Infectious Rhythm: “Silhouette” – a steady impacting beat, retro analogue sounding synths

I’ve always loved Infectious Rhythm since I first him about a year back with “Daydreams”. To be quite honest, I think the good thing about this independent electronic music producer is that he is consistent. He doesn’t have songs that repeat or sound the same, or at least, I don’t think so. I think what he does is adhere to a certain theme in each release, with a great level of creativity that becomes apparent the more you listen to it. I like it because it shows me that this artist knows who he is are and he knows the

Knowshun: “Dedicated (Remix)” – imaginative rhymes in a mix of street and fantasy!

Knowshun is a lyricist and producer from Chicago, IL. The rap/hip-hop artist’s latest project, a music video for his single “Dedicated (Remix)” was based on a nightmare the artist had the night before the video shoot. The cinematic music video explores dark themes of purgatory, a spirit in limbo and battling against dark forces. Gripping imagery of shadowy figures permeate the video. “Dedicated (Remix)” is featured on the mixtape “Lyrical Fire Episode Two: Liquid Napalm” written and performed by Knowshun, produced by Credit Ninja B. The original track was by MF Doom & MF Grimm. The music video was shot,

Keys And Vices: “Chronic Nostalgia” can rock the socks off of any audience!

Keys And Vices are something of a Trojan horse. Hidden within the confines of a band with a cryptic name and fronted by a deceptively talented lady is a power-trio that can rock the socks off of any audience and probably any band they share a bill with. Stacked with massive riffs and sweet hooks, their “Chronic Nostalgia” is a monumental step in their recording career. With beefy production that highlights the tight dynamic between front-lady Jennifer Valdez (Vocals, Guitar, Piano, Lyrics), bassist Kevin McCarty and drummer Kris Ayala, the band’s first full-length offering packs enough punch to dominate modern

Brady Novotny: “Passions Collide” is a skilled expression of his dazzling compositions

During the early to mid-seventies is when the guitar maestros were coming out. John McLaughlin and Al Dimeola, were at the top in my book of guitarists. The mixed both electric and acoustic guitar virtuosity with equal ease. Rock, Jazz, Fusion and Flamenco abounded flavors abounded on their releases showcasing a 360° vision of the guitar as a lead instrument. Brady Novotny who started playing the guitar at the age of 10, is pretty much cut of the same cloth, and on his latest album, “Passions Collide”, he even includes a vocal track featuring his wife, Jennifer. Inspired by Randy

Tohi: “Out The Box” – emotional music you can chill or groove to!

Tohi is a rap artist currently based in Los Angeles, CA. He started his musical career as the first Persian rapper at the age of 13. He was forced to perform illegally in his native Tehran, where rap has been banned. In order to chase his dreams, Tohi located to Dubai for two years where he was able to create music openly, followed by a move to London. As he continued to build his career Tohi performed at major venues such as Barclaycard Arena Hamburg and The Global Arena Stockholm and HMV Forum London O2 and won awards, including Best

Bearzerk – An executive music team with a proven track record

Music management teams really are the industry’s Swiss Army knife. They can really transform careers. Where there’s a special artist, chances are there’s a special collective behind them, plotting moves behind the scenes. The best of the bunch tend to connect dots swiftly, think outside the box without losing sight of the little things, and, above all else, maintain a degree of close affinity and proximity to the artist and the music business itself. Music management companies exist to protect and nurture the business and creative interests of those they work with. It takes one set of skills to help

Exit 22 Music: “Just As You Are” has cracked the code for the modern music world

Barely a few months after the release of their previous single, Exit 22 Music and Chris Calamera are back with the new record “Just As You Are”. And it seems like the only rule of the New York City-based project is: there are no rules. They are mixing genres and experimenting with different styles and the result is the unique sound of Exit 22. Whenever the Calamera project drops a new release my expectations are extremely high. The song starts off slow and soulfully, and then loads itself with energy. The female vocals, as always, has never sounded so strong.

Michael Peloso and Natalie Jean: “Lost & Found” – absolutely compelling!

