“Ketamer01B (simm’ a MAFIA)” by Italian DJ/Producer Doc Ketamer

“Ketamer01B (simm’ a MAFIA)” is a track off the 2019 EP “Ketamer” by Italian DJ/Producer Doc Ketamer. Today’s EDM scene is at the height of its commercial success. Everybody wants to be a DJ or Producer now, and pop music, more or less, equals Electronic music. On his latest single, Doc Ketamer, who has been in the game for two decades gives us his authentic European flavored electro-jam blend. The track is victorious and uplifting, as the music pumps into your bloodstream. Doc Ketamer brings us back to what we all loved about electro. He seems to have given us

Monjyoti – “Neighbor Syndrome” is meticulously structured

Monjyoti Bhattacharyya known by his stage name, Monjyoti, released his second official single “Neighbor Syndrome”, taken from his upcoming album, “Hypnosis”, recorded in collaboration with music producer Papu Gogoi. I don’t even need to hear the rest of the album. This single is simply a dexterous, dynamic and sublime smorgasbord of instrumentation and lyrical canny, on a level I’ve not heard in a long time. Music can’t always be this good because we would have nothing by which to benchmark its ingenuity. There are sections that are nice mellow journeys to somewhere else and there are downright monstrous sections that

Pat Rossi – “Let you Go” – embellished with impressive vocal and instrumental décor

Pat Rossi is a self-taught multi-instrumentalist, songwriter, singer and producer. He is also the founder and front-man of the popular Canadian Rock band The Falling. Rossi, whose acclaimed songwriting skills led him to perform with Bon Jovi after winning the XM/Serious Satellite Radio Songwriting Competition, has now set his sights on being a solo artist. The artist who has worked with, and performed alongside names such as, 3 Doors Down, Gilby Clark of Guns N Roses, Jonas and The Massive Attraction, among others, brings to the table his latest single, “Let you Go”, via the RedJam Records indie label. The

lIne – “I wanna kill you in the shower” will certainly garner critical acclaim

Kristoffer Hilmarsson, the artist behind -lIne-, has been in several band line-ups before the forming this project. Hilmarsson has also performed at almost every open stage in his home country, Sweden, as a solo artist. In May 2019 he decided to move his career to the next level by creating -lIne-, and has released 3 singles since then, including “I wanna kill you in the shower”. From the opening jangling jazz guitar intro of his first single “Where You Are”, to the last reverberant notes of his latest release, “Lovely”, you’re subjected to an incredible journey that seamlessly straddles a

Omar Bowing – “Paradox” – is simply breathtaking in its composition and emotive power

Atmospheric, ethereal, moody, dark, progressive … these are all words that come to mind listening to the opening bars of “Paradox” – the latest track from Omar Bowing, featuring singer Tyson Yen. The music is as one would expect from this consummate composer and Guitarviol player – engulfing and entrancing. Using a whole host of rock driven instrumentation, it should not be surprising that the soundscape is lush, expansive and blasting. “The idea of the song,” explains Bowing, “is about the recognition of the power of a Paradox to challenge or even destroy a concept, idea, belief, etc., that is

MORISH RELEASES DEBUT SINGLE “BETTER THAN ME”

The emerging young rapper introduces himself to the world with a confrontational, attention-grabbing track. One of the most exciting young voices emerging on the international scene, Morish is ready to make himself known, and his debut single “Better Than Me,” is the perfect introduction to the young artist. “You will never find nobody better than me,” Morish repeats throughout the song. Addressing a former lover who’s wronged him, he makes a convincing case, taking his heartbreak and turning it into a vengeful send-off. “I wrote you many songs, but this is the last one,” he concludes, triumphantly moving past a

K Swayz – “1st Born” – riding a seemingly unstoppable and forever-cresting wave

Twenty three year old Brandon Nelson aka K Swayz, has been producing for about 8 years now, while he’s been an artist for a one year. The Charleston, SC creative is currently promoting his 11 track project, entitled, “1st Born”. Since this album is meant as an embodiment of the artist’s skillset, it only makes sense that he shows a lot of flexibility. He delivers a lot more than the obvious slide between rapping to singing and juxtaposition of up-tempo vibes and down-tempo tunes. Right from the opening track, “No Matter The Cost” ft. Colossal Capone, he drops mind-blowing switches

YellaCatt – “Super Power Pussy” – exudes an energy that is captivating

YellaCatt’s latest single debut album “Super Power Pussy”. Introduces one of the finest new female talents I’ve heard in a long time. I say new, because she’s new to me. ‘She’ is of course none other than Daniella White aka YellaCatt. A painter who has created her own successful headdress atelier – “The Plumed Serpent’’. Daniella is also sound healer, reiki master, and clairvoyant. So she wears many hats, which all seem to fit her perfectly well. Her approach to song writing is fresh and intelligent, while her performances exude an energy that is captivating. I’m not sure if she

