Sober Season: “You Fool” will captivate legions of ardent followers

Sober Season was created in Barcelona, Spain by two childhood friends – José Valle and Max Mir. They jokingly started to play metal to create a project for their Spanish class, but after realizing metal wasn’t their genre, they kept creating songs until they found out folk-rock was more of their thing. While watching a Talent Show they met Olivia de Rezende and invited her to join the band, thus completing the Sober Season lineup – José Valle (Lead Singer, Lead Guitar, and composer), Max Mir (Drummer, pianist, and co-composer) and Olivia de Rezende (Backup Singer). Sober Season, who has

Kyrre Bjørdal Sæther: “Lost In Love” – a feverishly cohesive earworm

Kyrre Bjørdal Sæther is multi-instrumentalist from Norway. Kyrre who has studied at the prestigious Liverpool Institute for Performing Arts (LIPA) in Liverpool, United Kingdom, where he specialized as a singer and songwriter, has been writing music since his teens. He released his debut album “On My Own” in 2004, and then had a 10 year hiatus before making a comeback. Signed to independent label KBS Productions, Kyrre recently released his brand new single “Lost In Love”, a song he had written in 2016, but rearranged for the single version, giving it a fuller, edgier flavor. Though he had some help

KITARI: “The Scarecrow & the Manor” – authentic carefree, psychedelic sound!

Brooklyn-based psychedelic funkers KITARI Originally formed almost a decade and a half ago in a small Upstate, NY mountain town, by middle school friends Adam Weyant (guitar and vocals) and Jared Rinaldi (bass, vocals and keys), the pair went their separate ways after graduation until the spring of 2014, when they began exchanging music ideas via Facebook and e-mail. Excited about the songs they were writing, they both relocated to NYC and quickly spawned a full set of dynamic, powerful songs. They teamed with talented drummer Jim Saint-Amour and spent a weekend in early March 2016 at Applehead Studios in

Wolvo: “Nothin Right” ft. DAYVID – towards the pop realm of charting electronica

“Nothin Right” by Wolvo is a massive pop dance banger with singer DAYVID on vocals. The lyrics as well as the melodic voice have quite an eclectic effect against the backdrop of the growling synths. DAYVID sings like an instrument, and adds an extra dimension to the heavy percussion and exotic tinkling keys. There’s romance, evocativeness, space, and longing. You can hear it as DAYVID sings “Ain’t nothing right without you” in the chorus section. It’s the one line that’s clearly repeated in the song to create a hook-like attraction. Wolvo here, is stepping between the vastly popular tropical house

Sismo Releases Debut Studio Endeavor, ‘We Crash And Burn’

Sismo , an international music collaborative helmed by French songwriter and guitarist Xavier Cevrin , has released its foray into the industry, a dynamic new single called ‘ We Crash And Burn .’ The infectiously catchy and exceedingly suave track elegantly walks the line between pop sensibility and dance floor prowess, making it a tune that’s sure to ignite clubs and radio stations around the globe. Chronicling the fiery end of a passionate relationship, ‘We Crash And Burn’ is a relatable, anthemic single that’s beautifully orchestrated with an array of tactful beats and synthesizers. The sonic landscape of Sismo’s debut

Blupa Music: “Repetition Of Life” & “Mama Earth (We Shall Meet Again)” provide more strength to the cause

Blupa Music is the retro pop expression of Norwegian guitarist, singer, songwriter and audio recording artist Geir Erlend Roev. He has just released two digital singles – “Repetition Of Life” and “Mama Earth (We Shall Meet Again)”, as well as a double-sided vinyl edition of the same tracks. It’s hard to believe music that sounds at times “so simple” can be so creative. This is music from the heart that will feel good in your soul. Blupa Music has been carving out his own singular niche since his nascent days. He struck creative gold from that point onward, veering from

MC²: “It’s ok” ft. Mojo prod. by Tek Nalo G – groove and flow without preachiness

Louis “LQ” Iverson and Keith ”Smeazy” Passmore, combine the experience, wisdom, and knowledge of everyday life with the mastery of Hip Hop and Soul Music to make up the duo MC². As prior military members, the group got its start in Washington, DC. Now as civilians, and dedicated to the creation of music as well as other avenues of creativity and entertainment, both MCs reside in San Antonio, TX. Smeazy, originally from Raleigh, NC and LQ, from Wichita, KS, find their music influences from artists and groups such as A Tribe Called Quest, Little Brother, BlackStar, Common, J DIlla, The

