Sober Season: “You Fool” will captivate legions of ardent followers

Sober Season was created in Barcelona, Spain by two childhood friends – José Valle and Max Mir. They jokingly started to play metal to create a project for their Spanish class, but after realizing metal wasn’t their genre, they kept creating songs until they found out folk-rock was more of their thing. While watching a Talent Show they met Olivia de Rezende and invited her to join the band, thus completing the Sober Season lineup – José Valle (Lead Singer, Lead Guitar, and composer), Max Mir (Drummer, pianist, and co-composer) and Olivia de Rezende (Backup Singer). Sober Season, who has

Kyrre Bjørdal Sæther: “Lost In Love” – a feverishly cohesive earworm

Kyrre Bjørdal Sæther is multi-instrumentalist from Norway. Kyrre who has studied at the prestigious Liverpool Institute for Performing Arts (LIPA) in Liverpool, United Kingdom, where he specialized as a singer and songwriter, has been writing music since his teens. He released his debut album “On My Own” in 2004, and then had a 10 year hiatus before making a comeback. Signed to independent label KBS Productions, Kyrre recently released his brand new single “Lost In Love”, a song he had written in 2016, but rearranged for the single version, giving it a fuller, edgier flavor. Though he had some help

KITARI: “The Scarecrow & the Manor” – authentic carefree, psychedelic sound!

Brooklyn-based psychedelic funkers KITARI Originally formed almost a decade and a half ago in a small Upstate, NY mountain town, by middle school friends Adam Weyant (guitar and vocals) and Jared Rinaldi (bass, vocals and keys), the pair went their separate ways after graduation until the spring of 2014, when they began exchanging music ideas via Facebook and e-mail. Excited about the songs they were writing, they both relocated to NYC and quickly spawned a full set of dynamic, powerful songs. They teamed with talented drummer Jim Saint-Amour and spent a weekend in early March 2016 at Applehead Studios in

Wolvo: “Nothin Right” ft. DAYVID – towards the pop realm of charting electronica

“Nothin Right” by Wolvo is a massive pop dance banger with singer DAYVID on vocals. The lyrics as well as the melodic voice have quite an eclectic effect against the backdrop of the growling synths. DAYVID sings like an instrument, and adds an extra dimension to the heavy percussion and exotic tinkling keys. There’s romance, evocativeness, space, and longing. You can hear it as DAYVID sings “Ain’t nothing right without you” in the chorus section. It’s the one line that’s clearly repeated in the song to create a hook-like attraction. Wolvo here, is stepping between the vastly popular tropical house

Sismo Releases Debut Studio Endeavor, ‘We Crash And Burn’

Sismo , an international music collaborative helmed by French songwriter and guitarist Xavier Cevrin , has released its foray into the industry, a dynamic new single called ‘ We Crash And Burn .’ The infectiously catchy and exceedingly suave track elegantly walks the line between pop sensibility and dance floor prowess, making it a tune that’s sure to ignite clubs and radio stations around the globe. Chronicling the fiery end of a passionate relationship, ‘We Crash And Burn’ is a relatable, anthemic single that’s beautifully orchestrated with an array of tactful beats and synthesizers. The sonic landscape of Sismo’s debut

Blupa Music: “Repetition Of Life” & “Mama Earth (We Shall Meet Again)” provide more strength to the cause

Blupa Music is the retro pop expression of Norwegian guitarist, singer, songwriter and audio recording artist Geir Erlend Roev. He has just released two digital singles – “Repetition Of Life” and “Mama Earth (We Shall Meet Again)”, as well as a double-sided vinyl edition of the same tracks. It’s hard to believe music that sounds at times “so simple” can be so creative. This is music from the heart that will feel good in your soul. Blupa Music has been carving out his own singular niche since his nascent days. He struck creative gold from that point onward, veering from

MC²: “It’s ok” ft. Mojo prod. by Tek Nalo G – groove and flow without preachiness

Louis “LQ” Iverson and Keith ”Smeazy” Passmore, combine the experience, wisdom, and knowledge of everyday life with the mastery of Hip Hop and Soul Music to make up the duo MC². As prior military members, the group got its start in Washington, DC. Now as civilians, and dedicated to the creation of music as well as other avenues of creativity and entertainment, both MCs reside in San Antonio, TX. Smeazy, originally from Raleigh, NC and LQ, from Wichita, KS, find their music influences from artists and groups such as A Tribe Called Quest, Little Brother, BlackStar, Common, J DIlla, The

