North Carolina Jimmy Bones Releases his first major Single worldwide

From River Head, Long Island, NY by way of Elizabeth City NC emerges Jimmy Bones and his long awaited Single, “Goin In” Feat. Ms. B now available on ITunes, Spotify, Amazon, Apple Music, and Google Music worldwide Jimmy Bones is Goin In, all the way in with this first major Single release. Signed to Indie Label, out of Muncie, Indiana, G.I. Records LLC, a label that is known for breaking artists, from Indie to Major, one hit at a time. Jimmy Bones lives the life that he writes and raps about; his music is his blood. The Hip Hop Rap

Myja display a very specific amount of fearlessness

Los Angeles, CA-based side project Myja featuring Michael Marquart and Jacob Bunton release their debut self-titled album on January 12th, 2018. The record was produced, engineered and mixed by Jason Elgin (Maylene & The Sons Of Disaster, Collective Soul), at The Barn, Marquart’s studio in Malibu, CA. In today’s world of singles, short attention spans and immediate gratification, it goes against the grain to release a 10 track rock album. But then I guess that Myja are not a band to go along with the crowd. Let’s face it: Being a classic rock band in 2018 requires a very specific

Andrew Gerard: “Run Away With Me” – This album has much to offer listeners

Canadian singer, guitarist and songwriter Andrew Gerard was born in Ottawa, and grew up on Vancouver Island. He is also known as Gerard The Hypnotist from the TV series Mindfreak with Criss Angel. Departing from TV and the world of magic after a car accident he rediscovered music while recovering. Discovered by LA Producer Ran Pink who produced his “Two Birds” recording at Fonogenic Records in LA, Andrew has just released his brand new full-length album “Run Away With Me”. Two songs on the album – the titular track and “Miracles” was produced by Danny Craig, while “Shine” and “Rewind”

NOAH ARCHANGEL & THE BAND OF THE HAWK – “THE MASCHINE WARS: SONGS OF SOLOMON”

The Maschine Wars: Songs of Solomon is a journey more complex and original, yet more accessible than anything Noah Archangel & The Band of the Hawk may have released before it. The fact that it exists at all is testament to the projects perseverance, raw talent, and prophetic direction with which Noah Archangel, King Aka Yeaux Majesty, Ash Ra Aka Houey Freeman Fka Ashtonomics, P.ey3, Grynd Seazon, and Juskwam steer the good ship Band of the Hawk aka BOHUP, to the richest musical waters; plucking out those worth bringing along on their musical voyage and creating records greater than the

Interview: Miles Casella Getting ready for Live Show in new Orleans!

Miles Casella is a Hip-Hop artist from Baton Rouge, LA, who has released several projects under different aliases since 2014. Miles blends Hip-Hop, Jazz, and Blues to create his own eclectic style. He has just released his album “The Sidewalk Flower” which illustrates the view of a small-town kid caught up in the city life. Apparently many of the recordings used for this album were recorded curbside. Miles Casella has an upcoming show on January 21st, 2018 at The Willow Uptown in New Orleans, Louisiana. Shows starts at: 6:30pm – Tickets are $12.00 dollars each. This will be the second

Esteban Alvarez: “Piano meets Mariachi” ft. El Mariachi Nuevo Tecalitlán – sophisticated and ambitious

Esteban Alvarez is an award-winning pianist and composer, originally from San José, Costa Rica. Ever since relocating to Texas USA to study music, his priority and goal has been to bridge cultures through my music. His idea was to bring the noble elegance of the piano together with the folkloristic vibrancy of the Mariachi. Hence he launched the album project entitled “Piano meets Mariachi”, which became a reality in 2017. The resulting recording features eight tracks and a 15-piece Mariachi band – El Mariachi Nuevo Tecalitlán, known as one of the best bands of their genre. The collective represents a

T.C. Crosser: “The Book of Arius – Act I” – versatility, sensitivity, and humility

After years of composing, playing and producing indie and punk, pianist T.C. Crosser moved towards combining chamber strings and rock/pop to tell narrative stories with instrumental music. The composer has also scored music for commercials (such as Microsoft), television (such as Visionaries: Inside The Creative Mind), and performance art companies (such as Leslie Seiters Dance). His latest release, “The Book of Arius – Act I”, is a four movement narrative for string quartet which explores three distinct points in T.C. Crosser life. The recording was done using a 14 mic array for the string quartet and then processed through a

Collegians: “Black Mass” – a hardline anti-establishment stance

Collegians occupy a unique place among the constellation of alternative rock acts that have emerged in the last few years. They seem as interested in the pop half of that portmanteau, while still creating a progressive hard-hitting swamp that sprouts elements of rock, electronic, and proto-industrial acts. It’s an admirable path to travel, as a lesser band would just as easily replicate the sounds of mainstream radio or the genre’s past successes. Instead, Glenn Patrick (Vocal, Guitar), Gerry Leigh (Guitar, Vocals), James Leigh (Keyboard, Bass) and Vince Leigh (Drums) have made moves to maintain their path of sonic evolution which they started with their stunning, critically acclaimed

