Vintage rockers KAATO drop “Someday, Someday”, from the album “Slam!

KAATO is a Nashville, Tennessee based rock band, made up of Kurt Lowney (vocals), Mika Nuutinen (bass), Hunter Lovan (lead guitar), and Christopher Williams (drums). Originally from Australia, the band was founded in 2011 by singer/songwriter Kurt Lowney. KAATO had their first international tour co-headlining with Mitch Malloy in the UK after their self-titled album was released in 2016. Kurt and Mika made the move to Nashville permanent, in 2018, and started work on their newest album “Slam!” from their home studio, which allowed them to fine-tune their sound until they got exactly what they wanted. Glam rock, Vintage rock,

Franco Esteve: “The Hunt” – a backdrop to life itself

Three years in the making, the loosely tied together, classical crossover, concept album, “The Hunt”, represents a masterwork for Puerto Rican multi-disciplinary artist, Franco Esteve. The award-winning filmmaker and music composer, once again forges his intense-storytelling, and vivid imagery-driven compositional skills. Esteve’s music not only engages the ears but also intrigues the mind and feeds the soul. “With The Hunt, I wanted to do something different, expressing through classical, orchestral music, the images and feelings one gets from life itself,” explains Franco Esteve, continuing: “Whether it’s the drive of ‘The Hunt’, the insomnia of ‘The Wait’, or the sadness of

Plastic DJ: “Giving Up” – Truly euphoric, refreshing and atmospheric!

The album “Giving Up” by Barcelona-based producer and singer Plastic DJ, is the very best that the blended genres of Deep House, Downtempo and Electro have to offer. The thing that sets Plastic DJ so far above his contemporaries is that he’s genuinely talented as a musical composer, and stunningly enchanting as a singer. The music is of a baroque complexity, and here’s no overpowering bass or wailing synths. It’s like listening to a dream. You’ll play this in your car when you want to relax, at home when you’re at the beach or sitting on the porch, or as

One Step From Everywhere: “Somewhere in Between” – an insistent rhythmic thrust, adorned with fiery guitar work, and soaring vocals

One Step From Everywhere is a Seattle based band that does not limit themselves to genre or style. Primarily a rock band, with a passion for playing live, they are not afraid to add shades of any style that may strike a chord within them.  Their album, “Somewhere In Between”, is a full and complete artistic statement that can function equally well as an introduction to and summation of the varied strengths of this band. The production and engineering also aids immeasurably in this regard. The sumptuous mixes place the listener deep within the instrumental interplay of a band whose

Kingdom Atlas: “Severe Spheres” – ripping rock combined with lucid moments of intense and beautiful melody

Kingdom Atlas is a Georgia-based hard rock band that was originally launched as Rising Tide in 2013by, Grant Purvis with friends Nick Blake and Adam Chiarella while studying music with them at Georgia Southern University. The lineup of Purvis (vocals, guitars) and Blake (guitars, keyboards), along with Devin Ruiz (bass), Aaron Coburn (drums) and Cody Barber who replaced Chiarella as lead guitarist in 2015, was stable until the groups disbanded in 2017 due to schedule conflicts and some members graduating. In 2018, Purvis, Blake, Coburn, and Barber reformed with the new name Kingdom Atlas to record their debut album “Severe

Tiaday Ball drops two new singles – “Current” and “Good To You”

Tiaday Ball has released two follow up singles to her first release “Favors”. The songs “Current” and “Good To You”, are both now available anywhere you get digital music from. Tiaday stated: “R&B has been the foundation of my life in music since I can remember. Gospel, soul and R&B were always playing in the house or being sung by my father who was also a singer and he loved Stevie Wonder, Otis Redding, Donny Hathaway, etc. One of the first songs I ever learned how to REALLY train singing along to was “A Song For You” by Donny Hathaway.

DAV!D&CLARA: “Repair” – rugged and intense!

