Valerie Warntz: “I Don’t Love You Anymore” – structured and inspired song-craft

Valerie Warntz is a 19-year-old singer-songwriter who has been musically inclined since childhood. She decided to be a musician at 9-years-old enrolling into The Sviridov’s School of Arts where studied guitar and piano. During her educational years, she won various awards and at the age of sixteen she wrote her first song “I Don’t Love You Anymore”, which she has now released as a single and music video. The song is also on her debut album “Revelation”. The track is intentionally as heartfelt as it is pensive. Lyrically, Valerie doesn’t leave anything hanging; the song sort of has its completion,

Michael A. Galianos: “My Heart Is Breaking” (Featuring Dan Exactly)

Michael A. Galianos has just released the single “My Heart Is Breaking” (Featuring Dan Exactly) with words and music by Michael A. Galianos and Dan Exactly. Michael A. Galianos is a singer/songwriter from Bergenfield, NJ. He has recorded one EP and two albums since 1997, beginning with the EP “Feel”, under the moniker of M.A.G. (Mad Ass Greecians). In 2006, he released his first full length, “Cerebral Snapshots”. In 2011, he released his second album, “Beautiful Discovery”. His sound is melodious pop/rock, along the vein of The Beatles, The Beach Boys and Big Star, with the occasional delve into the experimental.

Dustin Steen: “Mixed Genres” has a strong spiritual element

With an onslaught of pressure from modern record labels to produce high-selling records frequently and consistently, and the need to secure a loyal consumer base, an artist’s ability to experiment and evolve with his or her sound seems somewhat futile in the modern era. It seems that musicians throughout every genre are bound by the limitations of what sound will sell, often creating a disassociation between artistic freedom and production demands. With such high stakes, it takes immense talent and perhaps sheer disregard for self-preservation for an artist to experiment successfully with the many facets of the musical lexicon. Perhaps

Dakú Lights: “Illuminate” – a consistent palette of genre-melding pop offerings

London based alternative pop band, Dakú Lights, was formed in April 2016 by the three band members who are represented by their own distinct color to match their personality, with Bhavini being red, Haiiiro as pink-orange and Panda as purple. They have a unique blend of music which incorporates Pop, Kpop, EDM and Urban influences. Currently pursuing a record deal, the band is focused on producing high quality music and building their stage presence for international audiences. Dakú Lights recently released their 5-track EP, entitled “Illuminate”. The title takes a cue from the band’s name, as Dakú means ‘dark’ in

Henry Metal: “So It Hath Begun” will grab you by the balls with a cruel squirrel grip

Henry Metal might have a fine veil of satire embracing the project, but he makes just about the best tribute to the excess of the 80’s and 90’s hard rock and metal genres ever. He has just released his 9 track album, entitled “So It Hath Begun” which contains great songs, which are very easy to bang your head and sing along with. The tracks all have a grooving and slamming feel, plus cool shredding and solos. In fact Henry Metal sounds no different to any of those legendary rock and metal bands from the golden era. You either get

Aeronaut: “Skara” – excellent progressive buildups and rhythmic backflips

Aeronaut can be described as Progressive Rock, Post-Rock, Indie, or simply Alternative Rock, but that doesn’t really matter. All I know is that this project delivers very interesting, fresh, and well-rounded music. Aeronaut has a huge dynamic range, from extremely fast and heavy with smooth, powerful vocals to very relaxing and atmospheric. The music is very melodic, clear and well-produced, the song “Skara” flows and changes to new and exciting ideas. The guitars are very lush and full sounding, during both heavier and mellow parts, while the bass and drums thump and bang in all the right places. Aeronaut is

Eric Hausmann: “Soaked” manages to tap into a very specific emotional core

Eric Hausmann is a multi-instrumentalist and film composer. He has produced music for a number of Malaysian films, in addition to scoring for a variety of New York film productions. He performs live as a guitarist with Portland’s Tres Gone, and Malaysia’s Space Gambus Experiment. He is formerly a member of The Gone Orchestra and Brainwarmer. Hausmann recently released “Soaked” a seven track recording which is described as “A cross-section of Asian dub-fused rock n’ roll with deep India influences.” But it’s probably more than that, as I’m hearing post-rock, world fusion, and ambient rock influences injected into these tracks. Eric

MOOD: “The Wave” is in the right lane!

