John-Marc Lucid: “Judas” ft. Fyah Sthar – breathes down-to-earth authenticity

Music is a very powerful and mystical force. It speaks to people on a much deeper level than conversation. It really reaches the soul. With his new track “Judas” ft. Fyah Sthar, John-Marc Lucid hits us with music that indeed does reach our souls, an intriguing melody, piercing lyrics and outstanding musicianship included. The new release by the Texas based Dancehall and Reggae artist is a joint venture with Fyah Sthar, and together they breathe down-to-earth authenticity, making for an airy, buoyant listening experience. Lucid is a creative mind that doesn’t bother about drawers or labels – his music explores

Innocent Bystanders: “Attractive Nuisance” – a roller coaster of emotion and excitement

Based in Kensington and Mission Hills, Innocent Bystanders was founded by musicians who played regularly in various bands in high school and college, who got together to form a band to play fundraising events for a local law school. They perform a wide-range of rock and soul, focused on the music of the 1960s and 1970s. The band is made up of Steve Berenson (Drums), Steve Semeraro (Electric Guitar, Vocals), Kaimi Wenger (Keyboards, Vocals), Jessica LaFave (Saxophone), Ben Nieberg (Acoustic Guitar, Vocals) Kath Rogers (Vocals) and Donny Samporna (Bass guitar). Their “Attractive Nuisance” EP of original music was recorded at

Roger Cole & Paul Barrere: “Let It Go” combines musical inspiration and travelling emotions

Meaningful lyrics, amazing songwriting, superb heart-warming yet angry sound, musical teamwork, everything is so perfect in this track. Such a gorgeous and refined melody and philosophical lyrics is worth being remembered for all of the current generation. The guitarist uses swampy resonating sound so beautifully and the drummer plays simple but tight groove, with every drum fill-in is on the sweet musical spots. The bassist backs up the music stably as the boys sing the vocals with conviction. This is one of my current desert Island #1’s in the Roger Cole & Paul Barrere catalog. Yes, the track “Let It

Markus Scott: “Live Life With No Regrets” – confidence is sky high on this project

Born in New York City, Markus Scott grew up in humble surroundings, and his family were always on the move resulting in him constantly transferring schools. He excelled at reading and writing poetry, before discovering that he could rap when he won a freestyle battle with a signed artist at a house party in Harlem. He soon learned to DJ too, and with his first check from summer youth, Markus went to a pawn shop and brought a laptop. He then brought a DAW, and microphone from Guitar Center and began researching how to mix and edit his vocals. He

Christopher Rapkin: “Focus In” – substance over style!

Composer, arranger, producer, multi-instrumentalist and singer. Christopher Rapkin is many things, including founding member of Digital Composers Guild, and a music industry consultant. During September Rapkin released his 10 track heavy guitar album, entitled “Focus In”. Listening to Rapkin on this album it also becomes clear that he could be known as a great guitar virtuoso and a perfectionist. Christopher is the guitarist who sings and he does it quite well, in my opinion even better than Steve Vai. Also he is a good composer, all of his albums are full of songs of different styles. So he’s the man

Ziggy: “Breathe” – music for a new generation of kids

Zachary Raul Reyes aka Ziggy was born in Arcadia, California, but spent a lot of time moving around since his dad was in military service, ending up in a town in Ohio called Middletown where he spent most of my elementary and high school career. Growing up, music was his life. At 13 he received his first guitar, as a gift from his mom. He took two lessons before teaching himself how to write tabs and understanding harmony. From there Reyes ventured into listening to Hip hop and metal before discovering Dubstep, which represented a complete change of direction. Suddenly

Lynne Taylor Donovan: “Sooner or Later” – a swirling pool of rich technique and tender ability

“Sooner or Later”, the new release by independent Canadian Country songstress, Lynne Taylor Donovan, is the third single from the Nashville sessions that produced her hugely successful Euro-UK #1 hit “Strong One” and the follow-up European #2 hit “Am I Dreaming”. The reigning queen of indie country music has a knack for finding a way into the hearts of her global fan base. “Sooner or Later” has a warm and deep intention, reflecting Donovan’s eloquent and versatile tidings, showcasing her country gravitas, and a swirling pool of rich technique and tender ability. A careful sensory indulgence is heard in the

Odd-Arne Jacobsen: “While I Was Crossing The Bridge” – a gift to the world

Musician, songwriter and guitarist extraordinaire, Odd-Arne Jacobsen has worked with most of the leading artists in his home country of Norway, in both theatre and music, and has also presented his craft internationally. He has had his own television show in Russia, as well as a solo concert at the Moscow International Jazz Festival, and has toured the USA, Mexico, Russia, France, China, Kuwait, Scotland, and Japan. In 1990 he undertook a solo concert of his own compositions in New York, becoming the first Norwegian guitar player ever to hold a solo concert in Weil Recital Hall at Carnegie Hall.