Burnz: “Life” – a story of internal and external experiences

Burnz, an American hiphop artist from Charleston South Carolina, has dropped his autobiographical single, entitled “Life”. His insights and observations concerning himself, and subsequently his generation can be read from his lyrics sheet as pure prose. Even backed by a solid sonic collage, the signature combustion is still his own. This track jibes with a coast-to-coast aesthetic, as well as golden-era rap sound. Burnz laces this track with lessons learned and memories plucked from his entire life and he places the microscope close to his grind, sharing the harsh beauty and reality of it. Instead of shying away or avoiding certain

Free From Gravity: “Step Into The Sunlight” – an infusion of creativity and fresh air

Free From Gravity fill space with such perfection. It seems every beat, every syllable, and every phrase is calculated and prescribed just the right instrumentation and fill. Not every gap is filled with predictable guitar strums, hums, or piano doodling. If any instrument repeatedly fills space, it will nearly always take on a different sound every time. This band is an infusion of creativity and fresh air in what has become a stale, boring musical landscape. They arrived right on time all the way from Portsmouth, UK. Free From Gravity are needed in the world. They have chops. They have fun,

Lil J the white rapper from Westwood

Lil J is a white rapper from Westwood MA and a current student at Bryant University. He writes over both classic and original hip-hop beats. Rap is his true passion, almost to the point of obsession. He says his music can be considered “clowning”. After the release of his “Idols” EP, where he paid homage to his heroes and idols, Lil J came back with the follow-up, “Idols 2”, which over and above containing songs to his idols, also discusses Lil J’s dreams as a rapper.  He is following that up with his new mixtape, “Stoner Chick” which which dropped on 2/14. How long have you been in

Robert Hunter: “Afterglow” – casts a magnetic spell over the music

Robert Hunter is an American singer-songwriter who has released two EP’s, 2016’s “Outta My Mind” and the current “Afterglow” – recorded in Nashville TN, and is already working on his third studio album with producer Dave Bechtel. “Afterglow” features the single “Gone for Good” accompanied by music video, filmed by Austin Hein Productions – one of the industry’s hottest music video production companies. Robert Hunter’s album is awesome. It sounds great; the tightness and the fidelity is how any artist out there would want their album to sound like. Dave Bechtel did a great job producing it, as did Eric Conn mastering it.

Hunter and all of the musicians that played on the record, on the other hand, did an awesome job making it. Robert Hunter’s voice was made for rock and alternative music. There’s a lot of power in it, but it remains smooth, and his voice can also express a lot of emotion.

“Afterglow” ticks most of the boxes for what makes good alt-rock these days: singable hooks, stompy riffs, soaring melodies, moody vocals and tons of edgy emotion. Besides being well-produced, the track list is nicely balanced, and Robert Hunter’s raspy vocals casts a magnetic spell over the music that has just enough rawness to it to make more interesting than your average mainstream rock, but catchy enough to cast an eye at the radio charts.

The catchy opening title track, “Gone For Good” (the album’s lead single), is pure rock n’ roll bliss with dynamic instrumentation and an anthemic vocal that will have you singing along and pumping you fist into the air.

The title track “Afterglow” is a straight-up romantic power ballad, which has so many emotional and radio friendly nuances, both vocally and musically, it will have you on your knees begging for more, long after the final note has been played.

However there are plenty of other radio-friendly moments to be found in tunes like “In The Middle” (destined for live crowds to echo the lung-bursting choruses) and the sentimental “Ditto Baby”, with slow burning melody and Robert Hunter’s incredible high flying voice, before closing the 5 track show down, with the steam-rolling rhythm of “Cable”.

Robert Hunter seems hell-bent on presenting himself as the archetypal and quintessential modern-day alt rocker—and he completely succeeds. Never is this more present than in this adrenaline pumping compilation of songs. I’m not easily impressed by contemporary rock singers, having grown up to the tunes of the legends of our time, but Robert Hunter is someone to seriously listen to.

Apart from his far-reaching vocal range and deeply emoting tones, Hunter has perfect diction – a quality often overlooked in singers. Meaning you never miss a single phrase or word of what he’s trying to tell you in each song.

Rock music still has a core audience that respects its authentic sound. But in order to be successful in this particular genre you have to be smart in terms of musical IQ and really care about your music. Robert Hunter is true to his craft and it comes shining through on “Afterglow”. So much so that even a non-rock-music fan will enjoy the vibrant musical combination that he brings to the table on this release.

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