Twice The Holiday Feel-Good Vibe From NYC Indie Rockers

The Baghdaddios Celebrate Homeless Benefit’s 20th Anniversary – and Release a Brand New Holiday Single! For 25 years The Baghdaddios have churned along, trolling the seedier dive bars of New York City that were fortunate enough to have a sound system and a cabaret license.  Occasionally they graced the spotlight of some higher profile venues (including their third-ever show at iconic punk birthplace CBGB).  Somewhere along the way, between the indie CD releases, music videos, trips to other countries and criss-crossing various part of the U.S., they got a bright idea in their 5th year that resulted in the proverbial

INTERVIEW with Alternative Rock Band RAVENSCROFT

Ravenscroft is a seasoned foursome of alternative rock musicians comprising Ralph Buso (Vocals), Pat Magrath (Drums), Brett Octane, (Guitar) and Devin Baker (Bass). The band’s six song EP is set to be released January 2018. In the meantime the powerhouse unit has dropped two lead singles to whet anticipating appetites. Two of the band’s members took the time to answer some curiosities in the following interview. How long has the current line-up of Ravenscroft been together and how did you get together in the first place? Brett Gorke (Guitarist): Approximately three years. Due to personal issues the original guitar player was unable to continue with Ravenscroft. At that

Ann Taylor: “Sober” – an anthem that is so calm and haunting it could put you into a trance

Canadian Record Label Illium Audio signed Ann Taylor in 2017. A singer-songwriter living in Calgary, Ann fell in love with songwriting, propelling her towards the release of her first EP “Roses” in February 2016. She is a versatile artist who has explored genres as diverse as folk, pop and electronic music, and is able to blend them together to form unique and playful new sounds. In addition to her solo work, Ann is a member of musical collective “Plus”. Set to release a full length album in 2018, she is currently working on an EP, and has released the single,

Collaborateurs: “Interstellar Colors” blurs the lines between earnestness and bravado

“Interstellar Colors” is the third album released under the Collaborateurs name, but Curtis Hubbard, Glenn Hubbard, Roger Brandon, and Jeremy Cayton have worked together in other acts for a long time. Most recently, Hubbard, Brandon, and Cayton released three albums under the name Rog & Glenn. Brothers Curtis and Glenn Hubbard have also recorded together for many years, first as Four Day Weekend, and more recently The Hubbard Concept. The Collaborateurs have a formula that works for them. Every album has more than a handful of tracks that are the greatest thing you’ve ever heard, a perfect arrangements of chords

The BoyEatsGirl “Zugzwang” Interview

Australian extreme metal project BoyEatsGirl is driven by one man – Rick ‘Cleveland’ Pinto who launched the project in late 2015. BoyEatsGirl has since been establishing itself as a favorite extreme metal project: Pinto is one of the few underground artists to offer a complete conceptual and experiential package in the genre – food for the heart, mind and senses, as intellectually stimulating as it is emotionally intense. BoyEatsGirl creates a nice balance of standard, aggressive metal riffs, intermingled with fast, monstrous, ultra-heavy, ultra-complex mechanical cyber-grinding percussion, and a crazed use of sonic extremities. Also, there is use of growling vocals, which produces a thick, beastly, darkly regal, searingly

ZALI: “Girls Like Us” – an ambitious blend of bravado and sultry charm

ZALI is an emerging Irish Singer-songwriter creating a buzz in Ireland and the UK with her powerful vocals and the distinct cross-genre sound of Soul-Pop. Passionate about music since her childhood ZALI began performing to crowds of all sizes via her church choir which confirmed her artistic calling. Years of vocal training and a signature sound blended from old-school R&B, mixed with Soul-Pop brings ZALI to her latest single “Girls Like Us”. An anthem for woman around the world, the track was written after the singer had been suffering from heartbreak. ZALI is a powerhouse vocalist, stylistically contemporary but one

PnB ROCK Performing at the Gas Monkey Live November 24, 2017!

