“Sunshine” – Artem Cithara (ft. Nicole Elizabeth & Slick Sax) conjures immediate and unflinching imagery

The scene opens to the midnight skyline of a neon city while Slick Sax’s saxophone blows like a whirling cool breeze through the balmy summer air, muting the buzzing fluorescent signs that clamor for attention. All the while, Nicole Elizabeth’s breathy vocals murmur and soar above the four-to-the-floor piano-driven beat on the stunning new feel-good single release from Artem Cithara, entitled “Sunshine”. The track is an appropriate composition from a mysterious artist, songwriter and producer whose only goal is to be taken seriously–not only as an EDM icon, but in the context of finer arts. While much of the electronic music

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Boy in the Rain is a composer and solo artist. His style draws heavily from classical and romantic periods, stemming from the traditional piano studies of his youth, but incorporates modern styles into a unique contemporary fashion.  His latest album, “Wave,” is a collection of original piano solos. The piano has a chief interest of exploration for many composers. Through the history of music we can even certify the following: static discoveries and dynamic ones. Bartok, for example, in many of his solo piano pieces is always certain when to use an incomplete chord, which register and which inversion to

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René Puchinger: “Emotions” – gentle and pensive lyricism mixed with challenging soundscapes

Traditionally, when people think of the classical music, they associate it with the likes of old, boring, and antiquated composers of the 18th and 19th centuries. But if we look just a little harder, we will notice that the landscape and conception behind classical music written today is consistently changing. Today, if you open up newspapers and magazines, they are consistently writing encouraging words about the very best up-and-coming 21st century composers in amongst the Hip hop and pop artists. Record labels that release contemporary classical music, are ever increasing, including up and coming labels such as FatCat, Bedroom Community,

Sean Tibbetts Founder of Metal Band SAULT

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Lil J & Pasty White Boy to perform at THE HARD ROCK CAFE on Thursday April 6. Music Starts at 7:00 pm Show Details: Artists – Lil J and PWB Venue: HARD ROCK CAFE – CAVERN ROOM 22-24 Clinton St. Boston, MA 02109 (All Ages & Bar w/ID) Date – April 6th, 2017 Show Start Time – 7 PM Link to Purchase Tickets: http://www.aftonshows.com/LilJ420

Roger Cole & Paul Barrere: “Lost In The Sound” – when Mother Nature fights back

“Lost In The Sound” is an intriguing song, and a valuable introduction for the uninitiated to the wild range of talents and interests of the duo Roger Cole & Paul Barrere, and is a showcase for their musical virtuosity. From the posing questions of how we will survive what we have done to the earth, to anyone seeing the cover art and understanding all too well the otherwise implied notion of a world returned to a type of wild and barren space vacated of rampant technology and comfortable certainties. “Lost In The Sound” follows the counter-cultural ideas as well as

Kynard: “Get Thru the Day” – what black urban music is intended to be

During February of this year, Hip Hop/Soul artist Kynard released his debut album “Get Thru the Day”, which features the singles “Friend or Foe” and “The Weekend”. Currently located in Austin, TX, Kynard was raised in the Midwest for most of his life, where he was influenced by 90s R&B as well as the sounds of West Coast Hip Hop and East Coast lyricism. Currently Kynard is enjoying the journey of performing, writing new music, and meeting people who enjoy what he does. Starting with a small fanbase, his goal has been getting the music to people either via the social media websites or live performances. Listening to this 10 track album it’s easy to see that he is in a win-win situation.

If you need a break every now and then from the highly commercial, childish, unsophisticated music being put out now a days, Kynard delivers with this album, which contains deep, well thought out, and meaningful music. This dude is so underrated right now. In this album he gives what we all feel as a black, white, and a multi-ethnic society. He gives us hope; he demonstrates what black urban music is intended to be – informative, imaginative, inspiring, lyrical, and hopeful. Kynard has all the traits of a leader.

In recent times black urban music has lifted its head out of the money-making bling scheme of things only on a handful of occasions that have been really impressed to me; D’Angelo’s Black Messiah, Kendrick Lamar’s To Pimp a Butterfly and Solange’s A Seat At the Table, among others, have upended expectations and reinvigorated and expanded the category frames of hip-hop, soul or simply black music, placed around them.

Without wanting to sound overly pretentious or downright disrespectful to any of the aforementioned artists or any of their fans, I think that Kynard’sGet Thru the Day”, as an independent release, earns the absolute right to be mentioned in the same breath as these albums.

This is an important context for listening to “Get Thru the Day”, partly because great albums seem to come in waves—and there is a strong case to be made that this album is classic material in the making.  The gritty, moody production together with the soulful singing, the emotionally stirring lyrics and the on-point rapping is truly masterful for an underground production.

Some of the song themes have been ripped straight out of today’s heartbreaking news headlines or torn directly from Kynard’s saddened soul, then twisted into narratives that will leave you emotively scathed. How could you possibly not be moved by a song such as “Friend or Foe”?

But Kynard can be many things as an artist; mainly he is very sensitive and introspective with lyrics that are extremely personal. The man is not scared to speak his mind or to open his heart to the world, as he truly wears his soul on his sleeve. The songs that kept repeating in my player were “Get Thru The Day”, “Friend or Foe”, “Do Me ft. Mickey Shiloh”, “On My Way” and “Conversations With Bae”.

The chemistry is so right on this album; it’s enough to make you re-evaluate black urban music.  It’s in the context of this chemistry that Kynard lands some of his biggest emotional and artistic punches while singing or rapping in his prize fighter mode; bringing home the sheer magnitude of the skillset he’s been creating with all through the ten tracks that make up “Get Thru the Day”.

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