Jennifer Hope Releases “My December” for Music for Relief’s One More Light Fund in memory of Chester Bennington

JENNIFER HOPE LAUNCHES DOWNLOAD TO DONATE FUNDRAISING CAMPAIGN TO BENEFIT LINKIN PARK’S MUSIC FOR RELIEF CHARITY Singer-Songwriter Jennifer Hope, has released her cover version of Linkin Park’s “My December” to raise awareness, and contributions for Music for Relief’s One More Light Fund in memory of Chester Bennington. The track is available for download until October 27, 2017 at GoFundfMe. A one dollar donation is all that is required to receive a download code, but any additional amount is appreciated and your extended generosity can further help many in their time of need. All donations go to the charity through the

Jordan Everist: “Vacancy” – the perfect soundtrack for anything you can really think of doing

Jordan Everist is a creative from Portland, Oregon. His love of music began when he was 4, but really took off in his high school years. Since then he has been producing music professionally for short films, cartoons, and musicians. He also has had a series of personal projects, where he’s been able to express himself and develop his own voice. Besides music, Jordan has an interest in all things creative, which he shows through his other ventures, writing and animating cartoons, and developing video games. Odds are if you’re reading this review, you’ve heard of Everist’s music before. If

Vacant Image: “Before 12” – surprises at every turn

Vacant Image’s debut album “Before 12” is an engaging record, filled with carefully crafted hooks disguised as bridges and transition. It sounds like the brutal, beautiful result of the band being passionate enough to rip each of our heads off.The eleven track album captures the inimitable essence of the band the thing that makes any heavy rock album that sounds prettier than its peers, a truly new metal sound that’s grungy sensual without resorting to shoegaze tropes, aggressive and unconventionally alternative in a way that never suggests predation or regressive machismo. Synaesthetically speaking, it’s a smear of pink, purple and black, a kiss that bites down on your lip to draw blood.

By no means did Vacant Image invent the idea of combining brutality and beauty in metal, although they are ahead of the curve. Nothing short of a name change will likely convince skeptics at this point, but “Before 12” proves that Vacant Image can be vital as they are relevant.

When so much rock music in 2016/17 feels dead, vapid, and recycled, here comes an album so vividly alive and inspired that it could turn even the most curmudgeon digital doer into a worshipper of the guitar once again. “Before 12” arrives at a time of a pervasive aesthetics-over-substance trend in rock, where everything sounds so perfect, so calculated, so pleasant (the inevitable product of our digital recording age).

On the surface, a shitty song can be masked in beautiful production and still be a beautiful song as long as it hits the desired mood, sonically. Vacant Image is the antidote to this, just listen to the calculated wild abandon on songs like “Mister Bell” and “Petals”. It comes down to basic artistic direction: Write killer songs that work on their own terms, then let the recording process accentuate those songs and color them aesthetically — not the other way around.

And killer songs abound here, from “Mister Bell” and “Saving Sold Souls”, to “Ladies and Gentleman” and “Broken Blues”. But this album surprises at every turn, seamlessly transitioning from contemplative quietude, into manic chaos on a whim.

All the while meshing their tried-and-true, alternative metal aesthetic, with as many elements of different genres as they can. In the hands of a lesser artist, it’d be mere pastiche. Vacant Image makes the sound their own. For those looking for a metal album to passively enjoy, though, “Before 12” has you covered—this album goes hard when it wants to.

Piecing together Josh Vanek’s (Vocals/Guitar) lyrical motifs is an abstract exercise, much like his words themselves. He’s a master of impressionistic symbolism — words that project a mood more than just any literal meaning.

The tracks here are almost all textural masterpieces, with guitars layered into a swell of audio orgasm, provided by Chris Sheppard (Drums) and Andrew Gilbert (Bass). Where they go from here is anybody’s guess, but in this moment, Vacant Image is perhaps the most important rock band in the dark indie underworld and a calm reassurance for guitar bands everywhere as we continue into an uncertain digital music future.

The Vacant Image debut album ‘Before 12,’ is available on the bands web-store (VacantImage.bigcartel.com ), iTunes, Google Play, Amazon,
Spotify and more. Follow the band on Facebook.

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