Interview: STRONG A.R.M. – Coming straight out of Brownsville, Brooklyn NYC!

STRONG A.R.M. is the name that describes the 6’2″, 200 plus pound Brooklyn native who is definitely taking on ALL HATERS! It’s a perfect description of his overall attitude. This is one artist that believes anything goes when it comes to his music. He did not choose to do hardcore hip hop, hardcore hip hop chose him! It allows him to say what the hell he wants. Bringing it straight to the front line so your attention is caught and kept. Don’t get STRONG A.R.M. wrong though, that is just one area of hip hop he is good at, he

Still Hustie & WILDZ XL – “Vicious Circle of the Wildz” – another important message that the world needs to hear

Hip Hop is incredibly accessible.  If you have any performing, rhyming or poetic talent – you can tell your life story, through rapping, a beat and accessible means. This makes it globally significant – people can put their own spin on it, and express their individuality, or a collective message. Rappers, as poets, have always been a good reflection of the heart of a community. They take ideas out of the community and spread them to the rest of the world. Sometimes its stuff that’s positive, often times its stuff that’s negative. At best, it’s engaged in social, political and

MrWho??? – “Paint The Sky Funk” – A mega release that fans will devour

Ever heard of the ‘Funkjazzhop’ music style? If not, chances are you’ve never heard Dallas-based jazz/funk/hip hop, artist, producer and eclectic adlibber, MrWho??? And that’s not a question, it’s a damn statement! Coincidence would have it that MrWho??? and the granddaddy of funk, George Clinton, share the same birthday. And that’s not all they have in common. Influenced by the likes of Cameo, James Brown Barkays, George Duke, Lakeside, Maze, and Earth, Wind & Fire, MrWho??? set out to make an impact amongst colleagues and peers. Fate would have it that during 2019, the Dallas creative was approached by Maurice

Gual – “Get Down” – a retro-wave 80’s groove that is total wonderfulness! 

By the age of 10, artist and producer Gual had picked up his first guitar. Two years later he was experimenting with music production, using a Korg Poly-800 synth, his guitar, and an old Panasonic dual cassette recorder. These days Gual is still channeling all of his energy and passion into his music with a nu-disco single entitled “Get Down”. This is an excellent electronic dance track album from Gual. Fat synths, smooth syrupy and soulful vocals, and thick funky basslines make this track a must have for anyone who appreciates any disco or dance music. The whole track has

Love Ghost Premieres their brand new video “Let It All Burn”

Message from lead singer/songwriter Finnegan Bell: “Let It All Burn” is how I see the world through my 18-year-old eyes. The hypocrisy and unwanted advice that weighed me down during senior year led to this song. My Dad being diagnosed with stage 3 cancer made me more determined- “fuck what they say, I make my own way”. The song was produced by Danny Saber (Rolling Stones, U2, Marilyn Manson, David Bowie). The music video was directed by Dean Karr. The promise of his early work led to Karr being asked to direct Marilyn Manson’s “Sweet Dreams.” The resulting piece drew

Denny Strickland sees Margot Robbie’s Harley Quinn character as inspiration for new song

Denny Strickland’s new track, Harley Quinn, dropped on Friday 25th October: His inspiration for the song comes from the character Harley Quinn in DC comic-book movie Suicide Squad, which was released in 2016. Denny explains, “At the time I wrote this song, I was watching Suicide Squad and I really liked Margot Robbie’s performance. I imagined her drinking gin and smoking in the club like the bad bitch she is and the lyrics just came to mind. The rest of the song just flowed out from there referencing Louis Vuitton, Lamborghini, Johnny Cage (Mortal Kombat) and my favorite mustang Fox

MARK HENES RELEASES NEW SINGLE – “STRIP ME DOWN”

The latest from the Nashville songwriter bursts at the seams with pop punk energy. Known for his ability to seamlessly shift from genre to genre, Mark Henes has established himself as a versatile and reliable performer with a deep knowledge of American music.  With the casual defiance of “Strip Me Down,” he embraces the golden era of pop punk, adding to his already impressive catalog. One of Henes’ great strengths is his ability to create instantly memorable hooks.  That ability is on full display here, as he sets up a huge chorus over a wall of gritty power chords.  “How

Nigel Walton Releases His Album “RCA 44” To Great Acclaim!

