Kali Ma & Cypher the Avatar – ‘Peaches n’ Sage’ – A hypnotic and fitting foundation

If you ask the duo of Kali Ma & Cypher the Avatar, better known as CxA what the goal of their music was, their reply would probably be, it’s to make a place where all listeners can come to feel safe and relieved from their pain, anxieties, and all other stresses in life. Because that’s exactly what their Cloud Rap single, ‘Peaches n’ Sage’ sounds like. Cypher the Avatar is one of the best alternative rappers mainly because of his presence. He’s confident but not cocky; honest but not vulgar. Cypher comes across as someone who is genuine and sure

VerseBorn: “Cheat Code” ft. Menhir demands a huge amount of respect

“Cheat Code” by VerseBorn ft. Menhir is a mostly uninterrupted stream of consciousness. Breaks in the story only occur when one the language switches from English to Italian and back, and when the plot ends and another begins. To call this track unique would be inadequate. The storyline is extremely complex, with recurring motifs. It’s hard to follow, but that’s the point. VerseBorn and Menhir want your undivided attention for the track’s entirety. Straight off the cuff, the listener is thrust right into the action. In true artistic fashion, interconnecting storylines are articulated through interconnecting verses. But even when they

New Songs to Confront Rising Tide of Hatred by Rev Peter Unger

Rev Peter Unger embraces a pastoral sense of beauty on the spacious skies of I Believe in Second Chances. Throughout the piece Rev Peter Unger explores the oft-ignored benefits of faith. One of the greatest elements of faith rests within the idea of forgiveness for past transgressions. No one is perfect and attaining perfection is a life-long goal. Lyrics focus upon this concept the improvement of the self. Without forgiveness however, this goal becomes impossible for if all were judged by their worst actions self-improvement would remain illusionary at best. Low key arrangements help to place Rev Peter Unger’s voice

Brian Hutson’s Debut Album “Habit” is Released

This week saw the release of Brian Hutson’s Debut Album. Habit is the name of the album that coincides with the song title track featured on his debut album. The album which has already sparked early interest follows the critical acclaim of his EP Midnight Sessions and enormous success of his single released in the fall of 2018. Like many artists, Brian draws influence from his personal life and experiences. This driving force allows him to express his feelings through music. Reflecting on love, lust, heartbreak, and triumph Habit is the result of memories from the past two years, all

YHN Hammertime: “Cash Out” – relatable lines over a sleekly banging beat

YHN Hammertime is a rap/hip-hop artist based in Washington DC. He often collaborates with fellow artists from the DC area. After a string of single releases, he has dropped his first official mixtape “Gang Meets Gang”. From the album comes the highly infectious single “Cash Out” along with its classy visual, now viewable on YouTube. With this album, YHN never seems to be trying to make one track for the thugs, one for the hip hop heads, one for the club, one for the backpackers, and one for the playas, etc. Although you could still attribute those labels to the

Hro Palyan: “White China” scores many transcendent moments!

Hro Palyan is an up and coming Armenian-American Hip Hop artist based in Granada Hills, CA. His journey into a musical career started during childhood when he learned how to play the electric guitar. Hro’s older brother was influential in introducing him to the world of rap and hip-hop and to fellow artists who encouraged him to learn music production tools like Fruity Loops, Reason, and Pro Tools. Influenced by the likes of Dre, Eminem, Xzibit, Nate Dogg, Snoop Dog, Tupac, Naz, Jayz, Dmx, Hro used the production tools as a coping mechanism that allowed him to express himself, and

Enzo: ‘Light Me Up’ – an absolutely sublime listening experience

DJs speak with their hands. Producers who can’t use words, express themselves through sound. On the other hand, it’s almost true that in the electronic music realm, the weight of the music can render words secondary. That’s not to say that producers aren’t using their voices…it’s rare but quite possible. Some producers over a number of electronic genres have stepped up to the mic to express themselves vocally, others engage the perfect voices to execute the needed emotion. Once such creative is Enzo, a self-taught musical artist from Boston, Massachusetts. His work as a producer and DJ has led to

Exit To Eden: Describes the extreme situation of hate-love, on their new Goth ‘n Roll single “Love At First Hate”!

