Phoenix O’Neill: “Out Of The Ashes” remains accessible while never sacrificing its emotional heart

Phoenix O’Neill grew up in Watford, North London and attended school in St. Albans. She was born into a musical household – her mother sang and played guitar, her dad was a drummer, and her step-father a singer-songwriter. Phoenix started writing stories and poems at age eight, songs at nine, and by thirteen, she had built a considerable portfolio. Her first live performance occurred when she was fourteen, at her mum’s friend’s wedding in France. Now at age twenty-three, Phoenix O’Neill has been giving heartfelt, memorable performances in and around the Hertfordshire area, and recently gained the attention of world

Lewis Griffiths Founder of Griffiths Records talks business and more

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G.H. Hat: “Sukiyaki (feat. Alina Renae)” – an unwavering dedication to his sound

Seldom does chance have it that an electronic music producer is as simultaneously celebrated by both seasoned and novice fans of the genre as G.H. Hat is. The relative newcomer boasted 290 Classical track releases prior to officially starting his EDM career with two Triphop songs which saw him rack up Soundcloud Top 50 Charting, and continuing with many placements on Official Spotify playlists. In 2017, G.H. Hat achieved national Billboard success with “I Got a Problem (I Wonder…) . And 2018 has continued to rake in more success with the producer dominating many Spotify playlists and being

The Husk platform provides an effective advertising platform for musicians on Spotify, Soundcloud, and YouTube

The Husk is one of the fastest, most effective and direct advertising platform for musicians on Spotify, Soundcloud, and YouTube. It’s a one of its kind platform that provides innovative tools for artists, blogs, curators, labels and other music personnel to grow and promote their work. What makes it different from other music promotion platforms is that it is simple, comparatively cheaper and drives guaranteed traffic directly to the user’s Spotify, Soundcloud or YouTube account. The Husk is the brainchild of ‘The Drunken Coconut’, a Canada based music marketing and consulting company owned by Ariel Carter & Ryan Thompson. They

Dig The Reggae Meditations: Jahmings Maccow – ‘Trod It Through’

LETMEGOO Records proudly presents a brand new cut from the ubiquitous Anguillian-come-New York resident Rastafarian Jahmings Maccow. How to describe this latest output from a man with thirty years of recording experience behind him? A deep and uplifting reggae soul cut would be a start. ‘Trod it Through’ first came about during solitary sessions at Manhattan’s Rocket Studios, circa mid-to-late 80s. Throughout the following thirty years, the song found itself evolving through several bands and incarnations to finally see the light of day in all of its sagacious energy, here on LETMEGOO Records. Maccow stands like a mound, unassailable, waxing

ESP EVOLUTION New Music to Inspire The World – ‘WISHING ON A FALLING STAR’

ESP EVOLUTION is sending the world a message of hope, freedom and unity in their song ‘WISHING ON A FALLING STAR’. This duo consisting of music producer and guitarist Overdose and singer and songwriter The Lady Capri, are heating the airways with this urban, rhythmic and catchy song. Together the two have created a track that will definitely catch your ears, make you move and inspire you to keep pushing and make your dreams come true. “Our song ‘WISHING ON A FALLING STAR’ is an anthem of hope and freedom. No one, no matter who you are should let anyone

NuJ4X: “Dab (On Dem Haterz)” – glistening and eminently marketable

Waverly, Tennessee’s masked EDM DJ / Producer, NuJ4X, has set his sights on making a splash with his debut single, “Dab (On Dem Haterz)”. The journey for NuJ4X started when he asked his 13 year old son what he wanted to become. On replying, “a DJ”, NuJ4X wanted to show interest in his child’s choice and strengthen their bond, hence he started playing around with music…and liked it. After countless weeks, days and hours learn how to craft instrumentals, NuJ4X began to find his rhythm. Upon doing so, he created the instrumental beat for “Dab (On Dem Haterz)” and decided

Aryeh Leib Hurwitz is a Brooklyn-based singer and cantor whose brilliant voice has been featured all over the world!