PnB ROCK the American artist, singer, songwriter, record producer, and actor from Philadelphia, Pennsylvania, is getting ready to set the Gas Monkey Live!, in Dallas Texas alight with his live performance programmed for 7 p.m. November 24, 2017. The Billboard Hot 100 artist, whose album “Catch These Vibes”, features Wiz Khalifa, Juicy J, Roy Woods, Smokepurpp and more, will also be performing his smash hit single “Selfish”, among others. Below are all the details relating to the artist and live concert. Music Group Name: PnB Rock Date: November 24, 2017 Venue: Gas Monkey 10110 Technology Blvd E, Dallas, TX 75220 Time:

Prilho: “Stay” is set to become a favorite of modern club culture

Although only a couple of years into a career as a DJ and producer, Prilho has quickly become one to watch on the EDM scene, not only in his native Portugal but across the European dance scene as a whole. “Stay” is a song which pulses with the positivity and euphoria of the contemporary dance sound, it glows with great vibes and even though it is built on a fairly mid-paced tempo, its clever use of dynamics, its ability to build musical peaks and sonic troughs means that it is packed with punch, but it is punch which comes from

Grey Smith’s music can easily serve as therapy for music fans

Grey Smith solidified his sound and his soul, engraving it in stone with the first track, “Fear”, taken off his upcoming project, the “Ghost Notes” album. Grey, who wrote, played, sang and engineered every piece of the record is fundraising the entire project via to finance the mixing and mastering of the album, the back-end administrative items like trademarking, publishing, copy-writing, marketing, publishing to  iTunes, Spotify etc., as well as shooting a video for the first song. You can be an important part of this process by logging on to his fundraising page HERE. On “Fear” Grey Smith sounds so

Singer-Songwriter Wants to Flood the Earth with a Love and Peace Revolution

Singer-Songwriter, Sankarshan Das, who began his songwriting career in the late 60’s during the legendary love and peace revolution era days in San Francisco’s Haight Ashbury district, has a written a song called “The Peace Formula,” which was very much appreciated by former US President Obama when he was in the White House. It has now been released on the Turn-On- the-World-Records label.  (www.TurnOnTheWorld.com) Listening to the song, it’s blindingly obvious that Sankarshan Das possesses a real passion behind the message he is trying to convey. This is reflected in his lyrics and performance that is delivered throughout the song.

Arman Ayva: “R U worried?” inhabits different rhythmic cultures

Canadian based Arman Ayva clears up any loose ends by declaring himself “another freaking lunatic” right off the cuff. I can’t vouch for the fact that he really is “another freaking lunatic”, but I can establish the fact that he is another typical independent artist embracing the 21st Century technological music idiom. Avya has no musical background. By day he is a suit and tie business analyst in the banking industry. In his spare time he first crossed his creative paths with the art of photography before discovering a $100 keyboard and GarageBand. “I have no intention to compete to any musician or make money out of it,” says Ayva. “I record a sound, I listen, and I like it, but I want to know if it is just me or will others like it too?”

Thus far Arman Ayva appears to be as rational and reflective as the average indie artist, except for the fact that he has no overzealous pretension or overblown expectations for mass planetary success. And maybe that rationality shown in today’s totally hyped-up musical climate makes him “another freaking lunatic”.

If all this sounds too confusing for you, maybe we should just concentrate on what Avya creates. And that is, jazz and classically induced pieces of music – piano driven soundscapes with plenty of strings, horns and driving percussion.

As in all free-flowing, free-association jazz arrangements, Ayva’s pieces do not follow the conventional verse-bridge-chorus-verse format of pop. Instead more like a water stream, his pieces, such as “R U worried?”, starts in one place, and then meanders gently into variants which grow into glistening rushes of crystalline sound.

In an era of intensively schooled jazz performers, it’s a frequent observation that a particular jazz player seems at ease playing just about any style. But if omni-competence in jazz is widespread, there’s more to covering this form of music without any musical background or hotshot technique at all. Yet Arman Ayva appears to have pulled it off.

Avya doesn’t play old jazz standards, pre-established samba shuffles or swing grooves, but his own eclectic compositions. Hence he doesn’t need to apply any respectful courtliness or knowing irony in his interpretations; instead he plays with devoted warmth, and a delicacy that comes from having lived his songs’ nuances.

Ayva develops his narrative with the most sparing of touches and sly turns, and his own compositions “R U worried?” and “Blown Away” shows his capacity to inhabit different rhythmic cultures as if he had been raised on them.

Neither groundbreaking nor experimental or solely for jazz purists, Arman Ayva’s crossover musical pieces make for pleasant listening, especially if you like instrumental music, and show nice changes of pace, tone and mood. As the man says, he is just “another freaking lunatic.”

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