North Carolina Jimmy Bones Releases his first major Single worldwide

From River Head, Long Island, NY by way of Elizabeth City NC emerges Jimmy Bones and his long awaited Single, “Goin In” Feat. Ms. B now available on ITunes, Spotify, Amazon, Apple Music, and Google Music worldwide Jimmy Bones is Goin In, all the way in with this first major Single release. Signed to Indie Label, out of Muncie, Indiana, G.I. Records LLC, a label that is known for breaking artists, from Indie to Major, one hit at a time. Jimmy Bones lives the life that he writes and raps about; his music is his blood. The Hip Hop Rap

Myja display a very specific amount of fearlessness

Los Angeles, CA-based side project Myja featuring Michael Marquart and Jacob Bunton release their debut self-titled album on January 12th, 2018. The record was produced, engineered and mixed by Jason Elgin (Maylene & The Sons Of Disaster, Collective Soul), at The Barn, Marquart’s studio in Malibu, CA. In today’s world of singles, short attention spans and immediate gratification, it goes against the grain to release a 10 track rock album. But then I guess that Myja are not a band to go along with the crowd. Let’s face it: Being a classic rock band in 2018 requires a very specific

Andrew Gerard: “Run Away With Me” – This album has much to offer listeners

Canadian singer, guitarist and songwriter Andrew Gerard was born in Ottawa, and grew up on Vancouver Island. He is also known as Gerard The Hypnotist from the TV series Mindfreak with Criss Angel. Departing from TV and the world of magic after a car accident he rediscovered music while recovering. Discovered by LA Producer Ran Pink who produced his “Two Birds” recording at Fonogenic Records in LA, Andrew has just released his brand new full-length album “Run Away With Me”. Two songs on the album – the titular track and “Miracles” was produced by Danny Craig, while “Shine” and “Rewind”

NOAH ARCHANGEL & THE BAND OF THE HAWK – “THE MASCHINE WARS: SONGS OF SOLOMON”

The Maschine Wars: Songs of Solomon is a journey more complex and original, yet more accessible than anything Noah Archangel & The Band of the Hawk may have released before it. The fact that it exists at all is testament to the projects perseverance, raw talent, and prophetic direction with which Noah Archangel, King Aka Yeaux Majesty, Ash Ra Aka Houey Freeman Fka Ashtonomics, P.ey3, Grynd Seazon, and Juskwam steer the good ship Band of the Hawk aka BOHUP, to the richest musical waters; plucking out those worth bringing along on their musical voyage and creating records greater than the

Interview: Miles Casella Getting ready for Live Show in new Orleans!

Miles Casella is a Hip-Hop artist from Baton Rouge, LA, who has released several projects under different aliases since 2014. Miles blends Hip-Hop, Jazz, and Blues to create his own eclectic style. He has just released his album “The Sidewalk Flower” which illustrates the view of a small-town kid caught up in the city life. Apparently many of the recordings used for this album were recorded curbside. Miles Casella has an upcoming show on January 21st, 2018 at The Willow Uptown in New Orleans, Louisiana. Shows starts at: 6:30pm – Tickets are $12.00 dollars each. This will be the second

Esteban Alvarez: “Piano meets Mariachi” ft. El Mariachi Nuevo Tecalitlán – sophisticated and ambitious

Esteban Alvarez is an award-winning pianist and composer, originally from San José, Costa Rica. Ever since relocating to Texas USA to study music, his priority and goal has been to bridge cultures through my music. His idea was to bring the noble elegance of the piano together with the folkloristic vibrancy of the Mariachi. Hence he launched the album project entitled “Piano meets Mariachi”, which became a reality in 2017. The resulting recording features eight tracks and a 15-piece Mariachi band – El Mariachi Nuevo Tecalitlán, known as one of the best bands of their genre. The collective represents a

T.C. Crosser: “The Book of Arius – Act I” – versatility, sensitivity, and humility

After years of composing, playing and producing indie and punk, pianist T.C. Crosser moved towards combining chamber strings and rock/pop to tell narrative stories with instrumental music. The composer has also scored music for commercials (such as Microsoft), television (such as Visionaries: Inside The Creative Mind), and performance art companies (such as Leslie Seiters Dance). His latest release, “The Book of Arius – Act I”, is a four movement narrative for string quartet which explores three distinct points in T.C. Crosser life. The recording was done using a 14 mic array for the string quartet and then processed through a