The man and machine duo of DAV!D (David Castillo) and his computer CLARA, better known as DAV!D&CLARA, are back with a new single in 2019, called “Repair”. The track is taken from the upcoming album, “CONFESSIONS OF THE MACHINE” to be released early 2020. Much of this latest single displays a minimalist, almost survivalist element, as if every movement, gesture, and note is conserved and used for maximum effect. DAV!D’s songwriting principle seems to be “less is more”, a sentiment CLARA seems to adhere to perfectly. Together they have an artistic sensibility that’s far from common. The song is based

Catch up with Boston based group Urban Lights Band

Boston, MA based Urban Lights Band is an eclectic group of musicians and artists who harness the power of all styles of music to create unforgettable experiences. They are seasoned professionals committed to providing quality musical showcases that bring various audiences together. Their global mission is simple; aspire to inspire! If you are in the Boston area you can find them at:  May 25th 2019 – Darryl’s Corner Bar & Kitchen- Boston, MA June 20th, 2019 – The Milky Way – Jamaica Plain June 21st 2019 -The Middle East Night Club (Corner Room) – Cambridge, MA Hook up with Urban

Royal: “Letter To Cecil” narrates his hardships, his grind and his contributions

Royal is a hip hop artist who currently resides in Hockessin, Delaware. He understands the importance of giving back and he performs at dozens of middle schools and high schools. In the past, he has donated the proceeds from concerts and albums entirely to the community, spreading his generosity to the surrounding neighborhoods. Royal has performed alongside artists such as Waka Flocka, Meek Mill, Yo Gotti, YG, and Tory Lanez. His latest project is the single, “Letter To Cecil”. Here Royal seems to be hungrier than ever and is out to remind hip-hop of the abilities that should eventually bring

‘The World We Live In’ EP by ‘Redford’ is Out Now on Glasstone Records

Simon Ratcliffe (BASEMENT JAXX): “Redford have a unique fresh and lush sound with strong heartfelt songs, gorgeous melodies – not to mention superb musicianship.” Mastered by Greg Brooker (Dejstil feat Peter Hook – Joy Division / New Order, You Love Her Coz She’s Dead, Micky Diana) Polish indie-rockers Redford have announced their arrival with a brand new single, cinematic video clip and a new Ep on Glasstone Records. The new Ep The World We Live In is on streaming platforms now, and you can watch the video for the single To The Morning below on YouTube.  With a brand

Eddy Mann: “The Consequence” – sophisticated, wistful, and reflective

The past couple of years have presented the market with multiple artists reinventing the acoustic folk genre by dragging the music kicking and screaming into the 21st century. In the underground of this movement is Eddy Mann who has a number of releases under his belt, including last year’s “The Consequence”.  This is an album that has a collection of catchy acoustic-guitar driven songs built on a bed of bass and drum beats

Mann may not have scored a bona-fide radio hit with any of the songs yet, but indeed this is an album that has the capacity to produce multiple ear-friendly singles. These include “Eleven In A Boat”, “Evanesce”, “There’s In The Well”, “She’s Me”, “The Consequence” and “Howlelujah”.

Mann’s lyrics explore familiar themes of love, happiness, redemption and faith — well-mined territory for this style of music. Yet, all of this is done in the midst of mellow guitars, trippy rhythms, and percussive rhythms. The high points are many as every aspect of the album is stellar – beautiful songwriting and the production to match.

The sonic equivalent of throwing open the drapes and letting the light in, “The Consequence” is a revivifying expansion of Eddy Mann’s traditionally spare sound. Mann doesn’t discard the austere, deadly serious singer-songwriter shtick from previous releases but brings in some lush, warm canvasses upon which he reliably spins his literate, melodic Americana roots.

He generally blends techniques relied upon before, with his will to plow some new ground. “The Consequence” finds the troubadour in a somewhat sunnier mood but still very contemplative on some tracks. But regardless of the sonic homages, Mann’s trademarked dense narratives of the human heart and faith still captivate.

“The Consequence” displays that there’s more to folk songwriting than battered old guitars, khaftans and recycled ideas from the 60’s. Given the state of mainstream music today, it’s truly wonderful to find an album that you can recommend without any qualms. And this record fits right into this category.

At times Mann is a modern-day Arlo Guthrie and at others like Van Morrison – his music is sophisticated, wistful, and reflective. A literate and skillful musician, Eddy Mann’s mix of acoustic Americana and folk-rock combines in wonderful form on “The Consequence”. Mann’s songs are passionate yet amiable, cleanly done, with an assemblage of gentle balladry accompanied by an abundance of modern skill.

Mann’s riffs are unbelievably catchy, but retain a certain ethereal quality that runs throughout the album, his guitar adopting the swaying emotion of a slow waltz. He has a voice that is perfect for singing tales of love lost and hearts divided, or of wandering souls and a desperate longing for answers. And then again, he can sing the exact opposite too.

Amazingly, it can all be accomplished without the least sense of falsity, because Eddy Mann is someone who’s a truly rare breed in the popular scene these days: a real musician and a true Christian. Mann not only knows Christ, but he knows how to craft a beautiful album. Set this one aside as perfect for those lonely Saturday nights.

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