Kahbay – “Cayenne Pepper Boy” – an entertaining story with a vibrant template

Rising out of the gritty underground of New Orleans rap scene, Kahbay is a new emerging rapper, who has released a mixtape through his own music company – Greater New Orleans Sound. His music is regularly played around major venues in New Orleans, with Kahbay himself performing numerous times at the legendary Blue Nile. Spending much of his childhood around local parades and live bands he has been captivated by the craft since the very beginning. Now tackling global markets with his own personal sound and style, Kahbay recently dropped his single “Cayenne Pepper Boy”. Right from the outset, the

LU – Ride or Die” ft. Omari Night and DazeOnEast – a surreal and identifiable tone!

Signed to Big Top Entertainment L.L.C, along with the production team Cali 303, Luis Torres aka LU, is a Mexican singer-songwriter and engineer, born in the city of Guadalajara. He migrated with his parents at the age of one where his family settled in Colorado. Produced by Kxvi, LU’s debut single “Ride or Die”, also features R&B singers-songwriters, Omari Night and DazeOnEast. This is perfect melodic R&B/Pop record, as LU and his crew know melody, quickly laying down the narrative’s overriding tone: “Girl You Know that I am down for you, in the fire shooting rounds for you, ain’t no

Gabe Lopez – “End Of The Lost Summer” deserves top level recognition!

It is extremely rare to come across an artist like Gabe Lopez, who is poised, multi-talented, bold, self-confident yet humble – and surprisingly, one whose name you should already be very familiar with. The reasons are evident. Gabe Lopez is a Billboard Top 5 singer-songwriter and producer, who has produced and written recent music for Belinda Carlisle, New Kids On The Block, RuPaul’s Drag Race, Twice, Key and other multi-platinum artists. He has also produced and written for Joey McIntyre, Charice, James Brown, The Other Two on Comedy Central, SHINee, Tae Yang, VeriVery, DreamNote, Gayme Show, American Idol finalists and

Jae’ Morrissa – “AWOL” and “Butterfly” will send chills up and down your spine

Born Ingrid Jasmin, professionally known as Jae’ Morrissa has gone from singing to patients and residents in hospitals and nursing facilities, to becoming a fast rising singing sensation in the music industry. She started singing at the young age of 3 years old, as her talents were nurtured through her Mother’s taste and love for music. Jae’Morrissa was also inspired and influenced by such artists as Deniece Williams, Stephanie Mills, Minnie Rippleton, Phyllis Hyman and Teena Marie. Her debut single “Just My Next Song”, is being considered as a Nominee for the 62nd Grammy Awards 2020, as well as a

Downtown Mystic – ‘3-Way Heartbreak’ – more than just a nostalgic listening experience!

One of the things Downtown Mystic notoriously excel at is masking emotional lyrics with upbeat, driving-with-the-windows-rolled-down kind of melodies. Their double-side single, ‘3-Way Heartbreak’, which also includes the track ‘Same Old Lover’, recorded in 1983, has all that and more. While for most other contemporary bands, it’s hard to recapture the real magic of rock n’ roll, for Robert Allen and his crew, this comes easy. They grew up during rock’s golden era, hence Downtown Mystic’s music lives up to the genre’s legacy, rather than just riding on its coattails. The ‘3-Way Heartbreak’ single, on the Sha-La Music, Inc. catalog,

P Bailey – “Change The World” – a lush blend of mid-tempo R&B and Soul

P Bailey has adorned our pages many times over the last few years, but just in case you missed it, we’ll fill you in again. Originally from the UK, Paul Bailey aka P Bailey grabbed his first musical influences from Motown and Muscle Shoals, as well as Stevie Wonder and Michael Jackson. Without any formal training, the 5 octave singer, developed his singing and writing style by listening to artists like, Ron Isley, Donny Hathaway, Luther Van dross, Prince and James Brown. Bailey had his first major break when Rick James sampled his track ‘Part time Lover’ for the sound

Mandalan and So Foreign Productions Launch Campaign For ¿CÓMO SABRÉ? ft. Emarie Video

Mandalan is the music project of Los Angeles-based musician, songwriter and producer James Brennan. He produces a tropical house genre of dance/pop music with a dramatic sound including heavy drums and electronic elements. Together with So Foreign Productions, Mandalan is creating a music video experience for his new dance single ¿CÓMO SABRÉ? ft. Emarie, which you can be part of. On PATREON, they have launched a campaign inviting Patrons to be part of an upcoming official music video for the song. Supporters will receive a digital download of the song along with credits in the music video. They will also

Sofi Maeda – “ASHITA” bursts with sound and energy!

