Pool Moon Elephant: “Island’s Eye” – the elder statesmen of modern dance music

In the last 6 or 7 years electronic dance music has turned into an even bigger monster. Avicii dominated Spotify, David Guetta headlined festivals, and Calvin Harris is one of the world’s highest-paid performers. It means that festival line-ups, the charts, and some would even argue Ibiza, are oversaturated with the stuff. But the Swiss electronic duo who go by the name of Pool Moon Elephant prove they can also hold their own relevance in a very busy genre. Riccardo Studer and Ivan Nurchis, this time around, use intriguing collaborations to remix their single “Island’s Eye” which has been released in 3

M.C. ZackAttack: “Rap Or Die!” – on his daily grind!

Zachery Duncan, or rather M.C. ZackAttack , has been influenced by new age lyrical poets who speak their mind through music since 2010. Soon he’ll be releasing his newest mixtape “Mind Over Madness”. M.C. ZackAttack  has recently dropped his single, “Rap Or Die!” Let me start off by saying this track isn’t for everyone, you either love it or hate it, I would say it’s a hit and miss for certain people.  We all know that the quality of hip-hop has gone downhill, with a lot of artists either going for shock value with vulgar lyrics or relying heavily on glossy production

MoEoStAr: “Algorythmic Intelligence” – You’ll find a sense of comfort in the quaintness

Norwegian Independent producer Mattias Gillis Winge Rudh better known as MoEoStAr, played the clarinet and saxophone in various bands while growing up. He started producing in the 1990s, but gave it up while pursuing an engineering degree. For a period in his life, he was simply an active music listener, until he discovered the new production software via a smartphone app. In 2016 he started the “less than a $1000 Album” project, where he aims to produce and release a full album on a $1000 budget. In the meantime MoEoStAr has dropped the single, “Algorythmic Intelligence”. Notwithstanding its modern technological

J.Dot & KD: “To Whom It May Concern” – Low on frills and rich with introspection!

I noticed that J.Dot makes his best music when he’s rapping about being a responsible man, or when he’s creating something with substance and meaning, as opposed to trying to make contemporary radio hits or battle rhymes (although he is an excellent wordsmith).  This is mostly what happens on his 4 track EP, “To Whom It May Concern”, that narrates the evolution of relationships in its various forms. To put it all in perspective, this sounds like a powerful and mature work. Something tells me J.Dot experienced things that impacted him over the past years and this album is bred

Jack Soundfield: “Shine” – You can dig deep or soar to the shore

By profession Jack Soundfield is an engineer who has travelled around the world. He has lived in Canada, Germany and Switzerland. Besides uncovering the secrets of the globe Jack has a passion for music and experimenting with instruments and sounds.  “Before publishing a song, it is mine alone,” says Soundfield. “After publishing it, anyone can listen to it and decide whether to identify with it, or love it, or both.” Jack, who has been composing music since 2009, recently released his debut album, entitled “Shine”. “I have to admit,” explained Soundfield, “that my girlfriend – a solfège teacher of the

G.H. Hat: “Piano Jam 2 (Ode To Kygo)” – an authentic human expression

Modern acceptance, or lack there of, in electronic music hardly comes as a surprise. Just look back through the history of music and how the 17th century technology spread. Musicians no longer had to master a particular bow technique on the violin or cello in order to play the perfect note – They just had to press a key. Can you imagine the horror of the purists at the time? They probably all thought that the piano was destroying the soul of the music. What it did though was simplify things. It reduced what was really essential and human. People

JaVez: “When I Was Uptown” has the power to captivate audiences

JaVez is a 23 year old Maryland recording artist who sings, raps, produces, and mixes his own music. The self-taught Baltimore area artist has a penchant for Kanye West, Usher, Jay Z, J. Cole, Kendrick Lamar, and Chris Brown. He also grew up listening to singers like Brian McKnight and R. Kelly. JaVez plans to one day be a successful CEO of a record label and iconic recording artist. JaVez is the true definition of an artist, he isn’t afraid to be himself and put himself out there. The lyrics alone prove that. Add in some fantastic production and the