Passionate, yet hateful is the story of Exit To Eden’s latest video clip. The Austrians around frontman Bernie Pfeiffer, celebrate the March 22nd, 2019, release of their associated Goth ‘n Roll single, entitled ‘Love At First Hate’ and give an audiovisual preview of their upcoming mini-album “Love And Other Nightmares”, especially Fans of traditional gothic rock alá The Sisters Of Mercy, The Cure, or Bauhaus are guaranteed to find it appealing.  In a nightmare of hate-love, the protagonist described in ‘Love At First Hate’, whose story is presented in first-person perspective, seems to be. Two extremes, passionate love and

Javyn Knight: “Exodus” – Relatability, positivity, and general geniality

Javyn Knight releases his debut EP, “The Gospel Of Javyn” on March the 24th. The artist’s arrival to this event has not been an easy one. He left home at sixteen to join the army, completing his basic training and part of his AIT training, when he was diagnosed with schizophrenia. He went on to be officially discharged and found his way back to civilian life. It was then that Javyn decided to flip his future and pursue a different, but just as passionate, career route. Javyn Knight aka The Blacc SINatra grabbed hold of a mic and started reppin’ South

Silvertung: “(BUT, AT WHAT COST??!)” – assailing swagger, an abrasive bring-it-on vibe!

Award-winning rock band Silvertung, has landed on the Billboard Mainstream Rock Radio Chart three times. The Mid-Atlantic quartet, made up of vocalist Speed, lead guitarist Codey, bassist Sam Sour, and drummer Danno, have also opened for groups like Godsmack, Disturbed, Shinedown, Slipknot, Staind, Papa Roach, Buckcherry, Filter, Drowning Pool, Anthrax, P.O.D., and others. With three albums and one EP under their belt, Silvertung, in collaboration with Thermal Entertainment, have dropped their latest album “(BUT, AT WHAT COST??!)”, produced by Steven Wright, whose credits include Slipknot, Mars Volta, and Rihanna. This is the type of release that occurs when a band

Fame Johnson: “Da Wave” appears to be his best work yet!

Originally from California, before recently moving to Texas, Fame Johnson is an artist with a truly unique approach: his sound combines the punch of hip-hop with the soulfulness of R&B, featuring amazingly catchy hooks and great lyrics that hit the mark. Fame’s sophomore album, “Da Wave”, which includes hot collaborations with well-respected artists such as Lil Flip and Kevin Gates, brings a new, cohesive sound that isn’t too common in today’s music. Producer Lord B. closely worked with Fame to create this crafty and catchy album.

Along with artists like Bryson Tiller, Travis Scott and Tory Lanez, Fame Johnson shares the same motive to get his story out while creating crossover Hip-hop and R&B music that listeners want to hear nowadays. This builds the flow of the album, producing stories that fit with his style of music. In fact the flow throughout the album is a mysterious yet hip vibe that correlates with Fame’s ambiguous music personality.

Music is just another form of telling a story, which many current artists tend to stray away from. However, Fame Johnson accomplishes this from to start to finish. Fans of this blend of music styles will no doubt be extremely satisfied with this album and it’s worth a real listen.

“Da Wave”appears to be his best work yet and transitions a new culture into the Hip-hop and R&B world.  Fame is also a clever songwriter, as this album contains songs that are riddled with intriguing imagery yet their essence is never revealed nor given any form of context.

Fame Johnson has managed to establish an aesthetic that is melodramatic, gothic, and of a quality which he makes his own and turns into something worth hearing. “Da Wave”, is no exception to these themes, yet there are nuances within the record that prove that there is more to Fame than his reputation or meets the eye.

As mentioned previously “Da Wave” is Fame’s most cohesive and straightforward album to date. In this, he can finally shed himself of any “up and coming artist” title. It is clear that Fame is in full control of the vibe he portrays, and does so by using his talent credentials and his notoriously mellifluous vocals that are central to his skillset.

Another component to Fame Johnson’s artistic transition is his choice to rely on some big-name features. The use of artists such as Lil Flip and Kevin Gates not only helps to communicate the songs’ messages but also establishes Fame as a credible and legit contender within the industry.

All throughout the album, Fame uses his ability to provide a change in tempo, tone and a cadence that differs significantly from song to song, but still synchronizes perfectly to each piece. Songs of particular significance in this respect would include: “Faithful To Da Game”, “Fake Ft. Kevin Gates”, “Ridah”, “Work Ft. Lil Flip JuDown” and “Radio Raheem”.

Despite the alluring mainstream melodies and captivating beat elements, in this project, Fame Johnson’s attempts to broaden his audience even more, and manages to follow through with his unique way of distorting what may be deemed ordinary, into something that is truly compelling, exhilarating and beautiful.

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