Sofi Maeda was born in Takamatsu, Japan. The alternative pop-punk starlet has been doing music seriously since 2016. She has released the album “You Know Me Well” in 2017 and has followed up with a series of successful singles. She has won singing as well as song contests, and has performed on the Red Square in Moscow, at the festival in Gorky Park, as well as concerts in Depo, Live Stars, San Diego, Glastonbury and many more. This year Sofi has dropped 3 singles so far, including “ASHITA”. If you like Sofi Maeda then you should already have “ASHITA” on

Jona Da King – “Roots Of Love” EP – balancing rhymes, and soulful crooning|

Jona Da King is a hip-hop artist from Toronto, Ontario, based in Edmonton, Alberta. Jona is set to release his EP “Roots Of Love” which is scheduled to drop September 30th 2020. The artist has an eclectic musical palette which is colored by Hip-hop, R&B, Pop, as well as Jazz and Rock tones. We checked out his prime tracks in anticipation of the EP, and if the goal of this release is to make a breakout statement that Jona Da King is getting seriously started, he’s succeeded, delivering some of the smoothest, most mellifluous urban sounds we’ve heard in music

Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

3 Time Billboard Song Contest Winner Jamie Parsons

Jamie Parsons is a Roanoke, VA native, a musician and songwriter. He was a Semi-Finalist Winner in the 2015 UK Songwriting Contest for “Last Call”,  Winner of the 2014 Billboard Starmaker Award for “Last Call”, and moreover, 3 Time Winner in the Billboard World Song Contest for the songs “Get Right”, “We’re Done”, “How It Used To Be”. Jamie is studied at the Appalachian State University, and is trained in piano performance, theory and composition.  He was the Unanimous 1st Place Winner of the Appalachian State University Concerto Aria Competition (’79-’80), and was also the 1st Place Winner of the Radford University Concerto Competition (1983).

Jamie enjoys writing in different genres, including, Blues, Country, Contemporary Christian, Gospel, Rock, Pop and Inspirational. Throughout my over 25 years as a professional in the music business, I’ve noticed there isn’t always a large difference in talent level among creative people.

Why, then do some songwriters, like Jamie Parsons  seem to have an overabundance of music awards, diverse artists singing his songs, and people wanting to hear his music, while others struggle to get their first song heard? The answer is there is a certain amount difference in skill most writers process. And that extra percentage makes a major difference. Skilled songwriters like Jamie share some common mental habits which you can pick up in his songs. Not least the multi-award winner “Last Call”.

We all know how easily the words and melodies flow when we’ve been inspired by a life event. But songwriters need to know that songs are like a conversation with the listener. If the writer is feeling the impact of the song but the audience is not then it’s not an effective song.

Listen to “Last Call”. Jamie drags you into an everyday experience that most of us know and can relate to. Through the words and music Jamie allows the singer Luc Doppler, to have a conversation with us. How can we ignore that last drink or the urge to pick up that gorgeous girl: “It all comes down to who’ll be the one that leaves on your arm to continue the fun. You don’t have to go home, but you can’t stay here. So close the deal or cry in your beer, because if you hurry you can have another round. Well its last call, drink them all down!”

“Last Call” is a fairly simple and straightforward honkytonk beat and melody – it’s a drinking song, with no complex rhythms or cryptic lyrics. Yet the thing is so damn catchy and relatable, it’s really hard not to get caught up in its forward momentum and fun Saturday night theme.

Anybody could write this type tune of with the right mindset. But the key to convincingly successful songs – whether or not you want to become an amazing songwriter or build a lucrative career – is that songwriting firstly is a passion, then maybe a job. Ask Jamie.

A quick run through Jamie Parsons’ catalog will teach you another thing – write as honestly as you can.  Chances are, if you’ve gone through something, your listener has too, and they will hear that honesty as it applies to them and (hopefully) connect with it. And I’m particularly thinking of the heartfelt ballad “I Don’t Need This Hurt Anymore”, sung by Leijiah Cooper or the soulful “We’re Done” interpreted by the husky voice of Richie Marso.

Jamie Parsons is clearly a songwriter for all seasons. He writes a wide variety of songs. He doesn’t have just one “thing” that he does. He has lots of pitches that would suit lots of different types of singers. This gives him the edge over many of his colleagues.

Songs should catch our ears in order to register in our consciousness.  It can do so in any way – a riff, a lyric, a melody, a rhythm or an atmosphere. But once it registers in our consciousness, to be special, it must earn its right to stay there. It must say and be something. That’s what Jamie Parsons’ songs achieve.

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