Aryeh Leib Hurwitz is a Brooklyn-based singer and cantor whose brilliant voice has been featured all over the world. His repertoire consists of many different melodic genres and songs in a variety of languages, including Opera, Broadway and Modern Jewish music. Aryeh released his debut single “SHEYIBONE” on SEFIROT RECORDS on February 26th, which was followed by the live music video for this song. “SHEYIBONE” is a very unique combination of Chazanut and Jazz, which makes for a perfect rendition of this classical Jewish song. It features a truly all-star team working on it: performed by the Eyal Vilner Big

Bizz The Prince Releases “Against The Grain” EP Produced by 4th Disciple On Pre-Order Now!

New York, New York – Back To The Basics best describes the new release from producer and sonic design legend 4th Disciple. 4th collaborated with New Jersey lyricist Bizz The Prince to release the EP Against The Grain which was initially going to be titled Back To Basics. The recording process was delayed as Bizz was working on several street releases with Jersey artist Louie Ave. as 4ths production complimented various releases such as Method Mans Meth Lab, Peedi Crakk Good Life, Sean Price Imperious Rex and various other releases. In late 2017, Bizz and 4th Disciple partnered back up and went

Guitarist Ron Wright Releases Smooth Jazz Guitar Instrumental “Happy Land”

Pebble Beach, California based guitarist, Ron Wright’s musical day job is holding down the electric guitar chair in his indie rock band Chile Colorado. Those who love their Smooth Jazz with a crackling edge will be grateful he’s expanded his repertoire with sizzling debut instrumental single, “Happy Land”. Wright surrounds his fiery led melody with other blazing guitar textures for an empowering and smoothly, electrifying experience. “Happy Land” is something that every rock jazz fusion guitar lover will want to check into. This week we were lucky enough to get a preview of his new instrumental song “Happy Land”. We

Boy in the Rain: “Wave” – a fine assemblage of piano mastery

Boy in the Rain is a composer and solo artist. His style draws heavily from classical and romantic periods, stemming from the traditional piano studies of his youth, but incorporates modern styles into a unique contemporary fashion.  His latest album, “Wave,” is a collection of original piano solos. The piano has a chief interest of exploration for many composers. Through the history of music we can even certify the following: static discoveries and dynamic ones. Bartok, for example, in many of his solo piano pieces is always certain when to use an incomplete chord, which register and which inversion to choose. Thus he made many static discoveries. He would play something like any major triad in the 4th octave, together with an additional third in the 2nd octave, producing a slight dissonance due to a clash of acoustic overtones.

Ravel, Ligeti, and many others, of course, were interested in dynamic means of expression. This is the same expression that interests me, for the simple reason that I don’t want to be challenged by piano music, but rather be emotionally soothed or stimulated by it. Hence when I came across Boy in the Rain’s dynamic playing on “Wave”, I was excited from the get go.

The album contains a real wealth of beautiful music – 15 tracks to be exact. The track titles range from specific imagery (“Scars”) to more amorphous concepts (“Plunge”), but they are all gems to listen to, even without the track titles as a reference.

The music is incredibly relaxing and does what great music is supposed to: transport the listener to another place. Whether you listen intently to the music, or as background for work or something, you cannot help but be moved.

Boy in the Rain does an excellent job on the piano. While none of the songs beg to be described as virtuoso showpieces – and I don’t even think that is part of Boy in the Rain’s intention – nevertheless they show he has a master’s touch at the keyboard; phrasings, dynamics, and ornaments are all so well done.

The essential nature of this fine assemblage of piano mastery makes this album a real treat for any world weary soul. Boy in the Rain is a clear and powerful voice amidst a sea of so-so, same pretension, masking as musical talent. The ambient nature of this man’s playing will fill your home with a harmonic richness that serves to pamper your soul with each listen.

He carves a soundtrack for lovers, for loneliness, and for living. His fleeting piano has that feeling we often associate with the sound; bittersweet, morosely fulfilled, with an undercurrent of swift, raw emotion –an easy way to the heart, but it’s an addicting sensation.

The great expression and emotion in his compositions is perfectly clear. From “If I Lived Again”, to “Song For Sarah” and “Flutter” it is hard not to be moved by Boy in the Rain’s dynamic playing. On this album he has pushed his sonic visions to the fore, as “Wave” is anything but incidental instrumental music.

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