HR Live At CBGB’s 1984 – an essential part of alternative music and punk culture

HR is most well known as the lead singer of revolutionary reggae punk rock band Bad Brains. In their day Bad Brains could have been easily mentioned in the same breath as The Ramones, The Sex Pistols or The Clash, such was their greatness. Yet the band has evolved many times in its long history, playing across many genres of music including jazz, hardcore punk, alternative rock and reggae. HR has been making music since 1976 with Bad Brains, and along the way until today, he has been acclaimed for his reckless punk screaming just as much as he has

Callum Crighton: “The Rose” – a strong ear-catching melody

Even while everything I know about my musical taste should violently reject the cheese-camp synth pop and adorable mainstream swoon songs of the 80’s, I’ve enjoyed that music ever since I was first tricked into listening to the smooth, velvety crooning of the Brit pop chart invasion during that period. I can’t really explain why I loved that music so much, I guess for the same reason people eat cheesecake: It’s loaded with sugar, almost unbearably sweet, and probably isn’t the healthiest for you, but goddamn if it doesn’t make you feel so good inside when you eat it up.

Virgil Blue: “Pain Of Loss” – gorgeous washes of sound

Virgil Blue has released his debut EP entitled “Pain Of Loss”. Inspired and influenced by Prince and Sade, Virgil, a multi-instrumentalist who started out making music at the age of six, when he picked up the saxophone, produced much of the music that can be heard on this EP. Virgil who recently moved from the suburbs of Detroit to LA has put together 6 smooth trance-like tracks that that flaunts ambient, RnB and trip-hop flavors. If you’re looking for something atmospheric and hypnotizing, then this recording may be of serious interest to you. Fragile, tender and soulful, Virgil Blue’s voice will

NITES blends a familiar mix of vintage synth sounds

Initially a solo experiment for San Francisco singer-songwriter Adam Brookes (Dangermaker), NITES brings minimal electronic and hip-hop influenced ideas together into what he calls late nite pop. Using mostly 808 & 909 drum machines and Korg synths to write with, recent attempts with this approach first led to commissioned instrumental compositions for The North Face. NITES’ debut singles “Metamorphosis” and “Lonely Life” were released in 2017 featuring Bay Area MCs Najee Amaranth (The Oakland Mind) and Compa Cut.

In the middle of the weave and weft of throbbing synths, and galloping drums, on “Lonely Life (feat. Compa Cut)”, there is a section that splits the sound into its stereo components, with a fat electro hook coming from the left side, and a chugging, electric guitar-like sound emerging from behind. That, in a sonic nutshell, is the eclectic sound of NITES as he blends a familiar mix of vintage synth sounds with bluesy rock-type guitar.

In short, it’s a great track that’s made even better by the engineered mix presented here. The mix is on the aggressive side and the music benefits from it, though it’s still centered and punchy. There’s a time and place for subtle atmospheric use of reverb in various types of songs but this track went the absolute right way with it, as NITES bathes the vocals in reverb’s sumptuous aura.

The song itself is brilliantly and flawlessly driven by a simple yet very hypnotizing bass riff and synthesizers and Adam Brookes’ amazing vocal deliveries that carry the track straight into an amazing buildup of pure hypnotic bliss. The atmosphere throughout this song is simply unforgettable, and the chorus is both catchy and mesmerizingly dreamy.

NITES is awesome – from his electro sound to the messages his tracks convey, delivered in a vocal so smooth it melts like butter in your ears. If you needed any convincing of this then listen to “Metamorphosis (feat. Najee Amaranth)”, this takes the best of what defined 80s techno then brings it through the 90s with a slightly rawer edge, and then adds the 21st century’s extra verve and a more coy attitude.

Its rhythmic activities play, flirt and seduce and in some places waxes philosophical. If you removed the rapping, which is a defining element for NITES’ style, both of these tracks could sit comfortably on any Depeche Mode compilation you’d care to mention. And it would sit next to that compilation’s standout tracks, to be totally honest.

There’s really not much that I can say about these new singles that hasn’t already been said. It’s genius, superb, and irresistible. It brings back into vogue a classic synth sound that New Order so consistently carried the torch for, and sneakily infuses it with urban elements like rapping. This is NITES finding his own lane in a genre that might just be his own too!

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