Having recently completed his first album, “RCA 44” of both original songs and covers to great acclaim with 14 Records of Royal Leamington Spa, Nigel Walton is much in demand as a session vocalist for his unique smooth, mellow tones in his favourite musical styles of light jazz and blues. Following the release of “RCA 44”, it recently aired on Toronto Jazz Radio Berlin Jazz Radio, North Carolina’s Jazz Radio, Pennsylvania big band radio the UK 40s and 50s Radio, Chat and Spin Radio of Tyne and Wear, and Manx Radio, Following a promising audience with Donna Soto Morettini, one

ACE DIAMOND Releases his brand new video “BAD ASS HILLBILLY BAND”

ACE DIAMOND’s brand new video just released this week on YouTube is fun/upbeat tune that will “knock your socks off”. “BAD ASS HILLBILLY BAND” will get your body movin’ and you can dance the night away with this hard-driven Rockin’ Band! “ACE DIAMOND” “performs in a reckless abandon style that’s hard to match! “BAD ASS HILLBILLY BAND” is Ace’s follow up to his big HIT: “GET YOUR BOOGIE WOOGIE WORKIN”, which has spent 36 weeks on The “EURO INDIE MUSIC CHART” – UK! It is still #8 as of 10/27/19! ACE DIAMOND is hit bound again! Ace Diamond is a

Canadian recording artist & songwriter The Upper Tunist, releases the album “5 Old Piano Songs”

Canadian recording artist & songwriter The Upper Tunist, has just put out an album titled “5 Old Piano Songs.” At ten minutes run time you can hardly say you don’t have time to listen to it. These are songs that could have been re-recorded, but The Upper Tunist and his close fans love the original song’s energy and the way they capture moments in his timeline. It’s available on almost every online music store and distributed by Distrokid, so you’re only a couple clicks away from enjoying it yourself. The style is all piano & lyrics with no band &

Gp: “The Bleach Tape” – best savored in your bedroom!

Gp’s latest release, “The Bleach Tape”, feels like the realization of a voice he’s been working towards: one that is both fluid and all angles, vacillating between naked introspection and pushing us as far away as possible. He is whittling away carefully at the tendencies he’s probably always had, remaining confident that he’ll light upon something that feels fresh and honest. He sticks to introspective territory His molasses-thick vocals roll through tongue-twisting wordplay, battling to be heard over his bass-heavy beats. Most of the album has this consistent sound of dirty, low-fi, grimy drum and chords. Gp seems to be dragging us through the mud, taking us down into the sewers, bringing us into the dark hole of his innermost feelings.

Within the space of this dark and cosmic sound, Gp is completely illuminated. The texture of this sound works perfectly with his lyricism, the imagery doesn’t attempt to be poppy and happy, he’s releasing the skeletons hidden in closets and giving them something to dance to. Unfiltered, Gp doesn’t hold anything back. Not only does this album reinforce that Gp is a capable lyricist, but that Bleach is growing his legs as a producer. It’s also an album where you can tell the artist found his voice, overcoming any pressures of expectation, by delivering something completely different to the norm.

This is an album that will solidify Gp as an alternative hip hop artist of the underground, and hopefully will open ears to the tremendous talent that Gp contains. He isn’t a rapper you’d be likely to hear at a nightclub. His music is best savored in your bedroom, on your own, or walking on a quiet night with a pair of headphones on, trying to decipher his complex wordplay and metaphors, that are laced with life incidents that influence his lyrics.

The Bleach Tape” is not for the casual hip-hop fan. But the album, just as it does not pander to the casual hip-hop fan, does not pander to any typical genre expectations either.  It commands the casual fan to take a leap of faith, and it commands the stuck-up hiphop head to chill out and enjoy it for a moment.

That said “The Bleach Tape” is not an easy listen. The beats are dark, spacey and mostly slowed down, while the rapping matches the beats with the vocals all wrapped up in layers of reverb. That’s not to say that this album is simply a desolate soundscape, and there are certainly tracks that aren’t so overwhelmingly somber.

Though the whole record is tied together by its minor key, each beat has a surprising amount of depth and range considering how purposefully minimal they all are. The music sits somewhere between Trip-hop and shoegazing – an unlikely genre for rapping over, which makes listening to the album all the more interesting.

Gp can sometimes appear slightly monotonous in his delivery, but he still grabs the listener’s interest with his offbeat tempos and intricate wordplay. The way each word and rhyme seems to puncture the track that it is on, is impressive.

Now that Gp has control of his own musical platform, it’s fast becoming clear that he intends to continually push himself both lyrically and creatively, whilst also pushing important messages into the listener’s ear.  It is clear from the get-go that this project is a personal one.

But most clearly, he pushed himself to be honest through his music. The combination of creativity and courage to try something different showcases an ambitious project that is devoid of club bangers and street anthems as we know them. Tracks of note include: “Mission”, “OutSider”, “Sorry”, “Hate” and “Bleach”.

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