen, and on this album I saw that happen. I got Derek Sherinian (ex-Dream Theater, Yngwie Malmsteen keyboard player who also toured with Billy Idol, Kiss and Alice Cooper) to play a killer solo on one of the tracks. The second artist to feature was none other than Viking guitar maestro Mattias IA Eklundh of Freak Kitchen. He’s a guy who has truly influenced my playing. In addition to those two I got the extremely talented Janne and Emil to feature on one song, where we did a three guitar battle. ”

Elmo Karjalainen

Elmo Karjalainen

There are plenty of incendiary guitar breaks and harmony guitar parts, shredding and the like, but Elmo Karjalainen also demonstrates a lightness of touch which is almost playful at times. This aspect is offset by several complex moments that explore rock, pop, metal, blues and even classical influences as he cleverly balances the obtuse with the accessible.

‘How Can Less Be More’ is full of diversity, a wide range of solos and an array of tone colors. He glues together all the elements on ‘The Colour of Greed’, which he tops with an incredible shred and then joins keyboardist Derek Sherinian (ex-Dream Theater, Yngwie Malmsteen) as they trade instrumental virtuosity before slipping into some beautiful slow-burning guitar ambience  on ‘Chikken Noodul’.

The lyrical duality of ‘A Fertile Discussion’ is exulted by the subtle dynamic tension between Mattias IA Eklundh’s exemplary playing and Karjalainen’s fusion ensemble sensibilities, laced with multiple harmonies. The restless live feel of ‘A Meeting of the Gods ( And This Guy)” is evidenced by the way Janne Nieminen and Emil Pohjalainen (winners of Yngwie Malmsteen’s Guitar Gods competition), together with Elmo Karjalainen trade electrifying riffs as if it  was an adrenaline pumping rollercoaster ride.

This is an intense high octane collaborative track. And it’s this constant search for that one lick to match the others that gives the tune such a captivating appeal which is exemplified by the booming ‘call and response’ riffs.

Karjalainen saves one of his biggest impacts for ‘Falling for Falafels’ on a collision of understated power, song craft and intense guitar playing. The big crescendo before the outro is effectively a musical sleight of hand, as it suggests a succinct resolution to a bulldozer of an album, but magnificently, ‘Age Of Heroes’ has even more depth than that.

It’s a frequently multi-layered and surprisingly diverse album full of magisterial guitar lines that constantly draws Elmo Karjalainen into new musical avenues.

He’s at his tasteful and poignant best on the meandering twist and turns of ‘Three Days of Peace’ and the bluesy ‘Limiting Rationality’, while the upbeat fusion groove of ‘The Grassy Gnoll’ is an example of an artist following his own musical path. ‘Age Of Heroes’ reveals new nuances with repeated plays.

Elmo Karjalainen’s musical knowledge, breathless guitar playing and imaginative musical arrangements shape the musical vision of a genius shredder with a penchant for real songs. Elmo personally feels that this is his best album to date, and on the evidence showcased across the 15 tracks here, it would be hard to disagree.

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