Matthew J Van Howe – “Emergent Narrative” – a deluge of his sonic palette!

You could call this ambient, experimental, drone, avant-garde, cinematic or simply electronic music, the fact is “Emergent Narrative”, is so impactful it’s like it’s its own genre. It’s as if some new musical form has been created from retro synthwave sounds, and ultra-modern avant-garde motifs. I was stunned by the textures, and the moods that got stuck in my head, along with the intensity and dynamic depth. This is an album to hear again and again. Loud, raucous, serene, gentle, stretching, insistent, melodic, dissonant. It is a collection of 12 musical pieces with simple one-word titles. Meaning, the Chicago composer,

Andy Pett – “Back Again” turns hurt into art with great results on this song

Experience with adversity builds exemplary character and a spirit of resilience that allows artists to deliver great music. Their personal stories provides them with original ideas and profound insight to rap or sing about, creating a relatable feeling of vulnerability that fans emotionally connect with. Many prominent artists from today’s culture have battled through adversity to become widely accepted and beloved. There is an interesting argument – and quite a lot of statistics lean toward this theory – that adversity is necessary to become successful.  The bottom line seems to be that many artists lack the ambition to succeed because

Onicks – “High” is a deep slow-burn

With its enigmatic beauty, intoxicating depth and intense emotion, the follow-up to “High” is one of the most intriguing records of the year so far. The lyrics are elliptical and fragmented, touching on addiction, identity and eroticism. The track’s mood is druggy, dislocated and tortured – there are frequent metaphoric references to substances and psychedelics – the shape-shifting structure of “High” will capture your attention from top to bottom. Snapshots of elusive love and fleeting lust are scattered throughout – for whom, or for what, is where you need to read between the lines. Born and raised in the San

Midwest Hiphop duo Strangers Of Necessity drop their new single “Abundance”

Strangers Of Necessity are an American hip-hop duo, based in the Midwest, consisting of prolific producer, CoryaYo and veteran lyricist, Fooch the MC. They linked via Twitter and quickly became friends, sparking an immediate chemistry and need to make quality music together; hence the name Strangers Of Necessity. They instantly began recording music and doing shows locally, generating a nice buzz in the area. Their sound is best described as a fresh take on that golden era of hip-hop, blending tasteful jazz and soul samples, crisp snares, boomy kicks on wonky patterns with a soulful delivery, dense schemes and potent

Kilo M.O.E. – ‘Fly G’z and Palm Treez’ – serves as the perfect canvas for the rapper’s elite lyricism

The Baltimore-based producer, songwriter, rapper, Kilo M.O.E.’s evolution over his past three albums has been inspiring to see. I’ll always admire artists who push themselves creatively, and that’s exactly what, Kilo M.O.E. has done on his fourth studio album, ‘Fly G’z and Palm Treez’, and it pays off in leaps and bounds. Each instrumental is rich and developed, serving as the perfect canvas for the rapper’s elite lyricism. Something that this recording and Kilo M.O.E.’s recent albums have done well is allow him the freedom to rap for the sake of his craft within the confines of the album’s larger

Jim Wyly – “You Took Me” – It’s rhythmically tight, warm and edgy

Texas singer songwriter Jim Wyly is back with another soul-stirring track from his “The Artisan” album. Over 40 years deep into his craft, the Austin troubadour sounds like a home-cooked meal. He deals out comfort food for the head, heart, and soul. All of this serves his finely drawn guitar lines, bourbon-stained-like vocals, and funky acoustic-driven grooves as thick as molasses. A subtle blend of blues, country, folk and southern rock runs right down the middle of “You Took Me”. “Musicians’ musician” is an overused term. Why wouldn’t anyone with two good ears appreciate Jim Wyly? As Jim doesn’t cater

Hanen Release Brand New Video For The Song “Breathe”

It’s never been easier for artists to stay independent. Of course you can get good music producers, good visual directors for videos, good rappers and good singers to feature on your track without a great budget, but you have to search the world over to find deals you can afford, or convince creatives to work with you. Texas born artist, now living in the LA area, Hanen, somehow got it all together on his latest track called “Breathe”. He sings soulfully and raps with an urban edge all by himself, backed by an atmospheric slow-burning, and ear-warming beat made by

Angry B – “Hey Corona! (Nice to Meet Ya)” – reflects the realities with a good dose of wit

