Non-Profit Project Southdogrock releases “Ride With Me”

The southern region of Germany, close to the Swiss and French border, is home to Florian Döppert (vocals, lyrics, sax, blues harp, keyboard). With his first solo Project Southdogrock a long-held wish comes true: Creating songs based on own lyrics and musical ideas together with a professional producer. Florian found a very competent partner for this project: Frank Schultz, owner of PRO TON MUSIC. http://www.protonmusic.de Many songs are still waiting to be produced but the first creation “Ride with me” is finished Southdogrock is a non-profit experiment that tries to use the available resources to produce outstanding songs. Each sponsorship will be

INTERVIEW: Independent Violinist and Music Composer Iurie Sula

Iurie Sula was born in Republic Of Moldova in the late 90’s. He started to play violin at 5 years old, due to his father’s recommendation. In 2017 Iurie moved to the United Kingdom, where he has finished college and won the award for the “Best Violin Player in Southern England”. Iurie is specialized in composing Orchestral and Classical Music. Since 2018 his goal has been to help as many talents as possible to reach their own goals in a musical career, by promoting them and composing music for them. At the end of 2018, Iurie was the composer for

Damian Sage – It’s impossible to listen to “Drive” without being genuinely moved

Listening to the single “Drive”, is a whole different and beyond glorious experience. Singer and songwriter, Damian Sage really outdoes himself with this one. The record, tugs at my heartstrings in the best and most beautiful gut-wrenching ways. I can feel the emotion as he sings each and every lyric. Released through Dark Spark Music, a record label headed by former Guns N Roses manager, and Grammy Award winner, Vicky Hamilton, “Drive” certainly gives me the chills each time listen to it. The two simple opening lines deliver the kind of powerful imagery most lyricists strive most of their lives

Midxnite – “Emotionless” – fluid, hypnotic heartfelt strokes

Midxnite, whose real name is Yusuf Salim, grew up in a South Asian family. The Phoenix-based artist credits singing traditional melodies with his family as his introduction to music and says it provided him an easier transition to contemporary R&B and Hip Hop. The artist, whose previous releases, “Live and Learn” and “Look at My Whip”, have accumulated hundreds of thousands of plays on streaming platforms, recently dropped his latest single, “Emotionless”. Recorded at HKStudios in Phoenix, AZ, the song narrates an afflicting and burdensome moment in the artist’s life when he believed the binding sacrament of matrimony was in

TK Mac – “The Living Room” – a laid back, yet intensely emotional feeling!

Justin Barnett was born in Boston and raised in South Jersey. Inspired by two of the people who have given him so much support over the years, Justin used his grandmother’s middle initials (TK) and his father’s middle name (McDonald) and became TK Mac. As a DJ, he’s spun at various A-List clubs across the globe including Tao, Avenue, The Highlight Room, Marquee and Studio Paris. He’s produced songs for Zak Downtown, Cade, Bryce Vine, and other new artists in the hip-hop, R&B, and pop genres. Now he steps out into the spotlight with his single “The Living Room”. There

MAZE – “From Start To Perfection” – a grand symphony of alternative and melodic rock abrasion!

Gary, Paul, Jack, Lee and Sam make up the 5 piece band from London UK, called MAZE. The band started out as a recording project, but the response and reaction they received induced them to start gigging and they have since been offered plenty of gigs for 2020. In the meantime they have released their 4 track EP, entitled “From Start To Perfection”. The recording is a rich quilt of guitar-driven sounds and rock influences. What’s thrilling about the production is not only are the clear punchy sonics, where each instrument is captured at its most resonant – but there’s

Plastic Barricades – “One for the Road” -showcases technical and creative maturity

Plastic Barricades are one of the smartest bands in alternative indie rock right now. The band which has it very first beginnings in 2007 have produced enough worthwhile material in the ensuing years to deserve escaping the shadow of the underground culture. They’ve released outstanding music in terms of resonant songwriting and daring variability, and their formula has remained strongly characteristic and enjoyable. The band, which has been undergone various member changes through the years, is now stably based in North-West London. Plastic Barricades currently are, Dan Kert on guitars, keyboards and vocals, and Paul Love on drums. The band,

