Natalie Jean and Levi Moore: “The Letting Go” speaks the language of the ordinary person

A good duet, in our modern age, is a rare thing. There are plenty of features, guest verses and co-writes, and the cameo drop-in is a dime a dozen. The number of genuine duets, where vocalists share verses and tell a story together in the space of a song, is very small. If your optimism fails you, as you wonder whether there are enough great acts to keep hit radio stocked with worthy pop music duets, it’s reassuring to find that Natalie Jean and Levi Moore have a first-rate single to carry us through the next few months, all by itself. The

MAKI: ‘Waking Up With The World On Fire’ – truly majestic — grandiose, slowly unfolding, and extremely cinematic

The world is a fragmented place, with fear and hate giving rise to isolationist movements around the globe and huge portions of the population turning inward rather than outward towards each other. As such waves of bigotry spread like wildfire, the music scene becomes extremely important, not just because it means more great music, but because it connects us all together on a wavelength that hits the human heart, soul and mind even harder, faster and deeper than anger can. A creative constant in the field of communicative contemporary Instrumental music, is MAKI who focuses his ample talents on a

3 Phase – ready for genre domination!

The names Chirag Shah, Prasham Deliwala and Melvin Saldana may in themselves not ring a familiar bell in your ear right now. Probably, neither will the moniker ‘3 Phase’, nor their 6 track self-titled EP. It’s logical, it’s the law of the industry’s hype machine – cast a light on the big label clones, and leave the independent creatives in the shadows. Luckily the internet has a different set of rules.  On hearing the 3 Phase EP, the lofty ambition, the focus and dedication of this creative collective of producers, songwriters and vocal talent, makes sense – its six tracks

Sy: “Get Out Of My Dreams” – grab this R&B and Soul extravaganza

The singer, songwriter and author, Sy, releases a brand new single produced by Rueben Wood. The track “Get Out Of My Dreams” is the first single release written by the artist in 2018, since writing two self-help books, “A Swan Among Ducks” and “Saying Yes to (No): Learning the Power of (No) before the end of 2017. This track soulfully captures the spirit and feel of the emotional journey of grown womanhood. It is juicy, dynamic, soulful, gorgeous, and it is nourishment for the soul…and mind, as it examines the intricacies of a relationship built on want and lust. As

IJK: “Johnny & June” – sounds invigorated!

Alternative rock artist Imad Jack Karam, known by his initials and stage name IJK, is a Dubai-based, Lebanese singer-songwriter, who has released critically acclaimed songs and recorded with internationally known music producers in prestigious London studios. Both his singles “Space Odyssey” and “Dancing Shadows” garnered a positive reception from fans and critics alike. IJK has a style that can move between edgy modern-day alt-rock and sixties rock n’ roll crooning.  He recently published his latest single and supporting, fully animated video, for the song “Johnny & June”. So, how does this new offering cope? Very well, in truth. “Johnny &

TRVP HIPPI3Z: “On Lock” – no lack of muscular skill-flexing!

TRVP HIPPI3Z is a Canadian rap duo who just dropped their latest single entitled, “On Lock”.  Listeners beware. This product has been known to blow up and cause fires in a variety of stereo systems, due to the super-hot fire provided by this crew. TRVP HIPPI3Z is a team-up that has risen as great exemplars of righteous chaos. Their supersonic sound and hard-nosed imagery gives them a mysterious sheen, but the duo have grounded themselves via booming production, and a sonorous verbal presence, coupled with their willingness to fuck you up. Their chest-beating bravado is explosive on “IDGAF (Prod. THZ)”,

Eddy Mann: “Simple Things” will leave you breathless and in a state of euphoria

At first as a musician, I created music, then as an A&R executive I challenged it, now as a music reviewer, I explore it.  Of the three, the latter is the most difficult. Criticizing or appraising somebody else’s creation is no easy task. Enjoying it is one thing, understanding it another, and translating it is even more arduous. The funny thing is, I’ve always hated describing music. It’s such a volatile and subjective art, that nobody should really have the authority or the presumptuous audacity to judge the level of enjoyment or emotion any one piece of music is capable

Kitson Lau: “Be By Your Side” – an expressive paean to love’s transformative powers

