“Sunshine” – Artem Cithara (ft. Nicole Elizabeth & Slick Sax) conjures immediate and unflinching imagery

The scene opens to the midnight skyline of a neon city while Slick Sax’s saxophone blows like a whirling cool breeze through the balmy summer air, muting the buzzing fluorescent signs that clamor for attention. All the while, Nicole Elizabeth’s breathy vocals murmur and soar above the four-to-the-floor piano-driven beat on the stunning new feel-good single release from Artem Cithara, entitled “Sunshine”. The track is an appropriate composition from a mysterious artist, songwriter and producer whose only goal is to be taken seriously–not only as an EDM icon, but in the context of finer arts. While much of the electronic music

Sarantos: “Why Ask Why” – uniformly excellent throughout

In a sense, Sarantos is as much a realist as he is a romantic; his best songs are about fearing the worst, hoping for the best, and getting lucky sometimes. His best songs are also about three or four minutes long and loaded with licks and melodies befitting of a great singer-songwriter reared on the musical legends of our time. All of those influences coalesce on “Why Ask Why”, a tight, spirited rock track.  Purely as sound, this track unquestionably succeeds; though AOR is basically a primary color of modern pop at this point, Sarantos’ vocals and lyrical tics are

Boy in the Rain: “Wave” – a fine assemblage of piano mastery

Boy in the Rain is a composer and solo artist. His style draws heavily from classical and romantic periods, stemming from the traditional piano studies of his youth, but incorporates modern styles into a unique contemporary fashion.  His latest album, “Wave,” is a collection of original piano solos. The piano has a chief interest of exploration for many composers. Through the history of music we can even certify the following: static discoveries and dynamic ones. Bartok, for example, in many of his solo piano pieces is always certain when to use an incomplete chord, which register and which inversion to

TALENTDISPLAY DISCUSSES HIS UPCOMING ALBUM, TALKING NICKI/REMY BEEF, 2CHAINZ AND MORE…

TalentDisplay confidently fuses old influences into his raw, modern sound, taking rap to a new intoxicating level. The Los Angeles rapper and songwriter TalentDisplay keeps a unique approach to hip-hop that incorporates the influence of fresh sounds, reality and assorted styles. TalentDisplay blasted on to the music scene in 2006 with his self-titled multi-lingual single. Since then, he has worked with superstar artists Fredro Starr and Ca$his, collaborated on pop, rap and R & B tracks while even spending some time working at Paramount assisting with songwriting and more. TalentDisplay uses the love and support of his fans whom he calls

Kris Woodbird: “Monsters of Heart” – a purveyor of persuasive folk!

Kris Woodbird aka Krister Svensson was born in the south of Sweden. He played and was a part of the punk, new wave and art music scene in Lund before moving to Stockholm. He went on to play drums in various indie bands before getting into vocals and songwriting in a band called Wan Light, which he formed with Magnus Karnock, releasing three albums and two EPs. In 2016 Kris Woodbird began his journey with the release of the single “Alien & River”. This led to the album “Monsters of Heart” recorded in Kris’ apartment by producer Håkan Folkesson from

René Puchinger: “Emotions” – gentle and pensive lyricism mixed with challenging soundscapes

Traditionally, when people think of the classical music, they associate it with the likes of old, boring, and antiquated composers of the 18th and 19th centuries. But if we look just a little harder, we will notice that the landscape and conception behind classical music written today is consistently changing. Today, if you open up newspapers and magazines, they are consistently writing encouraging words about the very best up-and-coming 21st century composers in amongst the Hip hop and pop artists. Record labels that release contemporary classical music, are ever increasing, including up and coming labels such as FatCat, Bedroom Community,

Sean Tibbetts Founder of Metal Band SAULT

Sault (Featuring members of Kamelot and Arcanium) was a creation formed by bassist Sean Tibbetts in 2014 and originally intended to be a solo album, but the project soon morphed into a band project. Sean was introduced to guitarist Curtis Jay by long-time friend Bisquette Bewley while at a tattoo parlor. Curtis was asked to record on a few tracks for the Sault demo. The two instantly knew there was something special in the music they had just created and were driven to start on a journey that would soon lead to a full length album. Next they found a singer in Benjamin Riggs, again via friend, this time in