Amaal: “Need It Too” – The chorus is incredibly catchy, latching upon the first listen

Amaal is a pop singer from Washington D.C. who has struggled with chronic pain and depression for years, and music has been a key in relief of his symptoms. He has been studying and performing music since he was 4 years old, and started taking singing lessons as he gravitated towards pop and jazz at fourteen. “Need It Too”, Amaal’s latest single makes the statement it needs to. The newcomer’s distinctive voice cuts through the melody sliding up and down the scales and packed with soul. From this point on he’s definitely on a winning streak as he impresses with his

Roubix: “Girls” – bolstered by the steady pulse of electro music

Synth-pop artist Roubix, who started his career in 2011, is still something of an enigma in the underground music business. Owned by two record companies, his identity has never been confirmed. The artist who performs live and records his music between Stockholm, Sweden and London, had a stint in the United Kingdom selections for 2014 Eurovision contest, and will apparently again be up for representing the UK in Eurovision 2018 in Lisbon, Portugal with his brand new song “Girls”. Roubix’s sound has expanded its horizons. That audible love of the 80s is still present, but the synths are bolstered by

Last Ronin: “Meditate” – carefully crafted every lyric and the instrumentation

Last Ronin has been blowing up all over the place. He has a unique style that combines melodic Pop vocals with some of the best produced Dubstep around. When he released his 4-track EP “Incognito” during 2015, I quickly took notice. I was drawn to his style and found myself waiting for what he had next. What he has delivered is the seven track album, “Meditate” that builds upon the sound he started just over 2 years ago. And which is inspired by the likes of KOAN sound, Seven Lions and Mitis. The album opens up with an overload of catchy sounds on “Reconnect” Ft. Kailey Elizabeth that is made to knock the ceiling out of mainstream radio. Subtle synths, pianos and wobbles are everywhere, while the female vocals sound great: “Baby what’s your magic, baby what’s your spell. You got me so attracted, but you put me through your hell.”

The production on this track and the whole album is incredible. The drop on this song is on the more melodic side. The vocals are sweet and smooth, while the bass is linear and consistent. The song construction on this is another strong point, showing that Last Ronin, the man behind the production, has a real talent for crafting music. This is a song that will make people’s heads turn. “Interstellar” has a nostalgic feel to it while keeping Last Ronin’s signature sound intact.

Last Ronin carefully crafted every lyric, the instrumentation, the song order, and nurtured this album like it’s a new born baby. Many people are used to the all-out and upfront nature of Last Ronin displayed through his earlier music, but this album displays every dimension of him.

From start to finish head-bobbing is a must, and at many points it’s hard to stay in your seat and resist jumping up and down with abandon. If you aren’t a fan of EDM or a seasoned veteran it is hard to hate this album. In fact, it’s hard not to absolutely love this album.

The album is packed with carefully chosen lyrics, catchy tunes and high-energy dance numbers that you would expect to find in a club or even in a set of headphones. The album demonstrates that Last Ronin is not only influenced by the hard, rough sounds of dubstep but also the softer sounds of pop and dance music which are also featured on the album.

One of my favorite tracks on the album has to be the slow building “Ancient Past” ft. Tom Evans which starts off sweetly with drops of synthesizers drifting in and out, building up to a powerful chorus which displays why Last Ronin is the one to watch out for.

The simple electronic chords combined with the drums and the harmony between the pads make “Daydream” an essential listen – while it is clear throughout “Desistance” that this track can be admired for its wide variety of explosive Dubstep and electronic sounds that demonstrate how far Last Ronin has come as a producer.

Structurally the songs seem to flow into one another with ease making it seem like the EDM music will never stop. I feel Last Ronin has provided his listeners with a strong album that manages to display his ability to explore new styles whilst maintaining his ability to produce high quality EDM tracks.

February has been an undeniably big month for new music in almost every genre imaginable. Not to be outshone by his contemporaries, EDM now has its certified flavor of the month from Last Ronin.

“Meditate” is definitely an album that fits in with the EDM masses. It does what it sets out to do, and it does it surprisingly well.  The album is filled to the brim with energy and cutting edge arrangements, and just when it’s about to implode, the songs end. Adding dynamic and sultry voices on top of those results brings something emotional and diverse to the table.

This album is going to appeal to a large group of people, and there’s a reason for that. It’s anthemic, it’s energetic, and it embodies all that electronic dance music should without overstaying its welcome. There’s a lot to like about this album and for that reason alone, it gets our sound approval!

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