On his latest single, “Hey Corona! (Nice to Meet Ya)”, underground music hobbyist Angry B pinned his rap skills and dark wit, to the sounds of mainstream pop and a funky EDM template. He blurs the lines between genres with the top of the charts — and only the top — in his sights. As can be deciphered from the song title, Angry B pulls his aspirations from the dramatic Covid-19 disease hitting mankind across the globe. “It’s one of the most critical situations we’ve had and there will be a lot of sad stories connected with it,” says Angry

Izzie’s Caravan – “Leo’s Guitar EP” – an understated guitar virtuoso

On the recording, “Leo’s Guitar EP”, Izzie’s Caravan and his guitar conspire to use every single crayon within the blue color box to deliver one of the best underground independent studio blues releases I’ve heard this year. Among others, Izzie takes his cue from greats such as Lightnin’ Hopkins, Buddy Guy, John Lee Hooker, and Eric Clapton. So you can expect a wide and wholesome finger bending spectrum of sounds. The aforementioned guitar heroes are points of reference, not simple deductions for resemblance. The opening song, “Two’s In The Bush”, has a highway drive, and jangly timbre that’s upbeat and

‘Mind Blown’ – The Video and Brand New Single by EyeKonic

EyeKonik is an artist with a focus on creating punchy and appealing pop music with a personal twist. Recently, he released a brand new single called ‘Mind Blown’. What really makes this track stands out is definitely the fact that it’s so well produced, and the performance value is excellent as well. EyeKonik sings with passion and intensity, and the artist’s vocals soar through the atmospheric melodies and punchy tones of this mix. Fans of artists as diverse as Mac Miller, Michael Jackson, Prince, and Eminem are definitely going to enjoy this amazing single. Check out the newly released music

Boy in the Rain: “Wave” – a fine assemblage of piano mastery

Boy in the Rain is a composer and solo artist. His style draws heavily from classical and romantic periods, stemming from the traditional piano studies of his youth, but incorporates modern styles into a unique contemporary fashion.  His latest album, “Wave,” is a collection of original piano solos. The piano has a chief interest of exploration for many composers. Through the history of music we can even certify the following: static discoveries and dynamic ones. Bartok, for example, in many of his solo piano pieces is always certain when to use an incomplete chord, which register and which inversion to choose. Thus he made many static discoveries. He would play something like any major triad in the 4th octave, together with an additional third in the 2nd octave, producing a slight dissonance due to a clash of acoustic overtones.

Ravel, Ligeti, and many others, of course, were interested in dynamic means of expression. This is the same expression that interests me, for the simple reason that I don’t want to be challenged by piano music, but rather be emotionally soothed or stimulated by it. Hence when I came across Boy in the Rain’s dynamic playing on “Wave”, I was excited from the get go.

The album contains a real wealth of beautiful music – 15 tracks to be exact. The track titles range from specific imagery (“Scars”) to more amorphous concepts (“Plunge”), but they are all gems to listen to, even without the track titles as a reference.

The music is incredibly relaxing and does what great music is supposed to: transport the listener to another place. Whether you listen intently to the music, or as background for work or something, you cannot help but be moved.

Boy in the Rain does an excellent job on the piano. While none of the songs beg to be described as virtuoso showpieces – and I don’t even think that is part of Boy in the Rain’s intention – nevertheless they show he has a master’s touch at the keyboard; phrasings, dynamics, and ornaments are all so well done.

The essential nature of this fine assemblage of piano mastery makes this album a real treat for any world weary soul. Boy in the Rain is a clear and powerful voice amidst a sea of so-so, same pretension, masking as musical talent. The ambient nature of this man’s playing will fill your home with a harmonic richness that serves to pamper your soul with each listen.

He carves a soundtrack for lovers, for loneliness, and for living. His fleeting piano has that feeling we often associate with the sound; bittersweet, morosely fulfilled, with an undercurrent of swift, raw emotion –an easy way to the heart, but it’s an addicting sensation.

The great expression and emotion in his compositions is perfectly clear. From “If I Lived Again”, to “Song For Sarah” and “Flutter” it is hard not to be moved by Boy in the Rain’s dynamic playing. On this album he has pushed his sonic visions to the fore, as “Wave” is anything but incidental instrumental music.

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