Manu Francois – one of the most innovative independent crossover creatives heard in recent years

Manu Francois known for his rapid fire flow, superb singing, solid writing, sharp as hell production, and iconic rasta hairdo has been one of the more slept on powers in the musical community in recent years, always bubbling underneath the surface of the mainstream on the various audio and video platforms, as well as live sets around the world. Manu’s past work on projects like “Release” (2018) and “Check It” (2017), are just begging to be uncovered. Thankfully, his latest singles from 2019 have been more than just good enough to get noticed; they’ve brought an excellent mix of creativity, self-awareness, and super dope production. Every

Ozaka Bondage – “Tiny Giants” is a colorful, richly textured arrangement

Ozaka Bondage is an energizing indie-electro-pop band from Frankfurt on Main that will motivate you to climb that mountain, ask that girl out, or start that revolution you always wanted. They is nothing short of a bombastic bunch of talented musicians who smoke on their instruments like no one’s business. The accompanying video clip proves it with nothing hidden from view. The groove is infectious, the musicianship is on fire, and the audio mix sparkles.  “Tiny Giants” hits all the right buttons for me. Peaks and valleys in all the right places – even in the solos. Everything builds

Last Ronin: “Meditate” – carefully crafted every lyric and the instrumentation

Last Ronin has been blowing up all over the place. He has a unique style that combines melodic Pop vocals with some of the best produced Dubstep around. When he released his 4-track EP “Incognito” during 2015, I quickly took notice. I was drawn to his style and found myself waiting for what he had next. What he has delivered is the seven track album, “Meditate” that builds upon the sound he started just over 2 years ago. And which is inspired by the likes of KOAN sound, Seven Lions and Mitis. The album opens up with an overload of catchy sounds on “Reconnect” Ft. Kailey Elizabeth that is made to knock the ceiling out of mainstream radio. Subtle synths, pianos and wobbles are everywhere, while the female vocals sound great: “Baby what’s your magic, baby what’s your spell. You got me so attracted, but you put me through your hell.”

The production on this track and the whole album is incredible. The drop on this song is on the more melodic side. The vocals are sweet and smooth, while the bass is linear and consistent. The song construction on this is another strong point, showing that Last Ronin, the man behind the production, has a real talent for crafting music. This is a song that will make people’s heads turn. “Interstellar” has a nostalgic feel to it while keeping Last Ronin’s signature sound intact.

Last Ronin carefully crafted every lyric, the instrumentation, the song order, and nurtured this album like it’s a new born baby. Many people are used to the all-out and upfront nature of Last Ronin displayed through his earlier music, but this album displays every dimension of him.

From start to finish head-bobbing is a must, and at many points it’s hard to stay in your seat and resist jumping up and down with abandon. If you aren’t a fan of EDM or a seasoned veteran it is hard to hate this album. In fact, it’s hard not to absolutely love this album.

The album is packed with carefully chosen lyrics, catchy tunes and high-energy dance numbers that you would expect to find in a club or even in a set of headphones. The album demonstrates that Last Ronin is not only influenced by the hard, rough sounds of dubstep but also the softer sounds of pop and dance music which are also featured on the album.

One of my favorite tracks on the album has to be the slow building “Ancient Past” ft. Tom Evans which starts off sweetly with drops of synthesizers drifting in and out, building up to a powerful chorus which displays why Last Ronin is the one to watch out for.

The simple electronic chords combined with the drums and the harmony between the pads make “Daydream” an essential listen – while it is clear throughout “Desistance” that this track can be admired for its wide variety of explosive Dubstep and electronic sounds that demonstrate how far Last Ronin has come as a producer.

Structurally the songs seem to flow into one another with ease making it seem like the EDM music will never stop. I feel Last Ronin has provided his listeners with a strong album that manages to display his ability to explore new styles whilst maintaining his ability to produce high quality EDM tracks.

February has been an undeniably big month for new music in almost every genre imaginable. Not to be outshone by his contemporaries, EDM now has its certified flavor of the month from Last Ronin.

“Meditate” is definitely an album that fits in with the EDM masses. It does what it sets out to do, and it does it surprisingly well.  The album is filled to the brim with energy and cutting edge arrangements, and just when it’s about to implode, the songs end. Adding dynamic and sultry voices on top of those results brings something emotional and diverse to the table.

This album is going to appeal to a large group of people, and there’s a reason for that. It’s anthemic, it’s energetic, and it embodies all that electronic dance music should without overstaying its welcome. There’s a lot to like about this album and for that reason alone, it gets our sound approval!

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