K Block’s First Single “Rose Gold” to Be Released Early 2017

Rapper-songwriter K Block’s first upcoming EP Album titled “Poetry in Motion” will be released this year. “Rose Gold” is the first single due to drop early 2017. Born on February 20, 1994 in Chicago, Illinois, Dimitri Dyshaun Drew or more popularly known as K Block is best known for signing with the indie label OUT’DO ENTERTAINMENT Inc. His first EP album is also OUT’DO ENTERTAINMENT’s first release. The 23-year old rapper attended Prosser Career Academy High School in Chicago, but decided to drop out to pursue his passion for music. K Block started putting his music on social media, gaining

LIL J & PASTY WHITE BOY TO PERFORM LIVE AT THE HARD ROCK CAFE BOSTON!

Lil J & Pasty White Boy to perform at THE HARD ROCK CAFE on Thursday April 6. Music Starts at 7:00 pm Show Details: Artists – Lil J and PWB Venue: HARD ROCK CAFE – CAVERN ROOM 22-24 Clinton St. Boston, MA 02109 (All Ages & Bar w/ID) Date – April 6th, 2017 Show Start Time – 7 PM Link to Purchase Tickets: http://www.aftonshows.com/LilJ420

Roger Cole & Paul Barrere: “Lost In The Sound” – when Mother Nature fights back

“Lost In The Sound” is an intriguing song, and a valuable introduction for the uninitiated to the wild range of talents and interests of the duo Roger Cole & Paul Barrere, and is a showcase for their musical virtuosity. From the posing questions of how we will survive what we have done to the earth, to anyone seeing the cover art and understanding all too well the otherwise implied notion of a world returned to a type of wild and barren space vacated of rampant technology and comfortable certainties. “Lost In The Sound” follows the counter-cultural ideas as well as

Rulionzzo: “Everyday Indo” – does what he does best

If it isn’t broke, don’t fix it. Often times in the music realm, consistency is synonymous with relevance and even success. If there was one emcee underground emcee out today who embodied and personified the previous statement, it would likely be Indonesian artist, Rulionzzo. He has uses his time to drop music in the form of digital downloads and visuals on YouTube that have gained a respectable number of fans and viewers. Rulionzzo has been grinding since the 90’s, and has just dropped his latest track “Everyday Indo”.

This track showcases a jazzy-soulful vibe and overall beautiful production. Rulionzzo clearly enjoys his lifestyle and it is his level of content that make all the talk about smoking, and his grind like they mean more to him than your typical commercial grade rapper. The diversity of the sound on this song comes from the stellar production.

To get a good idea of the direction that the track’s soundscape is moving in think together some sounds of suave, calming elevator music mixed together with 808’s and jazzy rolls. This is the ideal soundscape for Rullionzo to lounge in. He never feels rushed through a track and just lets the tales of his life and his hustle roll off his tongue absentmindedly.

The simplicity found in Rullionzo formulaic rhyme schemes and his lack of preachiness is welcomed with arms wide-open. Instead of listening to decipher like we are forced to do with many of today’s heavy-hitter rappers, we are given an opportunity to simply listen to the soothing, production of a track that just sounds great and easy to understand lyrics.

It isn’t often that a track’s coherent progression from the first bar to last comes from the beat selection and placement, along with the lyrics. The lyrical content is simple, easy to absorb.

What sets it apart from any other rapper following the same general guidelines is the self-centered focus and his ability to do what he does best without seeming like he just finished reading the ‘How To Become A Famous Rapper Handbook’.

Rullionzo is really just glad he has the life he does and realizes that it is no doubt owed to his extensive hustle. He doesn’t aim to shock you, surprise you or even himself for that matter.

It certainly is interesting and nice to hear such a beautiful sounding project, put out by an artist who has created similar work throughout his career; yet, he settles into his niche and celebrates the place within hip-hop that he occupies ever so efficiently.

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