RAHM – “Something Different” – Ardent and lush sounding

The single “Something Different” by singer-songwriter RAHM, was produced by Yarden Ashkenazi and Dor Roeh, and features the female vocalist Shany Oshri. A software engineer, RAHM wrote the song for his wife, Anat Brown who also appears on the cover artwork, which was done by Victoria Manashirov (Photography) and Itzhak Holyland (Graphics). This is one of those songs that has some sort of spark, a creative stamp that when you listen to it, you can tell something wonderful just happened in your presence. Yes, it’s like an experience unto its own. RAHM has a lovely lilting voice, a light instrumental

Brendanfrielmusic knows how to hypnotize and bond the listener

Even if you usually loath introspective singer-songwriters who play acoustic guitar and sing depressing songs, Brendanfrielmusic’s music will penetrate your shield and make you relate to this songwriter from Glasgow, who will draw a great amount of empathy from unknown parts of your psyche. Brendanfrielmusic is the perfect brand of tortured soul, flaunting an elegant, yet afflicted poetic trait. His stripped-down melodramatic song-writing and guitar playing are in line with his moody narratives. He is a perfect emblem of the counter-culture hidden in the underground music scene. The guitarist and vocalist usually works in a lo-fi setting, using the bare

Kathy Ingraham – “That’s What Crazy Lovers Do” – sultry tones and piquant timbres!

Kathy Ingraham is an experienced vocalist who has sung on TV and radio commercials for organizations such as McDonald’s, Chrysler, ABC Network, Coke, Pepsi, and many more. Kathy launched her artistic career in 2014 and has since completed several solo projects and singles, working with an impressive roster of artists and composers, including Grammy-winning composer Henri Krieger, Luther Vandross, Meatloaf, Marc Cohn, Michael Bolton, Richie Havens, Michael Kamen, and several more. Her latest single “That’s What Crazy Lovers Do”, is an original jazz track that features the legendary Pete Levin on piano. Kathy Ingraham is clearly surrounded by outstanding musicians here, as witnessed in the

Arman Ayva: “R U worried?” inhabits different rhythmic cultures

Canadian based Arman Ayva clears up any loose ends by declaring himself “another freaking lunatic” right off the cuff. I can’t vouch for the fact that he really is “another freaking lunatic”, but I can establish the fact that he is another typical independent artist embracing the 21st Century technological music idiom. Avya has no musical background. By day he is a suit and tie business analyst in the banking industry. In his spare time he first crossed his creative paths with the art of photography before discovering a $100 keyboard and GarageBand. “I have no intention to compete to any musician or make money out of it,” says Ayva. “I record a sound, I listen, and I like it, but I want to know if it is just me or will others like it too?”

Thus far Arman Ayva appears to be as rational and reflective as the average indie artist, except for the fact that he has no overzealous pretension or overblown expectations for mass planetary success. And maybe that rationality shown in today’s totally hyped-up musical climate makes him “another freaking lunatic”.

If all this sounds too confusing for you, maybe we should just concentrate on what Avya creates. And that is, jazz and classically induced pieces of music – piano driven soundscapes with plenty of strings, horns and driving percussion.

As in all free-flowing, free-association jazz arrangements, Ayva’s pieces do not follow the conventional verse-bridge-chorus-verse format of pop. Instead more like a water stream, his pieces, such as “R U worried?”, starts in one place, and then meanders gently into variants which grow into glistening rushes of crystalline sound.

In an era of intensively schooled jazz performers, it’s a frequent observation that a particular jazz player seems at ease playing just about any style. But if omni-competence in jazz is widespread, there’s more to covering this form of music without any musical background or hotshot technique at all. Yet Arman Ayva appears to have pulled it off.

Avya doesn’t play old jazz standards, pre-established samba shuffles or swing grooves, but his own eclectic compositions. Hence he doesn’t need to apply any respectful courtliness or knowing irony in his interpretations; instead he plays with devoted warmth, and a delicacy that comes from having lived his songs’ nuances.

Ayva develops his narrative with the most sparing of touches and sly turns, and his own compositions “R U worried?” and “Blown Away” shows his capacity to inhabit different rhythmic cultures as if he had been raised on them.

Neither groundbreaking nor experimental or solely for jazz purists, Arman Ayva’s crossover musical pieces make for pleasant listening, especially if you like instrumental music, and show nice changes of pace, tone and mood. As the man says, he is just “another freaking lunatic.”

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