Hip-hop has changed – there’s no debating that – but change isn’t always indicative of something bad. That being said, it’s refreshing to hear more rapping, with the exception of one or two bridges, versus the continual rap/sing mix that’s permeated mainstream as of late. You’re allowed to appreciate more than one way of creating music and while a lot of rappers have the notion that they should be singing as well, there’s a place for it all, especially if you don’t have a decent singing voice. You obviously can’t disregard one lane of Hip-hop while claiming to be a

EsZ: “If You Didn’t Get This Message, Call Me” – an audacious creative effort

On his new album, “If You Didn’t Get This Message, Call Me”, EsZ aka Erron’s Attic comes out swinging from the first song, a great balance between classic Hip Hop and modern. As usual EsZ gets well thought out ideas through his songs in innovative ways; you definitely get the feeling he has the lyrical substance he wants to express. Although we’re in a dismal era of Rap currently, this could be one of those instant underground classics. EsZ catalog is filled with parables, fables, morals and lamentations, forms of storytelling that compress people and experiences into neat, digestible lessons.

Luna 13 – the solid foundation for gut-ripping synths

The award winning Los Angeles band Luna 13 is forging a new genre of music they call Black Metal/Bass Music. Their brutal yet groove based electro-metal incorporates elements of electronica, death metal, and industrial rock – all done with electronics, which means no string instruments. Music maker Dr. Luna, creates a metal sound with synthesizers and by wrapping heavy distortion around sub-bass. Luna 13 who has been performing live for a few years now, opening for death metal/industrial and electronica projects alike, came into its own when Lilith Bathory joined in 2015. Since, Lilith, the band’s front woman, has been booking modeling jobs

The Big Mackoofy: “GOD IS A MAKE BELIEVE FRIEND FOR GROWN UPS” – an expanding musical universe

“GOD IS A MAKE BELIEVE FRIEND FOR GROWN UPS” by the The Big Mackoofy, requires at least twelve different reviewers, or at the very worse, twelve different listening sessions on different days by one reviewer.  Two things are not to be discussed when listening to this album – genres and cohesiveness – unless you want to descend into a never-ending spiral of impossible explanation.  The Big Mackoofy don’t play any one genre, they are unto themselves a genre. One song does not cohesively follow another like a dot by dot painting, The Big Mackoofy represent an expansion of sound and color. “GOD IS A MAKE BELIEVE FRIEND FOR GROWN UPS” is the musical equivalent of the universe’s big bang theory.

The Big Bang theory is an effort to explain what happened at the very beginning of our universe. Discoveries in astronomy and physics have shown beyond a reasonable doubt that our universe did in fact have a beginning. Prior to that moment there was nothing; during and after that moment there was something: our universe.

The big bang theory is an effort to explain what happened during and after that moment. In the case of The Big Mackoofy, prior to the release of “GOD IS A MAKE BELIEVE FRIEND FOR GROWN UPS” there was nothing like this type of music made by one single band; during and after that moment there is something: universal music!

Quite simply The Big Mackoofy, take the entire band’s influencing styles, genres and sub-genres, and fling them through a 3-man blending machine that go by the names of Jeff Lucas, Anthony Joseph and Eddie Blindell. The result is 12 tracks of several hundred billion sounds that go from Soul to Reggae, Ska, Hiphop and Rock to Funk and anything else they can muster – in an album soaring through the musical cosmos, inside of an expanding musical universe that began as an infinitesimal singularity and which appeared out of somewhere in London for reasons still unknown.

Any discussion of the Big Bang theory and this album title, would be incomplete without asking the question, what about God? This is an area where science and theology meet. Creation was a supernatural event. That is, it took place outside of the natural realm.

This fact begs the question: is there anything else which exists outside of the natural realm? Specifically, is there a master Architect out there? We won’t attempt to answer that question, but what if…“GOD IS A MAKE BELIEVE FRIEND FOR GROWN UPS”?

I’m not sure who does what on this album, but you’ll hear singing, rapping and a whole lot of grooving going on. Because if there is one constant or ‘cohesive’ factor running through this album, its groove! From the smooth melodic groove of “Walk Away (feat. Ferisha)”, or the bass heavy groove of “Bring Back The Lovers”. Maybe even the soul-infested funk groove of “Super Wanger”, or the reggae groove of “YES I S”,  the rap groove of “Indian Dub”, and probably the grooviest track of all, “Lady of The Night”.

I could go on and on, but the groove is endless on this album, as is the musical creativity shown on each track. The fact is, The Big Mackoofy is one of the most forward-looking bands of the modern era and arguably, the first genuinely, all-out cosmic music band…with or without God!

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