Kitson Lau wears many hats – a musician, songwriter, singer and graphic designer, he is also a medical graduate. Initially without any musical background, Kitson became inspired by Norwegian record producer and DJ, Alan Walker. This passion drove him to learn music and song production. And soon, with dedication and focus Kitson Lau hit the top of the China Kanjian ING 10 Charts with his Mandopop albums. Since signing to Sony Music Entertainment Malaysia, Kitson has been encouraged to record English songs, so now he is making his official debut via Sony, with the song “Be By Your Side”, which

Earpiphany: “Ultraviolet Dreams and Other Songs” – multi-faceted emotions

Dan G.Hagerman aka Earpiphany is a songwriter, arranger, composer who writes many genres, including his latest pop-rock offering, “Ultraviolet Dreams”, done with Aubrey Whitfield, a talented female music producer from the U.K. who also does the vocals. The track is taken from the “Ultraviolet Dreams and Other Songs” EP. Dan lives near Los Angeles with his lovely Japanese wife of thirty-five years, Reiko, and his daughter, Holly. “We love Japan, sushi and Huskies!” affirms Hagerman. In any potential mythology built up around the music of Earpiphany on “Ultraviolet Dreams”, Whitfield may represent an irrepressibly sanguine voice and Hagerman the barbed

Emmanuel Dalmas – a natural ear for a good melody!

Emmanuel Dalmas is a multi-genre music composer from the South West of France. A company founder and high level executive in the scientific industry he started composing in late November 2016 as a weekend hobby, and continued feeling an intense growing pleasure in learning more and progressing in music composition. Dalmas has since been consolidating both his craft and catalog, with a series of single releases that move between Pop, Easy Listening, EDM, as well songs in his native French tongue. From his home studio Emmanuel produces instrumental and vocal tracks, engaging talented male and female voices to complete his

Boy in the Rain: “Wave” – a fine assemblage of piano mastery

Boy in the Rain is a composer and solo artist. His style draws heavily from classical and romantic periods, stemming from the traditional piano studies of his youth, but incorporates modern styles into a unique contemporary fashion.  His latest album, “Wave,” is a collection of original piano solos. The piano has a chief interest of exploration for many composers. Through the history of music we can even certify the following: static discoveries and dynamic ones. Bartok, for example, in many of his solo piano pieces is always certain when to use an incomplete chord, which register and which inversion to choose. Thus he made many static discoveries. He would play something like any major triad in the 4th octave, together with an additional third in the 2nd octave, producing a slight dissonance due to a clash of acoustic overtones.

Ravel, Ligeti, and many others, of course, were interested in dynamic means of expression. This is the same expression that interests me, for the simple reason that I don’t want to be challenged by piano music, but rather be emotionally soothed or stimulated by it. Hence when I came across Boy in the Rain’s dynamic playing on “Wave”, I was excited from the get go.

The album contains a real wealth of beautiful music – 15 tracks to be exact. The track titles range from specific imagery (“Scars”) to more amorphous concepts (“Plunge”), but they are all gems to listen to, even without the track titles as a reference.

The music is incredibly relaxing and does what great music is supposed to: transport the listener to another place. Whether you listen intently to the music, or as background for work or something, you cannot help but be moved.

Boy in the Rain does an excellent job on the piano. While none of the songs beg to be described as virtuoso showpieces – and I don’t even think that is part of Boy in the Rain’s intention – nevertheless they show he has a master’s touch at the keyboard; phrasings, dynamics, and ornaments are all so well done.

The essential nature of this fine assemblage of piano mastery makes this album a real treat for any world weary soul. Boy in the Rain is a clear and powerful voice amidst a sea of so-so, same pretension, masking as musical talent. The ambient nature of this man’s playing will fill your home with a harmonic richness that serves to pamper your soul with each listen.

He carves a soundtrack for lovers, for loneliness, and for living. His fleeting piano has that feeling we often associate with the sound; bittersweet, morosely fulfilled, with an undercurrent of swift, raw emotion –an easy way to the heart, but it’s an addicting sensation.

The great expression and emotion in his compositions is perfectly clear. From “If I Lived Again”, to “Song For Sarah” and “Flutter” it is hard not to be moved by Boy in the Rain’s dynamic playing. On this album he has pushed his sonic visions to the fore, as “Wave” is anything but incidental instrumental music.

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