J.Dot & KD: “To Whom It May Concern” – Low on frills and rich with introspection!

I noticed that J.Dot makes his best music when he’s rapping about being a responsible man, or when he’s creating something with substance and meaning, as opposed to trying to make contemporary radio hits or battle rhymes (although he is an excellent wordsmith).  This is mostly what happens on his 4 track EP, “To Whom It May Concern”, that narrates the evolution of relationships in its various forms. To put it all in perspective, this sounds like a powerful and mature work. Something tells me J.Dot experienced things that impacted him over the past years and this album is bred

Jack Soundfield: “Shine” – You can dig deep or soar to the shore

By profession Jack Soundfield is an engineer who has travelled around the world. He has lived in Canada, Germany and Switzerland. Besides uncovering the secrets of the globe Jack has a passion for music and experimenting with instruments and sounds.  “Before publishing a song, it is mine alone,” says Soundfield. “After publishing it, anyone can listen to it and decide whether to identify with it, or love it, or both.” Jack, who has been composing music since 2009, recently released his debut album, entitled “Shine”. “I have to admit,” explained Soundfield, “that my girlfriend – a solfège teacher of the

G.H. Hat: “Piano Jam 2 (Ode To Kygo)” – an authentic human expression

Modern acceptance, or lack there of, in electronic music hardly comes as a surprise. Just look back through the history of music and how the 17th century technology spread. Musicians no longer had to master a particular bow technique on the violin or cello in order to play the perfect note – They just had to press a key. Can you imagine the horror of the purists at the time? They probably all thought that the piano was destroying the soul of the music. What it did though was simplify things. It reduced what was really essential and human. People

JaVez: “When I Was Uptown” has the power to captivate audiences

JaVez is a 23 year old Maryland recording artist who sings, raps, produces, and mixes his own music. The self-taught Baltimore area artist has a penchant for Kanye West, Usher, Jay Z, J. Cole, Kendrick Lamar, and Chris Brown. He also grew up listening to singers like Brian McKnight and R. Kelly. JaVez plans to one day be a successful CEO of a record label and iconic recording artist. JaVez is the true definition of an artist, he isn’t afraid to be himself and put himself out there. The lyrics alone prove that. Add in some fantastic production and the

HR Live At CBGB’s 1984 – an essential part of alternative music and punk culture

HR is most well known as the lead singer of revolutionary reggae punk rock band Bad Brains. In their day Bad Brains could have been easily mentioned in the same breath as The Ramones, The Sex Pistols or The Clash, such was their greatness. Yet the band has evolved many times in its long history, playing across many genres of music including jazz, hardcore punk, alternative rock and reggae. HR has been making music since 1976 with Bad Brains, and along the way until today, he has been acclaimed for his reckless punk screaming just as much as he has

Callum Crighton: “The Rose” – a strong ear-catching melody

Even while everything I know about my musical taste should violently reject the cheese-camp synth pop and adorable mainstream swoon songs of the 80’s, I’ve enjoyed that music ever since I was first tricked into listening to the smooth, velvety crooning of the Brit pop chart invasion during that period. I can’t really explain why I loved that music so much, I guess for the same reason people eat cheesecake: It’s loaded with sugar, almost unbearably sweet, and probably isn’t the healthiest for you, but goddamn if it doesn’t make you feel so good inside when you eat it up.

Virgil Blue: “Pain Of Loss” – gorgeous washes of sound

Virgil Blue has released his debut EP entitled “Pain Of Loss”. Inspired and influenced by Prince and Sade, Virgil, a multi-instrumentalist who started out making music at the age of six, when he picked up the saxophone, produced much of the music that can be heard on this EP. Virgil who recently moved from the suburbs of Detroit to LA has put together 6 smooth trance-like tracks that that flaunts ambient, RnB and trip-hop flavors. If you’re looking for something atmospheric and hypnotizing, then this recording may be of serious interest to you. Fragile, tender and soulful, Virgil Blue’s voice will

Big Chris: ‘Bad Timing’ – high quality production and seamless transitions

After a successful release of his last single ‘F The World’ in Summer of 2016, UK based RnB artist and producer Big Chris releases his newest album ‘Bad Timing’ available via all major media providers. Recorded by Big Chris and John Robinson at Clique Studios, London and Miami Live, Miami. The album mix was finalized by Mixbytrip at Circle House Miami. Inspirations of The Dream, Mike Posner and R Kelly can be heard throughout. This album has some really original, unique, futuristic cuts on it, as would be expected. Big Chris is a more audacious artist than most in the R&B game right now, because he says what

Shellee Coley: “Story Like This” – a maturity that is mesmerizing!

