THE RIFT: “Rock Narcotic”shows off some impressive performance abilities

Los Angeles hard rock trio THE RIFT is made up of brothers Aris Anagnos (Vocals, Guitar), John Anagnos (Bass) and Ovais Malik (Drums). Since forming in 2009, they have played alongside the likes of Exodus, Yngwie Malmsteen, The Misfits, among others. Their 2016 full-length debut “INVENTIONS” caught the attention of the media, industry insiders and radio stations, as well as Grammy winning producer Brandon Friesen who has worked with Alice in Chains and Nickelback . Now 2017 sees the band release their brand new single “Rock Narcotic”, which is music on THE RIFT own terms, and really, that’s all you

LeeSon Bryce: “The Proelium EP” – some of the most diverse talent around this genre

Briceson Lee, artistically known as LeeSon Bryce, was born in Kansas City, MO and raised in Lee Summit, MO (south of Kansas City). First as a drummer for his church since the age of 12, then as a college graduate, manager, and an affiliate owner of a nutrition company LeeSon has always been influenced by music. Now at 23, he is adamant in pursuing what has always been his true passion. Teaming up with other local artists and DJs such as Oblivinatti and Buck, LeeSon Bryce sets out to prove himself in the music industry. The first challenge comes from

MusicMegaBox.net – Listen To Music In Your Own Language!

It is always comforting to see that the website you just accessed is available in your language. Well, MusicMegaBox.net (you can read more about this music service here) is proud to release its French and German versions. While it may not be a problem to look for the music you like in English, which is a universal language, used on every website available on the Internet, using your own language means accessing a greater variety of details. You will know the meaning of every word on the website and you will certainly find what you’re looking for a lot faster.

Liquid Lunch: “Sketches 2 Seed” – an infectious and smoldering staple

Ken Eagle and Michele Akers discovered each other’s musical abilities after meeting at a dance in May 2014 and formed a duo in late October of the same year. They booked their first gig a month later…prior to having any material ready, and were forced to burn the midnight candle before successfully completing the gig with a 40 song repertoire. The duo, Liquid Lunch has now played in excess of 200 Gigs, performing at more than 50 different venues and travelling in excess of 160,000kms across the state of South Australia. Through it all Eagle and Akers, now bring to

DabriaLive Records Presents the heart and soul singer Anette Mendoza

Anette Mendoza, one of the original members of the Dabria duet which originated in 2011, has performed by request in various places such as Japan, Korea, UAE, and Indonesia among others establishing a solid reputation as a singer and performer. Anette, who started singing when she was 5, has also recorded the song, “I will do anything for love”, with Philippine artist – and first ‘Pilipinas Got Talent’ winner – Jovit Baldivino. Inspired by her late father, who himself was an excellent singer, Anette decided to sing professionally at the tender age of 7, starting out with covers by artists

KonQuestNow: “NOP (No One’s Perfect)” ft. STP & J.Morgan – an assemblage of uncanny language

The preconceived notions of what a KonQuestNow (VerseBorn & Wreck The Rebel) track is going to be like are plentiful well before you even press play. This has been a boon to their career, in what has become a viral habit of either hating or loving something based almost solely on your own personal internet culture and what your daily feed prompts you to feel about a certain subject. The collective’s name has become synonymous with great lyrics, superb beats, and originality. On their latest track “NOP (No One’s Perfect)”,  produced by Wreck The Rebel, featuring  STP & J.Morgan,  KonQuestNow

Enzo Sprigg: “Cosmic Bipolar Nebula” – therapeutic and cathartic

Enzo Sprigg is a creative electronic singer-songwriter, as well as a visual artist who illustrates his own album covers, creates the costumes in his videos and has even hand drawn and animated videos for his songs. Sprigg has just recently thrown down his therapeutic and cathartic 12-track “Cosmic Bipolar Nebula”, his third album. It’s with his continued freedom and internal exploration that Enzo Sprigg returns with a new recording, while showing a mature growth from his earlier releases. The album opens with “Raygun Love Transmission”, a beautifully sewn together song with distorted instrumentals and yearning vocals that create luscious textures

Stori Brooks: “Parachutes” – a potential for greatness

Stori Brooks has been a lot of things in her career: producer, poet, conflicted rapper, scenic storyteller. While her versatility keeps her afloat, it’s tough to get a bead on exactly who Brooks is and what she stands for—is she the conscious backpacker or the straight-talking street girl? She embodies the urban alternative, and she’s working on an album, to be entitled, “EVERYTHING IS GR8”, that offers her full narrative. The first single, “Parachutes”, taken off the upcoming album offers insight into her essence, finding the rapper at her most reflective. Maybe she’s assessing her current status and how she