Michael Peloso and Natalie Jean have released their latest collaboration single, “Lost & Found”. The two are no strangers to each other, having worked together on the multi-nominated, and award-winning track, “The Letting Go” with Levi Moore. Michael and Natalie also joined forces on Josie Award nominated track “Please Don’t”, as well as the 2017 single “Alive”. Michael Peloso is a New Jersey-based lyricist/songwriter who writes undeniably touching, honest lyrics with a sense of simplicity that are uniquely all his own. Natalie Jean is has achieved recognition across the most diverse of musical genres and quite comfortable performs in English,

Deane Nesbitt Jr. – “Soundtracks in the Sand” – The meticulous sculpting of soundscapes

Although Deane Nesbitt Jr. has composed music for years, he does not read music. His unique background consists of practicing law for 16 years, co-founding an investment management company and writing an illustrated history of a 1912 investment bank. Deane’s music has been aired on more than 300 radio stations across America and Canada. His recent CD, “Music in Search of a Movie”, won the Philby Award in the United States for being one of the top 100 music CDs of 2015 and the Best Dramatic Music of the year. The album ranked on five CMJ charts for New World

ROSABEL: “The Album” – Compositions of the highest quality

ROSABEL the DJ duo consisting of Ralphi Rosario and Abel Aguilera met in 1989 during the Winter Music Conference in Miami. For the better part of 25 years the two have been generating dance hits, and more recently, tag-team DJing for the masses around the globe. They dropped their first creation in 1994, with “La Puta” released via Groovilious, a part of Strictly Rhythm records out of New York. The continued dropping independent releases and filling floors each summer on Tommy Boy Records/NYC, and have since, officially remixed such artists as Lady Gaga, Beyoncé, Rihanna, Madonna, Katy Perry, Cher, Gloria

Sloppy Joe’s: “Eight Reasons To Rock” is able to kick up a head-banging fuss

Inspired by legendary bands such as KISS, Volbeat, Maiden and AC/DC the trio of Sloppy Joe’s features Jesse Garon(Lead vocals, Guitar), Johnny Angel (Bass, Vocals) and Pätzy Dävey (Drums, Vocals) who provide blistering guitar riffs, thumping bass lines and pounding drums. Their EP “Eight Reasons To Rock” goes from catchy power-pop and punk songs like “Right Decision” to hard rock ones such as “Lonesome No.1”, and even has a rockabilly-themed cover song on it, in the shape of the reworked “Diana” a tune first made famous by writer and singer Paul Anka in 1957.

Sloppy Joe’s also do a thrilling version of “Without You” which starts off fairly lightly until the chugging overdriven guitar riffs drive the chorus into rock’s seventh heaven. Most will remember the Mariah Carey version of the song released at the beginning of the nineties, but it is actually an all-time classic first released in 1971 by singer-songwriter Harry Nilsson. This clearly demonstrates that Sloppy Joe’s is not just a creative rock band, able to kick up a head-banging fuss, but an extremely confident one, able, and willing, to make any song ‘their own’.

And just in case you think they’re all about adrenalin pumping ‘loudness’, think again, as you listen to the soft and gentle acoustic EP closer, “Right Decision”, which is another version of the same song that appears earlier on in the track list. This again shows that Sloppy Joe’s is not afraid to challenge, not only covers, but their own songs, with different arrangements.

“Eight Reasons To Rock” goes straight to the core and its title simply alludes to the 8 raucous and rocking songs contained on the EP. You can put the proverbial needle down on any track in this collection and you will be stunned by the bone crushing riffs, and the total slamming beats, together with the anthemic and melodic vocals which propel the soaring choruses.

But if you really want to bring the house down, let the ‘needle’ settle on Eat Sloppy Joe’s – in the tradition of those easy to follow blood-boiling AC/DC guitar riffs, the killer KISS sing-along choruses and a downright and dirty blues-infused vocal, this track will drive any rock n’ roll fan into a state of euphoric ecstasy.

This EP is a great example of Sloppy Joe’s musical diversity. You’ll love how they can do an old school sounding song and break into something heavy in the flip of a switch. All songs on this EP are very well written and arranged even better. The have great chord progressions, solid guitar solos, and tons of melody, as you will expect and demand from this genre, and is a definite must have for any rock n’ roll music library.

These dudes from draw from a variety of influences, as they straddle and blend the lines of genre demarcation, one sub-genre flows from another, and mingles here and there, until you don’t even notice the difference anymore. There is absolutely no sonic boredom to be found on “Eight Reasons To Rock”!

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