Collegians: “Black Mass” – a hardline anti-establishment stance

Collegians occupy a unique place among the constellation of alternative rock acts that have emerged in the last few years. They seem as interested in the pop half of that portmanteau, while still creating a progressive hard-hitting swamp that sprouts elements of rock, electronic, and proto-industrial acts. It’s an admirable path to travel, as a lesser band would just as easily replicate the sounds of mainstream radio or the genre’s past successes. Instead, Glenn Patrick (Vocal, Guitar), Gerry Leigh (Guitar, Vocals), James Leigh (Keyboard, Bass) and Vince Leigh (Drums) have made moves to maintain their path of sonic evolution which they started with their stunning, critically acclaimed

Amaal: “Need It Too” – The chorus is incredibly catchy, latching upon the first listen

Amaal is a pop singer from Washington D.C. who has struggled with chronic pain and depression for years, and music has been a key in relief of his symptoms. He has been studying and performing music since he was 4 years old, and started taking singing lessons as he gravitated towards pop and jazz at fourteen. “Need It Too”, Amaal’s latest single makes the statement it needs to. The newcomer’s distinctive voice cuts through the melody sliding up and down the scales and packed with soul. From this point on he’s definitely on a winning streak as he impresses with his

Roubix: “Girls” – bolstered by the steady pulse of electro music

Synth-pop artist Roubix, who started his career in 2011, is still something of an enigma in the underground music business. Owned by two record companies, his identity has never been confirmed. The artist who performs live and records his music between Stockholm, Sweden and London, had a stint in the United Kingdom selections for 2014 Eurovision contest, and will apparently again be up for representing the UK in Eurovision 2018 in Lisbon, Portugal with his brand new song “Girls”. Roubix’s sound has expanded its horizons. That audible love of the 80s is still present, but the synths are bolstered by

Boy in the Rain: “Wave” – a fine assemblage of piano mastery

Boy in the Rain is a composer and solo artist. His style draws heavily from classical and romantic periods, stemming from the traditional piano studies of his youth, but incorporates modern styles into a unique contemporary fashion.  His latest album, “Wave,” is a collection of original piano solos. The piano has a chief interest of exploration for many composers. Through the history of music we can even certify the following: static discoveries and dynamic ones. Bartok, for example, in many of his solo piano pieces is always certain when to use an incomplete chord, which register and which inversion to choose. Thus he made many static discoveries. He would play something like any major triad in the 4th octave, together with an additional third in the 2nd octave, producing a slight dissonance due to a clash of acoustic overtones.

Ravel, Ligeti, and many others, of course, were interested in dynamic means of expression. This is the same expression that interests me, for the simple reason that I don’t want to be challenged by piano music, but rather be emotionally soothed or stimulated by it. Hence when I came across Boy in the Rain’s dynamic playing on “Wave”, I was excited from the get go.

The album contains a real wealth of beautiful music – 15 tracks to be exact. The track titles range from specific imagery (“Scars”) to more amorphous concepts (“Plunge”), but they are all gems to listen to, even without the track titles as a reference.

The music is incredibly relaxing and does what great music is supposed to: transport the listener to another place. Whether you listen intently to the music, or as background for work or something, you cannot help but be moved.

Boy in the Rain does an excellent job on the piano. While none of the songs beg to be described as virtuoso showpieces – and I don’t even think that is part of Boy in the Rain’s intention – nevertheless they show he has a master’s touch at the keyboard; phrasings, dynamics, and ornaments are all so well done.

The essential nature of this fine assemblage of piano mastery makes this album a real treat for any world weary soul. Boy in the Rain is a clear and powerful voice amidst a sea of so-so, same pretension, masking as musical talent. The ambient nature of this man’s playing will fill your home with a harmonic richness that serves to pamper your soul with each listen.

He carves a soundtrack for lovers, for loneliness, and for living. His fleeting piano has that feeling we often associate with the sound; bittersweet, morosely fulfilled, with an undercurrent of swift, raw emotion –an easy way to the heart, but it’s an addicting sensation.

The great expression and emotion in his compositions is perfectly clear. From “If I Lived Again”, to “Song For Sarah” and “Flutter” it is hard not to be moved by Boy in the Rain’s dynamic playing. On this album he has pushed his sonic visions to the fore, as “Wave” is anything but incidental instrumental music.

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