Burnz: “Life” – a story of internal and external experiences

Burnz, an American hiphop artist from Charleston South Carolina, has dropped his autobiographical single, entitled “Life”. His insights and observations concerning himself, and subsequently his generation can be read from his lyrics sheet as pure prose. Even backed by a solid sonic collage, the signature combustion is still his own. This track jibes with a coast-to-coast aesthetic, as well as golden-era rap sound. Burnz laces this track with lessons learned and memories plucked from his entire life and he places the microscope close to his grind, sharing the harsh beauty and reality of it. Instead of shying away or avoiding certain

Free From Gravity: “Step Into The Sunlight” – an infusion of creativity and fresh air

Free From Gravity fill space with such perfection. It seems every beat, every syllable, and every phrase is calculated and prescribed just the right instrumentation and fill. Not every gap is filled with predictable guitar strums, hums, or piano doodling. If any instrument repeatedly fills space, it will nearly always take on a different sound every time. This band is an infusion of creativity and fresh air in what has become a stale, boring musical landscape. They arrived right on time all the way from Portsmouth, UK. Free From Gravity are needed in the world. They have chops. They have fun,

Lil J the white rapper from Westwood

Lil J is a white rapper from Westwood MA and a current student at Bryant University. He writes over both classic and original hip-hop beats. Rap is his true passion, almost to the point of obsession. He says his music can be considered “clowning”. After the release of his “Idols” EP, where he paid homage to his heroes and idols, Lil J came back with the follow-up, “Idols 2”, which over and above containing songs to his idols, also discusses Lil J’s dreams as a rapper.  He is following that up with his new mixtape, “Stoner Chick” which which dropped on 2/14. How long have you been in

Last Ronin: “Meditate” – carefully crafted every lyric and the instrumentation

Last Ronin has been blowing up all over the place. He has a unique style that combines melodic Pop vocals with some of the best produced Dubstep around. When he released his 4-track EP “Incognito” during 2015, I quickly took notice. I was drawn to his style and found myself waiting for what he had next. What he has delivered is the seven track album, “Meditate” that builds upon the sound he started just over 2 years ago. And which is inspired by the likes of KOAN sound, Seven Lions and Mitis. The album opens up with an overload of catchy sounds on “Reconnect” Ft. Kailey Elizabeth that is made to knock the ceiling out of mainstream radio. Subtle synths, pianos and wobbles are everywhere, while the female vocals sound great: “Baby what’s your magic, baby what’s your spell. You got me so attracted, but you put me through your hell.”

The production on this track and the whole album is incredible. The drop on this song is on the more melodic side. The vocals are sweet and smooth, while the bass is linear and consistent. The song construction on this is another strong point, showing that Last Ronin, the man behind the production, has a real talent for crafting music. This is a song that will make people’s heads turn. “Interstellar” has a nostalgic feel to it while keeping Last Ronin’s signature sound intact.

Last Ronin carefully crafted every lyric, the instrumentation, the song order, and nurtured this album like it’s a new born baby. Many people are used to the all-out and upfront nature of Last Ronin displayed through his earlier music, but this album displays every dimension of him.

From start to finish head-bobbing is a must, and at many points it’s hard to stay in your seat and resist jumping up and down with abandon. If you aren’t a fan of EDM or a seasoned veteran it is hard to hate this album. In fact, it’s hard not to absolutely love this album.

The album is packed with carefully chosen lyrics, catchy tunes and high-energy dance numbers that you would expect to find in a club or even in a set of headphones. The album demonstrates that Last Ronin is not only influenced by the hard, rough sounds of dubstep but also the softer sounds of pop and dance music which are also featured on the album.

One of my favorite tracks on the album has to be the slow building “Ancient Past” ft. Tom Evans which starts off sweetly with drops of synthesizers drifting in and out, building up to a powerful chorus which displays why Last Ronin is the one to watch out for.

The simple electronic chords combined with the drums and the harmony between the pads make “Daydream” an essential listen – while it is clear throughout “Desistance” that this track can be admired for its wide variety of explosive Dubstep and electronic sounds that demonstrate how far Last Ronin has come as a producer.

Structurally the songs seem to flow into one another with ease making it seem like the EDM music will never stop. I feel Last Ronin has provided his listeners with a strong album that manages to display his ability to explore new styles whilst maintaining his ability to produce high quality EDM tracks.

February has been an undeniably big month for new music in almost every genre imaginable. Not to be outshone by his contemporaries, EDM now has its certified flavor of the month from Last Ronin.

“Meditate” is definitely an album that fits in with the EDM masses. It does what it sets out to do, and it does it surprisingly well.  The album is filled to the brim with energy and cutting edge arrangements, and just when it’s about to implode, the songs end. Adding dynamic and sultry voices on top of those results brings something emotional and diverse to the table.

This album is going to appeal to a large group of people, and there’s a reason for that. It’s anthemic, it’s energetic, and it embodies all that electronic dance music should without overstaying its welcome. There’s a lot to like about this album and for that reason alone, it gets our sound approval!

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