Shellee Coley is a Texas-based singer-songwriter that has released three full length albums. Her current focus is a 5 song book of musical meditations called The Becoming Project that is being released one song or “chapter” at a time by the independent label Red Tree Music Group. Essentially, Shellee has created a unique style that blurs the boundaries between genres and categories. There are recognizable influences from classic songwriters like Paul Simon, Joni Mitchell, Joan Baez, Lennon & McCartney and Bob Dylan, as well as from some more current acts. Coley is able to absorb them all, and filter them through her own sensibilities

All Atomic: “? ? ? (Track With No Name)” builds multiple climaxes and movements

All Atomic is an electronic music producer and artist from Bristol, UK. He has just released his debut for indie label Pink Dolphin Music, entitled – “? ? ? (Track With No Name)”. The majority of listeners will agree that this track is perhaps one of the best examples of wickedly detailed and technically rich techno and house out there. If that is a mouth-full, it should be. All Atomic has defined the amazingly intricate form of electronic dance music that weaves clever beats into unusual and unexpected sounds to create a masterpiece of rhythmic movement and audio ecstasy. It’s

René Puchinger: “Emotions” – gentle and pensive lyricism mixed with challenging soundscapes

Traditionally, when people think of the classical music, they associate it with the likes of old, boring, and antiquated composers of the 18th and 19th centuries. But if we look just a little harder, we will notice that the landscape and conception behind classical music written today is consistently changing. Today, if you open up newspapers and magazines, they are consistently writing encouraging words about the very best up-and-coming 21st century composers in amongst the Hip hop and pop artists. Record labels that release contemporary classical music, are ever increasing, including up and coming labels such as FatCat, Bedroom Community, New Amsterdam Records and Cantaloupe Music, the label that has had an unprecedentedly large influence over the musical landscape of today, in and out of classical music.

Another step down the ladder, in order of distribution possibilities and certainly not in order of artistic qualities, we find the independent composers who write, produce, and distribute everything by themselves. So who are these talented, courageous, and strange geniuses that are challenging the pop musical landscape of today as we know it?

Well one such being is René Puchinger, a Prague based self-taught composer of modern classical and orchestral music. He has been devoted to music composition since his childhood, and his current 2017 EP release is entitled “Emotions”.

This is an emotional and powerful recording of an emotional and powerful work. From this recording, one gets a sense of the full scope of this work, from its most intimate chamber-music-like moments to its most bombastic, expansive, quadruple-forte fury.

René Puchinger demonstrates that handled properly, writing for a full symphony orchestra is a supremely expressive and satisfying way to constructively deal with one’s feelings of loss, conflict, and anger. It would be exceedingly difficult to conceive of more emotionally potent pieces of music currently.

The 5 musical pieces, namely “Mission”, “Contemplation”, “Fade To Black”, “4” and “Defeated”, are each fairly short in length, The longest clocks in at 2 and a half minutes while none of the others reach the 2-minute mark. What does this mean in practical terms? None of the compositions overstay their welcome or ever get to the point of self-indulgence, a trap easily fallen into with so much dramatic, dynamic and bombastic sounding instrumentation at hand.

René Puchinger’s music is a breath of fresh air in the usually predictable classical music world, bridging the gap of concert hall type of writing and film scoring with excellence. Puchinger’s original music plays in some ways more like concert pieces in several places rather than a simple movie score.

His approach is of gentle and pensive lyricism mixed with challenging and slightly avant-garde orchestral techniques for suspense sequences, producing a work of strong dramatic arc and architecture. He creates a moody and ruminating musical world that envelope the listener with alternating sections of emotional thematic writing and bursts of suspenseful energy.

The end result is, as said above, more akin to a concert work although the composer ties everything together with recurring thematic constructs of which varying sentiments is the central one, both emotionally and structurally.

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