Samantha Bouquin: “Contemplations on Solitude and Strings” – highly expressive

Connoisseurs of experimental or avant-garde chamber music may already know of Samantha Bouquin’s inventive and entrancing sounds. This is music of great integrity, startling vitality, and striking originality, yet it is virtually unknown outside the cult following that has appreciated these ingenious compositions. A cross between homespun classical populism and the sophisticated experimentation of the avant-garde, Bouquin’s music follows in the iconoclastic tradition of forward thinking composers, but with its own frank expression, exuberance, and wayward charm; yet it is also accessible to the casual listener in the directness of its material and the clarity of its techniques, no matter

My Silent Bravery: “Got it Going On” – a strong hook, and a nagging melody

“Got it Going On” is the latest single from My Silent Bravery and is the first track taken from the highly anticipated album “Willing to Try”. The song was featured on XM Sirius Satellite radio station XM The Pulse on Train Tracks with Pat Monahan, while the video premiered via the Huffington Post. Co-written and produced by Jim McGorman (Gwen Stefani, Avril Levine, Poison) the album features 12 tracks and will be released in 3 separate Eps over the next year. My Silent Bravery is the moniker used by Matthew Wade, and is meant to symbolize “persistence, perseverance and inner

Last Ronin: “Meditate” – carefully crafted every lyric and the instrumentation

Last Ronin has been blowing up all over the place. He has a unique style that combines melodic Pop vocals with some of the best produced Dubstep around. When he released his 4-track EP “Incognito” during 2015, I quickly took notice. I was drawn to his style and found myself waiting for what he had next. What he has delivered is the seven track album, “Meditate” that builds upon the sound he started just over 2 years ago. And which is inspired by the likes of KOAN sound, Seven Lions and Mitis. The album opens up with an overload of catchy sounds on “Reconnect” Ft. Kailey Elizabeth that is made to knock the ceiling out of mainstream radio. Subtle synths, pianos and wobbles are everywhere, while the female vocals sound great: “Baby what’s your magic, baby what’s your spell. You got me so attracted, but you put me through your hell.”

The production on this track and the whole album is incredible. The drop on this song is on the more melodic side. The vocals are sweet and smooth, while the bass is linear and consistent. The song construction on this is another strong point, showing that Last Ronin, the man behind the production, has a real talent for crafting music. This is a song that will make people’s heads turn. “Interstellar” has a nostalgic feel to it while keeping Last Ronin’s signature sound intact.

Last Ronin carefully crafted every lyric, the instrumentation, the song order, and nurtured this album like it’s a new born baby. Many people are used to the all-out and upfront nature of Last Ronin displayed through his earlier music, but this album displays every dimension of him.

From start to finish head-bobbing is a must, and at many points it’s hard to stay in your seat and resist jumping up and down with abandon. If you aren’t a fan of EDM or a seasoned veteran it is hard to hate this album. In fact, it’s hard not to absolutely love this album.

The album is packed with carefully chosen lyrics, catchy tunes and high-energy dance numbers that you would expect to find in a club or even in a set of headphones. The album demonstrates that Last Ronin is not only influenced by the hard, rough sounds of dubstep but also the softer sounds of pop and dance music which are also featured on the album.

One of my favorite tracks on the album has to be the slow building “Ancient Past” ft. Tom Evans which starts off sweetly with drops of synthesizers drifting in and out, building up to a powerful chorus which displays why Last Ronin is the one to watch out for.

The simple electronic chords combined with the drums and the harmony between the pads make “Daydream” an essential listen – while it is clear throughout “Desistance” that this track can be admired for its wide variety of explosive Dubstep and electronic sounds that demonstrate how far Last Ronin has come as a producer.

Structurally the songs seem to flow into one another with ease making it seem like the EDM music will never stop. I feel Last Ronin has provided his listeners with a strong album that manages to display his ability to explore new styles whilst maintaining his ability to produce high quality EDM tracks.

February has been an undeniably big month for new music in almost every genre imaginable. Not to be outshone by his contemporaries, EDM now has its certified flavor of the month from Last Ronin.

“Meditate” is definitely an album that fits in with the EDM masses. It does what it sets out to do, and it does it surprisingly well.  The album is filled to the brim with energy and cutting edge arrangements, and just when it’s about to implode, the songs end. Adding dynamic and sultry voices on top of those results brings something emotional and diverse to the table.

This album is going to appeal to a large group of people, and there’s a reason for that. It’s anthemic, it’s energetic, and it embodies all that electronic dance music should without overstaying its welcome. There’s a lot to like about this album and for that reason alone, it gets our sound approval!

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